Category Archives: Press Release

Singer-Songwriter Percy Howard Releases New Album “The Stars and The Well” Featuring Fred Frith, Vernon Reid & Matt Chamberlain

For Immediate Release

Singer-Songwriter Percy Howard Releases New Album “The Stars and The Well” Featuring Fred Frith, Vernon Reid & Matt Chamberlain

Percy Howard, a NorCal based singer-songwriter and product of the New York no-wave avant-garde, has performed and or toured with members of Living Colour, King Crimson, Swans, Guns N’ Roses (Buckethead), Oxbow, Henry Cow, This Heat, and Brand X. Percy has also shared European festival stages with Brazilian music legend Caetano Veloso and ambient pioneer Stephan Micus.

Percy is the generator of the Meridiem project, which has included collaborative input from Bill Laswell, Vernon Reid, Charles Hayward, Trey Gunn, Fred Frith, Robert Rich, Buckethead, Jarboe, Happy Rhodes, and Jill Tracy, amongst others. Percy’s Genre-defying mix of rock, jazz, soul and classical influences have drawn critical attention and praise from all over the planet. Percy has recently started the record label Necessary Angel, which he sees as an archival entity whose sole mission is to spread as much sonic beauty across the world as possible.

Influenced by the Laurel Canyon Sound, Bowie, Steely Dan, Richie Havens, and Scott Walker, but created in the context of my own experience, Percy’s new album “The Stars and The Well” is unabashedly nostalgic, consumed with Romance and unafraid of the fragility of love. It’s a retrospective of the impact of love in my life, in all its forms… From the heights (The Stars) to the depths (The Well).

Please listen with your ears, mind and heart open.

Produced by Joe Chiccarelli at Sunset Sound, Los Angeles, CA. October 2022

Musicians:
Bass – Kaveh Rastegar, Sean Hurley
Guitars – Joe Gore, Vernon Reid, Fred Frith, David Levita
Banjo – Joe Gore
Drums – Matt Chamberlain
Keyboards – Zac Rae
Backing Vocals and Vocal Arrangement on “The Lonely Sea” – Roger Joseph Manning
Backing Vocals – Valerie Pinkston, Mia Pfirmann, India Carney
Trumpet – James Havorka
Horns – Danny T. Levin
Strings – The Section Quartet
Song Charts – Benjamin Lee

Advice and Coordination: Eliot Goldstein for Blue Buddha Productions

To purchase: https://7dmedia.com/percy-howard-the-stars-the-well

Press inquiries: Glass Onyon PR, PH: 1-828-350-8158 (US), glassonyonpr@gmail.com


Multi-Instrumentalist Julian Calv Releases A Cover Of The Moondog Song “Encore” (Originally Titled “Utsu”) Through Deko Entertainment

For Immediate Release

Multi-Instrumentalist Julian Calv Releases A Cover Of The Moondog Song “Encore” (Originally Titled “Utsu”) Through Deko Entertainment

Calv carries on the legacy of Moondog (aka The Viking of Sixth Avenue) with full support from the Moondog archives!

Stockton, NJ – Percussionist Julian Calv was a music major who recently graduated from Moravian University in Bethlehem, PA. He now resides in the art community of Windsor, VT. Calv can occasionally be seen on Church Street in Burlington, VT, busking much in the way Moondog, aka the Viking of Sixth Avenue, did in NYC during the 50’s and 60’s.

Calv has studied every aspect of the avant-garde musician’s creative life. In addition to composing and performing, Moondog’s life included the invention of several musical instruments, most famously the trimba (a sort of triangular drum). Calv has even built his own one-of-a-kind trimba, going to great lengths to travel to Sweden and Germany to meet with fellow Moondog aficionados, and study the design of the instrument. Moondog archivist Wolfgang Gnida states, “Julian Calv – the future of the trimba, that’s what I called Julian some time ago. That may seem a bit of an exaggeration, but since the time I’ve been working at the Moondog archives, I’ve yet to meet a musician who has been as intensely involved with the trimba as Julian.”

Calv had this to say about his latest release, “‘Encore’ is written by Moondog and performed by Ava Bloomfield on piano and myself. The song was originally titled ‘Utsu’ and played on an instrument Moondog built having the same name. This reinterpretation of the song brings the utsu’s melody to the piano keys. ‘Encore’ is one of nine songs from an upcoming album titled ‘Nonstop Motion,’ featuring the music of Moondog and Julian all wrapped up in one.”

Listen here: https://ada.lnk.to/JCEncore

In addition to covering Moondog material, Calv has now been creating his own percussion-based compositions in a style reminiscent of the late composer. His first release, “Route 4,” and follow up “Thorn and Roots” have been picked up on multiple Spotify playlists.

Listen to “Route 4” here: https://ada.lnk.to/Route4

Listen to “Thorn and Roots” here: https://ada.lnk.to/ThornandRoots

Order the limited edition (only 250 printed) 7”-single and limited bundles here: https://bit.ly/JulianCalv

Tracklist:
Side A – “Route 4”
Side B – “Thorn and Roots”

This bundle Includes:
One (1) 7” Vinyl Single
One (1) Julian Calv Sticker
Two (2) Maraca Key Chains

For more information: http://www.instagram.com/julian.trimba/


www.dekoentertainment.com
Deko Entertainment–Art Has Value

Press inquiries: Glass Onyon PR, PH: 828-350-8158 (USA), glassonyonpr@gmail.com


Ex-King Crimson Violinist David Cross Announces the Release of New Studio Album “Ice Blue, Silver Sky” OUT NOW!

For Immediate Release

Ex-King Crimson Violinist David Cross Announces the Release of New Studio Album “Ice Blue, Silver Sky” OUT NOW!

David Cross was a member of King Crimson during the 1970s and continues to have a loyal fanbase. He’s best known for playing violin on the albums “Larks’ Tongues in Aspic” and “Starless and Bible Black”.

The musicians featured on his new album “Ice Blue, Silver Sky” include Jinian Wilde, Mick Paul, Steve Roberts and a special guest appearance on two tracks by David Jackson of Van Der Graaf Generator.

This new studio album features new tracks along with new recordings of the two classic King Crimson tracks “Exiles” and “Starless”. The album title refers to a lyric in Starless and King Crimson lyricist Richard Palmer-James contributes to the lyrics on this album.

David Cross said of the album, “There is a narrative to this album which emerges from a patchwork of natural soundbites, lyrics and scripted text. The music is the tale…”

TRACKLIST:
1 Nurse Insane
2 Calamity
3 Nowhere
4 Exiles
5 Karma Gain
6 Over Your Shoulder
7 Starless

OUT NOW and available from:
Amazon CD: https://geni.us/DCBcd
Apple Music: https://geni.us/DCBam
Spotify: https://geni.us/DCBsp
Also available directly from Cherry Red: https://www.cherryred.co.uk/artist/david-cross/

Press inquiries: Glass Onyon PR, PH: 828-350-8158 (USA), glassonyonpr@gmail.com


Prog Ensemble Cymbalic Encounters Featuring Drummer Mark Murdock Celebrates 10th Anniversary With New Album “Electricus”

For Immediate Release

Prog Ensemble Cymbalic Encounters Featuring Drummer Mark Murdock Celebrates 10th Anniversary With New Album “Electricus”

“Electricus” represents Cymbalic Encounters’ 10th anniversary after releasing the initial collaboration with Brand X’s Percy Jones and John Goodsall on Mark Murdock’s “Cymbalic Encounters” and “Exploration of the Southern Constellation.”

“Electricus” features eight songs under the theme of “Experiments in Static Electricity” with three vocal songs and five instrumental songs, in the Cymbalic Encounters tradition.

Track list:
1. Within the Lightbulb’s Glow
2. Electricus
3. Circuits and Codes
4. Electro-Static Particles
5. The Flying Boy Experiment
6. Experiments in Static Electricity
7. Rubber Sole
8. The Hindenburg (The Future of Human Missions)

Musical Contributions:
Mark Murdock/drums, synthesizers & synth fretless bass
Tim Pepper/vocal on 1, 3, & 6
Joe Berger/lead guitar on 2, 3, 4, 7 & 8
Charles Lambiase/fretless bass on 8
Dave Juteau/guitar on 1, 3 & 4
Preston Murdock/lead guitar on 3 (first solo)
David Rambeau/guitar on 6

All songs composed by Mark Murdock
Mixed and Mastered by Joe Berger at R&B Studios, Okachimachi
Copyright 2023

To purchase: https://cymbalicencounters.bandcamp.com/album/electricus

Electricus” Promotion Video: https://www.youtube.com/watch?v=T1yqJ57yhIA

*Additional Cymbalic Encounters release can be found on Bandcamp and all digital formats.

Press inquiries: Glass Onyon PR, PH: 828-350-8158 (USA), glassonyonpr@gmail.com


XTC “The Big Express” The Surround Sound Series CD/Blu-ray Now Available!

For Immediate Release

XTC “The Big Express” The Surround Sound Series CD/Blu-ray Now Available!

• Classic 1984 XTC album on CD/Blu-ray newly mixed (2023) by Steven Wilson in Stereo, 5.1 Surround & (for the first time with an XTC album), Dolby Atmos Spatial Audio mixes as part of The Surround Sound Series.
• CD features the complete album newly mixed in stereo + three additional tracks.
• Blu-Ray includes the newly mixed material as featured on CD in Hi-Res Stereo, 5.1 Surround and Dolby Atmos + 2023 stereo out-takes & instrumental mixes in Hi-Res stereo.
• Blu-Ray also includes the original album + additional tracks in Hi-Res stereo
• The complete album & more also appear in demo form (16/48 stereo reflecting the source material).
• Packaged in a 2-disc digipak sleeve with 16-page booklet in a cardboard slip case.

“‘The Big Express’ is the closest we ever came to recording a ‘concept’ album. It’s full of Swindon and deep seams of life there, that run through myself, Colin, and Dave, (Terry too of course). It’s populated by members of our families, our hopes and dreams. The things we wished for, or feared, a stew of memories.” – Andy Partridge – excerpted from the book “Popartery”, 2023

XTC’s seventh album, “The Big Express” was virtually ignored on release, much as its immediate predecessor “Mummer” had been. If “Mummer” was XTC’s quiet album, this was its polar opposite: bright, brash, noisy – even cluttered on occasion if the song demanded it – as it became a concept album of sorts, a partly autobiographical reflection on growing up in an industrial town, Swindon, with its history of engineering and railway accomplishments.

Perhaps in keeping with that tradition of technical innovation, the album also made extensive use of (at the time) new technology with Linn-Drum programming (alongside drummer Peter Phipps), E-mu Emulator and other synths claiming space among the more traditional guitars, bass and drums mix under-pinning the vocals. This technology was juxtaposed with technology of a slightly earlier pop/rock era as phasing, backwards tapes and the inclusion of a mellotron hinted at a psychedelic influence that would move more center-stage with the band’s next project – “The Dukes of Stratosphear”.

With XTC no longer touring, the sound radically different to any previous XTC album, in a musical climate where the upper end of the charts reflected national radio, producing the most mainstream result for years: Lionel Richie, Sade, Spandau Ballet, Howard Jones, Tina Turner, Queen – Frank Sinatra’s final solo studio album… the space for a metallic, post-punk concept album about growing up amidst the ghosts of Swindon’s industrial heritage proved non-existent.

Of course, the songs were as good as on any other XTC album – a very high standard indeed – but they went largely unheard. Given that position, it would be easy to conclude that the timing was wrong for the album. But the best musicians follow the music and allow the times to catch up with that; precisely what happened when XTC released its next album “Skylarking” in 1986. Just as “Mummer’s” reputation (and sales) has increased over the years, “The Big Express” is now regarded as a ‘neglected classic’ of its era.

Now remixed by Steven Wilson in stereo, 5.1 Surround Sound & Dolby Atmos, the full impact and power of the album can be appreciated. Already given studio quality previews to an invited audience in London and LA at L-Acoustics studios, the reaction was one of collective awe at the amount of newly apparent detail & clarity in the Atmos mixes. As ever with XTC, the full package on the Blu-ray disc includes every recorded song from the era, ranging from demos through to the aforementioned Spatial Audio mixes.

Coal for the Soul.

CD (2023 Mixes)
1. Wake Up
2. All You Pretty Girls
3. Shake You Donkey Up
4. Seagulls Screaming Kiss Her Kiss Her
5. This World Over
6. The Everyday Story Of Smalltown
7. I Bought Myself A Liarbird
8. Reign Of Blows
9. You’re The Wish You Are I Had
10. I Remember The Sun
11. Train Running Low On Soul Coal
Additional tracks
12. Red Brick Dream
13. Washaway
14. Blue Overall

Blu-ray
• Album and additional tracks of 2023 Mix in Dolby
Atmos, Hi-Res Stereo and DTS-HD MA Surround
Sound & instrumental mixes in Hi-Res Stereo all
mixed by Steven WIlson
• Plus album and additional tracks of original mix in
Hi-Res stereo, with additional out-takes.
Additional out-takes:
15. Broomstick Rhythm (guide vocal)
16. The Troubles (Big Express Version – Backing
Track)
• Album and additional tracks in demo form in 16/48
Hi-Res stereo with additional demos of songs
written for The Big Express
Additional demos:
15. Now we all Dead (It Doesn’t Matter)
16. Work
17. Gangway, Electric Guitar is Coming Through
18. Broomstick Rhythm
19. Shiny Cage
20. A Patriotic Romance

To purchase: https://burningshed.com/xtc_the-big-express_cd_blu-ray

For more information please contact: info@panegyric.net

Press inquiries: Glass Onyon PR, PH: 828-350-8158 (USA), glassonyonpr@gmail.com


Joe Satriani Bass Sideman and Mermen Co-founder Allen Whitman Releases New Ambient Soundtrack “Monogatari no Fūkei”

For Immediate Release

Joe Satriani Bass Sideman and Mermen Co-founder Allen Whitman Releases New Ambient Soundtrack “Monogatari no Fūkei”

ALLEN WHITMAN, former bassist with legendary virtuoso guitarist JOE SATRIANI and co-founder of the San Francisco-based influential instrumental surf-rock trio THE MERMEN has announced the digital-only release (through label SQUEAKEY STUDIOS) of a new soundtrack/ambient album “MONOGATARI NO FŪKEI.”

The album incorporates acoustic guitar-driven sonic environments with samples and synth that forwards a pace matching its title: “Landscape Of Stories”. The movement, using field recordings made on a recent visit to Japan, is compelling, occasionally contemplative and often propulsive.

ALLEN WHITMAN, a stalwart of the San Francisco music scene, also credits live performance and musical collaboration with, among many others, the likes of HELIOS CREED, TINY TIM, THE SANDALS, THE INK SPOTS, NELS CLINE, MIKE KENEALLY, CARMINE APPICE, DOROTHY MOSKOWITZ, DJ QUEST, SAMMY HAGAR, TONY MACALPINE, DWEEZIL ZAPPA, STEVE LUKATHER, STEVE VAI, STEVE MORSE and JOHN PETRUCCI.

WHITMAN has also worked extensively in live music for theater, particularly with California-based Theatre of Yugen for live performance in a modern Noh style in San Francisco, New York City, Tokyo and Austin.

To purchase: https://squeakeystudios.bandcamp.com/album/monogatari-no-f-kei

Additional online resources:
https://www.instagram.com/squeaksmore/
https://audius.co/squeakeystudios
https://soundcloud.com/squeakey-studios

Press inquiries: Glass Onyon PR, PH: 828-350-8158 (USA), glassonyonpr@gmail.com


Bruford “One Of A Kind” 12” Vinyl Edition Available November 24, 2023

For Immediate Release

Bruford “One Of A Kind” 12” Vinyl Edition Available November 24, 2023

Definitive vinyl re-release re-issued on Bruford’s own Winterfold Records and overseen personally by drum legend Bill Bruford

• Bill Bruford is the original drummer in YES and was a long-term member of King Crimson.

• The band Bruford recorded this album in 1979 and it went on to achieve critical acclaim and commercial success.

Bruford “One Of A Kind” 12” vinyl reissue will be available November 24, 2023!

The line-up on this album is: Bill Bruford – drums, percussion, Allan Holdsworth – electric guitar, Dave Stewart – keyboards, Jeff Berlin – bass

This 12” vinyl re-issue has been mastered from the original 1979 mix, taken from the original 1979 analogue tapes, and comes housed in a replica sleeve.

Mastered from the original tapes recorded and mixed by Stephen W Tayler in 1979

This definitive vinyl re-release is re-issued on Bruford’s own Winterfold Records and was overseen personally by Bill Bruford.

It’s music that breathes… played by empathetic, truly virtuosic musicians. But is it rock, jazz, prog or fusion? Who knows, but it’s some of the greatest British instrumental music of all time”. Sounds of Surprise

“… despite a landscape of constantly-shifting meters and tempi, the magic of One of a Kind is that it remains compelling and accessible”. All about Jazz

“This collection of ten tracks stands as a maelstrom of chops, arranging skills and inspired ensemble playing… the dynamics between drums, keys and fretless bass provide a high profile, capable structure for Holdsworth’s top-flight soloing ability”. Exposé Online

Photo by Pascal Devillers

TRACK LISTING

Side 1
1 Hell’s Bells
2 One Of A Kind – Part One
3 One Of A Kind – Part Two
4 Travels With Myself – And Someone Else
5 Fainting In Coils
Side 2
1 Five G
2 The Abingdon Chasp
3 Forever Until Sunday
4 The Sahara Of Snow – Part One
5 The Sahara Of Snow – Part Two

To pre-order: https://burningshed.com/store/billbruford/bruford_one-of-a-kind_vinyl

Bill Bruford official website: https://billbruford.com/

Press inquiries: Glass Onyon PR, PH: 828-350-8158 (USA), glassonyonpr@gmail.com


King Crimson “Larks’ Tongues In Aspic” The Complete Recording Sessions – Dolby Atmos 2023 Mixes Blu-ray/2CD Now Available!

For Immediate Release

King Crimson “Larks’ Tongues In Aspic” The Complete Recording Sessions – Dolby Atmos 2023 Mixes Blu-ray/2CD Now Available!

• 50th anniversary edition of King Crimson’s classic 1973 album
• Blu-Ray I features all-new 2023 mixes in Dolby Atmos, DTS-HD MA 5.1 Surround Sound and Hi-Res Stereo by Steven Wilson
• Blu-Ray I also features the new Elemental Mixes by David Singleton
• Blu-Ray II contains the complete recordings of every session recorded for the album. All of this material has been newly mixed from the original performances and is presented on disc for the first time in Hi-Res 24/96 stereo.
• Additionally, Blu-Ray II includes Hi-Res stereo mixes of the original stereo masters & David
Singleton’s audio documentary of the album recording “Keep That One, Nick” previously included on the 2012 boxed set. These are the sole inclusions to have been issued previously.
• CD1 includes the 2023 stereo mix and instrumentals of the album.
• CD2 includes the elemental mixes and selected master reels.
• Presented as a 2x gatefold sleeve edition containing the individual discs plus booklet with new sleeve-notes by King Crimson biographer Sid Smith packaged in a rigid slipcase

This band is more King Crimson than it’s ever been. All the original ideals and aspirations are there – love, respect and compatible ideas. It’s a magic band!” – Robert Fripp, July, 1972

Bill Bruford ~ David Cross ~ Robert Fripp ~ Jamie Muir ~ John Wetton

When, in July 1972, Melody Maker revealed that Bill Bruford & John Wetton were joining King Crimson – from Yes & Family respectively, it was front page news. Also joining were Jamie Muir – a key figure in London’s jazz scene & David Cross – from the band Waves. Fripp’s claims about the band’s ‘magic’ were to be put to the test that autumn when, following a three-night stint at the Zoom Club, Frankfurt & TV appearance on Bremen’s Beat Club, the band undertook an extensive UK tour, which ran from the end of October through to mid-December. With the exception of the encore “21st Century Schizoid Man”, the material was all new, with a heavier emphasis on improvisation than had ever been utilized by any major UK rock group on a headlining tour. The developing material for “Larks’ Tongues in Aspic” was premiered to a succession of audiences who, for the most part, had bought tickets expecting to hear something else entirely (encore notwithstanding) but who responded to the challenging set with enthusiasm.

Recorded from mid-January to the beginning of February & released in late March of 1973, “Larks’ Tongues in Aspic” became one of the most acclaimed of King Crimson’s albums as well as establishing its reputation as a key album from one of rock music’s most significant years. After a handful of further UK concerts, Jamie Muir left the band with the remaining quartet working with ever greater success until Summer 1974 when Fripp placed the band on indefinite hiatus.

Almost half a century after its release, Steven Wilson undertook the job of mixing the album for Dolby Atmos and, in the process, prepared new stereo & 5.1 mixes. The new stereo & 5.1 mixes – no doubt informed by the more adventurous mix techniques allowed by the Atmos process – are quite different in approach, more expansive than the earlier mixes as released in 2012, while still retaining and enhancing the core power of the original material.

The Atmos mixes allow a fresh glimpse of the vast scope of the individual material & performances as recorded for the album. The key to understanding this album, which Atmos illustrates most obviously, but is also present in all of Steven’s new mixes, David’s Elemental mixes & Alex & David’s mixes of the sessions material, is that this music was always this big, complex, interwoven series of soundscapes & while it was, in 1973, released in stereo on vinyl, CD & 8 Track cartridge, it’s only in recent years with, first the 2012 stereo & Surround mixes & now the Atmos/Elemental/Complete Sessions mixes that the available mix options & domestic consumption audio options have grown sufficiently to both contain & present the material to its fullest possible extent.

While Steven was working on this aspect of the material Alex R. Mundy and David Singleton at DGM were mixing every single take of the original studio sessions. These unreleased early takes are presented not as traditionally blended pieces, but with maximum separation, mimicking the experience of sitting in the studio with the individual elements being performed around you. The “Elemental mixes” apply this same approach to the main album takes. An excitingly fresh view on the familiar, with the focus often falling in unusual places, some originally hidden, some unused. Four of the album’s core tracks feature: extended mixes of “Larks’ 1” and “Talking Drum” along with “Easy Money” & “Larks’ 2”.

This material is all presented on Blu-Ray I of the set. Blu-Ray II presents every single session recording from the original studio dates, all newly mixed from the multitrack tapes and presented in date of recording order, in Hi-Res 24/96 stereo – a vast collection of previously unheard studio material from the seminal recording.
Also included on this disc are the original album mix (30th anniversary master) & the audio documentary “Keep that one, Nick” – as compiled by David Singleton for the 2012 boxed set. These two inclusions are the only previously released titles on this set.

It’s no coincidence that many of the pieces from the album became staples of performance for the most recent King Crimson line-ups (2014 – 2021). The material first performed to unsuspecting concert attendees in 1972, first recorded & released in 1973 & beloved of King Crimson fans ever since, has aged remarkably well. That material is now presented in its most complete edition to date, with all of the material on the CDs & almost all of the material on the Blu-Rays (see track-listing below), previously unreleased. In 2023, it still has the capacity to astound the ears.

Track List:

Blu-ray I – NTSC, All Zones (ABC), playable on all BD players & drives Dolby Atmos, DTS-HD MA 5.1 & LPCM Stereo 24/96, all previously unreleased:
Larks’ Tongues in Aspic – 2023 mixes. Dolby Atmos, DTS HD-MA 5.1 Surround, LPCM 24.96 Stereo
1. Larks’ Tongues in Aspic, Part One
2. Book of Saturday
3. Exiles
4. Easy Money
5. The Talking Drum
6. Larks’ Tongues in Aspic, Part Two

Elemental Mixes (24/96 Stereo)
1. Larks’ Tongues in Aspic, Part One
2. Easy Money
3. The Talking Drum
4. Larks’ Tongues in Aspic, Part Two

Instrumental Mixes (24/96 Stereo)
1. Book of Saturday
2. Exiles
3. Easy Money

Blu-ray II – NTSC, All Zones (ABC), playable on all BD players & drives Dolby Atmos, DTS-HD MA 5.1 & LPCM Stereo 24/96, all previously unreleased except*

Original Masters (24/96 Stereo) *

30th Anniversary Master
1. Larks’ Tongues in Aspic, Part One
2. Book of Saturday
3. Exiles
4. Easy Money
5. The Talking Drum
6. Larks’ Tongues in Aspic, Part Two

The Session Reels
1. “Keep That One, Nick” *
Complete Recording Sessions (24/96 Stereo)

January 16th, 1973
Larks’ I – Takes 1 to 10
Larks’ I – Takes 12 to 18 & 20 to 22
Larks’ II – Take 1
Book Of Saturday – Take 1
Book Of Saturday – Take 1 Overdubs & 2nd Main Vocal Take

January 17th, 1973
Larks’ I – Edit 2 Takes 1 to 11
Larks’ I – Edit 2 Take 12 & Overdubs
Larks’ I – 4/4 Section Remake Takes 1 to 4
Larks’ I – 4/4 Section Remake Takes 5 to 9 & 11 to 17
Larks’ I – 2nd Edit Takes 1 to 6
Larks’ I – 2nd Edit Take 1 with Overdubs

January 18th, 1973
Larks’ I – Bill Drum Check
Larks’ I – Jamie Drum Check
Larks’ II – Takes 1 & 2

January 19th, 1973
Larks’ I – 7/8 Section Remake Takes 1 to 5
Larks’ I – 4/4 Section Remake Takes 1 to 9

January 20th, 1973
Larks’ I – 4/4 Section 2nd Remake Takes 10 to 20

January 21st, 1973
Larks’ I – 4/4 Section 2nd Remake Takes 21 to 26

January 23rd, 1973
Easy Money – Takes 1 to 9
Easy Money – Takes 10 & 11
Jamie Various Atmosphere Takes
Jamie More Atmosphere Takes

January 24th, 1973
Easy Money – Remake Takes 1 to 6
Easy Money – Remake Takes 7 to 9
Intermezzo Takes 1 to 6
Intermezzo Takes 7 to 16
Intermezzo Takes 19 to 25

January 25th, 1973
The Talking Drum – Takes 1 to 3
The Talking Drum – Take 3 (Complete)
Larks’ I – 2nd Edit Takes 1 to 5
Larks’ I – Final Edit Remake Non Takes

January 26th, 1973
Exiles – Takes 1 to 3
Exiles – Takes 5 & 6
Exiles – Master Reel Take 4 Backing
Exiles – Master Reel Take 4 Overdubs 1
Exiles – Master Reel Take 4 Overdubs 2
Exiles – Master Reel Take 4 Vocal Overdubs

January 30th, 1973
The Talking Drum – Remake Takes 1 to 6
Larks’ I – Master Bass Drums Percussion 4/4 section
Larks’ I – Master Bass Drums Percussion 7/8 section
Larks’ I – Master Guitar 4/4 Section Pass 1
Larks’ I – Master Guitar 4/4 Section Pass 2
Larks’ I – Master Guitar 4/4 Section Pass 3
Larks’ I – Master Guitar and Violin 7/8 Section
Larks’ I – Master Intermezzo Part 1
Larks’ I – Master Intermezzo Part 1 Overdubs
Larks’ I – Master Intermezzo Part 2
Larks’ I – Master Introduction David & Jamie
Larks’ I – Master Introduction Overdubs
Larks’ I – Master Last Section Newspaper Readings
Larks’ I – Master Lead Guitar Overdubs
Larks’ I – Master Opening Bass, Drums, Guitar, Percussion
Larks’ I – Master Opening Violin and Guitar
Larks’ I – Master Last Section Violin And Guitar

January 31st, 1973
Easy Money – Master Ambient Overdubs to the End
Easy Money – Master Backing Track to the End
Easy Money – Master Intro Backing Track
Easy Money – Master Intro Jamie Overdubs
Easy Money – Master Intro Vocal Overdubs
Easy Money – Master Vocal Overdubs to the End
The Talking Drum – Master Reel Backing Track
The Talking Drum – Master Reel Overdubs
Larks’ II – Master Reel Backing Track
Larks’ II – Master Reel Overdubs
Larks’ II – Master Reel Violin Solos

February 1st, 1973
Book Of Saturday – Takes 1 to 3 & 5 to 10
Book Of Saturday – Master Reel Bass Pass 1, Guitar, Violin
Book Of Saturday – Master Reel Guide Vocals, Guitar, Violin Overdubs
Book Of Saturday – Master Reel Bass Pass 2, Vocals with Vocal Overdubs

CDs: All material newly mixed/released

CD 1 Larks’ Tongues in Aspic (2023 Mix and Instrumentals)
1. Larks’ Tongues in Aspic, Part One
2. Book of Saturday
3. Exiles
4. Easy Money
5. The Talking Drum
6. Larks’ Tongues in Aspic, Part Two
7. Book of Saturday
8. Exiles
9. Easy Money

CD 2 Larks’ Tongues in Aspic (Elemental Mixes and Selected Master Reels)
1. Larks’ Tongues in Aspic, Part One
2. Easy Money
3. The Talking Drum
4. Larks’ Tongues in Aspic, Part Two
5. Exiles – Master Reel Take 4 Backing
6. Book Of Saturday – Master Reel Guide Vocals, Guitar, Violin Overdubs
7. Book Of Saturday – Master Reel Bass Pass 2, Vocals with Vocal Overdubs

To purchase:
Blu-ray/2CD: https://burningshed.com/king-crimson_larks-tongues-in-aspic_2cd_2blu-ray
DBL Vinyl: https://burningshed.com/king-crimson_larks-tongues-in-aspic_double-vinyl

For further information please contact: info@panegyric.net


www.dgmlive.com

Press Inquiries: Glass Onyon PR, PH: 1-828-350-8158, glassonyonpr@gmail.com


King Crimson’s “In The Court Of The Crimson King – King Crimson At 50” Documentary By Toby Amies Coming To Select US Theaters Opening November 3rd!

For Immediate Release

King Crimson’s “In The Court Of The Crimson King – King Crimson At 50” Documentary By Toby Amies Coming To Select US Theaters Opening November 3rd!

OPENING IN OVER 70+ US THEATERS NOVEMBER 3RD

King Crimson’s “In The Court Of The Crimson King – King Crimson At 50” documentary By Toby Amies is coming to select US theaters opening November 3rd!

Just as King Crimson has been, for more than half a century, an atypical rock band, this film is a refreshingly atypical music documentary. A film about the sacrifices we need to make to bring things of beauty and meaning into the world. But with jokes.

Toby Amies’s film “In The Court of the Crimson King – King Crimson at 50” provides a unique insight into the working process of a complex touring band, interspersed with contributions from previous band members to provide a contextual backdrop to the band’s past, as the most recent (2014-2021) line-up tours the world just before and during its 50th anniversary.

As King Crimson producer and band manager, David Singleton observed of the film: “All of life is here, not just music, and certainly not just rock. It has rightly been described as going beyond King Crimson into a ‘universal, inspirational study of what it is to work or dream to work as an artist.’”

While director Toby Amies writes of the experience: “In the Court of the Crimson King is not a film that wants to tell the audience what to think, rather it presents several different points of view about the creative process and what it means to be in this most unusual band; leaving the audience with a sense of both how complicated it all is, but also just how incredibly rewarding the King Crimson experience is both for the musicians and its fans.”

Robert Fripp announced that King Crimson had “moved from sound to silence” on social media after their final date in Japan in December 2021, making this release all the more poignant as a unique record of the band’s longest lasting line-up with tantalizing glimpses of the band’s history.

Watch the promotional video: https://www.youtube.com/watch?v=Kg3osMG5yK4

photo by Tony Levin

Here’s what the press has said about “In The Court Of The Crimson King – King Crimson At 50”:

The film is angular and abrasive, exacting and playful, extremely funny and achingly melancholy.” – THE OBSERVER

This unflinching portrait of the prog rock band is like an episode of The Office but with huge drum kits, grizzled roadies and rapturous fans” – THE GUARDIAN

By turns comical and melancholy, it may be the most revealing film about working life in a band since Spinal Tap.” – THE DAILY TELEGRAPH

A fascinating look at both a venerable institution, the dynamics of working as a multi-limbed unit that’s ruled by a single iron fist, and what it takes to play this type of music.” – ROLLING STONE

Doc about a Prog-Rock Perfectionist Is Nearly Perfect Itself. About as good as Rock documentaries get.” – VARIETY

Revelatory” – UNCUT

A compelling insight into the tetchy men of prog rock. Their dedication to music is a joy, the persistence of Toby Amies ranks alongside Nick Broomfield. Even if you go in knowing next to nothing about King Crimson, you will leave feeling like lifelong enthusiasts.” – BBC RADIO SCOTLAND / RADIO TIMES, Siobhan Synnot

The film ponders mortality, why music matters, and the sacrifices that bringing difficult art to the stage entails.” – THE TIMES

In The Court of the Crimson King : King Crimson at 50 goes straight into the pantheon of those documentaries which enable us to appreciate the painful truth of what being in bands is actually like…there is no higher echelon.” – MOJO

COMING TO SELECT THEATERS INCLUDING LA & NY
New York City – November 3rd @ Alamo Drafthouse
Los Angeles – November 3rd @ Alamo Drafthouse
San Francisco, CA – November 3rd @ Roxie Theatre
San Francisco, CA – November 3rd @ The Castro Theater
Larkspur, CA – November 3rd @ The Lark Theater
Vancouver, WA – November 3rd @ The Kiggins Theatre
Hartford, CT – November 3rd @ Cinestudio
San Francisco, CA – November 8th @ 4 Star Theater
Ann Arbor, MI – November 8th @ Michigan Theater
Bellingham, WA – November 8th @ Pickford Film Center
Santa Ana, CA – November 8th @ Frida Cinema
Seattle, WA – November 8th @ Grand Illusion
Camas, WA – November 8th @ Liberty Theatre
New York City – November 8th @ Rosendale Theater
Des Moines, IA – November 8th @ Fleur Cinema
Austin, TX – November 8th @ Moviehouse & Eatery NW Austin
Austin, TX – November 8th @ Moviehouse & Eatery SW Austin
Columbia, SC – November 8th @ BTM Dutch Square Cinema 14
Richmond, VA – November 8th @ BTM Movieland at Boulevard Sq
Irvine, CA – November 8th @ Irvine Spectrum 20 IMAX & RPX
Knoxville, TN – November 8th @ Pinnacle Stm 18 IMAX & RPX
Atlanta, GA – November 8th @ Regal Atlantic Station
Chicago, IL – November 8th @ Regal City North
Cleveland, OH – November 8th @ Regal Crocker Park
Albany, NY – November 8th @ Regal Crossgates
Syracuse, NY – November 8th @ Regal Destiny
Los Angeles, CA – November 8th @ Regal Edwards Long Beach
San Diego, CA – November 8th @ Regal Edwards Mira Mesa
San Francisco, CA – November 8th @ Regal Hacienda Crossings
Portland, OR – November 8th @ Regal Lloyd Center
Nashville, TN – November 8th @ Regal Opry Mills
Las Vegas, NV – November 8th @ Regal Red Rock
Los Angeles, CA – November 8th @ Regal Sherman Oaks Galleria
Miami, FL – November 8th @ Regal South Beach
Charlotte, NC – November 8th @ Regal Stonecrest
Seattle, WA – November 8th @ Regal Thornton Place
Philadelphia, PA – November 8th @ Regal UA King of Prussia
New York, NY – November 8th @ Regal Union Square
Albuquerque, NM – November 8th @ Regal Winrock
Lowell, MA – November 8th @ Lowell
Foxboro, MA – November 8th @ Patriot Place
Providence, RI – November 8th @ Providence Place
Warwick, RI – November 8th @ Warwick
Farmingdale, NY – November 8th @ Farmingdale
Holtsville, NY – November 8th @ Island 16
Holtsville, NY – November 8th @ Broadway
Springdale, OH – November 8th @ Springdale
Cambridge, MA – November 8th @ The Prattle Theatre
Beverly, MA – November 8th @ Cabot Performing Arts Centre
Inglewood, CA – November 8th @ Cinepolis
Del Mar, CA – November 8th @ Cinepolis
San Mateo, CA – November 8th @ Cinepolis
Dallas, TX – November 8th @ Cinepolis
Austin, TX – November 8th @ Cinepolis
Austin, TX – November 8th @ Cinepolis
Coconut Grove, FL – November 8th @ Cinepolis
Gaithersburg, MD – November 8th @ Cinepolis
Sedona, AZ – November 8th @ Mary D Fisher Theatre
Minneapolis, MN – November 8th @ Riverview Theatre
Cleveland, OH – November 8th @ Cedar Lee Theatre
Bantam, CT – November 9th @ Bantam Cinema & Arts Center
Chico, CA – November 9th @ Pageant Theater
Eugene, OR – November 10th @ Art House
Dallas, TX – November 12th @ The Texas Theatre
Portland, OR – November 12th @ Cinema 21
Los Angeles, CA – November 13th @ Orpheum Theater
Somerville, MA – November 13th @ Somerville Theatre
Maitland, FL – December 18th @ Enzian Theater
Sacramento, CA – November 22nd @ Crest Cinema
Pittsburgh, PA – November 28th @ Harris Theatre

Synopsis:
What began as a straightforward documentary about the cult rock band King Crimson as it turned 50, mutated into an exploration of time, death, family, and the transcendent power of music to change lives. But with jokes.

Directed by:
TOBY AMIES

Featuring:
ADRIAN BELEW
SISTER DANA BENEDICTA
BILL BRUFORD
MEL COLLINS
ROBERT FRIPP
MICHAEL GILES
TREY GUNN
GAVIN HARRISON
JAKKO JAKSZYK
TONY LEVIN
JAMIE MUIR
IAN McDONALD
BILL RIEFLIN
PETER SINFIELD
JEREMY STACEY

Produced by:
TOBY AMIES
NICK FREAND JONES
DAVID SINGLETON

Executive Producers:
KAT MANSOOR
DAVID SINGLETON

Running Time: 86 minutes

**SCREENERS AVAILABLE UPON REQUEST FOR INTERVIEWS AND REVIEWS **

To request a link please contact: crimsonking@mprm.com

Press inquiries: Glass Onyon PR, PH: 828-350-8158 (USA), glassonyonpr@gmail.com


Guitar Virtuoso Daniel Reyes Llinás To Release New Album “Códices”

For Immediate Release

Guitar Virtuoso Daniel Reyes Llinás To Release New Album “Códices”

Co-produced by King Crimson’s Trey Gunn

“Códices” by guitar virtuoso Daniel Reyes Llinás, is a collection of études for acoustic guitar and improvised pieces on the 12-string guitar. Inspired by the spirit of modern Latin American guitar composers, Llinás pays homage through extensive use of shifting resonance, dissonance, rhythmic exuberance, and deliberate silence. The contrast between the written and improvised works serves as a conceptual gesture in the ongoing search for a sonic vocabulary.

The album was recorded in Santa Fé, NM by Grammy awarded engineer Marc Whitmore (Jon Batiste, T-Bone Burnett) and co-produced by Trey Gunn (King Crimson, Tu-Ner).

The pieces are quietly virtuosic with a scope that ranges across continents and eras.  The music pays homage to the pantheon of Latin American composers who have written for guitar while also incorporating harmonies from contemporary jazz and such American and European composers as Feldman, Debussy and Stravinsky.  Extended techniques appear as well with harplike harmonic arpeggios evoking windchimes, wide melodic leaps as if from birdsong, and driving ostinati that groove hard.  One hears free-flowing ballads that turn questioning or flamenco fanfares that expand into ecstatic looping pull offs. A brilliant record that opens new vistas for both the listener and the classical guitarist.” -Elliott Sharp

Watch the promotional video: https://youtu.be/c-K7RwOmVP0

Release date November 3, 2023

To purchase: https://7dmedia.com/daniel-reyes-llinas-c-o-dices

Daniel Reyes Llinás; Acoustic guitar & 12-string guitar.
Composer. Guitarist. Producer
www.llinasmusic.com

Press Inquiries: Glass Onyon PR, PH: 1-828-350-8158, glassonyonpr@gmail.com