Author Archives: glassonyonpr

San Francisco Jazz Singer NOA LEVY to Release Her Debut EP TAKE TWO & Perform a RISING STAR SHOWCASE at the California Jazz Conservatory in Berkeley

For Immediate Release

San Francisco Jazz Singer NOA LEVY to Release Her Debut EP TAKE TWO & Perform a RISING STAR SHOWCASE at the California Jazz Conservatory in Berkeley

San Francisco, CA – With a beautiful, rounded voice and a magnetic stage presence, NOA LEVY is a unique and charismatic female vocalist and performer who sings across genres – Jazz, Rock, Cabaret, Musicals, and Pop. She has set a worldwide digital release date of August 17, 2018, for her recently recorded debut TAKE TWO EP, a thoughtful collection of Jazz arrangements featuring NOA LEVY in a duo format with three different instrumentalists. That same day, Noa will headline her own RISING STAR SHOWCASE at the California Jazz Conservatory, featuring songs from the TAKE TWO EP as well as other material.

Drawing on influences from her favorite musicians and artists including Peter Gabriel, Brad Mehldau, and Carmen McRae, NOA LEVY has developed her own signature arrangements of classic and unique tunes to paint a picture that anyone listening can relate to. Her favorite thing about jazz is the possibility to collaborate with fellow musicians about universal themes and day to day life, and her arrangements on the TAKE TWO EP are the fruit of some of these collaborations. She is also developing her own original songwriting, and will perform a handful of shows to support the release of the TAKE TWO EP throughout the summer and fall of 2018.

NOA LEVY is currently studying and honing her craft at the California Jazz Conservatory in Berkeley, CA, while also working on her repertoire and performing with local musicians in the San Francisco Bay Area. Originally born in Jerusalem, she grew up for most of her life in Israel. She has performed with Israel’s National Chamber Orchestra, was invited to tour and record an album with Israel’s leading composer and pianist, Yoni Rechter, and was co-lead singer for the popular ABBA tribute band, Waterloo. She also arranged and directed her own cabaret show, Cheetah. Since moving to San Francisco in 2016, NOA LEVY has immersed herself in the world of jazz. In 2017, Jazz in the Neighborhood twice recognized her as an Emerging Artist, providing her the opportunity to perform and study with the eminent Bay Area jazz singer Clairdee and the prolific Brazilian jazz singer and composer Sandy Cressman. She was also invited to collaborate on the Jazz Voices of Poetry project which debuted new material early in 2018.

Her passion for performance was apparent at just four years old when her grandparents found her dancing on stage at a large music festival. While listening to Queen’s Greatest Hits on a cassette tape given by her father, she discovered her singing voice at age 12 – she was blown away by the amazing musicality and vocal talents of Freddie Mercury and she’s been singing ever since. In middle school, she joined a renowned local theater group and starred in lead roles as the group toured Israel.

At 18, for her mandatory military service, NOA LEVY auditioned for and was inducted into the IDF’s prestigious Navy Ensemble where she performed throughout Israel and also toured across the United States. Following her IDF service, she pursued her passion and developed her talent for musical theater at the London School of Musical Theatre in London, England, earning a diploma. Afterwards, she concentrated on music studies at Rimon School of Music in Israel.

The first release party for her TAKE TWO EP will be held on August 17, 2018, at the California Jazz Conservatory in Berkeley (formerly known as the Jazzschool). A privately-owned non-profit music school founded in 1997, the school won accreditation as a conservatory in early 2014, and is the only American school with a year-round jazz music program.

For more information about NOA LEVY please visit: www.noalevylive.com

To purchase tickets to the RISING STAR SHOWCASE on August 17, 2018, please visit: https://cjc.edu/concerts/?eid=27355

To Pre-Order the TAKE TWO EP on digital services please visit: http://smarturl.it/NoaLevyTakeTwo

To Pre-Order the TAKE TWO EP on Bandcamp please visit: https://noalevylive.bandcamp.com

For Press and Interview inquiries please contact Billy James of Glass Onyon PR: (828) 350-8158 or glassonyonpr@gmail.com

For Digital Marketing please contact Jerome Forney of Independent Distribution Collective: jerome@independentdistro.com

Advertisements

The Pineapple Thief Release New Single & Video For “Try As I Might” Taken From Their Forthcoming Album Dissolution

The Pineapple Thief Release New Single & Video For “Try As I Might” Taken From Their Forthcoming Album Dissolution

The Pineapple Thief  have launched their brand new video for “Try As I Might”, the new single from their forthcoming new studio album Dissolution. The highly anticipated follow up to 2015’s Your Wilderness, is the band’s second album to feature King Crimson and Porcupine Tree drummer Gavin Harrison.

Vocalist, songwriter and guitarist Bruce Soord explains his dystopian view “The video follows the theme of the song and the album – if you sign up to this hyper connected world we live in, then you have to live with the consequences. Try as you might to get out of it.”

WATCH THE VIDEO FOR “TRY AS I MIGHT” HERE https://www.youtube.com/watch?v=-yBCcT3L2e0&feature=youtu.be

The futuristic clip was created by Blacktide Phonic/Visual (www.black-tide.co.uk) director George Laycock, who expands on how he created the film “When The Pineapple Thief came to me with their track ‘Try as I might’, they had a broad basis for an idea for a music video that dealt with a social media obsessed ‘connected’ world.

This had nods to previous films and television like ‘The Truman Show’, ‘Black Mirror’, the ‘Big Brother’ landscape and its preceding shows, so it was about creating a storyline using these broad influences and encapsulating into an obscure 3 minute film on a budget.

I was interested in the concept of ‘in eye cameras’, scary technology I am sure isn’t too far away from us. We decided to go down the optical medical route and follow our character on a journey from first pre-operation, to surgery, recovery and then trying to battle the decision he has made, whilst battling with the corporation he has signed up too. The film hopefully leaves the viewer to create their own conceptions on his outcome.

We filmed it all on the Dorset/Devon coastline around where I live and were fortunate to be able to secure great locations to shoot in with a few favours, including a remote seaside post-modern house, a private beach and a real working hospital and opticians.

To keep the cast down to a minimum I decided that the camera that is watching Bruce would become the main supporting actor and his nemesis, appearing in scenes without anyone operating it. This allowed us to see the cameras point of view and tell the story to the fictional viewer. This old broadcast camera weighed an absolute ton, and carrying through remote woods, down a mile-long steep cliff path to a beach was a challenge on some of the hottest days of the year. Filming in the water at the end was a welcome refreshment. 

Many thanks to all those who helped with the film, especially everyone involved at Yeovil hospital for allowing us such amazing access, and to Bruce for being so amenable about having scalpels inches from his eyeball.”

The Pineapple Thief have grown to become one of the leading lights of Europe’s experimental rock domain, Your Wilderness produced 4m+ album streams, a #7 in the UK Independent Charts and two extensive headline European tours culminating at London’s Islington Assembly Hall where the concert was recorded for the live release Where We Stood, and their new album Dissolution promises to propel the band to even greater heights.

Dissolution tracklisting
Not Naming Any Names [02:05]
Try As I Might [04:26]
Threatening War [06:37]
Uncovering Your Tracks [04:29]
All That You’ve Got [03:27]
Far Below [04:36]
Pillar of Salt [01:25]
White Mist [11:05]
Shed A Light [05:20]

Dissolution will be released in the following formats – all available to pre-order now HERE https://thepineapplethief.lnk.to/DissolutionPR
CD
Black LP –pressed to audiophile 180g vinyl
Limited Edition Crystal Clear LP edition – pressed to audiophile 180g vinyl
Blu-ray – features a 16-page booklet, the album plus bonus music in a 24/96 DTS-HD MA 5.1 surround sound mix and 24/96 hi-res stereo audio
Deluxe 4 disc edition – features 52 pages containing exclusive additional artwork, the original album on CD plus a second CD of bonus music, and is topped off with a DVD and Blu-ray featuring the album and bonus material in a 24/96 DTS-HD MA 5.1 surround sound mix and 24/96 hi-res stereo audio.
All digital & streaming platforms 

The Pineapple Thief will be taking Dissolution on the road starting in September 2018, with new dates added for March 2019. This tour includes their biggest show to date at London’s prestigious O2 Shepherd’s Bush Empire – tickets are on sale now and selling fast: http://www.pineapplethief.com/tour/ ;

The Pineapple Thief – Dissolution Tour 2018/2019
Sep 15 – FR – Paris – La Maroquinerie
Sep 16 – BE, Brussels-  La Madeleine
Sep 17 – DE, Bremen – Schlachthof
Sep 18 – DE, Hanover – Musikzentrum
Sep 19 – DE, Berlin – Lido
Sep 21 – PL, Warsaw – Stodola
Sep 22 – CZ, Olomouc – S-Klub
Sep 23 – CZ, Prgaue – Rock Cafè
Sep 25 – AU, Wien – Szene
Sep 26 – DE, Munich – Backstage Werk
Sep 27 – DE, Aschaffenburg-  Colos-Saal
Sep 28- DE, Cologne – Live Music Hall
Sep 29 – NL, Amsterdam – Melkweg
Oct 4 – UK, Edinburgh – Liquid Rooms
Oct 5 – UK, Sheffield – Leadmill
Oct 6 – UK, London – O2 Shepherds Bush Empire

2019
Feb 22 – IT, Roma – Largo Venue
Feb 23 – IT, Milano – Santeria Social Club
Mar 3 – DK, Copenhagen – Vega
Mar 5 – SE, Stockholm – venue tba
Mar 6 – NO, Oslo – John Dee


(photo credit James Cumpsty)

The Pineapple Thief are:
Bruce Soord – vocalist, guitarist, composer
Gavin Harrison – drums
Jon Sykes – bass
Steve Kitch – keyboards

The Pineapple Thief online:
Website: www.thepineapplethief.com
Facebook: www.facebook.com/thepineapplethief
Twitter: www.twitter.com/pineapplethief
Instagram: www.instagram.com/thepineapplethief
Spotify: https://play.spotify.com/artist/4lrBMUSk8PiNnCEZfsmPAk
YouTube: https://www.youtube.com/playlist?list=PLE6401DB011BD837E
Apple Music: https://itunes.apple.com/gb/artist/the-pineapple-thief/id278648772

Kscope: 1st floor, 52 Lisson Street, London, UK NW1 5DF

Press inquiries (North America): Glass Onyon PR, PH: 828-350-8158 (US), glassonyonpr@gmail.com


UK Psychedelic Rock Legends Pink Fairies Return With New Album ‘Resident Reptiles’

For Immediate Release

UK Psychedelic Rock Legends Pink Fairies Return With New Album Resident Reptiles

Los Angeles – The legendary UK psychedelic anarchists return with a fantastic new album led by founding Fairy Paul Rudolph! Rudolph is joined by former Hawkwind bassist Alan Davey and original Motörhead drummer Lucas Fox, who not only created a killer rhythm section for the album but added a bit of sizzling biker-rock to the mix!

Another Pink Fairies/Motörhead member, Larry Wallis, was with the band in spirit as they churned out an excellent version of his tune “Old Enuff To Know Better!”

“I’d say this journey started with Nik Turner introducing me to Cleopatra Records. I was asked about the possibility of recording a LP under the Pink Fairies banner and thought – this would be a lot of fun. Get a few people together, turn the amps up to 10 and let ‘er rip.

Larry Wallis wanted to be involved and Matt at Cleopatra suggested Alan Davey on bass and Lucas Fox on drums . It seemed like a good match considering the Hawkwind and Motorhead connections. Both Alan and I had been in Hawkwind and Larry and Lucas in the original Motorhead. We were all mates with Lemmy as well and the creative energy flowed as soon as we got to the studio in Austin.
All of this helped by Jurgen Engler of Die Kruups behind the desk with Eric the engineer.

So here it is – a spontaneous collaboration of ideas recorded mostly live. Thank you for listening.
Peace and Love” – Paul Rudolph

Pink Fairies Resident Reptiles will be released on Purple Pyramid Records on August 24th and will be available on both CD and gorgeous pink vinyl in a printed inner sleeve!

Track List:
1. Resident Reptile
2. Old Enuff To Know Better
3. Your Cover Is Blown
4. Mirage
5. Lone Wolf
6. Whipping Boy
7. Monkey Chatter
8. Apologize

To purchase:
Pre-order the CD: https://cleorecs.com/store/shop/pink-fairies-resident-reptiles-cd/
Pre-order the vinyl: https://cleorecs.com/store/shop/pink-fairies-resident-reptiles-limited-edition-pink-lp/
Pre-order the digital: https://itunes.apple.com/us/album/resident-reptiles/1417466168

Press inquiries: 
Glass Onyon PR
PH: 828-350-8158
glassonyonpr@gmail.com

CLEOPATRA RECORDS, Inc.
11041 Santa Monica Blvd #703
Los Angeles CA 90025
www.CleopatraRecords.com
Facebook @Cleopatrarecords
https://www.facebook.com/CleopatraRecords/
Instagram @cleopatrarecords
https://www.instagram.com/cleopatrarecords/
Twitter @cleopatrarecord
https://twitter.com/cleopatrarecord ;
Youtube @Cleopatrarecords
https://www.youtube.com/channel/UCopQ0616Fpfrq8Gt0N-0zOQ
Soundcloud @cleopatra-recs
https://soundcloud.com/cleopatra-recs
Dailymotion @Cleopatrarecords
https://www.dailymotion.com/CleopatraRecords
Vimeo @cleopatrarecords
https://vimeo.com/cleopatrarecords
Spotify  @cleopatra_recs
https://open.spotify.com/user/cleopatra_recs
Linkedin @cleopatra-records
https://www.linkedin.com/company/cleopatra-records


King Crimson To Release “Meltdown In Mexico” – Live In Mexico City 2017

For Immediate Release

King Crimson To Release Meltdown In Mexico – Live In Mexico City 2017

Three CDs feat. over three and a half hours of material performed during the band’s five nights residency at Teatro Metropolitan, Mexico City in July 2017 & audio extras!

This 3CD/1Blu-Ray set features over three and a half hours of material performed during King Crimson’s five night residency at Teatro Metropolitan, Mexico City in July 2017 plus audio extras. The Blu-Ray contains over two hours of multi-camera HD recorded footage, audio soundtrack in 24/48 LPCM, hi-res stereo and 5.1 DTS HD-MA (with ‘picture off’ mode allowing the music to be heard independently in lossless audio).

Meltdown in Mexico includes, for the first time with this line-up, audio recordings of “Breathless,” “Discipline,” “Moonchild” and Tony and Jeremy’s nightly Cadenza improvs. Mixed by King Crimson member Bill Rieflin from full multi track recordings


King Crimson Mexico 2017 – photo by David Singleton

King Crimson is a band that continues to defy conventional expectations. As listeners to last year’s rush-released official bootleg from June 2017 recorded in Chicago discovered, this band gets better by the year. Given the amount of rehearsals, practicing, constantly expanding repertoire base (nearly six hours’ worth of material ready to select from on any given night), wealth of experience among musicians, technicians/sound crew, more comfortable traveling arrangements, better PA systems/mixing desks & the fact that the band is playing, for the most part, in purpose built theatres rather than the more imaginatively named but sonically challenged venues that hosted rock gigs in previous decades, this should come as no surprise. But it does. Perhaps it’s still part of the Rock ‘n’ Roll myth – the “hope I die before I get old” thought process that seems forever associated with rock music that’s proved so difficult to alter. Whatever the reason, the concept of a band maturing, re-inventing itself and being able to present music from a lengthy history in recognizable but ever-changing ways, still with same sense of wonder as if it were newly-written, remains, if not unique, certainly notable.

A few weeks after the Chicago concert, the first part of 2017’s tour reached its final destination – five nights of concerts in Mexico City. All of the concerts were recorded and filmed with a view to issuing a definitive document of Crimson live in 2017 and Meltdown is the result of that process. With over two hours of HD filmed performance and three hours of audio, Meltdown offers a comprehensive overview of a band at the very peak of its performing ability.

King Crimson’s Meltdown in Mexico will be released on September 28th and will be distributed by Amped Distribution.

Pre-order from: Inner Knot (US) https://shop.schizoidshop.com/featured-items-c12.aspx

For more information: www.dgmlive.com

Press inquiries: Glass Onyon PR, PH: 828-350-8158 (US), glassonyonpr@gmail.com


Guitarist Tone Masseve To Release Debut Album “Amp L’étude” Feat. Jethro Tull Drum Legend Doane Perry

For Immediate Release

Guitarist Tone Masseve To Release Debut Album “Amp L’étude” Feat. Jethro Tull Drum Legend Doane Perry

“Playing with Tone was one of the most illuminating musical experiences of my career. Yes, he’s that good.” – Graham Parker

NYC – The singing sustain of multiple razor edged electric guitars, the monster rock backbeat of Jethro Tull drummer Doane Perry and The Moonlight Sonata? Yes, This mash-up is the concept behind Tone Masseve’s album “Amp L’étude.” Classical pieces? Yes, but these are not the dry, conventional versions we’ve all heard before. The album vividly brings these compositions to life with a new and powerful sound.

Tone said, “In my childhood I was exposed to many different musical styles and genres. Although I am really a blues player, I also love the music of Bach, Beethoven, Tchaikovsky, Schubert, Chopin and Debussy. I wanted to play their classical pieces with a rock sound and attitude.” He used the feedback, bends, shakes, falls and dives of his guitar heroes; Jeff Beck, Jimi Hendrix, early Eric Clapton, Robert Fripp, Brian May, Joe Satriani and George Harrison to do just that.

Tone’s dynamic playing combined with Doane’s great rock feel, give this music of the masters an entirely new presentation. Some of the sound and production techniques of this record are drawn from famous rock tracks such as; “Whiter Shade of Pale,” “The Hill of the Skull,” “God Save the Queen,” “Wind on Water,” “She’s so Heavy” & “Girl,” and, “1983… (A Merman I Should Turn to Be).”

Every now and then a brilliant and fully developed artist arrives on the scene. Such is the case of Tone Masseve’s enigmatic emergence out of the shadows. His sonic identity, unique voice and concept and his blending of seemingly disparate styles simply amazed and surprised me. Tone’s inspired and highly original take on some of the most hallowed and iconic classical music ever composed is eloquently orchestrated, passionately and precisely executed and a wholly satisfying aural experience! I believe any of the great composers represented would be honored and thrilled to hear their music so creatively reimagined and lovingly brought to life within such a modern and innovative context. 

One of the most powerful elements in his music is the thick, sonorous and clear voice which he elicits from his “Guitorchestra”. Speaking as one who participated in this exciting project, I found the rich harmonic blend and counterpoint combined with the strength and subtlety of his parts, compelling and utterly inspiring to play off of … and was astonished to think so much of this was coming through the head, hands and heart of a single musician. And I never even met him. I don’t know how he did it but that is one of the delightful musical riddles which does not need solving. 

Joyful, biting, menacing, muscular, melancholy and euphoric are apt descriptions which are summoned to mind when I listen to his music. All of those elements provided a powerful catalyst for my own contributions. I am honored to have worked with this gifted artist and to have been a part of such an original musical adventure … and I would like to think the mysterious and hugely talented Tone Masseve will not remain unknown for much longer.

Doane Perry

Tone started playing the guitar at age 6 and performing live at age 15. By the time he was 18 he was doing session work in NYC. Legendary Graham Parker saw him playing with a band called Robazz Bowtime, and asked him to play a few gigs. Graham said, “I didn’t play with Tone for a great deal of time, but it was one of the most illuminating musical experiences of my career. Yes, he’s that good.”

The recording started in 1995 and took more than 20 years to complete. The guitar parts alone took more than two years to record. In 1997, while still working on Amp L’étude, tragically, Tone got pneumonia and died.

In 2016 a wonderful and talented group of musicians came together to finish his long lost album. The first was Doane Perry who added his hard hitting rock drumming to six tracks. Doane was the drummer for the legendary, Grammy winning rock band, Jethro Tull, for twenty-seven years. He also played with Lou Reed, Todd Rundgren and many, many others.

Next was Garry Kvistad who is a Grammy award winning master percussionist. He is a member of the four man percussion group Nexus. The New York Times called Nexus “the high priests of the percussion world.” Steve Reich said, “They are probably the most acclaimed percussion group on earth.” Garry added orchestral percussion; tympani, large gong, orchestral bass drum, glockenspiel, orchestral chimes, and symphonic crash cymbals to two of the pieces

Then members of the vocal group Prana added their voices to a couple of tracks. They gave one piece, “Maria, (She’s so) Ave” a decidedly Liverpudlian sound. Finally Maria Todaro was brought in to conduct the choir for “O Fortuna.” Maria is not only an internationally renowned opera singer, stage director, and conductor, but also the general director of The International Festival of the Voice. For this recording, with her deep understanding of the voice as an expressive instrument, she evoked an impassioned performance from the choir.

On YouTube there are twelve 30 second sample videos, one for each of the twelve pieces from “Amp L’étude. “The videos feature the characters from the front cover of the album: https://www.youtube.com/playlist?list=PL2Wu-VN7bmX2249K3hIJy8HgFZTfJC208

In closing Tone had this to impart, “Music has no boundaries. If you play it with all of your heart it doesn’t matter what style it is, the feeling will come through.”

To purchase Tone Masseve’s “Amp L’étude”: 
https://www.amazon.com/dp/B07FT6C4S5?ref=cp_d_n_u
store.cdbaby.com/cd/tonemasseve

For more information:
Website: www.tonemasseve.com
FB: https://www.facebook.com/Tone-Masseve-291339831409659/
Twitter: https://twitter.com/TMasseve
Instagram: https://www.instagram.com/tonemasseve/

Press inquiries: Glass Onyon PR, PH: 828-350-8158, glassonyonpr@gmail.com


Oakland Power Trio STIMULI to Release Explosive Debut Album THEY ARE WE

For Immediate Release

Oakland Power Trio STIMULI to Release Explosive Debut Album THEY ARE WE

Oakland, CA – Bay Area rock band STIMULI create thoughtful and heavy rock music about the human condition, delivered through Jimmy Tomahawk’s melodic and edgy vocals and spacious and heavy guitar riffing, Tai Hake‘s solid and snarling bass tones, and Cole Andrew‘s intricate and powerful drumming. STIMULI will release their first official full-length album titled THEY ARE WE in stores and online worldwide on August 17, 2018. The album is a winding 11-track explosion of the trio’s dense, ambitious, and fiercely original sound.

In April 2018, the band generated buzz when they released their debut single and music video for the album’s title track, “They Are We.” The single knocks out a Hard Rock, radio-friendly sound that also exposes the introspective themes of understanding and empathy that permeates their new album. THEY ARE WE was recorded at the idyllic Russian River Studios on the Ingels Ranch in Talmage, California, where Tomahawk and Hake had previously recorded with their band Yeibichai. Ken Ingels, the owner of the studio, was extremely helpful, and they enlisted Andrew Miller to engineer and mix the album, and Mike Wells for mastering. For the artwork and album layout, the trio had their eyes photographed and then overlaid the irises so that the colors merge and overlap, accomplished thanks to the superb talents of Michael Miller at Digital Realm Productions, who brought their vision to life in a way that represents the music on the album exceptionally well.

Not only do STIMULI masterfully rock the traditional power trio format, the band also incorporates synth atmospherics and eclectic instrumentation that is not often associated with contemporary Hard Rock. Bassist Tai Hake also plays Theremin, and their music features Native American flute, sitar, acoustic guitar and ambient synthesizers. Lyrically, STIMULI’s themes possess a rare depth – insightful and meaningful, ruminating on personal experiences and reflections about peace, empathy, destiny, and self-actualization. Combined together, STIMULI are a sort of “Thinking Person’s Rock Band.”

While all members are of a shared generation, their influences run the gamut. The heavy, tight and polished sound of STIMULI has been compared to Alice in Chains, Black Sabbath, Soundgarden, Tool, Rush, and Nirvana. The individual and collective history of the band is just as varied and multi-faceted as their music. Comprised of seasoned musicians from around the world (drummer Cole Andrew is from Australia), STIMULI is a collage of three very strong-willed personalities who, like most productive collaborations, happen to have chemistry and work well together.

“Our music contains a strong emotional intensity with personal, social, and philosophical messages about the human experience,” explains guitarist/vocalist Jimmy Tomahawk. “Although there is an undeniably serious disposition in the band’s message, as individuals, we don’t take ourselves very seriously at all – satire, slapstick humor and wisecracks are the norm when we are together. It’s a bit of a collective Jekyll & Hyde scenario, really. We try to remind ourselves that the initial spark of passion and the joy of playing music that caused us to pick up our instruments in the first place is why we do this!”

The formation of STIMULI began following the split of Bay Area rock band Yeibichai, the brainchild of Tomahawk and Hake. When Tomahawk came across a video of Cole Andrew demonstrating his powerful and detail-oriented drumming, he reached out and they began to jam. Tomahawk couldn’t imagine any other bass player but Tai in the room with the sounds that he and Cole were creating. In 2013, STIMULI opened up shop in their new studio space at the fabled Soundwave Studios in Oakland. It was here that STIMULI became a band and their deep friendship and musical bond was solidified.

In early 2017 STIMULI found themselves at a crossroads. Things suddenly felt new, vivified, and stronger among the three of them, but a glaring question remained: who would be the voice of the band? Jimmy Tomahawk decided then that nothing was going to stop him from fulfilling his original plan as a young teenager of being the vocalist in his own band. With the encouraging support of his bandmates, Tomahawk began to write, and at some point along the way, singing became as fluid and as much of an unconscious operation for Tomahawk as playing guitar. In just a few short months the band was in the studio tracking drums and bass for the new album.

STIMULI feel an unprecedented sense of optimism and joy with the music they are making. The audiences are reciprocating that energy that is conveyed at their live shows with great fervor. With much more to come from this exciting new Bay Area rock band, it would appear that STIMULI are just getting started!

For more information or to Pre-Order THEY ARE WE, please visit STIMULI’s website and social media pages via: www.stimuliband.com or https://stimuli.bandcamp.com/

To Pre-Order THEY ARE WE on digital services please visit: http://smarturl.it/STIMULItheyarewe

For Press and Interview inquiries, please contact Billy James at Glass Onyon PR: (828) 350-8158 or glassonyonpr@gmail.com

For Digital Marketing, please contact Jerome Forney at Independent Distribution Collective: jerome@independentdistro.com


Chilean Prog Ensemble AISLES Release New Live EP

For Immediate Release

Chilean Prog Ensemble AISLES Release New Live EP

“Live from Estudio del Sur”, a mini-album recorded live, is available on CD and digital platforms 

“Live from Estudio del Sur” is Aisles’ latest release. The EP was recorded at Estudio del Sur, and includes newly done versions of the songs “Clouds Motion”, “Shallow and Daft”, “Still Alive” and “Club Hawaii”. Germán Vergara, guitarist, describes it as “a blend between some of earliest and some of our newest compositions, all in the same set, with the current Aisles sound. ‘Clouds Motion’ is one of the first songs we recorded as a band. We also made a new version of ‘Shallow and Daft, where we invited the singer Catalina Blanco from the band Téfiret. The last two tracks, ‘Still Alive’ and ‘Club Hawaii’, capture the hopeless atmosphere of our concept album ‘Hawaii’ and reflect what the band is doing nowadays. People will like the sound on the EP as the songs feel more organic and heavier that on the albums.”

Also, these songs were a series of live sessions filmed by director Bernardo Quesney, who has also worked with Chilean artists Gepe, Javiera Mena and Colombina Parra, among others.

“Live from Estudio del Sur” is available on a limited edition CD and on digital platforms:
Spotify: https://open.spotify.com/album/6MB4FCGawPV1Mcem85gFvM
YouTube: https://youtu.be/tWUDTQhdwxQ
Bandcamp: https://aisles.bandcamp.com/album/live-from-estudio-del-sur
Apple Music: https://itunes.apple.com/ca/artist/aisles/742364886
Amazon: http://a.co/7nNFvbC
CD Baby: http://www.cdbaby.com/cd/aisles9
Deezer: https://www.deezer.com/us/album/68798581
Aisles official store: https://www.aislesproject.com/product/live-from-estudio-del-sur-ep-cd/

Videos:
“Clouds Motion” (Live from Estudio del Sur): https://youtu.be/NOq0Y-SALFM
“Shallow and Daft” (Live from Estudio del Sur): https://youtu.be/3wJwUeKDYWY
“Still Alive” (Live from Estudios del Sur): https://youtu.be/VFfTwvl0XoM
“Club Hawaii” (Live from Estudio del Sur): https://youtu.be/8Bx6OQDPXHo

BIOGRAPHY
With four studio albums, Aisles have become South America’s most acclaimed prog act of the last decade. Their daring combination of rock, fusion, jazz and world music illustrates the band’s uniquely eclectic approach. The group has played in the Americas and Europe, and their albums have been published in Europe, North and South America, and Japan. In 2009, their second album, “In Sudden Walks”, was nominated for Best Foreign Record in the Italian Prog Awards and the group was invited to open the 11th Progressive Rock Festival Crescendo in France. Their third album, “4:45 AM” (2013) was widely acclaimed worldwide and was chosen among the best albums of that year in a number of specialized publications. “Hawaii” (July, 2016), their fourth studio album was called a “masterpiece” and named one of the albums of the year by media outlets such as Prog (England), Neoprog (France), Raw Ramp (England) and Chile’s premiere rock magazine, Rockaxis. The band also toured Europe, Mexico and the United States for the first time in their career. Currently, the band is working on their fifth studio album, to be released in 2019, which will include songs described as “charged with complex emotions and with a more modern sound”.

AISLES are:
Sebastián Vergara: lead vocals
Germán Vergara: guitar, vocals
Rodrigo Sepúlveda: guitar, vocals
Daniel Concha: bass
Juan Pablo Gaete: keyboards
Felipe Candia: drums, percussion

LINKS
http://www.aislesproject.com
http://www.facebook.com/aislesproject
http://twitter.com/aislesproject
http://www.youtube.com/aislesproject
https://www.instagram.com/aislesproject/
https://play.spotify.com/artist/1aHj1tpKsDAUDDOMZXcjQg

Press inquiries: 
Glass Onyon PR
PH: 828-350-8158
glassonyonpr@gmail.com


The Box Tops To Be Featured On German TV Special

For Immediate Release


The Box Tops To Be Featured On German TV Special

Memphis blue eyed soul legends, THE BOX TOPS, will be a featured act on Gottschalk’s “1968” TV special on September 6, in HAMBURG GERMANY. Hosted by well known German presenter Thomas Gottschalk, THE BOX TOPS will perform their worldwide megahit, THE LETTER. Also scheduled for the show, folk rock icon, DONOVAN, and PETER FONDA, star of the ultimate hippie generation culture film, EASY RIDER.

Since re-forming just 2 ½ years ago, THE BOX TOPS have performed to tens of thousands of fans all across America, and have ascended to the top echelon of their genre. They were featured artists on 2017’s HAPPY TOGETHER TOUR, and played on the sold out CONCERTS AT SEA in 2018. They are also slated to play two shows on the already sold out FLOWER POWER CRUISE in 2019. In late 2017, the band signed to Paradise Artists, one of America’s premier booking agencies, to handle their engagements exclusively.

In late 2015, original founding members BILL CUNNINGHAM and GARY TALLEY teamed with veteran industry musician/manager RICK LEVY and two top professional musician friends to explore live show potential. In 2016, they hit the road, performing at casinos, fairs, clubs, performing arts centers, and festivals. The show, augmented by Cunningham’s chart arrangements and a horn section, features hits from THE BOX TOPS’ catalogue, including THE LETTER, CRY LIKE A BABY, SOUL DEEP,  NEON RAINBOW,  SWEET CREAM LADIES (forward march) and CHOO CHOO TRAIN, plus album cuts and special tributes to Memphis artists. Historical video footage and personal stories of the ’60s Memphis scene make the BOX TOPS show a HIP music history experience. THE BOX TOPS are also part of the AMERICAN POP SHOW, with favorites, The Buckinghams and The Grass Roots.

Upcoming shows:
August 3 – CAFÉ WHA? – New York City
August 4 – DARYL’S HOUSE CLUB – Pawling, NY
August 8 – CAPE MAY CONVENTION HALL – Cape May, NJ
August 25 – KOOL DEADWOOD NIGHTS – Deadwood SD
September 6 – GOTTSCHALK’S “1968” television show. Hamburg, Germany

For more information: 
www.boxtops.com
www.facebook.com/Box-Tops-141531413031/
instagram: theboxtopsband

Booking: Paradise Artists/Bob Birk bob@paradiseartists.com (805) 646-8433
Management: Rick Levy Management/Rick Levy levy17@bellsouth.net (904) 806-0817
Press inquiries: Glass Onyon PR, PH: 828-350-8158, glassonyonpr@gmail.com


Leonard Cohen in Concert 1972 – Unseen Footage and Sound Recordings From Legendary 1972 Tour Rediscovered!

For Immediate Release

Leonard Cohen in Concert 1972 – Unseen Footage and Sound Recordings From Legendary 1972 Tour Rediscovered!

London – Legendary Film Director Tony Palmer was in his archive looking for something completely different when he discovered a box of archive film and sound recordings from Leonard Cohen’s famous 1972 tour, which formed the basis of the highly critically acclaimed, multi-prize winning and best-selling DVD “Bird On A Wire.”

Concert material from the concerts in Stockholm, Paris and the Albert Hall, with Cohen at the height of his powers performing “Marianne,” “Susanne,” “Joan of Arc,” “The Story of Isaac” and many other songs, is now being restored and edited together by Tony Palmer, who shot the original material.

This will be interspersed with more backstage film of the band on tour, and even some fresh interviews with Cohen himself all of which has remained unseen for over 45 years

These amazing audio and visual recordings will be released in a Limited Edition Deluxe and Standard versions exclusively through Pledge Music during the summer 2018

These releases will act as a companion recordings and film and will all add considerably to footage of the early part of Cohen’s career. For which there is an increasing need since, apart from the film “Bird On A Wire,” there is comparatively little widely available.

DVD featuring 71 minutes of previously unseen footage of 1972 tour shot by Tony Palmer and not included in Bird on a Wire film & 2CD set

CD1 – Best of Live Recordings by Tony Palmer at various venues.

Track List:

1. So Long, Marianne
2. You Know Who I Am
3. The Butcher
4. Famous Blue Raincoat
5. Story Of Isaac
6. Joan Of Arc
7. Hey, That’s No Way To Say Goodbye
8. The Partisan
9. Suzanne
10. Seems So Long Ago, Nancy

Film Soundtrack CD & DVD Track List:

1: So Long, Marianne
2: Bird on a Wire
3: Hey, That’s No Way to Say Goodbye
4: Famous Blue Raincoat
5: You know who I am
6: Joan of Arc
7: Chelsea Hotel (improvised)
8: Suzanne
9: Avalanche
10: Story of Isaac
11: The Dealer
12: Chelsea Hotel
13: The Butcher
14: We Shall Not be Moved

For more information: www.pledgemusic.com/leonardcohentonypalmer

Press inquiries: Glass Onyon PR, PH: 828-350-8158, glassonyonpr@gmail.com


Classic Rock Greats, The Guess Who, Return With ‘The Future IS What It Used To Be’

For Immediate Release

Classic Rock Greats, The Guess Who, Return With ‘The Future IS What It Used To Be’

The Guess Who is responsible for countless rock classics, which still retain a major presence on rock radio – “American Woman,” “No Time,” “These Eyes,” etc. The band is set to return on September 14th with their latest album, ‘The Future IS What It Used To Be’, released via Cleopatra Records (available in CD, Vinyl, and Digital formats).

The band is Garry Peterson (Drums, Vocals), D# (Lead Vocals, Guitar, Piano), Will E. (Guitar, Harp, Vocals), Leonard Shaw (Keyboards, Flute, Sax, Vocals), and Rudy Sarzo (Bass, Vocals). The album’s first single, “Playin’ on the Radio”, will be released on July 17th. It can be heard on Spotify, Apple Music and other streaming services. Also featured on the album are several special guests including, Tommy Shaw (Styx) on vocals, Brent Fitz (Slash, Gene Simmons) percussion, Jim Kale (Guess Who founding member) and Michael Devin (Whitesnake) on bass guitar.

“The song is a celebration of the radio and what it meant to us all”, explains D#. “Whenever a new great song hit the airwaves, the DJ would say a few words then off to the races! You’d tune in just to hear it over and over again. The character in the song could be any one of us as we move ahead in life. Great music has the innate power to transport you back to so many great memories in an instant. Music is healing. I see it AND feel it every single night in our audience.”

A music video for the track has been filmed (directed by Nigel Dick and shot in Las Vegas), and the song can be pre-ordered on iTunes. The video can be viewed here: https://www.youtube.com/watch?v=yfCVd1c4XvA

“I love what I do, and I love trains and I love rock n’ roll,” explains Nigel about the video. “So, I was honored to be asked to shoot The Guess Who. And when they told me they were available for a day in Vegas and by chance I stumbled on this wonderful rail-yard full of old engines just up the road from the strip – I was in heaven – and up to my axles in dust! It was a perfect day.”

And the band is pleased with the results. “My very first music video…who knew?!” says Garry. “Having the privilege of working with the legendary Nigel Dick, took me back to growing up in an era where music videos told a creative visual story that I always looked forward to seeing by my favorite artists,” adds Will. “This track was no exception, adding a colorful, action packed sequence to a great story.”

Garry Peterson: “I never dreamed that I would get a chance to record an album, after 40 years, in the same way, and with the same recording gear that we used in the 60s and 70s. This was truly a blessing for me and a humbling, cathartic experience for my musical soul. Thank you to all my bandmates, and everyone who helped make it a reality. I hope our fans enjoy it as much as I do.”

D#: “This all started when I wrote ‘Playing on the Radio’. Lyrically and musically, these songs are the soundtrack to my journey with The Guess Who over the last 10 years. This record was a joy and an honor to create. As version 3.0 of this iconic band, we had our work cut out for us. The challenge in this type of situation is always to be true to the heartroots of the original blueprint, as well as being able to journey onwards into an inspired future, incorporating the new energies that we bring to the experience, as you do in any family, generation after generation. I hope you enjoy the ride as much as we did.”

Will E: “I am honored to be a part of this chapter of The Guess Who. We specifically wrote and arranged the music to reflect what people have always loved about the band; great songs with big vocal driven choruses. We accomplished our own sound while maintaining the classic nature that makes The Guess Who an iconic band.”

Rudy Sarzo: “The Guess Who is part of the soundtrack of my life. It’s truly an honor to have performed on the new record. And I’m already looking forward to the next one.”

Leonard Shaw: “It has been quite the trip since I joined the Guess Who 25 years ago, but I am stoked about our new recording of original songs! These songs are fun to play live, and people are digging them!”

And soon, fans will be able to hear the latest work from this legendary band, upon the arrival of the rocking and inspired ‘The Future IS What It Used To Be.’

‘The Future IS What It Used To Be’ track listing:
1. When We Were Young
2. Runnin’ Blind
3. Talks All The Time
4. Baby Come Around
5. Haunted
6. In America
7. Playin’ On The Radio
8. Give It A Try
9. Good Girl
10. Long Day

Pre-order the CD: https://cleorecs.com/store/shop/the-guess-who-the-future-is-what-it-used-to-be-cd/
Pre-order the vinyl: https://cleorecs.com/store/shop/the-guess-who-the-future-is-what-it-used-to-be-limited-edition-lp/
Pre-order the digital album on iTunes: http://radi.al/FutureTheGuessWho/opt/0?iguid=Ss_jvtVpMESAcBfCoO7CEg
Stream “Playin’ On The Radio” on Spotify: http://open.spotify.com/album/3S6oVVlZ2XuTO6uf6scfkD

For more information:
Website: theguesswho.com
Facebook: facebook.com/theguesswho
Instagram: @TheGuessWhoBand
Twitter: @TheGuessWho

European Press inquiries: 
Glass Onyon PR
PH: 828-350-8158
glassonyonpr@gmail.com


CLEOPATRA RECORDS, Inc.
11041 Santa Monica Blvd #703
Los Angeles CA 90025
www.CleopatraRecords.com
Facebook @Cleopatrarecords
https://www.facebook.com/CleopatraRecords/
Instagram @cleopatrarecords
https://www.instagram.com/cleopatrarecords/
Twitter @cleopatrarecord
https://twitter.com/cleopatrarecord
Youtube @Cleopatrarecords
https://www.youtube.com/channel/UCopQ0616Fpfrq8Gt0N-0zOQ
Soundcloud @cleopatra-recs
https://soundcloud.com/cleopatra-recs
Dailymotion @Cleopatrarecords
https://www.dailymotion.com/CleopatraRecords
Vimeo @cleopatrarecords
https://vimeo.com/cleopatrarecords
Spotify  @cleopatra_recs
https://open.spotify.com/user/cleopatra_recs
Linkedin @cleopatra-records
https://www.linkedin.com/company/cleopatra-records