Category Archives: Patrick Moraz

Modern Keyboard Wizard JORDAN RUDESS Recreates GIORGIO MORODER’s Epic “Chase” Theme From MIDNIGHT EXPRESS On Collection Of New Recordings By Leading Synth Masters!

For Immediate Release

Modern Keyboard Wizard JORDAN RUDESS Recreates GIORGIO MORODER’s Epic “Chase” Theme From MIDNIGHT EXPRESS On Collection Of New Recordings By Leading Synth Masters!

Features performances by Rick Wakeman, Derek Sherinian, Geoff Downes, Patrick Moraz, Thijs Van Leer, Larry Fast & Nite Jewel!

Los Angeles, CA – Some of the most heralded and widely-respected keyboardists on the planet have gathered together on a unique collection to offer their fresh new takes on some of the tracks that laid the foundation of electronic music and influenced thousands of synth-sational artists and players! Ever wonder what Mike Oldfield’s groundbreaking “Tubular Bells” might sound like in the hands of Dream Theater keyboardist Derek Sherinian? Or think that Moody Blues/Yes keyboardist Patrick Moraz would do a fantastic version of Jean-Michel Jarre’s superb “Oxygene?” Well, wonder no more as Synthesizer Classics has come to answer all of your synth-related prayers!

The new collection features all exclusive and brand new recordings by such world-renowned pros as Rick Wakeman, Asia’s Geoff Downes, Focus’s Thijs Van Leer, and Larry Fast, who along with several others, have reached back into the past and recreated classics by Kraftwerk, John Carpenter, and lots more! Check out the first single to be released from the collection, Jordan Rudess’s tantalizing take on Giorgio Moroder’s award-winning score for the 1978 prison drama Midnight Express!

Stream the single: https://orcd.co/jordan_rudess_chase

Synthesizer Classics will be available everywhere starting August 12. Pick up your copy on CD or vinyl or stream the album on all the major digital music platforms!

Order the CD/vinyl: https://cleorecs.com/store/?s=Synthesizer+Classics&post_type=product

Pre-order/pre-save the digital: https://orcd.co/synthesizer_classics

TRACK LIST:
1. Tubular Bells – Derek Sherinian
2. Magic Fly – Rick Wakeman
3. Pulstar – Geoff Downes
4. Chase – Jordan Rudess
5. Oxygene (Part 4) – Patrick Moraz
6. Escape From New York – Thijs Van Leer
7. Tour De France – Nyte Jewel
8. Visitors – Larry Fast

Press inquiries:
Glass Onyon PR
Billy James
PH: 828-350-8158
glassonyonpr@gmail.com


CLEOPATRA RECORDS, Inc.
11041 Santa Monica Blvd #703
Los Angeles CA 90025
www.CleopatraRecords.com

Follow PURPLE PYRAMID  @
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https://twitter.com/PurplePyramid1
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An All-Star Gathering Of Rock Legends Including GRAHAM BONNET, ARTHUR BROWN, VINNIE MOORE, DAVID J, JAMES LABRIE, and others Perform PINK FLOYD’s 1977 Epic ANIMALS In Its Entirety!

For Immediate Release

An All-Star Gathering Of Rock Legends Including GRAHAM BONNET, ARTHUR BROWN, VINNIE MOORE, DAVID J, JAMES LABRIE, and others Perform PINK FLOYD’s 1977 Epic ANIMALS In Its Entirety!

Album features performances by Al Di Meola, Albert Lee, Rick Wakeman, Martin Barre, Carmine Appice, Jordan Rudess, Billy Cobham, Jan Akkerman, and more!

Los Angeles, CA – Following the wildly successful Still Wish You Were Here project released earlier this year, another gathering of classic, prog and art rock superstars have come together to recreate and reimagine Pink Floyd’s ambitious 1977 concept album, Animals! Fusing the white-hot guitar work of Floyd guitarist David Gilmour with the stone-cold cynicism of Roger Water’s lyrics, Animals is widely hailed by die-hard Floyd fans as one of the group’s most highly conceptual and uncompromising albums of their career, and certainly set the template for the commercial breakthrough that would come two years later with 1979’s The Wall.

Now, some of the most veteran players and singers on the planet including jazz-rock guitar legend Al Di Meola, psych-rock godfather Arthur Brown, drum master Billy Cobham, UFO’s Vinnie Moore, Bauhaus’s David J, Dream Theater’s James LaBrie, and so many more come to give their unique spins to this magnum opus. Each track of this groundbreaking work has been completely reimagined with modern production flourishes and tasteful musical additions while staying true to the original album’s heady and subtly complex compositions. Just listen to the new version of “Dogs,” a superb 17-minute suite sung by Rainbow’s Graham Bonnet with Vinnie Moore on guitar, Utopia’s Kasim Sulton on bass, Dream Theater’s Jordan Rudess on keyboards, and King Crimson drummer Pat Mastelotto.

Stream “Dogs”: https://orcd.co/graham_bonnet_vinnie_moore_dogs

Animals Reimagined – A Tribute To Pink Floyd is set for release on November 19 on both CD and digital with a vinyl version coming in 2022. The CD version comes in a deluxe 6-panel digipak with artwork created by the most successful digital artist working today, Mike “Beeple” Winkelmann, with cover art designed by James McCarthy. Look for the NFT charity auction of the front cover image later this year!

Pre-order the CD: https://cleorecs.com/store/shop/animals-reimagined-a-tribute-to-pink-floyd-cd/
Pre-order/pre-save the digital: https://orcd.co/animals_reimagined

Track List:
1. Pigs On A Wing 1 – Nick van Eede (Cutting Crew) & Martin Barre (Jethro Tull)
2. Dogs – Graham Bonnet (Rainbow), Vinnie Moore (UFO), Kasim Sulton (Utopia), Jordan Rudess (Dream Theater) & Pat Mastelotto (King Crimson)
3. Pigs (Three Different Ones) – James LaBrie (Dream Theater), Al Di Meola, Joe Bouchard (Blue Öyster Cult), Patrick Moraz (The Moody Blues) & Billy Cobham (Mahavishnu Orchestra)
4. Sheep – Arthur Brown, Rick Wakeman (Yes), Jan Akkerman (Focus), David J. (Bauhaus) & Carmine Appice (Cactus/Vanilla Fudge)
5. Pigs On A Wing 2 – Jon Davison (lead vocalist for Yes), Albert Lee & Billy Sherwood (Yes)

Press inquiries:
Glass Onyon PR
Billy James
PH: 828-350-8158
glassonyonpr@gmail.com


CLEOPATRA RECORDS, Inc.
11041 Santa Monica Blvd #703
Los Angeles CA 90025
www.CleopatraRecords.com

Follow PURPLE PYRAMID  @
Facebook |  Instagram  | Twitter | Youtube | Purple Pyramid Store
Facebook @PurplePyramidRecords
https://www.facebook.com/PurplePyramidRecords/
Instagram @Purple.pyramid
https://www.instagram.com/purple.pyramid/
Twitter @PurplePyramid1
https://twitter.com/PurplePyramid1
Youtube @ Purple Pyramid
https://www.youtube.com/channel/UCwiCec6bS6mX3c7dpitfYRQ
Purple Pyramid Store @
https://cleorecs.com/store/product-category/record-label/purple-pyramid/


exo-X-xeno Releases Adventurous Second Single, “Reaching for Beyond,” Featuring Craig Maher, Billy Sherwood, Jay Schellen, and Legendary Keyboardist Patrick Moraz

For Immediate Release

exo-X-xeno Releases Adventurous Second Single, “Reaching for Beyond,” Featuring Craig Maher, Billy Sherwood, Jay Schellen, and Legendary Keyboardist Patrick Moraz  

On July 15, 2021, progressive rock project exo-X-xeno launches its anticipated second single filled with fluid proggy riffs and elevated harmonic vocals that break through the stratosphere, called “Reaching for Beyond.” This epic song release, along with a companion conceptual promo video, continues the band’s musical journey with a polychromatic tapestry of celestial rock sounds.

“Being part of the collaborative ‘exo-X-xeno’ project, along with Craig Maher, Billy Sherwood, and Jay Schellen, is an ongoing musically uplifting and inspiring experience for me,” says Moraz.

About exo-X-xeno

The exo-X-xeno band, which launched at the beginning of 2021, pushes the prog rock boundaries of space and time with expansive, melodious vocals and sonic instrumental layering—all accomplished with a star-studded roster of musical greats.

Founded by composer, vocalist and guitarist Craig Maher, exo-X-xeno is a musical constellation consisting of bassist and backing vocalist Billy Sherwood (Yes, Toto and Conspiracy with Chris Squire), drummer Jay Schellen (Hurricane, Yes and Asia), and legendary keyboardist Patrick Moraz (Refugee, Yes and The Moody Blues). The group’s release of several singles this year will be fused into the final conceptual album (designed by Maher), entitled, Luminous Voyage.

The band’s first single, “Onward, Love,” successfully debuted on January 15, 2021 to an enthusiastic global prog rock audience.

About Craig Maher, Founder of exo-X-xeno  

Craig Maher’s musical journey as a composer, guitarist, vocalist, and recording and visual artist is sprinkled with celestial eclecticism. Throughout his 30 years of playing, studying and composing guitar-based music, he released two records, Through the Garden of Temptation, and Propel (2009). He composed the music score for the film Brooklyn Lobster, with Danny Aiello and Jane Curtin (2005). Maher has performed in a plethora of venues spanning from the U.S. to Europe and is looking forward to touring with exo-X-xeno in the near future.

“Craig’s exceptional talent for composing, authoring, guitar playing and singing are at the highest level of an amazing creativity,” says Moraz.

What’s Ahead

Stay tuned for the upcoming release of another exo-X-xeno single entitled, “Vitruvian Man,” featuring the Maher/Schellan/Moraz lineup, to be accompanied by another video launch. The single “Reaching for Beyond” will be available for digital download on the official exo-X-xeno website and on Bandcamp on July 15, 2021, with limited CD printed versions released on Shine-ON Records.

Contact, Purchase and Follow info:

exo-X-xeno website store: https://exo-x-xeno.com/store
Bandcamp Page: https://exo-x-xeno.bandcamp.com
FaceBook: https://www.facebook.com/exoXxeno
YouTube: https://youtube.com/channel/UC65FzNYu83Bzj2XpRlZRi5Q

Press inquiries: Glass Onyon PR, PH: 828-350-8158 (USA), glassonyonpr@gmail.com


exo-X-xeno Collaborative Project Blasts Off with Expansive Single, “Onward Love,” Feat. Craig Maher, Billy Sherwood, Jay Schellen, and Legendary Keyboardist Patrick Moraz

For Immediate Release

exo-X-xeno Collaborative Project Blasts Off with Expansive Single, “Onward, Love,” Featuring Craig Maher, Billy Sherwood, Jay Schellen, and Legendary Keyboardist Patrick Moraz

On January 15, 2021, progressive rock project exo-X-xeno launches its debut single of  aspiration and hopefulness, called “Onward, Love.” The song release, along with a companion inspirational promo video, pushes the prog rock boundaries of space and time with expansive, melodious vocals and sonic instrumental layering – all accomplished with a star-studded roster of musical greats.

About exo-X-xeno

Founded by composer, vocalist and guitarist Craig Maher, exo-X-xeno is a musical constellation consisting of bassist and backing vocalist Billy Sherwood (Yes, Toto and Conspiracy with Chris Squire), drummer Jay Schellen (Hurricane, Yes and Asia), and legendary keyboardist Patrick Moraz (Refugee, Yes and The Moody Blues). The group’s plan is to release a series of singles throughout 2021 that will be fused into a new  conceptual album (designed by Maher), entitled, Luminous Voyage.

“Exo-X-xeno is about crafting adventurous conceptual compositions into amalgamated tapestries. I want the listener to think and feel on a deeper level…to elevate and go beyond where they wish to go…to let them paint their own life’s experiences into the narrative of the song,” says Maher.


About Craig Maher, Founder of exo-X-xeno

Craig Maher’s musical journey as a composer, guitarist, vocalist, and recording and visual artist is sprinkled with celestial eclecticism. Throughout his 30 years of playing, studying and composing guitar-based music, he released two records, Through the Garden of Temptation, and Propel (2009). He composed the music score for the film Brooklyn Lobster, with Danny Aiello and Jane Curtin (2005). Maher has performed in a plethora of venues spanning from the U.S. to Europe and is looking forward to touring with exo-X-xeno in the near future.

What’s Ahead

The year 2021 already looks to break through the stratosphere with the upcoming release of another exo-X-xeno single entitled, “Vitruvian Man,” featuring the  Maher/Schellan/Moraz lineup, to be accompanied by another video launch.

The single “Onward, Love” will be available for digital download on January 15, 2021, with limited CD printed versions released on Shine-ON Records coming in the spring.

Contact, Purchase and Follow info:
exo-X-xeno website store: https://exo-x-xeno.com/store
Bandcamp Page: https://exo-x-xeno.bandcamp.com
FaceBook: https://www.facebook.com/exoXxeno
YouTube: https://youtube.com/channel/UC65FzNYu83Bzj2XpRlZRi5Q

Press inquiries: Glass Onyon PR, PH: 1-828-350-8158 (US), glassonyonpr@gmail.com


Keyboard Legend Patrick Moraz To Release Limited Edition 19-CD Box Collection Of Solo Catalogue

CARD UDM0-1 med res

For Immediate Release

Keyboard Legend Patrick Moraz To Release Limited Edition 19-CD Box Collection Of Solo Catalogue

Los Angeles, CA – As the holiday season approaches, keyboard legend Patrick Moraz is proud to announce the release of his special BOX COLLECTION of 19 CDs! The special box collection also contains a uniquely different CARD that Patrick has specially conceived, designed and autographed.

Titles Included in the Box Collection:
Change of Space
Coexistence
Esp – Etudes, Sonatas, Preludes (AVAILABLE IN BOX COLLECTION ONLY)
Future Memories I and II
Future Memories II (AVAILABLE IN BOX COLLECTION ONLY)
Future Memories Live on TV
Human Interface
“i“ (a.k.a. “The Story of i”)
Live at Abbey Road (AVAILABLE IN BOX COLLECTION ONLY)
Mainhorse
Music for Piano and Drums – Live in Maryland – 2 Audio CDs
Out in the Sun
Patrick Moraz III
Patrick Moraz in Princeton (AVAILABLE IN BOX COLLECTION ONLY)
Pianissimoraz
Resonance (AVAILABLE IN BOX COLLECTION ONLY)
Time Code (AVAILABLE IN BOX COLLECTION ONLY)
Windows of Time

The CDs can also be purchased as single units directly from his websites and Facebook.

Swiss born Patrick Moraz is best known as an official member and keyboardist for the progressive rock bands “Yes” from 1974 to the end of 1976 and “The Moody Blues” from 1978 to 1991. He was classically trained at the Conservatory of Lausanne, but having a keen interest in jazz and world rhythms he decided early on to pursue composing and playing in these genres of music as well. This led to Patrick and his own trio and quartet, opening for major jazz artists and famous rock bands throughout Europe in the mid-sixties. He then formed the group “Mainhorse” with Jean Ristori in 1968 and released a self-titled album on Polydor. After a long tour of Japan and the Far-East as musical director of a Brazilian Ballet Company, he moved to England in the early Seventies to form “Refugee” with Lee Jackson and Brian Davison, both previously of “The Nice”. They produced one album titled “Refugee” which to date is still revered as one of Prog-Rock’s monumental works known for Moraz’s highly inspired compositions and keyboard virtuosity.

Moraz rose to prominence in 1974 as a new member and keyboardist of “Yes”. He co-composed along withYes’s” band members and played on the album “Relayer”, which led to what was to be “Yes’s” most successful ever world tour, playing to crowds which numbered from 25,000 to 120,00 at JFK stadium during the bi-centennial year of 1976. In 1975-1976 these particular members of “Yes” decided to compose, record and release their own solo albums. In the interim Moraz had moved to Brazil and composed the music for his own “i” (a.k.a. “The Story of i”) solo album, which incorporated 16 Brazilian percussionists, making it an important staple of “world music”. “i” was Moraz’s first solo album and in 1976 it was voted the #1 Album of the Year by “Keyboard Magazine”. After his departure from “Yes”Patrick recorded his second album “Out In The Sun” on the “famous” Charisma Record Label, and moved officially to Brazil.

In the last part of 1977 and the first part of 1978, Patrick devoted his time exclusively for composing and recording for the production of his 3rd solo album, simply titled “Patrick Moraz”; on this recording, he enlisted the services of the percussionists of Rio-de-Janeiro and Djalma Correa, whom several years later Patrick referred to Peter Gabriel for his album “SO”.

Moving back to Europe via an appearance at the famous “Montreux Jazz Festival” in Switzerland, and upon their request, Patrick began playing with ”The Moody Blues” on their “Octave” tour in 1978, replacing their former keyboardist Mike Pinder, and two world tours ending in 1979 were extremely successful!

In 1980, having played and recorded on the new album “Long Distance Voyager” he was asked to become a member of the band. Subsequently, in 1981, “Long Distance Voyager” reached #1 on the US charts (and a first for the “Moodies”!) and proved to be one of their highest grossing albums to date. He continued touring and recording with “The MoodyBlues” until 1991 and played on the four subsequent albums : “The Present”, “The Other Side of Life”, “Sur la Mer” and partially on “Keys of the Kingdom”. Moraz is also credited as composer and co-writer of the song “The Spirit”, which appeared on the 1986 album “The Other Side of Life”.

During recording and touring breaks with the “Moodies”, Patrick had continued to compose, play and record his solo albums “Future Memories 1” “Future Memories II”, (both “Live on TV”), “Human Interface”, and “Timecode”. He also collaborated, (in 1979), with the renowned Romanian pan-pipe flutist, Simeon Stanciu, (a.k.a. Syrinx), for their album “Coexistence”. From 1983 to 1985, Patrick Moraz and Bill Bruford, former member and drummer for Yes, decided to form a duet and tour under the name “Moraz-Bruford”. They recorded two albums, “Music For Piano and Drums” and “Flags” and managed to do three very successful worldwide Tours.

In 1991 having been with “The Moody Blues” for thirteen years, Moraz embarked on a solo career. To date he has composed and played acoustic piano on three solo CD’s, “Windows of Time”, (Quote from Keyboard Magazine : “If Beethoven had gigged with Yes, he might have wound up sounding like this“) as well as “Resonance” and “ESP”, all of which have been critically acclaimed and extremely well received.

In 1995, exactly 20 years ago, Patrick Moraz performed throughout the USA on his C.H.A.T. tour (Coming Home America Tour). The tour was unique in that it was one of the first, if not the very first to be booked entirely over the Internet! Moraz played solo on acoustic Grand Pianos to audiences that numbered as small as two people to hundreds of people, taking place in eclectic venues which ranged from single homes, to large estates, corporate headquarters, churches, theaters, concert halls and museums. One of the concerts was filmed and recorded for a DVD and CD in Princeton N.J. and is titled “P.M. in Princeton”. The C.H.A.T. tour proved to be a huge success and an experience that Moraz says he will always hold very dear to his heart.
In 2009 he released “Change of Space”, and in 2011 Moraz released the electronic keyboard CD “MorazLive/Abbey Road” which features Patrick playing live electronic keyboards as well as a live acoustic piano improvisation. There was also a piano-compilation CD titled “Pianissimoraz”, featuring a new and unreleased piece : The “one-&-only take” of the instant composition “Pure Love”.

In 2014, Patrick was invited to take part and perform 2 solo electronic concerts as well as an all-acoustic solo piano concert on the now famous “Cruise to the Edge“ (CTTE).

Most recently Patrick Moraz and drummer Greg Alban released their first album titled “MAP” in June 2015!

The album features amazing bass player John Avila, former member of “Oingo Bongo”, as well as other great players such as Lenny Castro on percussion, who has worked with such artists as The Rolling Stones, Elton John, Eric Clapton and many others, renowned and awesome bass player, Matt Malley, founder and former member of The Counting Crows, who expertly plays Indian Slide Guitar, Swiss virtuoso bass player, Patrick Perrier, and heavyweight multi-instrumentalist on tenor saxophone, Dave VanSuch.

To purchase Patrick Moraz’s 19 CD Box Set (titles are also available individually):
https://patrickmoraz.neucart.com/
https://patrickmoraz.neucart.com/all-19-cds-box-set

To purchase Patrick Moraz & Greg Alban “MAP”:
http://cdbaby.com/cd/themap1
http://www.themap.website

Patrick Moraz:
http://www.patrickmoraz.com
http://www.patrickmoraz.net
https://www.facebook.com/patrickmorazofficial

Press inquiries: Glass Onyon PR, PH: 828-350-8158, glassonyonpr@gmail.com


Keyboard Legend Extraordinaire Patrick Moraz, Former Member of YES and the Moody Blues, To Release New Album “MAP” (Moraz Alban Project) With Outstanding Drummer Greg Alban!

MAP cover med res

For Immediate Release

Keyboard Legend Extraordinaire Patrick Moraz, Former Member of YES and the Moody Blues, To Release New Album “MAP” (Moraz Alban Project) With Outstanding Drummer Greg Alban!

Los Angeles CA- Patrick Moraz and Greg Alban proudly announce the release of their new CD “MAP”.

Says Patrick, “The concept and the meaning of “MAP” is first and foremost the ‘MORAZ ALBAN PROJECT’! Some time ago, Greg Alban, a very good friend of mine and a great drummer whom I have known now for more than 30 years asked me if I would like to start composing and arranging some music that he could play the drums on, with me. He wanted to record a whole album together and eventually of course, release it.”

So Moraz began composing and arranging the music for “MAP” in his studio in Florida, the project then moved to California, where it was further developed and recorded. This new music is a collection of instrumental pieces that range in style and spirit of World-Fusion, Rock and Jazz.

Greg Alban, originally from Columbus, Ohio, attended Ohio University and moved to Los Angeles in 1974 to pursue a career in music. Greg has studied with some of the great drummers and teachers such as Richard Wilson, Joe Morello and Joe Porcaro. Patrick Moraz first heard Greg Alban play drums when he was head of his own band ICE. They were performing at the famous and since shuttered Red Onion in Marina Del Rey, CA. Impressed with the playing skills of Alban and fellow band member John Avila, Moraz asked them to perform on his album, “Timecode”. Greg Alban who has worked with such artists such as “The Miracles”, Denny Laine (Wings) and Mike Pinera (Blues Image and Iron Butterfly) explains: “Patrick and I have been very good friends for a long time and I’m still always being surprised by the depth of his knowledge, not just about music but everything! He’s a creative genius and I’m honored to be working with him.”

Swiss born Patrick Moraz, is best known as an official member and keyboardist for the progressive rock bands “Yes” from 1974 to the end of 1976 and “The Moody Blues” from 1978 to 1991. He was classically trained at the Conservatory of Lausanne, but having a keen interest in jazz and world rhythms he decided early on to pursue composing and playing in these genres of music as well. This led to Patrick and his own trio and quartet, opening for major jazz artists and famous rock bands throughout Europe in the mid-sixties. He then formed the group “Mainhorse” with Jean Ristori in 1968 and released a self-titled album on Polydor. Then, after a long tour of Japan and the Far-East as musical director of a Brazilian Ballet Company, he came back and moved to England in the early Seventies to form “Refugee” with Lee Jackson and Brian Davison, both previously of “The Nice”. They produced one album titled “Refugee” which to date is still revered as one of Prog-Rock’s monumental works known for Moraz’s highly inspired compositions and keyboard virtuosity.

Moraz rose to prominence in 1974 as a new member and keyboardist of “Yes”. He co-composed along with Yes’s” band members and played on the album “Relayer”, which led to what was to be “Yes’s” most successful ever world tour, playing to crowds which numbered from 25,000 to 120,00 at JFK stadium during the bi-centennial year of 1976. In 1975-1976 all the then- members of “Yes” released solo albums. In the interim Moraz had moved to Brazil and composed the music for the “I” aka “The Story of I” which incorporated 16 Brazilian percussionists, making it an important staple of “world music”. “I” was Moraz’s first solo album and in 1976 it was voted the #1 Album of the Year by “Keyboard Magazine”. After his departure from “Yes” Patrick recorded his second album “Out In The Sun” on the “famous” Charisma Record Label, and moved officially to Brazil.

In the last part of 1977 and the first part of 1978, time was devoted exclusively for composing and recording for the production of his 3rd solo Album, simply titled “Patrick Moraz”, in the company of the percussionists of Rio-de-Janeiro and Djalma Correa, who, several years later, was referred by Patrick to Peter Gabriel for his Album “SO”.

Moving back to Europe via an appearance at the famous “Montreux Jazz Festival” in Switzerland, and upon their request, Patrick began touring with ”The Moody Blues” on their “Octave” tour in 1978, replacing their former keyboardist Mike Pinder. The two world Tours, ending in 1979 proved extremely successful!

In 1980, having played and recorded on the new album “Long Distance Voyager” he was asked to become a member of the band. Subsequently, in 1981, “Long Distance Voyager” reached #1 on the US charts and proved to be one of their highest grossing albums to date. He continued touring and recording with “The Moody Blues” until 1991 and played on the four subsequent albums : “The Present”, “The Other Side of Life”, “Sur la Mer” and partially on “Keys of the Kingdom”. Moraz is also credited as composer and co-writer of the song “The Spirit”, which appeared on the 1986 album “The Other Side of Life”.

During recording and touring breaks with the “Moodies”, Patrick had continued to compose, play and record his solo albums “Future Memories 1” “Future Memories II”, (both “Live on TV”), “Human Interface”, and “Timecode”. He also collaborated, (in 1979), with the renowned Romanian panpipe flutist, Simeon Stanciu, (a.k.a. Syrinx), for their album “Coexistence”. From 1983 to 1985, Patrick Moraz and Bill Bruford, former member and drummer for Yes, decide to form a duet and tour under the name “Moraz-Bruford”. They recorded two albums, “Music For Piano and Drums” and “Flags” and managed to do three very successful worldwide Tours.

In 1991 having been with “The Moody Blues” for thirteen years, Moraz embarked on a solo career. To date he has composed and played acoustic piano on three solo CD’s, “Windows of Time”, “Resonance” and “ESP” all of which have been critically acclaimed and extremely well received.

In 1995, exactly 20 years ago, Patrick Moraz performed throughout the USA on his C.H.A.T. tour (Coming Home America Tour). The tour was unique in that it was one of the first, if not the very first to be booked entirely over the Internet. Moraz played solo on acoustic Grand Pianos to audiences that numbered as small as two people to hundreds of people, taking place in eclectic venues which ranged from single homes, to large estates, corporate headquarters, churches, theaters, concert halls and museums. One of the concerts was filmed and recorded for a DVD and CD in Princeton N.J. and is titled “P.M. in Princeton”. The C.H.A.T. tour proved to be a huge success and an experience that Moraz says, “He will always hold very dear to his heart”.

In 2009 he released “Change of Space”, and in 2011 Moraz released the electronic keyboard CD “Moraz Live/Abbey Road” which features Patrick playing live electronic keyboards as well as a live acoustic piano improvisation. There was also a piano-compilation CD titled “Pianissimoraz”, featuring a new and unreleased piece : The “one-&-only take” of the instant composition “Pure Love”.

And now much to the excitement of music fans worldwide, Patrick Moraz and Greg Alban are releasing their first album “MAP” in June 2015!

The album features amazing bass player John Avila, former member of “Oingo Bongo”, who also plays bass on “MAP”. The other great players featured on “MAP” are Lenny Castro on percussion, who has worked with such artists as “The Rolling Stones”, “Elton John”, “Eric Clapton” and many others. Renown and awesome bass player, Matt Malley, founder and former member of “The Counting Crows”, expertly plays Indian Slide Guitar on “MAP’. Swiss virtuoso bass player Patrick Perrier and heavyweight multi-instrumentalist on tenor saxophone Dave VanSuch, both perform on “MAP” as well.

To purchase:
http://cdbaby.com/cd/themap1
http://www.themap.website

Official website:
http://www.themap.website

Patrick Moraz:
http://www.patrickmoraz.com
http://www.patrickmoraz.net
https://www.facebook.com/patrickmorazofficial

Greg Alban:
http://www.GregAlban.com ;
http://www.GregAlban.net ;
http://www.Facebook.com/Greg.Alban.56

Press inquiries: Glass Onyon PR, PH: 828-350-8158, glassonyonpr@gmail.com


A Statement From Patrick Moraz on the Passing of Chris Squire

Patrick Moraz Chris Squire

A Statement From Patrick Moraz on the Passing of Chris Squire

The news of Chris’s passing is very sad.

He was a special friend and a phenomenal musician, always eager to go beyond the outreaches of creativity.

During my years as a member of Yes and even outside of the band, strongly embedded in my memory, are some of the extraordinary sessions we used to have together; like an “empathy of minds and souls” jamming together to the rhythms of frequencies, all distances abbreviated by the pure spontaneity of spirits roaming freely, all barriers seemingly abolished!

My deepest heartfelt thoughts and condolences go out to Chris’s Family and loved ones.

Rock on, Chris!

Patrick Moraz


Vintage Rock Interview with Patrick Moraz

patrick_moraz_interview_2014

The Patrick Moraz Interview
(2014)

By Shawn Perry

In some ways, keyboardist Patrick Moraz has attained a scent of mystique since the 80s. The keyboardist who played with not one, but two, top-shelf bands — Yes and the Moody Blues — was fairly visible in the 70s and 80s. Once his membership with the Moodies expired under tenuous circumstances, Moraz sought refuge with his piano, and issued numerous solo albums, rooted very much in classical and jazz modes, far and away from the radio-friendly music he’d made with the Moody Blues.

While Moraz’s credibility and musical contributions have been recognized, it’s only been recently that his place in progressive rock and affiliation with Yes have been reinvigorated through the release of tribute records he’s played on like Light My Fire: A Classic Rock Salute To The Doors and the reissue of Yes’ 1974 album Relayer — the only Yes album Moraz appeared on — in high-definition stereo and 5.1 surround sound.

There are numerous other tribute albums he’s played on, plus other sessions, including some with Yes members, but Moraz also continues to compose and record his own music. In fact, he has a new band with drummer Greg Alban called The M.A.P. (The Moraz Alban Project) that he says he wrote and arranged a majority of the material for. The veil of mystique that once shrouded Patrick Moraz, at least to the public at large, is about to be lifted.

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Tell me a little bit about your participation on the Light My Fire: A Classic Rock Salute To The Doors CD.

I was contacted several months ago by a very good friend Billy Sherwood, whom I have the greatest respect because he’s a great producer; he’s always around doing all kinds of productions. I probably was one of the very first musicians to be asked to participate in the classic rock tribute. (Laughs) Funny enough, my agent proposed that and asked, “What would you like to play on? You know, you have the choice of all the music.” Of course, I’d like to play on “Light My Fire” because it’s the most known hit by the Doors and it’s their greatest. But anyway, so I think five or 10 minutes later he got back to me on email and said, “Well, I’ve got to tell you, this title has already been taken, so give me another list of titles.” So I started with “L.A. Woman,” of course, and that was it. Then I started working on it, and I worked online, like little sessions are being done like that. I took quite some time to do it, because I also wanted render homage to the Doors and to Ray Manzarek. Funny enough — funny enough, I mean, it’s not funny — but suddenly enough, Ray Manzarek passed just about two weeks, one week or two weeks before I heard that I had delivered the tracks. That was it. The CD came out and it came out actually on the 24th of June, and I really enjoyed listening to it and all the work that had been done. I really enjoyed what Jimi Jamison did singing “L.A. Woman,” especially, and Ted Turner on guitar from Wishbone Ash, and Scott Connor and — funny enough, of course, Billy Sherwood on bass, because the Doors didn’t have a bass player. So it made the whole thing really much more fuller sounding. But I really was very surprised, and shocked to hear that Jimi Jamison had passed. That’s why I did homage on my Facebook and stuff, and my newsgroup and so on, because I didn’t know the guy — I knew of his work, of his voice, of his presence. He was a fantastic singer.

For the full interview, please visit the Vintage Rock website!


Classic Rock Music Reporter Interview with Patrick Moraz

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Monday, September 15, 2014
Patrick Moraz Interview: The Extraordinary Keyboardist & Composer/ Prior Member of ‘YES’ & ‘The Moody Blues’

By Ray Shasho

-Interviewed June 24th 2014

Swiss native Patrick Moraz is the extraordinary keyboardist and composer for no less than two legendary rock groups … ‘YES’ (1974-76) and ‘The Moody Blues’ (1978-1991). His first solo album entitled ‘The Story of i’ was hailed by many critics as a musical masterpiece.
Patrick Moraz is busier than ever these days. He was recently featured on the new CD ‘Light My Fire-A Classic Rock Salute to The Doors,’ Moraz performed on the opening track … “L.A. Woman” with the late Jimi Jamison (Survivor) and Ted Turner (Wishbone Ash).

Moraz was also one of the performers on the recent ‘Cruise to the Edge’ which also featured … ‘YES,’ Steve Hackett, UK, Queensryche, Tangerine Dream, Renaissance, Strawbs, Tony Levin and a host of other progressive rockers.

Patrick Moraz has several upcoming and surprising releases to watch out for including … (MAP) ‘The Greg Alban Project,’ which will feature Lenny Castro on percussion and John Avila from ‘Oingo Boingo’ on bass, Patrick Perrier, and Matt Malley. A CD entitled… ‘A way to Freedom’ due in the very near future, and a Cantata in the final works for SATB Choirs in 7 movements, paying homage to ‘Our Planet.’

PATRICK MORAZ: began his fascination with the keyboards at a very young age. He attentively watched and listened to Romanian concert pianist Clara Haskil while living at the same house in Vevey, Switzerland. Moraz attended the Conservatory of Lausanne and studied Harmony and Counterpoint (the Art of the fugue). Patrick’s father managed restaurants which included theaters and stages, and Patrick was able to meet such music luminaries as … Louis Armstrong, Maurice Chevalier, Lionel Hampton, Count Basie, and Duke Ellington.

For the rest of the bio and the interview, please visit the Classic Rock Music Reporter website!


Hit Channel Interview with Patrick Moraz

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Αρχική / Συνεντεύξεις / Ξένοι καλλιτέχνες / In English / Interview : Patrick Moraz (solo, YES, The Moody Blues)
Interview : Patrick Moraz (solo, YES, The Moody Blues)
Δημοσιεύθηκε 18 Ιουνίου 2014 | Από thodoris | In English

HIT CHANNEL EXCLUSIVE INTERVIEW: June 2014. We had the great honour to talk with a great keyboardist: Patrick Moraz. He was a member of YES from 1974 to 1976 and of The Moody Blues from 1978 to 1990. Previously he had formed Mainhorse with Jean Ristori and Refugee with Lee Jackson and Brian Davison, former members of The Nice. He has an interesting solo career and he has recorded with Chick Corea and Bill Bruford (Yes, King Crimson). This year, he took part in the “Cruise to The Edge”. Read below the very interesting things he told us:

Was it an interesting experience to record “L.A Woman” with Jimi Jamison (Survivor) and Ted Turner (Wishbone Ash) for the tribute album, “Light My Fire – A Classic Rock Salute to The Doors”?
I think it was a great experience because it made me rediscover The Doors, of whom I knew the music before and I was asked to do the keyboard part without copying Ray Manzarek. The record company wanted us to keep some of the original passages, the instrumental passages and so on and I had fun doing it. I did all the keyboard parts: you know, solos on the keyboards, on the electric pianos and searching sounds. I think it was my idea to have the door opening and shutting in the very beginning of the track. I did all the piano lines and so on. I had a very good rapport with Billy Sherwood, whom I know personally of course, because he was also in a group I used to be a member of as well, YES. I was having a lot of fun experimenting with the song they provided me, with the basic backing track. I think it was a very rich sonic experience for me to do that. I think Jimi Jamison did a very good job, as well as Billy on bass and the guitarist and the drummer as well. I just heard it for the first time yesterday (ed: 15 June), would you believe? It’s a really-really good surprise.

What are the current projects you are involved in?
I’m currently in Los Angeles to finish some big productions on my own, where I composed all the music. I have one project I’m finishing actually until the end of the month. And I have also the continuation with my own soon-to-be-released solo album. You know, I’m in the finishing progress right now.

For the rest of the interview, please visit the Hit Channel website!