For Immediate Release

Robert Fripp “Exposures” 32-Disc Box Set To Be Released May 27, 2022

25 CDs, 3 DVDs (audio only), 4 Blu-Ray discs (audio only) Packaged in a 12” boxed set with 48-page booklet including extensive notes by Sid Smith and Al Okada plus press releases, photos and memorabilia.

The long-awaited 32-disc boxed set of Robert Fripp in the studio and in concert 1977 – 1983 will be released on 27th May 2022. The set will feature many previously unreleased tracks, outtakes and rarities as well as numbers tracks becoming on CD for the first time.

The largest in the series, “Exposures” is the ninth boxset release collecting King Crimson / Robert Fripp material from 1969 to 2008.

Featuring 32 discs (25xCD/4xDVD audio/4xBlu-Ray audio) presented in a 12” box with a 48-page booklet containing extensive notes by Sid Smith and Al Okada plus memorabilia such as tickets, posters, press releases, and more.

One of the most comprehensive boxed sets devoted to a single period of an artist’s career, “Exposures” features the complete collection of Robert Fripp’s studio and live solo material from 1977-1983, covering the period from the first “Exposure” sessions to the end of The League of Gentlemen and final Frippertronics concerts.

Steven Wilson mixes of “Exposure” in (in two versions), “Under Heavy Manners,” The League of Gentlemen studio recordings and numerous unreleased tracks from the albums’ sessions appear in Dolby Atmos, DTS-HD 5.1 Surround and 24/96 hi-res stereo audio on Blu-Ray discs 1 and 4.

David Singleton mixes of “God Save the Queen,” “Let the Power Fall” and the “Washington Square Church” Frippertronics album appear in DTS-HD Surround (Quad/4.1) and in hi- res stereo ranging from 24/48 (WSC), 24/96 GSTQ) to 24/192 (LTPF) on Blu-Ray discs 1 and 4.

In addition, all editions and versions of “Exposure” (including previously unreleased), original masters of all of the albums from the period and a wealth of additional material, much of it previously unreleased appear on Blu-Ray in hi-res stereo audio on those discs.

Two further Blu-Ray discs present the complete DGM archive of Frippertronics loops, masters and concert performances – over 68 hours of music in 24/48 hi-res stereo.

Three DVDs feature the main albums in 5.1, quad and hi-res stereo. Twenty-five CDs present material including the earliest existing master loops, all of the albums in new Steven Wilson and David Singleton mixes, plus original mixes newly mastered and a number of studio and live discs featuring previously unreleased and/or music new to disc.

You can pre-order “Exposures” boxed set via Inner Knot (US): https://shop.schizoidshop.com/robert-fripp—exposures-boxed-set-p1917.aspx

For more information: https://dgmlive.com

Press inquiries: Glass Onyon PR, Billy James, PH: 1-828-350-8158 (US), glassonyonpr@gmail.com

For Immediate Release

Robert Fripp “Washington Square Church” CD/DVD To Be Released April 29, 2022

Frippertronics from Washington Square Church on CD/DVD (audio only)

A new set of Frippertronics from 1981 will be released in CD/DVD and 2LP format in April 2022. These live Frippertronics performances have been taken from recordings in New York City between July and August 1981 and have been mixed and produced by David Singleton from audio painstakingly restored by Alex R Mundy.

This is the Frippertronics album that should have come out in 1982. The forty years that have passed have done nothing to diminish the power of the music. The material appears on both discs with the DVD offering the audio in hi-res stereo and DTS Surround Sound, the nature of the loops lending themselves ideally to this method of production

TRACKLISTING:
1. WASHINGTON SQUARE I
2. WASHINGTON SQUARE II
3. WASHINGTON SQUARE III
4. WASHINGTON SQUARE IV
5. WASHINGTON SQUARE V
6. WASHINGTON SQUARE VI
7. WASHINGTON SQUARE VII
8. WASHINGTON SQUARE VIII
9. WASHINGTON SQUARE IX
10. WASHINGTON SQUARE X
11. WASHINGTON SQUARE XI

After completing the first round of concerts with a revived King Crimson starting in May 1981, Fripp headed over to the USA where he began a week-long residency at Washington Square United Methodist Church on 135 W Fourth Street in New York. Built in 1860, the church had historically been home to many congregations but in more recent years had become the venue for groups such as the Black Panthers, Gay Men’s Health Crisis and numerous arts organisations.

The series of Frippertronic concerts were held in aid of a Soho-based theatre group and they find the guitarist using his technique of slowly building the music from the ground up, step by step. It’s an approach which demonstrates how the addition or subtraction of a single note can change the entire mood of a piece as we move in the space of a few bars from an atmosphere of pensive anticipation to one of yearning hope.

In an interview with the Melody Maker published just weeks before these concerts, Fripp was asked why he continued to perform Frippertronic concerts. “It gives me a way of working with intimate contact with members of an audience…It’s almost an excuse to put me in a situation where one has the audience, performer and music, and in a certain kind of way something remarkable can happen. And that has happened to me, and it’s not possible in a group…Frippertronics is the most enjoyable means of playing I’ve ever found.”

The Washington Square Church performances represent some of the finest recorded examples of the Frippertronics series. Unlike other such recordings where the loops are on tape in the DGM archive but the solos require painstaking matching of existing audience recordings and bootlegs to those loops to complete the picture, the solos for these shows were actually recorded but not labelled as to which solos matched which loops. The matched pairs only became possible when DGM audio engineer Alex R. Mundy realised that the loops had been picked up, at microscopic audio levels, by the guitar pick-ups playing the solos, allowing for identification. David Singleton was then able to mix and produce the resulting audio.

The music played more than rewards such efforts as, culled from the shows, (more complete versions appear on the “Exposures” boxed set), Fripp appears to explore every sonic avenue available to him as a guitar player – mesmerising loops, overlaid with beautiful solos, fast running ‘Frame by Frame’ style lines against a looped background, powerful “Scary Monsters” type guitar noises and more besides.

The set is regarded as the finest example of Frippertronics in performance.

The DVD features the material in 24/48 hi-res stereo and DTS-HD Surround Sound (Quad 4.1).

The 2LP edition is on 200 gram vinyl and has been cut by Jason Mitchel at LOUD Mastering.

Released on April 29th 2022 you can pre-order CD/DVD from Inner Knot (USA) and Burning Shed (UK / EU)

For more information: https://dgmlive.com/news/new-frippertronics-album-concert-from-1981?fbclid=IwAR1p2QYbdwadCilZZVlXug_7eHxA4LKXC5EIncLhok17XsZrqCLv21F-QJ0

To pre-order: https://shop.schizoidshop.com/robert-fripp—washington-square-church-cddvd-p1920.aspx

Press inquiries: Glass Onyon PR, Billy James, PH: 1-828-350-8158 (US), glassonyonpr@gmail.com

For Immediate Release

Robert Fripp’s “Music For Quiet Moments” Series 8CD Box Set Now Available For Pre-order

Packaged in a beautiful rigid slipcase with 58-page perfect bound book with 8 soundscape CDs

Robert Fripp’s popular “Music For Quiet Moments” series, which originally premiered on streaming services, is now available in an 8CD box set

In May 2020 with much of the world in lockdown and reeling from the consequences of the Covid-19 pandemic, Robert Fripp began uploading the first of 52 individual soundscapes on his YouTube channel, streaming platforms, and DGMLive.

Entitled “Music For Quiet Moments” and appearing once a week, these pieces created a space for reflection, offering a means of pausing from the day-to-day concerns and to provide a point of calm and perhaps, a sense of hope, in such troubled times.

By way of introduction, Fripp defined what he meant by the term, quiet moment:  “Quiet moments are when we put time aside to be quiet. Sometimes quiet moments find us. Quiet may be experienced with sound, and also through sound; in a place we hold to be sacred, or maybe on a crowded subway train hurtling towards Piccadilly or Times Square. Quiet Moments of my musical life, expressed in Soundscapes, are deeply personal; yet utterly impersonal: they address the concerns we share within our common humanity.”

Each of the 52 pieces was drawn from Soundscapes’ performances from 2004 to 2009 and venues/shows as varied as those for G3 (Satriani, Vai, Fripp), to Churchscapes (as the name suggests, concerts in churches), opening act for Porcupine Tree and even appearances at ‘The Big Chill’ festival.

These pieces are contemplative for the most part and range from a few minutes in length to a performance of “Elegy” in Nashville that lasts over 44 minutes. Each week this music became a gentle word-of-mouth success, as listeners eagerly awaited and discussed the weekly selections, with many encountering Soundscapes for the first time, marking their first contact with Fripp’s music as a result of the series.

While the series was not instigated with the idea of it being anything other than a weekly sequence of digital audio releases, when assembled and played back at a point when the series approached its end and all of the material had been selected, it became apparent that the series worked well as a single, distinct, body of work.

Now presented as an 8-CD set, in precisely the same running order as originally released, four sets of 2 discs each in miniature gatefold sleeves, with a booklet containing the artwork for each piece, housed in an outer rigid case, the set is released on November 19th, 2021.

Robert Fripp has been one of the most innovative and inventive British guitarists for over half a century.

Beyond his trail-blazing work with King Crimson, his collaborations with Brian Eno, David Bowie, Daryl Hall, Peter Gabriel, Blondie, and Talking Heads to name but a few have resonated with audiences around the world. In the 1990s his 1970s Frippertronics system gave way to Soundscapes and with it a new generation of performers such as Future Sound Of London, The Grid and many others were not only citing Fripp as an influence but eagerly having him appear on their records.

Some musicians inhabit genres, very few invent them, whether intentionally or arbitrarily credited with such. Fewer still continue to evolve, push forward, challenging both themselves and their audience.

DISC ONE

1 – Pastorale (Mendoza 3 Jun 2007)
2 – GentleScape (Barcelona 24 Jul 2009)
3 – Time Stands Still (Pershore 2 Jun 2006)
4 – Requiem (Norwich 6 Jun 2006)
5 – Time Promenade (Date and Venue Unknown)
6 – Seascape (Lichtenvoorde 13 Jun 2004

DISC TWO

7 – At The End Of Time (Broad Chalke 14 Jan 2006)
8 – Evensong (Sutton 3 Jun 2006)
9 – Promenade (Newlyn 3 Dec 2005)
10 – Pastorale (Boston 6 Nov 2007)
11 – Skyscape (Chicago 12 Oct 2005)
12 – Seascape (Chicago 12 Oct 2005)
13 – Horizon (Carrboro 21 Feb 2006)
14 – Time Procession (Carrboro 21 Feb 2006)

DISC THREE

15 – Affirmation (Atlanta 25 Feb 2006)
16 – Aspiration (Atlanta 25 Feb 2006)
17 – Elegy (Rome 20 Jun 2006)
18 – End Of Time (Barcelona 25 Jul 2009)
19 – Evensong (Barcelona 29 Jul 2009)
20 – Pastorale (Madison 10 Nov 2007)
21 – Paradise Regained (Oslo 20 Jun 2004)

DISC FOUR

22 – Elegy Pt1 (Rome 20 Jun 2006)
23 – Elegy Pt2 (Rome 20 Jun 2006)
24 – Elegy Pt3 (Rome 20 Jun 2006)
25 – Paradise Regained (Gothenburg 15 Jun 2004)
26 – Evensong (Haapsalu 24 Aug 2006)
27 – Pastorale (Mendoza 2 Jun 2007)
28 – Time Stands Still (Udine 24 Jun 2006)
29 – A Full Heart (Paris 13 Oct 2009)

DISC FIVE

30 – Strong Quiet I (Brussels 14 Oct 2009)
31 – Strong Quiet II (Brussels 14 Oct 2009)
32 – A Move Inside I (Asheville 28 Feb 2006)
33 – A Move Inside II (Asheville 28 Feb 2006)
34 – A Move Inside III (Asheville 28 Feb 2006)
35 – Drifting Gently (Chattanooga 27 Feb 2006)
36 – Drifting Firmly (Chattanooga 27 Feb 2006)

DISC SIX

37 – Time (Amsterdam 12 Oct 2009)
38 – Elegy Pt I (Hannover 15 Oct 2009)
39 – Elegy Pt II (Hannover 15 Oct 2009)
40 – Doubt (Greenville 23 Feb 2006)
41 – Consolation (Milan 29 Jun 2006)
42 – Glisten (La Spezia 28 Jun 2006)
43 – Reflection (La Spezia 28 Jun 2006)
44 – Shimmer (La Spezia 28 Jun 2006)

DISC SEVEN

45 – Elegy (Paris 22 Sep 2015)

DISC EIGHT

46 – Elegy (Nashville 1 Mar 2006)
47 – Evocation (Nashville 1 Mar 2006)
48 – A Point In Time (Rome 21 Jun 2007)
49 – Time Calls (Charlotte 22 Feb 2006)
50 – Time Present (Buenos Aires 9 Jun 2007)
51 – Opening (Nashville 17 Apr 2004)
52 – Time And Time Again (Mendoza 2 Jun 2007)

Release date November 19, 2021

Order from Inner Knot (USA): https://shop.schizoidshop.com/robert-fripp—music-for-quiet-moments-8-cd-set-p1901.aspx

For more information: www.dgmlive.com

Press inquiries: Glass Onyon PR, PH: 828-350-8158 (USA), glassonyonpr@gmail.com

For Immediate Release

DGM Records Launches Robert Fripp “Music for Quiet Moments” Series

DGM Records is launching the Robert Fripp “Music for Quiet Moments” series. They will be releasing a soundscape every Friday on DGMLive, Youtube, Spotify, Apple Music and all the main online music platforms.

Says Co-producer David Singleton, “Hopefully something that will nourish us, and help us through these Uncertain Times. I have certainly enjoyed the peace that comes with editing and mastering them. Turning a seeming disadvantage to our advantage, a year at home without touring offers the chance to listen for the first time in many cases to existing live recordings. And there are treasures to be found!”

Music For Quiet Moments…

I
A Quiet Moment is how we experience a moment: the moment which is here, now and available.

Quiet moments are when we put time aside to be quiet; 
and also where we find them.
Sometimes quiet moments find us.

Some places have an indwelling spirit, where quiet is a feature of the space:
perhaps natural features in the landscape; 
perhaps intentionally created, as in a garden; 
perhaps where a spirit of place has come into being over time, as in an English country churchyard.

Quiet may be experienced with sound, and also through sound;
in a place we hold to be sacred, maybe on a crowded subway train hurtling towards Piccadilly or Times Square.

A Quiet Moment is more to do with how we experience time than how we experience sound.

A Quiet Moment prepares the space where Silence may enter.

Silence is timeless.

II
My own quiet moments, over fifty-one years of being a touring player, have been mostly in public places where, increasingly, a layer of noise has intentionally overlaid and saturated the sonic environment. 

III
Quiet Moments of my musical life, expressed in Soundscapes, are deeply personal; yet utterly impersonal: they address the concerns we share within our common humanity.   

Paradoxically, they have mostly taken place in public contexts inimical and unsupportive of quiet.

Some of these Soundscapes are inward-looking, reflective.
Some move outwards, with affirmation.
Some go nowhere, simply being where they are.

Robert Fripp
Tuesday 28th. April, 2020;
Bredonborough, Middle England.

For more information: www.dgmlive.com

Press inquiries: Glass Onyon PR, PH: 828-350-8158 (USA), glassonyonpr@gmail.com