RETURN TO THE RED PLANET – THE EPIC RETURN TO MARS FROM RICK WAKEMAN – LISTEN TO THE SECOND SINGLE ‘BOWIE’S VISION’ – OUT TODAY

Photo credit: Mike Inns

RETURN TO THE RED PLANET – THE EPIC RETURN TO MARS FROM RICK WAKEMAN – LISTEN TO THE SECOND SINGLE ‘BOWIE’S VISION’ – OUT TODAY

ALBUM RELEASE DATE: 16th OCTOBER (MADFISH MUSIC)

A new progressive rock suite inspired by both past and the latest discoveries on The Red Planet. Featuring Lee Pomeroy, Dave Colquhoun, Adam Falkner & Mollie Marriott.

“This isn’t just another Rick Wakeman album. It’s a bloody good one!”
Simon Heyworth – Producer of Tubular Bells

Following his acclaimed 2020 album The Red Planet, Rick Wakeman makes a triumphant and inevitable return to Mars with Return To The Red Planet, a sweeping new progressive work that fuses science, imagination and musical virtuosity into one of the most ambitious recordings of his career. Today, Wakeman has shared the album’s second single, ‘Bowie’s Vision’, a stunning tribute to David Bowie, a figure whose own fascination with the stars would become inseparable from his musical legacy. For Wakeman, the connection is also deeply personal, having worked alongside Bowie during a formative period in both of their careers and famously played piano on the timeless ‘Life On Mars?’.

STREAM/DOWNLOAD THE NEW SINGLE ‘BOWIE’S VISION’: https://orcd.co/bowies_vision

Sharing a few lines on his inspiration behind the new single, Wakeman shared –

“I have been wanting to do a musical tribute to David ever since this world lost him and so returning to the Red Planet gave me the perfect opportunity to do just that and compose and record ‘Bowie’s Vision’.  It’s a very personal piece of music and tells the story of our times together.  He gave me warmth of musicality mixed with melody and surprise and these are the ingredients that come together to make up this very special track for a very special friend.”

WATCH THE TRAILER FOR RETURN TO THE RED PLANET: https://youtu.be/zkO2P-VnBEA?si=K7TH90lTaUv6pGC1

Return To The Red Planet tracklist:
The Jezero Crater – 06:56
Bowie’s Vision – 05:45
Noctis Labyrinthus – 05:28
Noachis Terra (Land of Noah) – 06:23
Witch Hazel Hill – 04:02
St Paul’s Bay – 06:53
Martian Dust Devils – 04:53
Medusae Fossae – 04:26
The Epochs of Mars – 07:45

“Once I started looking at the new data and photographs, I realised there was an entirely new album waiting to be written. There was simply too much more to say about Mars – musically and spiritually – not to return.”Rick Wakeman

At a time when space exploration has moved back to the forefront of human endeavour – with missions to the Moon, Mars and beyond once again capturing the world’s imagination – Return To The Red Planet feels both timely and visionary, rekindling the cosmic spirit that helped define progressive rock’s golden age.

Where its predecessor opened the story, this album explores the planet’s ancient lakes, vast canyon systems, shifting dust storms and geological epochs, drawing directly on the remarkable images and research that have transformed our understanding of Mars in recent years, Wakeman immersing himself in planetary research, data, and mission reports before a single note was written.

RETURN TO THE RED PLANET WILL BE RELEASED EVERYWHERE ON THE FOLLOWING FORMATS:

– Crystal Clear Gatefold Vinyl LP
– Classic Black Gatefold Vinyl LP
– Digipack CD With 20-page booklet
– CD/Blu-ray edition – includes CD of the studio album + Blu-ray disc featuring Dolby Atmos, 5.1 Surround Sound & Hi-Res Stereo Mixes and The Making Of The ‘Return To The Red Planet’ Documentary + 20-page printed booklet
– Digital

PRE-ORDER RETURN TO THE RED PLANET

RETURN TO THE RED PLANET WILL ALSO BE RELEASED ON THE FOLLOWING FORMATS, EXCLUSIVELY THROUGH THE OFFICIAL RICK WAKEMAN STORE:

– CD/Blu-ray edition – Includes CD of the studio album + Blu-ray disc featuring Dolby Atmos, 5.1 Surround Sound & Hi-Res Stereo Mixes and The Making Of The ‘Return To The Red Planet’ Documentary + 20-page printed booklet. Features an immersive 3D pop-up of Wakeman’s spacecraft landed on Mars

– Gatefold 2LP edition – pressed on Transparent Orange Vinyl and features an immersive 3D pop-up Of Wakeman’s spacecraft landed on Mars

PRE-ORDER VIA RICK WAKEMAN’S OFFICIAL STORE

Recorded between August 2025 and January 2026, the project also marks a welcome return to full band recording, with all musicians working together at Decoy Studios – a creative approach Wakeman considers essential to capturing the spontaneity and energy of progressive rock at its best.

The album is performed by Wakeman’s English Rock Ensemble, featuring bassist Lee Pomeroy, guitarist Dave Colquhoun, drummer Adam Falkner and vocalist Mollie Marriott, daughter of legendary Steve Marriott. The album was mastered by renowned engineer Simon Heyworth.

Among the album’s centrepieces is Bowie’s Vision, a deeply personal homage to Wakeman’s friend David Bowie, whose fascination with Mars helped shape popular culture’s image of the planet. The connection is more than thematic: Wakeman performed the iconic piano on Bowie’s Life on Mars?, making this tribute both musical and autobiographical – a reflection on a shared history, a lasting friendship and one of rock’s most celebrated recordings.

The music was initially composed as keyboard “templates” at Nursery Studios, before being expanded collaboratively by the band at Decoy Studios and engineered by Toby Wood. Final overdubs and mixing with producer/engineer Erik Jordan bring the vision into sharp focus – from sweeping symphonic passages to intricate rhythmic sequences and haunting choral textures.

Praise for The Red Planet (2020):
“An astonishing return to form…Wakeman at his most imaginative”Prog Magazine
“A richly detailed symphonic rock journey”Classic Rock

Wakeman needs little introduction. A central figure during his many years with Yes, he is also one of the most successful solo artists in progressive rock history, with a catalogue of over one hundred albums and global sales in the tens of millions. His career as a session musician includes landmark recordings with David Bowie, Elton John, Cat Stevens and many more, establishing him as one of the most distinctive keyboard voices of his generation.

RETURN TO THE RED PLANET WILL BE RELEASED ON MADFISH ON 16th OCTOBER, PRE-ORDER HERE: https://rickwakemanmadfish.lnk.to/Return_To_The_Red_Planet

For more information:
https://www.rickwakemansmusicemporium.com/
www.rwcc.com
www.instagram.com/rickwakemanmusic
https://www.facebook.com/RickWakemanMusic
https://twitter.com/GrumpyOldRick
For more high-res images please see: https://www.madfishmusic.com/media/rickwakeman/

www.madfishmusic.com

Press inquiries: Keith James, Glass Onyon PR, PH: 828-350-8158, glassonyonpr@gmail.com


Signal Meridian Reimagines Strawbs Classic on Second Single “The Last Resort” on Blue Élan Records feat. Musicians and Singers from Grace Potter, David Bowie, Moody Blues, The Killers

For Immediate Release

Signal Meridian Reimagines Strawbs Classic on Second Single “The Last Resort” on Blue Élan Records feat. Musicians and Singers from Grace Potter, David Bowie, Moody Blues, The Killers

Reinterpreting Overlooked Song Catalogs

Listen to “The Last Resort”/Pre-order Signals in Autumn: https://signalmeridian.lnk.to/thelastresort

Watch the lyric video: https://youtu.be/yAlrTG5-QkA

Today, September 16, 2026, Signal Meridian releases their second single “The Last Resort” from their upcoming album Signals in Autumn on Blue Élan Records. “The Last Resort” reimagines the Strawbs track of the same name from their 1978 release Deadlines.

Says Blue Élan Records co-founder Kirk Pasich, “‘The Last Resort’ is one of my favorite Strawbs songs. We wanted to update it. I asked Bernie Barlow and Vanessa Bryan to handle the lead vocals and Adam Giminez to do the double-guitar solo.  I think we captured the spirit of the original with a bit more edge.”

Signal Meridian sounds like a forgotten progressive-rock group of the ‘70s. It’s not. It’s happening right now.  It’s a collective of top-flight session musicians and vocalists enlisted by Kirk Pasich to reimagine and reinvent the song catalogs of underappreciated artists from the progressive rock genre and beyond.

Signals in Autumn, the first of a planned four initial chapters (all featuring different groups), is inspired by the music of Strawbs, a U.K. band that has reinvented itself four times, and produced such alumni and collaborators as Yes’ Rick Wakeman, Fairport Convention’s Sandy Denny, and Blue Weaver, a keyboardist who went on to play with the Bee Gees and Average White Band. Formed in 1963 by Dave Cousins and Tony Hooper as the bluegrass duo Strawberry Hill Boys, the band transformed into British folk-rockers among contemporaries such as Fairport Convention, Steeleye Span, Fotheringay, Pentangle and Richard and Linda Thompson. A progressive art-rock phase ensued with keyboardist Wakeman before Strawbs launched into a more hard-rocking, commercially successful phase in 1972 with the addition of singer/songwriter/guitarist Dave Lambert to the writing team of Cousins and Chas Cronk.

“From bluegrass to folk to prog to rock, Strawbs kept reinventing themselves,” said Pasich. “I wanted to reintroduce great songwriters in a contemporary way, with world-class players and singers. Also, to remind people that prog is not just in 7/4 time with 43-minute-long tracks and technical proficiency.”

While at UCLA in the mid-1970s, Pasich became a fan of not only Strawbs, but progressive acts like Kansas, Triumvirat, and Camel, and has long wanted to redeem the often critically ignored, maligned genre. The 10 Strawbs tracks on Signals in Autumn come from six studio albums released in six years. All those albums, including stints on the A&M, Oyster, and Arista labels, are represented on Signals in Autumn, none of them cracking the Top 100 on the U.S. charts — Bursting at the Seams (1973), All Our Own Work (1973), Hero and Heroine (1974), Nomadness (1975), Burning for You (1977), and Deadlines (1978).

With Pasich at the helm, the idea was not a tribute or covers album, but a chance to “reveal new versions just as rich and rewarding as pop recordings that revisit early songs, with fresh ears and artistic freedom.”

Kirk tapped keyboardist Sasha Smith as co-producer “to help shape every aspect of the recording process.” Smith is an L.A.-based musician who has worked with a wide range of artists, including Cat Power, Ariana Grande, Ann Wilson, Sia, and the Wallflowers, and released a solo instrumental album, New Leaves, on Blue Élan. They were joined by a veritable all-star team, including guitarists Val McCallum (Jackson Browne, Lucinda Williams, Sheryl Crow and his own Jackshit combo with Elvis Costello drummer Pete Thomas) and Nashville-to-LA native Adam Gimenez (Paris Jackson, 3OH!3, Savannah Pope).  The group is rounded out by bassist Kurtis Keber and female drummer Jordan West, who double as Grace Potter’s rhythm section, along with longtime Billy Idol keyboardist Paul Trudeau (whose own solo album, Lost Diamond Boy, was released on Blue Élan last year). The four lead vocalists include Blue Élan’s Bernie Barlow (eight years with the Moody Blues, plus Sarah McLachlan and Melissa Etheridge), Vanessa Bryan (Lady Gaga, Gwen Stefani, The Killers, Idina Menzel), Holly Palmer (David Bowie, Gnarls Barkley, Dr. Dre, Allee Willis), and Jordan West (who also has a solo album on Blue Élan on tap).

Signals in Autumn offers the perfect showcase for those powerful female voices, with Bryan belting out “Heartbreaker,” the first focus track, featuring some jagged guitar riffs from McCallum and Gimenez, a track from ‘77’s Burning for You, while Bryan’s and Barlow’s pipes make “The Last Resort,” the second single, one of the album’s highlights. The eclectic styles represented, from Bryan’s slow-burning ballad “Carry Me Home,” Palmer’s take on “Don’t Try to Change Me,” and the Stonesy-Chuck Berry R&B number, “Little Sleepy,” given a raucous treatment by Barlow, to the epic three-part art-rock set piece, “Autumn,” with lead vocals by Jordan West, show how eclectic the band’s primary songwriters – Dave Cousins, Chas Cronk, and Dave Lambert – really were.

The album was recorded in five days at Dave’s Room Recording Studio, engineered and mixed by Steve Olmon, and mastered by Stephen Marsh of Marsh MasteringSignals in Autumn is the first of a four-part series that will reimagine overlooked songs of the past, not necessarily just in the progressive genre, either.

“Progressive rock provides the starting point because it contains a remarkable body of songwriting that I believe deserves continued exploration,” Pasich pointed out. “But the philosophy itself isn’t limited to progressive rock. Great songs exist everywhere. What will connect future Signal Meridian projects won’t be style or instrumentation. It will be craftmanship, emotional honesty and the belief that exceptional songwriting continues revealing new possibilities over time.”

Pasich is planning for an eventual Signal Meridian tour and looking to brand the semi-permanent collective in the mode of the rotating cast of characters in the Alan Parsons Project.

“The core musicians will largely stay the same from album to album, though we may use an occasional guest vocalist,” he noted. “But this stuff isn’t easy to play live.”

Signals in Autumn will release on October 23, 2026.

Track Listing:
1. Cut Like a Diamond
2. Carry Me Home
3. Little Sleepy
4. Don’t Try to Change Me
5. Lay Down
6. Heartbreaker
7. I Don’t Want to Talk About It
8. The Last Resort
9. Autumn [Suite]
10. Who Knows Where the Time Goes

CD Bonus Tracks:
11. Cut Like a Diamond (Radio Edit)
12. Heartbreaker (Radio Edit)
13. Autumn Heroine’s Theme
14. Autumn Deep Summer’s Sleep
15. Autumn The Winter Long

Listen to “The Last Resort”/Pre-order Signals in Autumn: https://signalmeridian.lnk.to/thelastresort

Watch the lyric video: https://youtu.be/yAlrTG5-QkA

For more information: https://blueelan.com/

Signal Meridian online:
Facebook: https://www.facebook.com/signal.meridian
Instagram: https://www.instagram.com/signal.meridian/
YouTube: https://www.youtube.com/@Signal.Meridian

Press inquiries: Keith James, Glass Onyon PR, PH: 828-350-8158 (USA), glassonyonpr@gmail.com


Guitar Virtuoso Harvey Valdes to Release New Improvisational Pedal Steel Album Lumora September 18

For Immediate Release

Guitar Virtuoso Harvey Valdes to Release New Improvisational Pedal Steel Album Lumora September 18

Guitar virtuoso Harvey Valdes is set to release his new album Lumora on September 18, 2026 on 7D Media. Lumora is an intimate solo pedal steel guitar recording that explores atmosphere, melody, and improvisation through the unique voice of the instrument. Stripped of accompaniment, the album invites listeners into a spacious sonic landscape where tone, resonance, and silence become as important as the notes themselves.

Although the pedal steel is often associated with country music, this recording presents the instrument in a different light. Drawing from ambient music, classical influences, and contemporary improvisation, the album reflects my ongoing search for a personal musical language on the pedal steel. Rather than relying on the instrument’s traditional vocabulary, Valdes explores it as an expressive, orchestral voice capable of remarkable nuance, color, and emotional depth.

Every piece was created as a complete improvisation, without predetermined structures or written compositions. Valdes approached each performance with openness, allowing melody, harmony, texture, and form to emerge naturally in the moment. The result is music that often unfolds with the coherence and emotional arc of carefully composed works while retaining the immediacy and spontaneity of improvisation. Rather than emphasizing virtuosity, the focus is on creating mood, space, and emotional connection, inviting listeners to slow down and discover the subtle details that emerge over time.

The album was recorded over the course of a single day, capturing a moment when exploration gave way to acceptance. Says Valdes, “After living with the challenges and endless possibilities of the pedal steel, I felt a need to let go of analysis and simply play. The recording became less about making an album and more about embracing the instrument as it is, allowing each improvisation to unfold naturally. In many ways, this project documents a personal turning point – one that opened the door to a more authentic musical voice.”

The title Lumora suggests light, warmth, and quiet illumination – qualities that reflect the emotional character of the music. Rather than telling a specific story, the album creates a space that is reflective, expansive, and open to personal interpretation.

As a guitarist and multi-instrumentalist, Valdes’ career has taken him through a wide range of musical settings—from Broadway orchestras to world music, the music of Bach, and collaborative projects. This project is a deeply personal artistic statement, placing the pedal steel guitar at the center while exploring the instrument’s expressive possibilities as a solo voice.

Says Valdes, “My hope is that Lumora invites listeners into this musical language – not as something to be explained, but as a space to inhabit, where simplicity, texture, and spontaneity reveal their own quiet beauty.”

Track list:
1. Mistral
2. Fray
3. Liena
4. Hallow
5. Slen
6. Gleam
7. Drisk
8. Exael

Personnel:
Harvey Valdes – Pedal Steel
Produced, mix, artwork, compositions: Harvey Valdes
Mastered: Chuck Johnson

To pre-order: https://harveyvaldes.bandcamp.com/album/lumora

Press inquiries: Keith James, Glass Onyon PR, PH: 828-350-8158 (USA), glassonyonpr@gmail.com


Held By Trees Release New Single ‘Belong’ from ‘The Call of Home’ featuring Marc James, Frontman of Rock Trio Verra Cruz

For Immediate Release

Held By Trees Release New Single ‘Belong’ from ‘The Call of Home’ featuring Marc James, Frontman of Rock Trio Verra Cruz

New lyric video ‘Belong’ premieres today on the official Held By Trees YouTube channel: https://www.youtube.com/watch?v=4pkQf8ab-0k

Held By Trees release a second single ‘Belong’ today, 11 September 2026, ahead of new album ‘The Call of Home’ on 2 October 2026.  On this classic, heart-string-pulling, mid-tempo, 80s influenced love song, Held By Trees once again welcome a guest vocalist, this time in the form of Marc James, frontman of rock trio Verra Cruz.

Taking its cues from Tom Petty, Bruce Springsteen and more recent Americana such as The War on Drugs, ‘Belong’ describes the yearning for a loved one to return home, and the welcome when they do.

Held By Trees’ founder and songwriter, David Joseph says of the song… “This could be my favourite song on the new album. Julian Kindred nailed the mix first time, on my birthday as well which was the perfect gift! I am over the moon with Marc’s vocal on it, he’s really made it his own. We debuted the song live back in the spring and I adore playing it with the band. It’s just one of those deeply satisfying songs to write, record and perform.”

‘The Call of Home’ is the follow-up to the critically acclaimed ‘Hinterland’ and finds the band exploring very different territory, with the album featuring nine tracks with vocals bookended with two more familiar instrumental takes, including for the first time on vinyl, Lay Your Troubles Down with Martin Smith. The album will be released by Tweed Jacket Music / Low Port Music on vinyl, CD and digital formats – but will be initially absent from streaming platforms as each track is released as singles. The striking original artwork, so important to Held By Trees, has been originated by @BlankEmbrace.

‘The Call of Home’ sees a broadening of personnel, with new musical collaborators with backgrounds as diverse as Radiohead and Primal Scream, to Wet Wet Wet and Delirious [Clive Deamer, Simone Marie, Graeme Duffin, and Martin Smith/Stu Garrard respectively]. With David Joseph once again are the core band of Robbie McIntosh, Laurence Pendrous, and Andy Panayi with their shared history with Mark Hollis and Talk Talk, among many others. Still at his side are James Grant and Grant Howard, continuing a friendship and musical partnership spanning over two decades now in various forms. David’s key musical mentors Martin Smith, Jason Upton and Eric Bibb take the vocal mic alongside Simone Marie and Marc James and, in a departure, David even sings a few himself.

David Joseph said, “I’ve made an album of songs with some of our friends singing. It’s a love letter to the music of the 80s and 90s, when I was a youngster falling in love with music through my parent’s records and cassettes, and what I heard on the radio and on Top of the Pops. It’s on the theme of coming home; to reunion, redemption and the warming of the heart through sounds and stories.

This album is a labour of love on many levels, a branching out of what this project is and can be. Over nine songs, bookended with two instrumentals, I hope all who listen find their way home to an embrace that this music can offer the soul.”

Held By Trees is a journey in itself and ‘The Call of Home’ offers new sonic vistas to explore, whilst retaining the heart and hearth of what makes this band special.

Held By Trees LIVE

London – Chats Palace, Hackney
13th November 2026
Tickets: https://www.ticketsource.com/rondotheatre/held-by-trees/e-zpbqxm

Bath – Rondo Theatre
23rd January 2027
Tickets: https://www.ticketsource.com/rondotheatre/held-by-trees/e-zpbqxm

Chelmsford – Chelmsford Social Club
19th February 2027
Tickets: https://wegottickets.com/f/22318

Worcester – Huntingdon Hall
2nd April 2027
Tickets: www.worcestertheatres.co.uk

For more information: www.heldbytrees.co.uk

New lyric video ‘Belong’ premieres today on the official Held By Trees YouTube channel: https://www.youtube.com/watch?v=4pkQf8ab-0k

Press inquiries: Keith James, Glass Onyon PR, PH: 828-350-8158, glassonyonpr@gmail.com (North America, Europe)


ACCLAIMED COMPOSER CHRISTOPHER GORDON’S POWERFUL NEW INTERPRETATION OF SHAKESPEARE’S MACBETH, PERFORMED BY AN EXCEPTIONAL CAST OF INTERNATIONAL GUESTS, ORCHESTRA AND CHOIR – SET FOR RELEASE ON MADFISH ON 30th OCTOBER

For Immediate Release

ACCLAIMED COMPOSER CHRISTOPHER GORDON’S POWERFUL NEW INTERPRETATION OF SHAKESPEARE’S MACBETH, PERFORMED BY AN EXCEPTIONAL CAST OF INTERNATIONAL GUESTS, ORCHESTRA AND CHOIR – SET FOR RELEASE ON MADFISH ON 30th OCTOBER

FEATURES GAVIN HARRISON (PORCUPINE TREE, KING CRIMSON), JONAS REINGOLD (THE FLOWER KINGS, STEVE HACKETT), RANDY MCSTINE (STEVEN WILSON), GREG HOWE (PROTOCOL 4, DARWIN), MOHINI DEY (DARWIN), MARCEL COENEN (AYREON), MICHAEL MILLS (TOEHIDER, AYREON), SYDNEY’S MAGIC FIRE ORCHESTRA AND THE ACCLAIMED CANTILLATION CHOIR

Originally commissioned as a full-length ballet by the Royal New Zealand Ballet and West Australian Ballet, Macbeth is Christopher Gordon’s compelling musical response to one of Shakespeare’s darkest and most enduring tragedies. Premiered to critical acclaim in 2026, this ambitious work now receives its first standalone album release on Madfish, coming on 30th October. Speaking about the announcement, Christopher shared “It has been an extraordinary and uplifting experience to work with such incredible musicians on this deep epic tale and I am thrilled that the album can finally go out into the world.”

The recording features an extraordinary international cast of musicians, including Gavin Harrison (Porcupine Tree, King Crimson), Jonas Reingold (The Flower Kings, Steve Hackett), Randy McStine (Steven Wilson), Greg Howe (Protocol 4, DarWin), Mohini Dey (DarWin), Marcel Coenen (Ayreon) and Michael Mills (Toehider, Ayreon), joined by Sydney’s Magic Fire Orchestra, the acclaimed Cantillation choir, a string octet and distinguished soloists under Gordon’s direction.

WATCH THE TRAILER FOR CHRISTOPHER GORDON’S ‘MACBETH’: https://youtu.be/shSazhVO3_A

Christopher Gordon – Macbeth
The Battle Lost and Won – 06:23
This Night’s Great Business – 05:22
If It Were Done – 06:05
Night’s Black Agents – 05:23
The Banquet – 10:51
Something Wicked This Way Comes – 04:47
Out Damned Spot – 03:28
Tomorrow, and Tomorrow, and Tomorrow – 07:53

‘MACBETH’ WILL BE RELEASED ON CLASSIC BLACK VINYL LP, DIGIPACK CD WITH 12-PAGE BOOKLET AND DIGITALLY. PRE-ORDER HERE.: https://christophergordon.lnk.to/MACBETH

Drawing together progressive rock, contemporary orchestral writing and jazz influences into a richly cinematic score, Macbeth traces the psychological descent of its central characters across eight expansive movements. From the ominous opening of ‘The Battle Lost and Won’ to the haunting finale ‘Tomorrow, and Tomorrow, and Tomorrow’, Gordon balances moments of immense power with passages of striking intimacy, capturing the tension, ambition and fatalism at the heart of Shakespeare’s play.

Recorded and mixed at Sydney’s Trackdown Studios, Macbeth presents a suite from Gordon’s acclaimed ballet score in a form that stands confidently as a complete listening experience, bringing this remarkable work beyond the stage for the first time.

FOLLOW CHRISTOPHER GORDON
FACEBOOK: https://www.facebook.com/christopher.gordon.73
YOUTUBE: https://www.youtube.com/channel/UCI8hPtTteJUXygkKSLWEyAg
WEBSITE: https://christophergordon.net/

www.madfishmusic.com

Press inquiries: Keith James, Glass Onyon PR, PH: 828-350-8158 (USA), glassonyonpr@gmail.com


Pete Roth Trio feat. Bill Bruford Release Titular Single “Group Chat” From Upcoming CD/DVD

For Immediate Release

Pete Roth Trio feat. Bill Bruford Release Titular Single “Group Chat” From Upcoming CD/DVD

Single releases today, Thursday July 3, 2026

Listen to “Group Chat”: https://cherryred.co/PRTGroupChat

Group Chat is the third single and title track from the upcoming Pete Roth Trio album of the same name, released September 18, 2026. Led by guitarist Pete Roth, alongside bassist Mike Pratt and incomparable drummer Bill Bruford, Group Chat is a release of particular significance, marking Bruford’s eagerly awaited return to headline performance after a 13-year hiatus, as well as his first appearance on new material in 19 years.

Produced by Pete Roth and Bill Bruford for Winterfold Records, Group Chat presents a trio that thrives on intimacy, risk and connection. Rooted in jazz but never constrained by it, the single moves fluidly through funk and spontaneous improvisation, with nothing treated as untouchable. As the title implies, it is a vivid document of three distinctive musical voices in open conversation – intimate, exploratory, witty and deeply alive.

The music press reactions to both single and album have been emphatic. “The Pete Roth Trio is a band of equals, clearly loving the opportunity to improvise and have musical conversations,” wrote Biff Bam Pop!, while Innerviews praised the music as “rich with nuance, invention, and telepathic rapport.” Dr. Jazz Talks described the album as “a feast of rhythm and melody,” and Make Weird Music summed up its appeal succinctly: “I wish more jazz was this much fun.” Another review captured the trio’s balancing act perfectly, calling it “loose enough that it could fall apart and tight enough that it grooves.”

Group Chat reflects a continuing commitment to the innovative, the unusual and the unlikely. Together, the three musicians create an experience that reshapes expectations of the guitar trio format, making space for melody, texture, groove and surprise in equal measure.

INTERVIEW REQUESTS, PHOTOS, VIDEO STREAM ETC AVAILABLE ON REQUEST

TRACK LISTING

DISC ONE: CD AUDIO
1. Full Circle
2. Part Of The Charm
3. Group Chat
4. Improvisation on the Largo from Dvořák’s Symphony #9
5. Looking Forward To Looking Back
6. Summertime
7. Dancing With Grace
8. Original Sin
9. Hard Case, Soft Centre

DISC TWO: BONUS DVD
1. Introduction
2. Full Circle
3. Part Of The Charm
4. Group Chat
5. Improvisation on the Largo from Dvořák’s Symphony #9
6. A Word From Pete
7. Hard Case, Soft Centre

Produced by Pete Roth and Bill Bruford for Winterfold Records
BBWF006CDVD
www.winterfoldrecords.com

Listen to the “Group Chat” single: https://cherryred.co/PRTGroupChat

Pre-order the “Group Chat” album: https://www.cherryred.co.uk/pete-roth-trio-featuring-bill-bruford-group-chat-cd-dvd-edition

Information about the Pete Roth Trio: www.peterothtrio.com

Facebook: https://www.facebook.com/PeteRothTrio

Press inquiries: Keith James, Glass Onyon PR, PH: 828-350-8158 (USA), glassonyonpr@gmail.com


Swedish Artist Malou Berg Releases the Piece ”SPIRAL – An Inner Journey”

For Immediate Release

Swedish Artist Malou Berg Releases the Piece ”SPIRAL – An Inner Journey”

Snäcksjön, Sweden – Malou Mountain Music is thrilled to release her album Spiral – An Inner Journey on all streaming services. Spiral – An Inner Journey, also released as a CD, is the final release in Malou Berg’s series of nine CDs called The Pleiadian Suite.

Malou Berg’s 40-minute piece, “Spiral – An Inner Journey”, takes the listener on a relaxing and life-affirming journey centered on the theme of birth. It all began when Malou wanted to record a longer piece of music, where the music was created from scratch, from the moment producer Lasse Nilsson pressed the record button.

No structure. No melody. No lyrics. No form. It could have ended in chaos. Instead, what emerged was an evocative piece of magical music.

The journey began when world-class percussionist Xavier Desandre Navarres started playing, without a word, on bowls tuned to 639 Hz—that is, the key of E-flat major, but slightly higher than the traditional Western/German tuning. The piece thus follows the ancient, so-called Solfeggio scale, also known as the “frequency of love”. It is linked to the heart chakra, and is believed to create harmony.

“Many of us haven’t had a clue why, but the Solfeggio frequency feels better in the body than the traditional Western scale,” Malou notes. The scale’s fundamental tone created a sort of “drone,” which in turn laid the foundation for Thomas Hellsten’s deeply musical keyboard playing and Malou’s fantastic vocal performances, which convey a wealth of emotional expression. One can only imagine the mutual trust and sensitivity required for this almost telepathic approach to work.

“Even my singing is exactly as it was at the moment of creation—I haven’t re-recorded or edited anything,” Malou reveals, ”but we did add backing vocals and a few other instruments”.

Framed by a drizzling rain and harmonious birdsong, the various parts flow seamlessly into one another.

Sung in Pleiadian, a language Malou herself invented, the song depicts the seed, something rising up, followed by anticipation, expansion, stabilization, form, and structure, before the time has come for birth. Then comes wonder, relaxation, and stillness.

”Spiral – An Inner Journey” was mixed by experienced and highly talented producer/engineer and musician, Lasse Nilsson. When putting the finishing touches to the mix, Lasse consistently started from scratch, in order to maintain a holistic approach to the piece. Malou also wanted to tie the last part to first one so that the listener can play the track on repeat, and not be entirely sure when it starts over.

“I think it’s absolutely the best mix Lasse has ever done with my music,” says Malou. “It’s airy and exciting, yet nuanced.”

Malou’s songs usually arrive fully formed. Melody and lyrics – the whole package – all at once.

Only then her knowledge and experience take over: arrangement, vocal harmonies and general flow.

“When you receive the songs that way, it’s a gift to myself as well. It allows me to listen to the music and take joy in it. Not because I ”made” it, but because I’ve had the privilege of receiving it”.

“Spiral – An Inner Journey” is meditative, harmonious, and dynamic. It lends itself to both active listening and together with other activities. With its sense of presence, rich sensuality, and playfulness, it is a vibrant, pulsating work of total art celebrating life and its origins.

“Given the state of the world right now, anything that can bring a sense of calm to the body and soul is sorely needed,” Malou observes.

Consciously or not, people strive for balance and healing. The ancient Solfeggio scale helps us in this quest. ”Spiral – An Inner Journey” was released on all major streaming services in the spring of 2026. When the decision to also submit ”Spiral” for the Grammy jury’s consideration reached Xavier, the world class percussionist reacted with delight:

”This album is fantastic, I love it and it’s a beautiful decision to send it to the Grammy awards. This music is made of joy, happiness and the deepest side of our souls. We made a wonderful connection, and Lars magnified the result of these sessions”.

Sweden, August 2026 – Listen to SPIRAL – An Inner Journey

Spiral is available on all major streaming services

Listen on malou.se: https://www.malou.se/en/album/spiral-an-inner-journey
Spotifyhttps://open.spotify.com/track/0VWE9dFiRooHwu3QDzxouA?si=c89ec66b232c4764
Apple Music: https://music.apple.com/us/song/spiral-an-inner-journey/6766096561
Tidal: https://tidal.com/album/521255093/u
Youtube Music: https://music.youtube.com/watch?v=NQG0Eu1Sy5A&si=le4RkX4rrOn1YQtD

Official Website: https://www.malou.se/
Facebook: https://www.facebook.com/MalouBergMMM/
Instagram: https://www.instagram.com/maloubergmusic/

Contact information: Malou Berg, Malou Mountain Music AB Phone: +46 70-316 3100 info@malou.se

Press inquiries: Keith James, Glass Onyon PR, PH: 828-350-8158 (USA), glassonyonpr@gmail.com


WILL SELLENRAAD RETURNS WITH THE CONTINUATION TO GREENE STREET VOL. 1. GREENE STREET VOL. 2 IS COMING IN THE FALL AND THE FIRST SINGLE “MY LOVE AND I“ IS OUT NOW THROUGH DEKO ENTERTAINMENT.

For Immediate Release

WILL SELLENRAAD RETURNS WITH THE CONTINUATION TO GREENE STREET VOL. 1

GREENE STREET VOL. 2 IS COMING IN THE FALL AND THE FIRST SINGLE “MY LOVE AND I“ IS OUT NOW THROUGH DEKO ENTERTAINMENT.

Stockton, NJ – Greene Street Vol. 2 brings together guitarist Will Sellenraad, bassist Elam Friedlander, and drummer Eric McPherson for a recording rooted in trust, spontaneity, and tradition. Recorded at GB’s Juke Joint in New York City on August 15, 2025, the album captures three musicians meeting with a shared commitment to honest interaction and creative discovery.

As a continuation of Greene Street vol.1, this recording reflects an ongoing exploration of the musical relationships, influences, and experiences that have shaped their work in and around New York City’s creative music community. Rather than functioning as a showcase for any single musician, Greene Street Vol. 2 presents a genuinely collaborative trio sound, where each voice contributes equally to the direction and character of the music.

The album was recorded in a single afternoon with only a handful of takes devoted to each composition. There was little interest in chasing the perfect production, more so the focus was on as much MoJo as possible. Capturing performances with energy, personality, and the moment itself. The result is a recording that preserves the immediacy of musicians listening and responding to one another in real time. As Sellenraad states, “This record is the result of us playing a lot over the years.  We had the opportunity to get in the studio and really wanted to get as analog as possible with this recording. We hope you can feel it”

The repertoire balances original compositions with material drawn from the jazz tradition. Sellenraad’s compositions “Double Down,” “Bean’s Blues,” and “Icebreaker” sit comfortably alongside interpretations of David Raskin’s “My Love and I,” Frank Foster’s “Raunchy Rita,” John Coltrane’s “Satellite,” and Jerome Kern’s classic “Yesterdays.” Each selection serves as a starting point for exploration, allowing the trio to move fluidly between structure and improvisation while maintaining a strong sense of melody and swing.

Listen to: https://push.fm/ps/b4vn6jbc

The album opens with a lyrical interpretation of the beautiful “My Love and I,” featuring Sellenraad on nylon-string guitar before returning to electric guitar for the remainder of the recording. Throughout the session, Friedlander’s deep, resonant bass sound and McPherson’s masterful drumming provide a constantly shifting foundation, creating space for conversation rather than accompaniment.

Greene Street Vol. 2 documents a moment. It is the sound of three musicians bringing their individual histories, influences, and instincts into the room and allowing the music to unfold naturally. The album embraces the qualities that have always defined great jazz recordings: communication, risk, lyricism, and the excitement of discovery.

Pre-order Greene Street Vol. 2 here: https://www.dekoentertainment.com/will-sellenraad

Track Listing
My Love and I (David Raskin)
Double Down (Will Sellenraad)
Raunchy Rita (Frank Foster)
Bean’s Blues (Will Sellenraad)
Icebreaker (Will Sellenraad)
Satellite (John Coltrane)
Yesterdays (Jerome Kern)

For more information:
https://www.dekoentertainment.com
Deko Entertainment–Art Has Value

Press inquiries: Keith James, Glass Onyon PR, PH: 828-350-8158 (USA), glassonyonpr@gmail.com


EDDIE JOBSON – U.K. REVISITED – 2026 U.S. DATES ANNOUNCED

For Immediate Release

EDDIE JOBSON – U.K. REVISITED – 2026 U.S. DATES ANNOUNCED

Legendary musician Eddie Jobson, the co-founder of ’70s progressive-rock supergroup ‘U.K.,’ is returning to the U.S. for just three concerts in Los Angeles, Chicago and New York.  Performing the music of U.K. for the first time in almost a decade, he will be joined by Marc Bonilla (CTA, Keith Emerson); Alex Machacek (U.K., Brand X); and Marco Minnemann (U.K., Hans Zimmer, The Aristocrats). Jobson has stated that these could be his final ‘U.K.’ concerts in North America.  His son, Chris Jobson will perform a short opening set in his U.S. solo debut.

The confirmed dates are:
Oct. 5th The Roxy Theatre, West Hollywood (Tickets) [on sale 10am PDT Monday August 31st]
Oct. 7th Reggie’s, Chicago (Tickets) [on sale 12pm CDT Monday August 31st]
Oct. 10th ProgStock, Rutherford, NJ (Tickets)

Tickets for Los Angeles and Chicago go on sale on Monday August 31st.

Though best-known as the first violinist inducted into the Rock & Roll Hall of Fame and as one of the top keyboard players in the progressive-rock genre, having played with Curved Air, King Crimson, U.K., Yes and Jethro Tull, Jobson has actually spent the majority of his career as a cross-genre composer and producer.  A child prodigy violinist and young classical composer and pianist, he first came to international attention replacing Brian Eno as synthesist in the influential art-rock band Roxy Music at the age of 18; going on to becoming Frank Zappa’s keyboardist and electric violinist at the age of 21, and forming U.K. at 22 with Allan Holdsworth, John Wetton and Bill Bruford.  Leaving the rock world and international arena touring at the age of 25, Jobson became a multi-award-winning composer for television and film, scoring over 100 TV dramas, working on several movies, and focusing on a diverse range of recording projects for his own international label Globe Music, before briefly reforming U.K. in 2014.

Regarded by many as the consummate musician, Jobson’s live performances have received accolades worldwide for their musical power and for the band’s unparalleled virtuosity.

Eddie Jobson FB page: https://www.facebook.com/EJ.UK.fanpage/

Press inquiries: Glass Onyon PR, PH: 828-350-8158 (USA), glassonyonpr@gmail.com


Pete Roth Trio feat. Bill Bruford Release New Single “Improvisation on the Largo from Dvořák’s Symphony #9” From Upcoming CD/DVD “Group Chat”

For Immediate Release

Pete Roth Trio feat. Bill Bruford Release New Single “Improvisation on the Largo from Dvořák’s Symphony #9” From Upcoming CD/DVD “Group Chat”

Single out Friday August 14, 2026

Listen to “Improvisation on the Largo from Dvořák’s Symphony #9”: https://cherryred.co/PeteRothLargo

The Pete Roth Trio have released their new single “Improvisation on the Largo from Dvořák’s Symphony #9” on August 14, 2026! This is the second single from their upcoming live CD/DVD album Group Chat.

The Pete Roth Trio return with Group Chat, a striking new CD/DVD release that captures the spontaneity, interplay and fearless musical conversation at the heart of this exceptional band. Led by guitarist Pete Roth, alongside bassist Mike Pratt and legendary drummer Bill Bruford, Group Chat is Roth’s third major album and a release of particular significance, marking Bruford’s eagerly awaited return to headline performance after a 13-year hiatus, as well as his first appearance on new material in 19 years.

Produced by Pete Roth and Bill Bruford for Winterfold Records, Group Chat presents a trio that thrives on intimacy, risk and connection. Rooted in jazz but never constrained by it, the music moves fluidly through funk, contemporary classical influences and spontaneous improvisation, with nothing treated as untouchable. Original compositions such as Full Circle, Dancing With Grace and Original Sin sit alongside collaborative pieces including Part Of The Charm and Looking Forward To Looking Back, while the trio’s inspired Improvisation on the Largo from Dvořák’s Symphony No. 9 underlines the breadth of their musical imagination. The result is a record that feels adventurous, immediate and alive – music made in the moment by three musicians listening as deeply as they play.

The release is presented as a two-disc digipak CD/DVD edition, complete with a booklet containing extensive notes and group photographs. Alongside the nine-track audio album, the package includes a bonus 35-minute DVD offering further insight into the trio’s world, with performances, an introduction, and a special spoken segment from Pete Roth.

The music press reaction’s have been emphatic. “The Pete Roth Trio is a band of equals, clearly loving the opportunity to improvise and have musical conversations,” wrote Biff Bam Pop!, while Innerviews praised the music as “rich with nuance, invention, and telepathic rapport.” Dr. Jazz Talks described the album as “a feast of rhythm and melody,” and Make Weird Music summed up its appeal succinctly: “I wish more jazz was this much fun.” Another review captured the trio’s balancing act perfectly, calling it “loose enough that it could fall apart and tight enough that it grooves.”

Pete Roth brings to Group Chat a background that spans blues, rock and jazz, shaped first in Germany and then refined through his studies and career in the UK. Mike Pratt, a highly regarded bassist, composer and producer with deep roots in jazz fusion and groove-based music, brings both harmonic imagination and rhythmic authority to the trio. For Bruford, whose career has encompassed groundbreaking work with Yes, King Crimson, Earthworks and a host of major jazz collaborators, Group Chat reflects a continuing commitment to the innovative, the unusual and the unlikely. Together, the three musicians create an experience that reshapes expectations of the guitar trio format, making space for melody, texture, groove and surprise in equal measure.

Group Chat is a vivid document of three distinctive musical voices in open conversation – intimate, exploratory, witty and deeply alive.

INTERVIEW REQUESTS, PHOTOS, VIDEO STREAM ETC AVAILABLE ON REQUEST

TRACK LISTING

DISC ONE: CD AUDIO
1. Full Circle
2. Part Of The Charm
3. Group Chat
4. Improvisation on the Largo from Dvořák’s Symphony #9
5. Looking Forward To Looking Back
6. Summertime
7. Dancing With Grace
8. Original Sin
9. Hard Case, Soft Centre

DISC TWO: BONUS DVD
1. Introduction
2. Full Circle
3. Part Of The Charm
4. Group Chat
5. Improvisation on the Largo from Dvořák’s Symphony #9
6. A Word From Pete
7. Hard Case, Soft Centre

Produced by Pete Roth and Bill Bruford for Winterfold Records
BBWF006CDVD
www.winterfoldrecords.com

Listen to “Improvisation on the Largo from Dvořák’s Symphony #9”: https://cherryred.co/PeteRothLargo

Pre-order “Group Chat”: https://www.cherryred.co.uk/pete-roth-trio-featuring-bill-bruford-group-chat-cd-dvd-edition

Information about the Pete Roth Trio: www.peterothtrio.com

Facebook: https://www.facebook.com/PeteRothTrio

Press inquiries: Keith James, Glass Onyon PR, PH: 828-350-8158 (USA), glassonyonpr@gmail.com