2026/06/04

Martin Carthy ALONG THE ROAD FOREVER: LIVE AT THE BBC Landmark 20CD Box Set Celebrating Nearly Six Decades of BBC Performances

By glassonyonpr

For Immediate Release

Martin Carthy ALONG THE ROAD FOREVER: LIVE AT THE BBC Landmark 20CD Box Set Celebrating Nearly Six Decades of BBC Performances

A major new archival release celebrates the extraordinary career of Martin Carthy with Along The Road Forever: Live At The BBC. To be released via Madfish on 17th July 2026.

An expansive 20CD collection documenting live and session performances recorded for the BBC across an astonishing 57-year period from 1965 – 2022.

Widely regarded as one of the most influential figures in English folk music, Martin Carthy MBE’s body of work has shaped generations of musicians through his distinctive guitar style, powerful interpretations of traditional song, and groundbreaking collaborations. Spanning solo recordings, duets with Dave Swarbrick, work alongside daughter Eliza Carthy and performances with seminal groups including Steeleye Span,  The Albion Country Band, Brass Monkeys, The Watersons and Waterson / Carthy, theset presents an unparalleled alternative history of one of Britain’s defining musical voices.

Across 22½ hours of music and 328 tracks – including 237 unique repertoire performances, with two-thirds sourced from master recordings – Along The Road Forever captures Martin’s enduring relationship with the BBC through appearances on Radios 1,2,3 and 4, BBC Television, and even rare surviving performances from 1960s regional broadcaster ABC TV.

The collection also includes an 80-page hardback book featuring a major new essay by acclaimed biographer Clinton Heylin examining Martin Carthy’s complete life in music, alongside unseen photographs – many drawn from Martin’s personal archive- detailed session notes by noted Carthy chronicler Kevin Boyd, and an exclusive photograph personally signed by Martin Carthy.

Reflecting on Martin Carthy’s profound influence on contemporary songwriting and folk revival culture, Bob Dylan addressed Carthy thus:

“If you didn’t know, your songs and your melodies have been with me since we first met. We’ll meet each other down the line somewhere”

– Bob Dylan, 2025

Along The Road Forever: Live At The BBC stands as a definitive portrait of a singular artist whose influence continues to resonate across generations of folk, acoustic and contemporary music.

20 CD BOX SET Includes:
• 328 live and session recordings spanning 1965-2022
• 80-page hardback book with new essay by Clinton Heylin
• Rare and previously unseen photographs
• Detailed session annotations by Kevin Boyd
• Exclusive signed Martin Carthy photograph


www.madfishmusic.com

Press inquiries: Keith James, Glass Onyon PR, PH: 828-350-8158, glassonyonpr@gmail.com

Leave a comment | posted in Martin Carthy, Press Release

2026/05/29

Daniel Reyes Llinás Releases New EP ‘From Nothing’ May 29, 2026 on 7d Media

By glassonyonpr

For Immediate Release

Daniel Reyes Llinás Releases New EP ‘From Nothing’ May 29, 2026 on 7d Media

From Nothing is an EP in three movements that explores the relationship between acoustic and electronic matter across a latent dramaturgy shaped by minimal gestures and granular dialogues. Within a shifting sonic landscape rich in morphological nuances, each sound carries a trace of transfiguration as a plurality of patterns aggregate and dissolve in a shared search oriented toward continuity and transformation. Out of this open dynamic, guitarist and composer Daniel Reyes Llinás gathers a new ensemble together with violinist Madeline Hocking, violist Hannah Selin and cellist Clara Cho. Through frictions and suspensions, the quartet gradually unfolds luminous spaces, where each element redefines and supports the balance of the others. Moving through a circular temporality of instants, From Nothing, Imagen Dos and Diálogos simultaneously inhabit a space open to presence and to the possibilities of sound. – Anita Soukizy

Track List
1. From Nothing…  — 10’47” (Ravi Kittappa)
2. Imagen Dos — 5’10” (Daniel Reyes Llinás)
3. Diálogos — 11’43” (Hocking-Selin-Cho-Llinás)

Credits

• Madeline Hocking  — Violin
• Hannah Selin — Viola
• Clara Cho — Cello
• Daniel Reyes Llinás — Electric Guitar & Electronics

Recording & Production
Recorded by Aaron Nevezie at Bunker Studios, Brooklyn NY
Additional recordings at Page St Sound Lab by Frankie Piacentini – ReAmp by Nicolás Diaz Lucas.
Mixed by Natán Idé Pizarro – Mastered by Amy Dragon at Telegraph Mastering – Portland OR.
Artwork by Sophie Knox Peters
Produced by Daniel Reyes Llinás

Release Date – May 29th on 7DMedia

For more information: http://www.llinasmusic.com/

To purchase:
https://llinas.bandcamp.com/album/from-nothing
https://7dmedia.com/album/4004865/from-nothing

Press inquiries: Keith James, Glass Onyon PR, PH: 828-350-8158, glassonyonpr@gmail.com

Leave a comment | posted in Daniel Reyes Llinás, Press Release

2026/05/29

Jann Klose Pushes Creative Boundaries on New Album ‘The Future Trap’

By glassonyonpr

Photo Credit: Mikiodo

For Immediate Release

Jann Klose Pushes Creative Boundaries on New Album The Future Trap

Stream “The Future Trap” album here: https://found.ee/tfp

New York City, NY – Internationally acclaimed singer-songwriter Jann Klose officially releases his ambitious new studio album The Future Trap today, delivering a deeply immersive listening experience that blends cinematic storytelling with a richly layered sonic journey.

Far more than a traditional collection of songs, The Future Trap was conceived as a full concept album, with interconnected themes and musical transitions designed to pull listeners into the emotional world of its central character — a figure who is equal parts fictional creation and reflection of the human experience itself.

“The Future Trap explores the universal struggle of falling into familiar patterns,” explains Jann Klose. “We wrote most of the music with the idea of creating a concept album, creating transitions between songs. I didn’t want it to be just another collection of tracks but rather a listening experience tied to storytelling.”

That storytelling forms the emotional backbone of the record, following a protagonist through obsession, joy, love, pain, loss, renewal, and ultimately acceptance. “The character we created is a bit like me but also a bit like everyone else,” says Klose. “Very flawed, very human.”

To bring the project to life, Klose collaborated closely with producer and songwriter Marcus Dembinski, alongside acclaimed musical contributors including Everett Bradley (current member of Bon Jovi), Marcella Detroit of Shakespears Sister and Eric Clapton fame, Alphonso Horne (Late Show with Stephen Colbert), Rachel Flowers, Annie Haslam of Renaissance and South Africa’s own DJ Cosher.

“‘Show Me Who You Are’ is the first song I worked on with Jann when he started the new album,” says Everett Bradley. “We unconsciously started from a place of complete honesty, sharing our take on the state of the world, and what we thought would make it better. Our concept? What if everyone took off the disguise, showed who they really are, allow themselves to be drenched in honesty, and watch the magic begin.”

This sentiment further reinforces the emotional core of The Future Trap, an album rooted in vulnerability, self-reflection, and the search for genuine human connection in an increasingly complicated world.

Released alongside the album announcement in April, the title track “Future Trap” offered audiences an early glimpse into the project’s creative depth. The single stands as a unique artistic collaboration between Klose and Dembinski, with the pair co-writing, co-producing, and performing every instrument heard on the final recording.

According to Dembinski, The Future Trap marks a significant evolution in Klose’s artistry.

“Compositionally, The Future Trap is unlike any of Jann’s previous records,” says Dembinski. “While Jann and his collaborators have pulled inspiration from their unique musical histories, Jann has also simultaneously crafted a narrative through-line that takes the listener on an introspective journey.”

That journey unfolds across a genre-defying soundscape that combines Klose’s signature pop vocals and acoustic guitar with elements of rock, folk, electronic, disco, Latin music, orchestral arrangements, and progressive rock influences.

“The continuity of themes and lyrical motifs creates an enveloping listening experience from start to finish,” adds Dembinski.

Songs seamlessly evolve into one another throughout the album, allowing The Future Trap to unfold like a film soundtrack or theatrical production. The electronic disco pulse of “Love Is a Verb” fractures and rebuilds within “Conjugation,” while the progressive rock energy of “The Lost Kingdom” dissolves into the melancholic atmosphere of “Vignette.” The epic-rock finale “Over and Over” then transitions into a sweeping orchestral “Outro,” reinforcing the album’s cyclical themes of transformation and rebirth.

With The Future Trap, Jann Klose delivers his most sonically adventurous and emotionally resonant body of work to date – a record designed not only to be heard, but experienced.

“The Future Trap” album is available on all major streaming platforms from today.

Stream “The Future Trap” album here: https://found.ee/tfp

The Future Trap

TRACK LIST

Part 1
1. Intro
2. Show Me Who You Are (feat. Everett Bradley)
3. When I’m With You
4. How Do I Get What I Need
5. Better Liar
6. Love is a Verb (feat. DJ Cosher)
7. Conjugation (feat. Alphonso Horne)

Part 2
8. The Lost Kingdom (feat. Rachel Flowers)
9. Vignette
10. I Have a Scar
11. Future Trap
12. Break the Cycle
13. Hurting Nobody (feat. Marcella Detroit)
14. Over and Over
15. Outro

Upcoming shows:
May 29 – Gigantic Studios, NYC (SOLD OUT)
May 30 – The Bitter End, NYC
June 6 – Sellersville Theater, Sellersville, PA

Follow Jann’s socials for all the latest news:

https://jannklose.com/
https://www.facebook.com/jann.klose/
https://www.instagram.com/jannklose/
https://threads.net/@jannklose
https://www.youtube.com/jannklose

Press inquiries: Keith James, Glass Onyon PR, PH: 828-350-8158, glassonyonpr@gmail.com

Leave a comment | posted in Jann Klose, Press Release

2026/05/26

King Crimson ‘2014 NYC’ 2LP & 2CD To Be Released July 10, 2026

By glassonyonpr

For Immediate Release

King Crimson ‘2014 NYC’ 2LP & 2CD To Be Released July 10, 2026

• New King Crimson LIVE compilation series from the band’s 2014 to 2021 line-up, starting with ‘2014 NYC’
• Taken from live multi-track recordings from the band’s electric four-night run in September 2014 (18th – 21st Sept)
• Double LP – cut by Jason Mitchell at Loud Mastering and pressed on 200-gram audiophile vinyl
• New sleevenotes from King Crimson biographer Sid Smith

Featuring:
Robert Fripp: Guitar, Keyboards
Jakko Jakszyk: Guitar, Vocals
Mel Collins: Sax, Flute
Tony Levin: Bass, Chapman Stick, Backing Vocals
Drummers: Gavin Harrison, Bill Rieflin, and Pat Mastelotto

For King Crimson, New York was never just a tour-stop – it was a recurring stage in the band’s mythology. Starting with the 1969 Fillmore East breakthrough and running through those early-’70s returns, climaxing in the Larks’-era farewell to that chapter at Central Park in 1974.

And when Crimson kept mutating, the city kept calling them back. Robert Fripp later pointed to the six nights at the Savoy in 1981 (after rehearsals tucked away in the garment district) as a high-water mark, and later line-ups – the Double Trio, Double Duo, and a 2008 quintet with newly recruited Gavin Harrison at the Nokia Theatre  continued the Manhattan connection, right up to a major reset at the same venue (by then the Best Buy Theatre) in 2014.

That 2014 band looked like nothing else on the circuit: three drummers lined up across the front – an idea Fripp described as a sudden “point of seeing – turning rhythm into a moving, interlocked engine”.

Crucially, they didn’t treat the back catalogue like museum pieces; they played it as living material, rebuilt with microscopic attention rather than copied note-for-note. The “drumsons” delivered a choreographed surge and uncanny unity (Harrison joked it felt like “one drummer with six legs and six arms”), and a calmer group chemistry let the seven-piece hit with brute force and fine detail at once – refreshing older classics and giving newer pieces extra muscle.

In New York, moments like “Starless,” framed with a deliberate red-light nod to 1974, landed as proof that Crimson could honour its past without slipping into nostalgia: a band that kept reinventing its own language, still pushing forward with no obvious limit.

From 2014 to 2021 King Crimson played music that was, in keeping with Robert Fripp’s approach, “new whenever it is performed”, freshly minted each night for a new audience to hear. The band would frequently stay in one city for more than one night so that demand for tickets could be met while still appearing in venues where all of the audience could both see and hear fully.

‘2014 NYC’ is the start of a new series (to be released on 2LP and 2CD), compiled from those runs of concerts at a single venue/city and commences from the first year of touring with a set taken from the band’s four-night run in NYC in September 2014.

Later this year (Autumn 2026), there will be a 2 x Blu-ray release of King Crimson’s entire 19-date U.S. tour from 2014 which will also include this compilation.

KCLPX2014 – 2LP 200-gram vinyl set

Side A
Introductory Soundscape
Larks’ Tongues in Aspic (Part I)
Pictures of a City

Side B
A Scarcity of Miracles
The Letters
The Sailor’s Tale
The Hell Hounds of Krim

Side C
Red
Improv: Hoodoo
The Talking Drum
Larks’ Tongues in Aspic (Part II)

Side D
VROOOM
Coda: Marine 475
The Light of Day
21st Century Schizoid Man

DGM5033 – 2CD

CD1
1. Introductory Soundscape
2. Larks’ Tongues in Aspic (Part I)
3. Pictures of a City
4. A Scarcity of Miracles
5. Banshee Legs Bell Hassle
6. Level Five
7. The Letters
8. The Sailor’s Tale
9. Interlude
10. The ConstruKction of Light
11. Red

CD2
1. One More Red Nightmare
2. VROOOM
3. Coda: Marine 475
4. The Light of Day
5. The Talking Drum
6. Larks’ Tongues in Aspic (Part II)
7. Starless
8. The Hell Hounds of Krim
9. Improv: Hoodoo
10. 21st Century Schizoid Man

To pre-order:

2LP Vinyl: https://burningshed.com/king-crimson_2014-nyc_double-vinyl

2CD: https://burningshed.com/king-crimson_2014-nyc_2cd

2CD & 2LP Bundle: https://burningshed.com/king-crimson_2014-nyc_2cd_2lp-bundle

For further information, please contact: info@panegyric.net

www.dgmlive.com

Press inquiries: Keith James, Glass Onyon PR, PH: 828-350-8158 (USA), glassonyonpr@gmail.com

Leave a comment | posted in King Crimson, Press Release

2026/05/19

Make Weird Music’s Anthony Garone: “OK, but why?” on Moonjune Records

By glassonyonpr

For Immediate Release

Make Weird Music’s Anthony Garone: “OK, but why?” on Moonjune Records

Release window: June 1, 2026 (Pre-orders available May 1, 2026)
Label: Moonjune Records
URL: https://anthonygarone-moonjune.bandcamp.com/album/ok-but-why
For fans of: King Crimson, Gentle Giant, Jethro Tull, Dream Theater, Avishai Cohen

Steve Vai: “Anthony Garone has made an unapologetic, dense, alien melodic, rhythmic brain twisting, sublimely lovely solo record… I’m sure glad I don’t have to play it.”

Lyle Workman: “GOOD GOD MAN!! THIS RECORD!!! I have no idea how he did this! Amazing. Incredible writing and playing from everyone. […] And I thought my music was complex! I am WOWED!”

Gretchen Menn: “An album equally engaging and adventurous. Unselfconsciously intelligent, it spans a broad spectrum of musical and expressive worlds. The musicianship is astounding, and the tunes are beautiful, complex, quirky, and clearly arise from deep artistic integrity.”

—

After 600+ Make Weird Music videos spotlighting players in the odd-meter-and-sound universe, founder Anthony Garone is releasing his first full-length album since 2007. “OK, but why?” is releasing on Moonjune Records and features 14 tracks with 20 guest musicians.

Expect tight counterpoint, odd-meter grooves, and hooks that still land as songs, even when the arrangements are trying to misbehave. Anthony is available for podcasts, print/online interviews, and playthrough/composition breakdowns. Some angles:

• Writing music that is intentionally hard, but still melodic, and why “complex-but-melodic” is the whole point.
• What it takes to coordinate 20 guest musicians and turn years of YouTube releases into a cohesive label release.
• The title is literal: After failing to sell 100 copies of his previous album, Garone assumed nobody wanted this music, including him, and he kept writing it anyway.
• The Bach BWV 1060 is nearly unplayable, even for the musicians he hired.
Most tracks first appeared on YouTube, now remixed/remastered and often re-recorded for this album
• Includes a rethink/cover of Robert Fripp’s “Erudite Eyes” (from Giles, Giles, & Fripp) plus two movements from Bach’s BWV 1060
• Guests include Morgan Ågren, Michael Manring, Gretchen Menn, Jan Zehrfeld, Andy West, Tom Monda, Paul Hanson, Sebastian Lanser, and more

OK, but why? pulls together Garone’s best work, obsessing over arrangements that are equal parts song and puzzle. While much of the music existed publicly in earlier forms, this release is the cleaned-up, finished version: updated performances, improved production, and a cohesive arc that finally connects the dots across years of ideas.

The album moves between oddly-timed grooves, tight counterpoint, and melodic hooks that sneak in through the side door. A few album anchors:

• “Binge” (the Make Weird Music theme) runs on shifting meters (9 + 7) and features Morgan Ågren (Mats/Morgan, Devin Townsend) and Michael Manring.
• “Dance” is written as “the worst dance song ever” in 13/4, built on whole tone harmony and a prime-number motif, featuring Tom Monda (Thank You Scientist). It started as a joke demo Garone never expected to finish until Owen Dueck forced the song into existence.
• “Brex” is designed to feel like 4/4 while pulling against it in 5/4, featuring Paul Hanson (Béla Fleck and the Flecktones) on electric bassoon and a nod to King Crimson’s rhythmic language.
• “Harnch 2.0” revisits a Pat Metheny-meets-Gentle Giant inspired piece with a feature solo by Gretchen Menn.
• The album also includes Garone’s rework of Bach BWV 1060 (Mov. 1 and Mov. 3) and his updated version of Fripp’s “Erudite Eyes.”
• Even when the arrangements get absurd, the goal is still a song you can remember, not an exercise you admire from a distance.
• The record is technical by nature, but it was assembled around personality: obsession, self-doubt, and the occasional decision to make something deliberately ridiculous.

Anthony Garone is an author, entrepreneur, guitarist, composer, and producer, and the founder of Make Weird Music, a long-running YouTube platform focused on progressive music, challenging performances, and modern composition. He is best known for his 22-year journey to learn King Crimson’s Fracture, and documenting his journey in a YouTube series and book titled Failure to Fracture. “OK, but why?” is his first full-length release since 2007. He can record remotely, and he is available for 30 to 60 minute interviews as well as short playthrough or composition breakdown segments.

—

Michael Manring: “Anthony is making ferociously inspired music. It’s not easy listening, but for anyone with open ears, it offers a wealth of inspiration, adventure, insight and just plain fun!”

Jon Finn (Berklee College of Music): “Anthony Garone’s new album ‘Ok, But Why?’ is a refreshing, wild ride of an album. If you appreciate good music, you’ll belt yourself in, check off all the disclaimers and surrender to a sonic fun house where the bottom drops out of the floor from time to time. It’s full of drama, fun, surprises and much more. If you’re a musician, you’ll marvel at all the musical and production choices that makes this album tick. I’m going to be listening to this a lot!”

Morgan Ågren: “I have had the pleasure to know Anthony for several years now. Did a bunch of recordings for him, many of which are featured on this album, and we did some chats on his Make Weird Music (his own platform where he serves us in the name of good music). Basically a very skilled musician and a very nice guy! This album is great!”

To pre-order: https://anthonygarone-moonjune.bandcamp.com/album/ok-but-why

Press inquiries: Keith James, Glass Onyon PR, PH: 828-350-8158, glassonyonpr@gmail.com

Leave a comment | posted in Press Release

2026/05/18

New Tribute To Badfinger Legend “JUST LOOK INSIDE THE COVER – SONGS OF PETE HAM” To Be Released June 19 On Y&T Music

By glassonyonpr

For Immediate Release

New Tribute To Badfinger Legend “JUST LOOK INSIDE THE COVER – SONGS OF PETE HAM” To Be Released June 19 On Y&T Music

Includes new recordings by Ron Griffiths and Bob Jackson of The Iveys and Badfinger

Y&T Music is proud to announce the release of a special tribute album, “Just Look inside The Cover – Songs of Pete Ham,” featuring 22 new recordings of songs written by Pete Ham. This very unique tribute album features songs that were only previously released as home demos and never recorded by Badfinger.

Pete Ham was one of the 20th century’s greatest overlooked artists. Certainly, the Swansea, Wales-born musician received some recognition: three of his songs – “No Matter What,” “Day After Day” and “Baby Blue,” all recorded by his group Badfinger – were hit singles, and the popularity of those songs endures to this day. And “Without You” – co-written with band mate Tom Evans – would become a standard when covered by American singer-songwriter Harry Nilsson. With Badfinger, Ham made seven albums, all of which are today recognized as classics of melodic rock.

While the total output of Pete Ham penned songs released during his short lifetime would be less than 40 songs, he proved to be a startlingly prolific songwriter. Thanks to the diligent archival work of people working in close cooperation with The Pete Ham estate, demo recordings of many of these and previously unknown songs have come to light in recent years and are the focus of this tribute.

Many of those songs, compiled on several posthumous Pete Ham albums, demonstrate that Ham’s songwriting prowess yielded a bounty, the like of which would be astounding even if created by an artist who lived much longer than his brief 27 years. They also underscore the fact that Ham could – and quite often did – write excellent songs that were well outside the musical scope of The Iveys or Badfinger. Moreover, Pete Ham exerted great influence upon countless artists who came after him, many of whom weren’t yet born when he tragically took his life in 1975. His gifts with words and melody continue to inspire musicians and listeners alike.

This tribute features some of today’s most renowned artists in the field of melodic and indie rock, each providing their take on a gem from the largely overlooked portion of Ham’s creative output. Given complete creative control, some take the approach of arranging the song in a way that suggests how Badfinger might have done it; others use Ham’s words and music as a canvas upon which to paint a picture all their own. Just Look Inside The Cover also includes new recordings by Ron Griffiths, and Bob Jackson, both who have recorded and toured with Pete Ham, as members of The Iveys and Badfinger.

THE SONGS
1. Mike Delevante – A Lonely Day
2. Pezband – Tulip
3. Sharp Pins – Just How Lucky We Are
4. Eric Dover – Leaving on a Midnight Train
5. Arlan Feiles – You’re Such a Good Woman
6. Bill Lloyd – Our Song
7. Rob Bonfiglio – Hand in Hand
8. Mary Karlzen – Dawn
9. The Fraternals – Catherine Cares
10. Fernando Perdomo – Time is Mine
11. Mic Harrison And The High Score – A Little Bit of Rock and Roll
12. Tobin Sprout – Keep Your Country Tidy
13. Humbert – Little Mary
14. Steve Barton – Ringside
15. The Parlophonics – Makes Me Feel Good
16. Richard Barone (featuring The Midnight Callers) – I’m Only Human
17. Darren Hayman and Robert Rotifer – Love Will Be
18. Mark Healey – It Doesn’t Really Matter
19. Jeff Alan Ross – The Day Begins
20. Ron Griffiths – Take Good Care of My Baby
21. Bob Jackson – Just Look Inside The Cover
22. Tobin Sprout – Keep Your Country Tidy (Reprise)

Release Date –  June 19, 2026

To pre-order: https://www.amazon.com/Just-Look-Inside-Cover-Various/dp/B0GZWP3G6G/

A few words from Y&T Music founder Rich Ulloa: https://glassonyonpr.com/a-few-words-from-yt-music-founder-rich-ulloa/

For more information:
https://www.badfingerlibrary.com/
https://www.ytmusiconline.com/
https://www.youtube.com/channel/UCMNRJiVQ3H9fK9P2CpaR1EA

CONTACT Y&T / Rich Ulloa: PH: 1-786-368-9904 ytmusic1@aol.com

Mark Strothmann – Representing Agent for Pete Ham & Tom Evans of Badfinger: withoutyoumusicofficial@gmail.com

Press inquiries: Keith James, Glass Onyon PR, PH: 828-350-8158, glassonyonpr@gmail.com

Leave a comment | posted in Fernando Perdomo, Pete Ham, Press Release, Rob Bonfiglio

2026/05/12

Asai Kastan Duo Releases New Ambient Jazz Album Earth Travelers

By glassonyonpr

For Immediate Release

Asai Kastan Duo Releases New Ambient Jazz Album Earth Travelers

Earth Travelers is a new album by Asai Kastan Duo, consisting of Takeshi Asai on piano and Brian Kastan playing fretless bass. Together, they create an atmosphere of space and texture with an ongoing gentle flow of energy. This album is like waves on the ocean; waves are constantly flowing creating tension and release, as a wave gently rises and breaks then forms another wave. Together, the piano and bass are like the wave as the musical tension and release is an ongoing state of flow.

Earth Travelers offers the listener a chance to take a deep emotional journey and tap into an imaginary world. Earth Travelers covers several musical directions, from ballads, jazz blues, open grooves, short abstract moments, to open ambient spaces.

Released April 23rd, 2026.

The concept behind Earth Travelers is to create dialogue between acoustic piano and fretless bass. At times the bass plays the melody, sometimes it plays the groove, and vice versa with the piano. Earth Travelers offers a unique sensitive listening experience as the piano and fretless bass keep offering each other new musical ideas to interpret and develop into new energy. Often the album is ambient and mellow, sometimes swinging, sometimes grooving, and anything in between.

Earth Travelers was composed and recorded live at Takeshi Asai studio at DCT productions in New York City.

Asai Kastan Duo tour dates will be announced soon.

Takeshi Asai

Traditional yet modern, lyrical yet dramatic, jazz pianist Takeshi Asai has been a one-of-a-kind voice in New York’s jazz scene for more than ten years. His performance combines the melodic lyricism of Bill Evans with the feverish blues of Thelonious Monk, all enriched by the sophisticated improvisational style and the classical piano roots.

What makes Takeshi Asai’s music unique and aesthetic are his multitude sources of inspiration. He sees beauty in 12th-century French troubadours, Gregorian chants, Baroque and Romantic traditions, 20th-century music (i.e. Janáček, Takemitsu), religious music (Faure, Poulenc), the Beatles, Irish and Japanese folk music, as well as modern electronic music.

Besides his constant club engagements in NYC with talented contemporaries and legends, Takeshi Asai has a hugely successful international career; touring in Poland, UK, France, Germany, Egypt, Japan, South Korea and Australia.

He currently lives in New York, where he runs his own production company.

Brian Kastan

Brian Kastan is a prolific composer and improvisor.

Brian has recorded 100 albums under his Space 2 Groove record label and recorded 11 albums with 5 different Grammy-winning jazz artists such as Mino Cinelu, Rachel Z, Scott Petito, Leo Genovese, and Miles Griffith. Brian has completed European tours with the Brian Kastan Freedom Trio and Transatlantic Concept with Urbuli Baba. Plus, Brian toured in China headlining Lincoln Center Shanghai with the Brian Kastan Quartet.

Brian also has composed soundtracks for TV and Film:

Movie: American Criminal, Blue Lives Matter

TV Show: Hospital Arrest with acclaimed movie & TV director Dylan Bank. Starring Robert Loggia, Jimmie Walker, Martin Kove, Gilbert Gottfried, Michael Winslow, Todd Bridges, Jewels McCollough

Side Projects: Played guitar on Rhys Chatham’s A Crimson Grail (Nonesuch Records), played guitar for MTV Rock the Vote, composed songs with Emmy-nominated composer recording engineer Marc Solomon.

To purchase: https://space2grooverecords2.bandcamp.com/album/earth-travelers

For more information:
https://www.space2grooverecords.com/
https://www.facebook.com/brian.kastan.9
https://www.facebook.com/TakeshiAsaiJazz

Press inquiries: Glass Onyon PR, PH: 828-350-8158, glassonyonpr@gmail.com

Leave a comment | posted in Asai Kastan Duo, Press Release

2026/05/11

Joey Stuckey Brings Progressive Americana Sound to Whisky a Go Go on June 25, On the Heels of Historic Recording Session at The Les Paul Recording Studio

By glassonyonpr

For Immediate Release

Joey Stuckey Brings Progressive Americana Sound to Whisky a Go Go on June 25, On the Heels of Historic Recording Session at The Les Paul Recording Studio

Award-winning Macon, Georgia, artist, producer, and speaker joins a powerhouse night of music in West Hollywood featuring Bow Wow Wow

West Hollywood, CA — Award-winning guitarist, vocalist, producer, and Macon, Georgia Music Ambassador Joey Stuckey will perform at the legendary Whisky a Go Go in West Hollywood, California on June 25, appearing as part of a night of music that includes iconic new wave band Bow Wow Wow.

This will be Stuckey’s third appearance at the Whisky and he’ll be joined by a seasoned rhythm section featuring legendary L.A. musicians Dusty Wakeman on bass and David Raven on drums. Together, the trio will bring Stuckey’s expansive “Progressive Americana” sound to one of rock and roll’s most historic stages.

Stuckey, Wakeman, and Raven will arrive at the Whisky fresh off a historical recording session down Sunset Boulevard at The Les Paul Recording Studio, a state-of-the-art facility honoring the legacy of music pioneer Les Paul located in the historic United Recording building. The recording session will be the first time any artist has recorded an album at the studio. The session will take place on an all-tube mixing console that was Les Paul’s original creation that has been refurbished and made functional again, along with other original equipment originally used by Mr. Paul in the 1940s and 50s.

Rooted in the rich musical history of Macon, Georgia, Stuckey’s music reflects the spirit of artists such as Otis Redding, Little Richard, and the Allman Brothers while drawing from blues, jazz, roots, Southern rock, and Americana. With a voice that can move from a gravelly rasp to a warm croon, and guitar work marked by blues fire and melodic sophistication, Stuckey creates music that is soulful, literate, and full of human connection.

The June 25 performance at Whisky a Go Go offers Los Angeles audiences a chance to experience Stuckey’s musicianship in an intimate, high-energy setting, backed by two well-respected players and sharing the bill on a night that celebrates music history, craft, and connection.

Event Details
Who: Joey Stuckey, backed by Legendary L.A. Musicians Dusty Wakeman and David Raven
Also Featuring: Bow Wow Wow
Where: Whisky a Go Go, West Hollywood, CA
When: June 25
Genre: Progressive Americana, blues, roots rock, Southern rock

Tickets to the entire night are available directly from Joey Stuckey at the link below. Tickets are generously available for ‘pay-what-you-can’ with a suggested amount of $20 per ticket.

TICKET LINK: https://found.ee/whiskyagogo

About Joey Stuckey

Joey Stuckey is an award-winning artist, producer, and speaker whose multifaceted career transcends the boundaries of sight, sound, and genre. Blind since early childhood, Joey quickly found connection and inspiration in sound, and what started as a survival skill evolved into a sophisticated and almost supernatural talent. When legendary producer Alan Parsons called Joey “The best ears in the music business,” it was confirmation of what Joey’s fans and clients knew all along: Joey’s superpower is sound.

The Joey Stuckey Band has shared the stage with legendary artists like James Brown, the B-52s, and Bad Company, and Joey has received dozens of awards, including Jazz Artist of the Year from the Georgia Music Awards. Inducted into the Atlanta Country Music Hall of Fame, Joey also Joey received the 2024 Macon Arts Alliance Cultural Award for his significant contributions to the arts community of central Georgia.

As owner of Shadow Sound Studio in Macon, Georgia, Joey honors each artist’s vision while encouraging them to explore uncharted territory. He has engineered recording sessions with musicians including Randall Bramblett (Steve Winwood, Traffic Gregg Allman and Friends), Chuck Leavell (Rolling Stones, George Harrison, Train), and Mike Mills (R.E.M.) and written songs with Ed Roland (Collective Soul), Paul “Mad Dog” McGuinness (The Popes), and Will Morrison (Modern English). Joey is now expanding Shadow Sound to cement the studio as a destination for education, community, and recording in the birthplace of southern rock.

As a speaker, Joey draws from his experiences as a blind musician and sound engineer, offering both technical advice and motivational talks on overcoming obstacles, living with purpose, and the importance of inclusion. His speaking engagements have spanned international conferences, university lectures, and global corporate events, blending his insights with performance to engage and inspire audiences. On stage, in the studio, or at the podium, Joey offers listeners a sense of belonging, reminding them that even in the dark, connection is always possible.

Press inquiries: Glass Onyon PR, PH: 828-350-8158, glassonyonpr@gmail.com

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2026/05/06

Eight Classic Music Films to Be Re-Released in 2026 in High Definition

By glassonyonpr

For Immediate Release

Eight Classic Music Films to Be Re-Released in 2026 in High Definition

Studio City, CA – Lightyear Entertainment announces that it has embarked on a major project to remaster and future-proof its classic music films.  Shot and edited on videotape in the 80’s, there was no way to go back to 35mm film materials.  But using modern technology, the company has successfully remastered eight of them in High Definition for the first time.

Lightyear CEO Arnie Holland said: “These films are some of the best music films ever, starring some of the biggest artists ever.  Some are concerts, some are documentaries, and one is a unique feature film. All were in Standard Definition.  It was sad for me to watch them become so fuzzy and outdated, when these beloved artists’ music is still vibrant and relevant.  Technology had pushed these classic films aside, but now technology has made them great again.  Yes, we used AI programs to accomplish this. While I am as worried about the future of AI as most other people, right now it’s a great tool.  And ignoring the possibilities of what it can do doesn’t make sense.  We owed it to these major artists to use every tool we could find in order to preserve and future-proof these films.”

All of the eight films were produced in the 80’s before Lightyear’s 1987 management buyout of RCA Video Productions, Inc.

The first film to be newly released was Elvis ’56 Remastered, on February 20.  For that one a BluRay was released for the first time along with a release to Digital platforms in TVOD, SVOD, AVOD and YVOD.

On June 5, the following films will be released to Digital platforms in TVOD, SVOD, AVOD and YVOD:

Eurythmics: Sweet Dreams (the Video Album) Remastered
Jefferson Starship: The Definitive Concert Remastered
Stevie Nicks: Live at Red Rocks Remastered

On August 21, the following films will be released to Digital platforms in TVOD, SVOD, AVOD and YVOD:

A Night with Lou Reed Remastered
Rick Springfield: The Beat of the Live Drum Remastered
Waylon Jennings: America Remastered
Return to Waterloo (a film by Ray Davies of the Kinks) Remastered

Waylon Jennings America was released on DVD in 1986.  It has never been offered to Digital platforms before.  The film includes scenes with Robert Duvall, Hank Williams, Jr. and Johnny Cash.

Return to Waterloo is a 60-minute feature film (released theatrically by New Line Cinema), and, instead of dialog by the actors, the story is told almost exclusively by the lyrics of original songs penned by storyteller extraordinaire Ray Davies.

Elvis ’56 was originally seen on Cinemax after debuting at Sundance; Stevie Nicks Live at Red Rocks on HBO, Rick Springfield’s The Beat of the Live Drum (directed by David Fincher) on HBO, Eurythmics Sweet Dreams on MTV, A Night With Lou Reed on MTV.

All of the film remastering was produced in-house by David Lawrence, Lightyear’s Director of Film Acquisition. Sound mastering adjustments were done by Sky Spooner, Lightyear’s Executive Vice President.

Press inquiries: Glass Onyon PR, PH: 828-350-8158, glassonyonpr@gmail.com

Lightyear Entertainment, a distributor of independent films and music, was founded in 1987. www.lightyear.com

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2026/05/05

Todd Rundgren Announces New US & Europe Tour Dates

By glassonyonpr

For Immediate Release

Todd Rundgren Announces New US & Europe Tour Dates

FAN PRESALE: Wednesday, May 6 @ 10AM ET [PW: VICTORY26]

PUBLIC ON-SALE: Friday, May 8 @ 10AM LOCAL

Legendary producer/songwriter/ guitarist Todd Rundgren is expanding his 2026 Damned If I Do Tour with a major slate of newly added dates! This new leg of the tour includes new locations in the US, as well as extending the tour to the UK and the EU!

This tour promises to include plenty of fan favorite songs. Says Todd, “It’s always a challenge for me because my audience is so diverse, I never know what they’re in the mood for. I want to make sure we have all the musical ammunition we need to satisfy the spectrum.”

The tour commences June 11th at the Arcada Theatre in St. Charles, Illinois and ends July 19th at the Cabot Theater in Beverly, Massachusetts. The second leg commences August 8th at the Bergen PAC in Englewood, NJ and ends September 21st at the Paradiso Main Hall in Amsterdam! The fan presale for the new dates begins at 10 AM ET on May 6th [PW: VICTORY26], and tickets go on sale for the public at 10 AM local time on May 8th.

Todd’s band for the Damned If I Do tour will feature Gil Assayas (Keys), Bruce McDaniel (Guitar), Prairie Prince (Drums), Bobby Strickland (Horns), and Kasim Sulton (Bass).

FOR INTERVIEW REQUESTS CONTACT: Paul Maloney, 21st Century Artists Inc. paul@21stca.com

TODD RUNDGREN “DAMNED IF I DO” TOUR
June 11 – Arcada Theatre – St. Charles, IL
June 12 – Des Plaines Theatre – Des Plaines, IL
June 14 – Vibrant Music Hall – Waukee, IA
June 16 – Majestic Theatre – Dallas, TX
June 17 – House of Blues – Houston, TX
June 19 – Tobin Center for the Performing Arts – San Antonio, TX
June 20 – Golden Nugget – Lake Charles, LA
June 22 – Buckhead Theatre – Atlanta, GA
June 23 – The Parker – Ft. Lauderdale, FL
June 25 – Capitol Theatre – Clearwater, FL
June 26 – Capitol Theatre – Clearwater, FL
June 28 – Circle Square Cultural Center – Ocala, FL
June 30 – Charleston Music Hall – Charleston, SC
July 01 – Carolina Theatre of Durham – Durham, NC
July 03 – The Caverns – Pelham, TN
July 05 – KEMBA Live! – Columbus, OH
July 06 – Riviera Theatre – North Tonawanda, NY
July 08 – Community Arts Center – Williamsport, PA
July 09 – Warner Theatre – Washington, DC
July 11 – Keswick Theatre – Glenside, PA
July 12 – Keswick Theatre – Glenside, PA
July 15 – Patchogue Theatre – Patchogue, NY
July 16 – Tarrytown Music Hall – Tarrytown, NY
July 18 – Bally’s Twin River Casino – Lincoln, RI
July 19 – Cabot Theater – Beverly, MA

August 8, 2026 – Englewood, NJ – Bergen PAC
August 9, 2026 – Ridgefield, CT – Ridgefield Playhouse
August 11, 2026 – Ocean City, NJ – Ocean City Music Pier
August 12, 2026 – Red Bank, NJ – Count Basie Theater
August 14, 2026 – Pittsburgh, PA – Stage AE
August 15, 2026 – Newport, KY – MCL Pavilion
August 17, 2026 – Kalamazoo, MI – Bells Beer Garden
August 18, 2026 – Saginaw, MI – Temple Theatre
August 20, 2026 – Royal Oak, MI – Royal Oak Theatre
August 21, 2026 – Cleveland, OH – Agora Theater
August 23, 2026 – Ft. Wayne, IN – Clyde Theater
August 25, 2026 – Minneapolis, MN – Uptown Theatre
August 26, 2026 – Milwaukee, WI – Pabst Theatre
August 28, 2026 – Louisville, KY – Brown Theater
August 29, 2026 – St Louis, MO – The Pageant

September 6, 2026 – Lorica, IT – Campo Sportivo
September 9, 2026 – London, UK – Cadogan Hall
September 10, 2026 – Bristol, UK – Bristol Beacon
September 12, 2026 – Manchester, UK – Opera House Manchester
September 13, 2026 – Glasgow, SCT – Theatre Royal Glasgow
September 18, 2026 – Aalburg, DK – Skraaen
September 19, 2026 – Helsingor, DK – Kulturvaerftet – The Culture Yard
September 21, 2026 – Amsterdam, NL – Paradiso Main Hall

TODD RUNDGREN

Born and raised in Philadelphia, Rundgren began playing guitar as a teenager, going on to found and front The Nazz, the quintessential `60’s psychedelic group. In 1969, he left the band to pursue a solo career, recording his debut offering, the legendary Runt. But it was 1972’s seminal Something/Anything?, on which he played all the instruments, sang all the vocal parts, and acted as his own producer, that catapulted Todd into the superstar limelight, prompting the press to unanimously dub him ‘Rock’s New Wunderkind’. It was followed by such landmark LPs as The Hermit of Mink Hollow and the above mentioned A Wizard, A True Star, as well as such hit singles as I Saw The Light, Hello It’s Me, Can We Still Be Friends, and Bang The Drum.

In 1974, Todd formed Todd Rundgren’s Utopia (renamed and reconfigured in 1976 as Utopia), an entirely new approach to the concept of interactive musicianship, and embarked on an extensive round of touring and recording. Standout Utopia offerings included Oops! Wrong Planet, Adventures in Utopia, and Oblivion. Along the way, Todd Rundgren’s Utopia combined technical virtuosity and creative passion to create music that initially, for millions, defined the term “progressive rock”, and subsequently, as Utopia, the term “powerpop”.

Rundgren’s myriad production projects include albums by Patti Smith, Cheap Trick, Psychedelic Furs, Meat Loaf, XTC, Grand Funk Railroad, and Hall And Oates. Rounding out his reputation as rock’s Renaissance Man, Rundgren composed all the music and lyrics for Joe Papp’s 1989 Off-Broadway production of Joe Orton’s Up Against It (the screenplay commissioned by The Beatles for what was meant to have been their third motion picture). He also has composed the music for the hit film Dumb and Dumber, as well as a number of television series, including Pee Wee’s Playhouse and Crime Story.

In 2009 Rundgren performed his iconic 1973 album A Wizard A True Star in concert in its entirety for the first time ever, and several years later did the same with a double bill: Todd & Healing. He has toured with Ringo Starr as an erstwhile member of the All-Starr Band since 1989, and continues to perform with symphony orchestras both domestically and internationally. In 2018 he toured North America with original Utopians Kasim Sulton and Willie Wilcox for the first time in 33 years. After the release of his long-awaited autobiography The Individualist, he spearheaded the world’s first hybrid concert/book tour highlighting music across his 50-plus-year career.

In 2017 on successive weekends he was awarded honorary doctorates from both the Berklee School of Music and DePauw University.

In 1998 Todd debuted his new PatroNet technology which for the first time allowed fans of a musical artist to subscribe directly to the artist’s musical output via the Internet. This caps a long history of groundbreaking early multimedia “firsts”, including:

•1978: The first interactive television concert, broadcast live over the Warner/QUBE system in Columbus, Ohio (the home audience chose each song in real time during the concert by voting via QUBE’s 2-way operating system).
•1978: The first live nationally broadcast stereo radio rock concert (by microwave), linking 40 cities around the country.
•1979: The opening of Utopia Video Studios, a multi-million dollar state-of-the-art facility. The first project produced by Todd there is Gustav Holst’s The Planets, commissioned by RCA Selecta Vision as the first demonstration software for their new videodisc format.
•1980: Creation of the first color graphics tablet, which was licensed to Apple and commercially released as The Utopia Graphics Tablet.
•1981: Time Heals, the first music video to utilize state-of-the-art compositing of live action and computer graphics (produced and directed by Todd), becomes the eighth video to be played during the launch of MTV on August 1, 1981.
•1982: The first live national cablecast of a rock concert (on the USA Network), simulcast in stereo to over 120 radio stations.
•1982: The first two commercially released music videos, one of which was nominated for the first-ever Grammy awarded for “Best Short Form Video” in 1983.
•1992: The first commercially available music downloads via CompuServe.
•1993: The release of “No World Order”, the world’s first interactive record album on CD-i.
•1994: The release of “The Individualist”, the world’s first full-length Enhanced CD.
•1994: The world’s first interactive concert tour.
•1998: Launches PatroNet, the world’s first direct artist subscription service — predicts that someday “music will be sold by the pound”.
•2016: The production of the world’s first full length concert shot with multiple Virtual Reality 360º cameras.
•2021: Spearheaded the “Clearly Human” virtual concert tour, featuring 25 live-streamed performances geo-fenced and tailored to a different US city each night.

CONTACT: paul@21stca.com, PH: 212-254-5500

Press inquiries: Glass Onyon PR, PH: 828-350-8158, glassonyonpr@gmail.com

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