Brian Tarquin & Heavy Friends Release “Tyranny of Tone” feat. Joe Satriani, Steve Hackett, Ron “Bumblefoot” Thal, Bruce Kulick, Gus G & Others in Support of the California Fire Foundation!

For Immediate Release

Brian Tarquin & Heavy Friends Release “Tyranny of Tone” feat. Joe Satriani, Steve Hackett, Ron “Bumblefoot” Thal, Bruce Kulick, Gus G & Others in Support of the California Fire Foundation!

Watch the video for “Tyranny of Tone” feat. Joe Satriani: https://youtu.be/XLWcVeAmaNQ?si=S1gtbHmBzrG3b9X-

“Tyranny of Tone” is the 2026 powerhouse release from Brian Tarquin & Heavy Friends, a guitar-driven instrumental album that unites Tarquin’s analog craftsmanship with an extraordinary roster of world-class players. Recorded at Tarquin’s Jungle Room Studios and mastered by David Glasser at Airshow Mastering, the album blends fusion, rock, cinematic textures, and deep musical camaraderie all in service of a cause that matters. Most importantly, the album supports the California Fire Foundation www.cafirefoundation.org, helping families of fallen firefighters and communities recovering from catastrophic fires. Tarquin’s Heavy Friends projects have long centered on giving back — and Tyranny of Tone continues that legacy with heart, intention, and world-class musicianship.

The titular single “Tyranny of Tone” feat. Joe Satriani debuted at #32 on the Classic Rock Radio Charts.

A curator of tone, collaboration, and purpose Brian Tarquin is a multi-Emmy Award–winning composer, guitarist, producer, and engineer whose career spans decades with Top 10 radio hits across several formats as Smooth Jazz, NACC Loud Rock, Roots Music Reports, Metal Contraband, Jam Band & CMJ’s RPM charts. His 2024 release Beyond the Warrior’s Eyes was the #1 fusion album in 2024 on Roots Music Reports. Tarquin has also been heard by tens of millions on such popular television scores as CSI, Ellen, Extra, TMZ, 60 Minutes, Sex and the City to name few. He has more than 50 million streams across Pandora, Spotify, and Apple Music. His Jungle Room Studios has become a creative hub where Tarquin composes, tracks, and mixes his Heavy Friends projects — albums built around generosity, mentorship, and the joy of bringing elite musicians together.

In the album’s liner notes Larry Crane of Tape Op praises Tarquin as “a damn good musician, writer, producer, and engineer” calling “Tyranny of Tone” a warm, analog-rich record that feels like the classic albums of the ’70s and ’80s. Tarquin records to 2-inch tape, mixes through a Trident console, and masters directly from tape — giving the album its focused tones, musical warmth, and timeless feel. Every note on Tyranny of Tone reflects Tarquin’s commitment to tone, authenticity, and service. The album’s analog workflow gives it the warmth and musicality of classic rock and fusion records, while the collaborative spirit honors the friendships and artistic bonds Tarquin has built over decades.

The Heavy Friends: a lineup of guitar legends and virtuosos “Tyranny of Tone” features an extraordinary cast of collaborators — players who shaped rock, fusion, prog, and modern guitar culture: Joe Satriani, Steve Hackett (Genesis), Bruce Kulick (KISS, Grand Funk Railroad), Gus G (Ozzy Osbourne), Ron “Bumblefoot” Thal (Guns N’ Roses), Doug Rappoport (Edgar Winter), Gary Hoey, Carl Verheyen (Supertramp), Hal Lindes (Dire Straits), Stu Hamm (Steve Vai).

Plus two extraordinary violinists: Joe Deninzon (Kansas, Stratospheerius) and Karen Briggs (Peter Gabriel)

Track list:
1. Tyranny of Tone feat. Joe Satriani
2. IG-NITE feat. Steve Hackett
3. Out of the Ashes feat. Gary Hoey, Joe Deninzon & Hal Lindes
4. Dead Reckoning feat. Gus G
5. Atom Smasher feat. Bumblefoot & Stu Hamm
6. Intergalactic Burn feat. Bruce Kulick
7. Übermensch feat. Doug Rappoport
8. Visions of the Eternal Flame feat. Karen Briggs
9. Phoenix Rising feat. Carl Verheyen

Release date: September 18, 2026
Record label: BHP Music-Guitar Trax Records

Quotes:

“Brian is a righteous dude. It’s cool track, I had fun playing to it … he is a very prolific writer, cheers to him!” – Joe Satriani

Tarquin is “a damn good musician, writer, producer, and engineer” calling Tyranny of Tone “a warm, analog-rich record that feels like the classic albums of the ’70s and ’80s.” – Larry Crane Tape Op Magazine

“Brian is a killer guitarist, a world-class artist and a true visionary who has produced a beautiful album. He has assembled an unparalleled cast of guest artists. I’m incredibly honored and humbled to be a part of this project.” – Joe Deninzon (Kansas)

“Phoenix Rising” was my first effort at home recording, and I really enjoyed the challenge! I believe it’s a fitting song to end the album and as a Los Angeles born native, I hope the California Fire Foundation truly benefits from this noble project. – Carl Verheyen (Supertramp)

“Bath in the sonic splendor of a landscape chock full of sublime virtuosic guitaring while at the same time supporting the California Fire Foundation.” – Hal Lindes (Dire Straits)

“Always a pleasure to play on Brian’s songs – great music and a great cause!” – Ron “Bumblefoot” Thal (Guns N’ Roses)

“I was glad to play on this song, as part of an important cause.”- Steve Hackett (Genesis)

“It was a blast playing a solo on Ubermensch! The chord progression inspired me to explore melodic choices I don’t usually make, and I was very happy with how it turned out. It was great to be a part of the project! Thank you!” – Doug Rappoport (The Edgar Winter Band)

“It was great to be a part of Brian Tarquin’s latest release “Tyranny of Tone” and to help a great cause after the devastating California fires. It was truly an honor to be next to all these legendary musicians.” Gary Hoey (Lou Gramm)

Watch the video for “Tyranny of Tone” feat. Joe Satriani: https://youtu.be/XLWcVeAmaNQ?si=S1gtbHmBzrG3b9X-

To purchase/stream “Tyranny of Tone”:
Bandcamp: https://guitartrax.bandcamp.com/album/tyranny-of-tone
Amazon Music: https://music.amazon.com/albums/B0HDQZXNMK
Spotify: https://open.spotify.com/album/1MCWKjmNI9gybKb9wVpBYx
Apple Music: https://music.apple.com/us/album/tyranny-of-tone/6800429375
YouTube Music: https://music.youtube.com/playlist?list=OLAK5uy_lAx-UsOE9bkLacC8ewPcbYku3FLUccsjQ

For more information:
https://www.briantarquin.com/
https://www.bhpmusic.com/
https://linktr.ee/guitartrax

Press inquiries: Keith James, Glass Onyon PR, PH: 828-350-8158, glassonyonpr@gmail.com


ACCLAIMED COMPOSER CHRISTOPHER GORDON’S POWERFUL NEW INTERPRETATION OF SHAKESPEARE’S MACBETH, PERFORMED BY AN EXCEPTIONAL CAST OF INTERNATIONAL GUESTS, ORCHESTRA AND CHOIR – OUT TODAY ON MADFISH

For Immediate Release

ACCLAIMED COMPOSER CHRISTOPHER GORDON’S POWERFUL NEW INTERPRETATION OF SHAKESPEARE’S MACBETH, PERFORMED BY AN EXCEPTIONAL CAST OF INTERNATIONAL GUESTS, ORCHESTRA AND CHOIR – OUT TODAY ON MADFISH

WATCH THE NEW VIDEO FOR ‘THE BATTLE LOST AND WON’

FEATURES GAVIN HARRISON (PORCUPINE TREE, KING CRIMSON), JONAS REINGOLD (THE FLOWER KINGS, STEVE HACKETT), RANDY MCSTINE (STEVEN WILSON), GREG HOWE (PROTOCOL 4, DARWIN), MOHINI DEY (DARWIN), MARCEL COENEN (AYREON), MICHAEL MILLS (TOEHIDER, AYREON), SYDNEY’S MAGIC FIRE ORCHESTRA AND THE ACCLAIMED CANTILLATION CHOIR

Originally commissioned as a full-length ballet by the Royal New Zealand Ballet and West Australian Ballet, Macbeth is Christopher Gordon’s compelling musical response to one of Shakespeare’s darkest and most enduring tragedies. Premiered to critical acclaim in 2026, this ambitious work now receives its first standalone album release on Madfish, out today. To accompany the album release, Christopher has shared a new video for the single “The Battle Lost and Won”, created by Miles Skarin.

Reflecting on the new video, Christopher said “I love writing for powerhouse band that is integrated with the orchestra on equal terms. That’s an approach that has been on my mind for years. And Miles Skarin’s extraordinary video brilliantly captures the murky world of ambition, doubt, and betrayal. Love the incredible fast movement and double-takes with the ambiguous characters set amidst those unforgiving brutalist structures. It’s a real journey!”

WATCH THE NEW VIDEO FOR ‘THE BATTLE LOST AND WON’, CREATED BY MILES SKARIN: https://www.youtube.com/watch?v=lj2ZXC_uPZU

Christopher Gordon – Macbeth
The Battle Lost and Won – 06:23
This Night’s Great Business – 05:22
If It Were Done – 06:05
Night’s Black Agents – 05:23
The Banquet – 10:51
Something Wicked This Way Comes – 04:47
Out Damned Spot – 03:28
Tomorrow, and Tomorrow, and Tomorrow – 07:53

‘MACBETH’ IS AVAILABLE EVERYWHERE NOW ON CLASSIC BLACK VINYL LP, DIGIPACK CD WITH 12-PAGE BOOKLET AND DIGITALLY. ORDER HERE: https://christophergordon.lnk.to/MACBETH

Recorded and mixed at Sydney’s Trackdown Studios, Macbeth draws together progressive rock, contemporary orchestral writing and jazz influences into a richly cinematic score, tracing the psychological descent of its central characters across eight expansive movements. From the ominous opening of ‘The Battle Lost and Won’ to the haunting finale ‘Tomorrow, and Tomorrow, and Tomorrow’, Gordon balances moments of immense power with passages of striking intimacy, capturing the tension, ambition and fatalism at the heart of Shakespeare’s play.

Christopher Gordon is an internationally acclaimed Australian composer whose work spans concert music, ballet, film and television. His extensive screen credits include Master and Commander: The Far Side of the World, Mao’s Last Dancer, Ladies in Black, Daybreakers and Adore, earning numerous awards and nominations including an Emmy nomination and multiple AACTA and Screen Music Awards. He has also composed for major ensembles including the Sydney Symphony Orchestra, Australian Chamber Orchestra and Omega Ensemble, while his ballet work includes commissions for The Australian Ballet, Royal New Zealand Ballet and West Australian Ballet.

Gordon’s music is characterised by its breadth, drawing on orchestral, choral, jazz, electronic and contemporary influences. His work has also featured at major international events including the opening ceremony of the 2006 Commonwealth Games and the 2003 Rugby World Cup. In 2025, he was recognised with the Distinguished Services to the Australian Screen award for his outstanding contribution to Australian screen music. Macbeth brings together many of these influences in one of his most ambitious works to date, combining expansive orchestral writing with progressive rock and contemporary elements to create a richly cinematic interpretation of Shakespeare’s tragedy.

Macbeth is out now on Madfish on black vinyl LP, CD and digitally. Available to order here: https://christophergordon.lnk.to/MACBETH

FOLLOW CHRISTOPHER GORDON
FACEBOOK: https://www.facebook.com/christopher.gordon.73
YOUTUBE: https://www.youtube.com/channel/UCI8hPtTteJUXygkKSLWEyAg
WEBSITE: https://christophergordon.net/

www.madfishmusic.com

Press inquiries: Keith James, Glass Onyon PR, PH: 828-350-8158 (USA), glassonyonpr@gmail.com


Robert Vincent Releases His Single ‘Separate The Fiction From The Fact’ on 6th November From Next Year’s Album of the Same Name

For Immediate Release

Robert Vincent Releases His Single ‘Separate The Fiction From The Fact’ on 6th November From Next Year’s Album of the Same Name

Atmospheric British folk-rock, roots and psychedelia from one of the UK’s most acclaimed contemporary songwriters.

Americana • Folk Rock • Roots Rock • Singer-Songwriter • Psychedelic Folk/Rock

The single ‘Separate The Fiction From The Fact’ opens a new chapter for award-winning Liverpool singer-songwriter Robert Vincent. Expansive, soulful and thought-provoking, the title track takes Vincent’s roots songwriting into atmospheric folk-rock and psychedelic territory, bringing a distinctly late-60s/70s character to his unmistakable voice and writing. At the heart of the song – and the forthcoming album – is a search for truth in an age of noise, misinformation and division. Vincent looks outward at an increasingly uncertain world while questioning his own place within it: what can one person change, and can writing songs ever be enough?

Robert says “I look at the world and wonder what I can actually do to change anything. Am I enough just writing songs about these things? But it’s all I’ve ever known, and I believe words have power. We’re living in a strange time. It’s getting harder to know what’s true and what’s not. We’re fed what people want us to see, pushed further apart, turned against each other. Sometimes it feels like we’re living in the very future Orwell and Huxley warned us about.

“But I’m not just pointing the finger at the world. I’m questioning myself too. Could I be a better person? Have I learnt from my mistakes? How do we find love and hope when everything around us feels so divided? I don’t have the answers. It’s never as simple as writing a love song and hoping everything will be alright. But I still believe we have to keep trying”.

That’s what ‘Separate The Fiction From The Fact’ is about. Trying to make sense of it all, finding some truth in the noise, remembering what’s important and believing that as people we all have a resonance that can bring a change for good.

Love, not hate. Sleep and repeat which is at the end of the song; In such divisive times, There is positivity and hope to be found in the resonance of people coming together with the intention of love – not hate”.

Record Label: Unchained

ABOUT ROBERT VINCENT

Robert Vincent is one of the UK’s most distinctive singer-songwriters, combining Americana, folk, rock and soul with personal and socially conscious songwriting. His acclaimed 2024 album Barriers reached the Top 10 of the UK Independent Album, Record Store and Americana Charts; “Follow What You Love & Love Will Follow” earned UK Song of the Year.

Previous honours include UK Album of the Year and UK Artist of the Year. His voice and songwriting have attracted admirers including Bob Harris, Mary Chapin Carpenter and Paul Carrack. Live highlights include touring with Robert Plant, Paul Carrack and Duane Eddy, supporting Roger Waters at Hyde Park, and appearances at Americana Fest Nashville and Celtic Connections

2026 Tour Dates
Full Details: https://robertvincentmusic.com/shows
20.10.26 – Montrose Folk Club, Scotland
22.10.26 – Pocklington Arts Centre
24.10.24 – The Sound Lounge, Sutton
20.10.24 – Black Frog Presents, Chelmsford
31.10.26 – Portland Arms, Cambridge
03.11.26 – Beer No Evil – Worthing
04. 11. 26 – The Stables, Milton Keynes
14.11.26 – The Kiln, Worcester
18.11.26 – The Yard, Manchester

PLUS – Six full-band live shows are planned for May 2027, taking in Bury, Gateshead, London, the Midlands, Wales and Ireland. Further details, including venues, dates and ticket information, will be announced soon – watch this space!

For more information:
Website: https://robertvincentmusic.com/
Instagram: https://www.instagram.com/robertvincentmusic
Facebook: https://www.facebook.com/RobertVincentUK

Press inquiries: Keith James, Glass Onyon PR, PH: 828-350-8158, glassonyonpr@gmail.com


Singer-Songwriter & Multi-Instrumentalist J.Edmond Releases New Album “Dear Therapist, What’s Eating J.Edmond?” feat. Fernando Perdomo October 23, 2026 – OUT NOW!

For Immediate Release

Singer-Songwriter & Multi-Instrumentalist J.Edmond Releases New Album “Dear Therapist, What’s Eating J.Edmond?” feat. Fernando Perdomo October 23, 2026 – OUT NOW!

Dear Therapist, What’s Eating J.Edmond? is a new 11-track power-pop/rock album from J.Edmond that explores mental health, relationships, identity, personal struggles, and the process of trying to understand yourself.

The album features performances and production from an accomplished group of musicians, including Fernando Perdomo, A. Michael Collins, Paul Chastain, Danny Henry, Tommy Hayes, and voice samples of his late friend Brandon “Slim” Polin. Executive Produced by Grammy award-winner Greg Richling, former 20 year member of The Wallflowers and current producer of music documentaries such as Immediate Family and Give Me a Word: The Collective Soul Story + others.

J.Edmond performs vocals and guitar throughout the album. Fernando Perdomo contributes guitar, lead guitar, bass, drums and mellotron, with additional performances from the album’s guest musicians including Paul Chastain of Velvet Crush/Matthew Sweet fame.

Dear Therapist, What’s Eating J.Edmond? releases October 23, 2026. The album is available digitally and on CD and vinyl. A music video for the song “Dreams” will be released alongside the album.

Many of the songs on the album deal with mental health, relationships, identity, fear, and the feeling of trying to understand why you think and feel the way you do. During the making of the album, J.Edmond was dealing with major changes in his life, including discovering that he is autistic. Says J.Edmond, “The songs came from a pretty wide range of experiences, but they all felt connected once I started putting the album together. I wanted the record to sound like me — honest and personal, but still energetic and fun to listen to.”

The album represents an important new chapter for J.Edmond as an independent artist, following a difficult period involving health challenges, personal changes, and ultimately choosing to self-release the music rather than continue pursuing a traditional record-label arrangement.

In closing, J.Edmond has this to say: “It’s okay not to have yourself completely figured out.”

“I’ve spent a lot of time thinking that I needed to have everything under control or that I needed to fit into somebody else’s idea of who I was supposed to be. I’m learning that being honest about who you are — including the messy parts — is a much healthier way to live.”

“If somebody hears this album and recognizes a piece of themselves in it, then I’ve done what I wanted to do. You don’t have to have all the answers before you’re allowed to make something meaningful.”

J.Edmond and Fernando Perdomo have also released a bonus track, “7 Expressos” in support of the album. Created over a 4-day period, J.Edmond considers this to be the ending to where the album leaves off musically. Listen here: https://jedmond.bandcamp.com/track/7-expressos

Track listing:
1. What Are You Afraid Of?
2. Dear Therapist
3. Dreams
4. Talk (I Suppose I Need to Take a Break)
5. Living the Dream
6. Listen in Now
7. Some Way
8. Search Lights
9. See There
10. Tie Back Beginnings
11. Never a Chance

Personnel:
J.Edmond — vocals, guitar
Fernando Perdomo — guitar, lead guitar, bass, drums, mellotron
A. Michael Collins — drums, backing vocals, bass
Paul Chastain — bass, vocals, backing vocals
Danny Henry — keys
Tommy Hayes — saxophone
Brandon “Slim” Polin — samples

Self-released through Jebb’s Music Label.

Purchase the digital album and CD: https://jedmond.bandcamp.com/album/dear-therapist-whats-eating-j-edmond
Listen on streaming: https://hypeddit.com/obdsec
Purchase the vinyl (Elastic Stage): https://elasticstage.com/jedmondpresents/releases/dear-therapist-whats-eating-jedmond-album?m_nILCj0H5V2kxlPkCPla7JA
$20 CDs can be ordered via PayPal and Venmo by contacting jedmondmusic56@gmail.com
Order merch: https://jedmondpresents.com/shop

For more information:
Jebb’s Music on Bandcamp: https://jebbsmusic.bandcamp.com
Artist Website: https://jedmondpresents.com/home
Join the mailing list for updates and exclusives: https://jedmondpresents.com/home
(Consider joining the mailing list for updates and exclusives)

J.Edmond on social media:
Instagram: @jedmondpresents
Facebook: @jedmondpresents
TikTok: @jedmondpresents
Threads: @jedmondpresents
Bluesky: @jedmondpresents

Press inquiries: Keith James, Glass Onyon PR, PH: 828-350-8158, glassonyonpr@gmail.com


Signal Meridian Reimagines Strawbs Classics on Debut Album “Signals in Autumn” on Blue Élan Records feat. Musicians and Singers from Grace Potter, David Bowie, Moody Blues, The Killers – OUT NOW!

For Immediate Release

Signal Meridian Reimagines Strawbs Classics on Debut Album Signals in Autumn on Blue Élan Records feat. Musicians and Singers from Grace Potter, David Bowie, Moody Blues, The Killers – OUT NOW!

Reinterpreting Overlooked Song Catalogs

Listen to/purchase Signals in Autumn: https://signalmeridian.lnk.to/signalsinautumn

Watch the lyric video for “Autumn Suite”: https://youtu.be/TplubLwIWUU

Today, October 23, 2026, Signal Meridian releases their debut album Signals in Autumn on Blue Élan Records. The new album reimagines classic Strawbs tracks from across their storied history.

Signal Meridian sounds like a forgotten progressive-rock group of the ‘70s. It’s not. It’s happening right now. It’s a collective of top-flight session musicians and vocalists enlisted by Kirk Pasich to reimagine and reinvent the song catalogs of underappreciated artists from the progressive rock genre and beyond.

Signals in Autumn, the first of four planned chapters (all featuring different groups), is inspired by the music of Strawbs, a U.K. band that has reinvented itself four times, and produced such alumni and collaborators as Yes’ Rick Wakeman, Fairport Convention’s Sandy Denny, and Blue Weaver, a keyboardist who went on to play with the Bee Gees and Average White Band. Formed in 1963 by Dave Cousins and Tony Hooper as the bluegrass duo Strawberry Hill Boys, the band transformed into British folk-rockers among contemporaries such as Fairport Convention, Steeleye Span, Fotheringay, Pentangle and Richard and Linda Thompson. A progressive art-rock phase ensued with keyboardist Wakeman before Strawbs launched into a more hard-rocking, commercially successful phase in 1972 with the addition of singer/songwriter/guitarist Dave Lambert to the writing team of Cousins and Chas Cronk.

“From bluegrass to folk to prog to rock, Strawbs kept reinventing themselves,” said Pasich. “I wanted to reintroduce great songwriters in a contemporary way, with world-class players and singers. Also, to remind people that prog is not just in 7/4 time with 43-minute-long tracks and technical proficiency.”

While at UCLA in the mid-1970s, Pasich became a fan of not only Strawbs, but progressive acts like Kansas, Triumvirat, and Camel, and has long wanted to redeem the often critically ignored, maligned genre. The 10 Strawbs tracks on Signals in Autumn come from six studio albums released in six years. All those albums, including stints on the A&M, Oyster, and Arista labels, are represented on Signals in Autumn, none of them cracking the Top 100 on the U.S. charts — Bursting at the Seams (1973), All Our Own Work (1973), Hero and Heroine (1974), Nomadness (1975), Burning for You (1977), and Deadlines (1978).

With Pasich at the helm, the idea was not a tribute or covers album, but a chance to “reveal new versions just as rich and rewarding as pop recordings that revisit early songs, with fresh ears and artistic freedom.”

Kirk tapped keyboardist Sasha Smith as co-producer “to help shape every aspect of the recording process.” Smith is an L.A.-based musician who has worked with a wide range of artists, including Cat Power, Ariana Grande, Ann Wilson, Sia, and the Wallflowers, and released a solo instrumental album, New Leaves, on Blue Élan. They were joined by a veritable all-star team, including guitarists Val McCallum (Jackson Browne, Lucinda Williams, Sheryl Crow and his own Jackshit combo with Elvis Costello drummer Pete Thomas) and Nashville-to-LA native Adam Gimenez (Paris Jackson, 3OH!3, Savannah Pope).  The group is rounded out by bassist Kurtis Keber and female drummer Jordan West, who doubles as Grace Potter’s rhythm section, along with longtime Billy Idol keyboardist Paul Trudeau (whose own solo album, Lost Diamond Boy, was released on Blue Élan last year). The four lead vocalists are Blue Élan’s Bernie Barlow (eight years with the Moody Blues, plus Sarah McLachlan and Melissa Etheridge), Vanessa Bryan (Lady Gaga, Gwen Stefani, The Killers, Idina Menzel), Holly Palmer (David Bowie, Gnarls Barkley, Dr. Dre, Allee Willis), and Jordan West (who also has a solo album on Blue Élan on tap).

Signals in Autumn offers the perfect showcase for those powerful female voices, with Bryan belting out “Heartbreaker,” the first focus track, featuring some jagged guitar riffs from McCallum and Gimenez, a track from ‘77’s Burning for You, while Bryan’s and Barlow’s pipes make “The Last Resort,” the second single, one of the album’s highlights. The eclectic styles represented, from Bryan’s slow-burning ballad “Carry Me Home,” Palmer’s take on “Don’t Try to Change Me,” and the Stonesy-Chuck Berry R&B number, “Little Sleepy,” given a raucous treatment by Barlow, to the epic three-part art-rock set piece, “Autumn,” with lead vocals by Jordan West, show how multifaceted the band’s primary songwriters – Dave Cousins, Chas Cronk, and Dave Lambert – really were.

The album was recorded in five days at Dave’s Room Recording Studio, engineered and mixed by Steve Olmon, and mastered by Stephen Marsh of Marsh Mastering.  Signals in Autumn is the first of a four-part series that will reimagine overlooked songs of the past, not necessarily just in the progressive genre, either.

“Progressive rock provides the starting point because it contains a remarkable body of songwriting that I believe deserves continued exploration,” Pasich pointed out. “But the philosophy itself isn’t limited to progressive rock. Great songs exist everywhere. What will connect future Signal Meridian projects won’t be style or instrumentation. It will be craftsmanship, emotional honesty and the belief that exceptional songwriting continues revealing new possibilities over time.”

Pasich is planning for an eventual Signal Meridian tour and looking to brand the semi-permanent collective in the mode of the rotating cast of characters in the Alan Parsons Project.

“The core musicians will largely stay the same from album to album, though we may use an occasional guest vocalist,” he noted. “But this stuff isn’t easy to play live.”

Track Listing:
1. Cut Like a Diamond
2. Carry Me Home
3. Little Sleepy
4. Don’t Try to Change Me
5. Lay Down
6. Heartbreaker
7. I Don’t Want to Talk About It
8. The Last Resort
9. Autumn [Suite]
10. Who Knows Where the Time Goes

CD Bonus Tracks:
11. Cut Like a Diamond (Radio Edit)
12. Heartbreaker (Radio Edit)
13. Autumn Heroine’s Theme
14. Autumn Deep Summer’s Sleep
15. Autumn The Winter Long

Listen to/purchase Signals in Autumn: https://signalmeridian.lnk.to/signalsinautumn

Watch the lyric video for “Autumn Suite”: https://youtu.be/TplubLwIWUU

For more information: https://blueelan.com/

Signal Meridian online:
Facebook: https://www.facebook.com/signal.meridian
Instagram: https://www.instagram.com/signal.meridian/
YouTube: https://www.youtube.com/@Signal.Meridian

Press inquiries: Keith James, Glass Onyon PR, PH: 828-350-8158 (USA), glassonyonpr@gmail.com


New from Y&T: More demo recordings by Badfinger’s Tom Evans

For Immediate Release

New from Y&T: More demo recordings by Badfinger’s Tom Evans

I Believe In You is the follow-up release to 2024’s I Am Myself, a new collection of never-before-heard demo recordings by Liverpool’s Tom Evans, bassist and co-lead singer of the iconic power pop group Badfinger. It will be released as a limited-edition CD by Y&T Music and available on all streaming platforms on October 30, 2026..

Like his Badfinger bandmate Pete Ham, Tom Evans was a prolific songwriter; he gave the quartet many of their greatest “deep cuts,” including “Money,” “It’s Over,” “Believe Me” and “Blind Owl.” Evans and Ham co-wrote “Without You,” which went to No. 1 for both Harry Nilsson and Mariah Carey, and is considered by many to be one of the greatest pop ballads of all time.

He sang lead on “Come And Get It,” Badfinger’s smash hit debut, written and produced by Paul McCartney; his soaring tenor voice made “Maybe Tomorrow,” recorded for the Beatles’ Apple Records when they were still calling themselves The Iveys, an international sensation.

Among the 20 tracks on I Believe In You, six went on to be recorded by Badfinger: “Money,” “When I Say,” “Blind Owl,” “Queen Of Darkness,” “Lost Inside Your Love” and “Sail Away”. Another song, “Get To You” went on to be released by The Dodgers in 1976 as the B-side of their debut single, “Don’t Let Me Be Wrong.”

Performed mainly on acoustic guitar plus some on electric guitar or piano, with some assistance on guitar and backing vocals from Badfinger/Dodgers member, Bob Jackson, the album showcases Tommy’s growing maturity as a serious songwriter and lyricist during the 1970s spanning the middle period of his musical career between 1970-1977.

I Believe In You came to be after an exhaustive 2 year search for previously unheard songs and demo versions of well known Tom Evans tracks for Badfinger and The Dodgers. The recordings were once again compiled & edited by Tom Brennan, and restored & mastered by Kevin McElligott.

Marianne Evans shared photos from her personal collection for the 12-page booklet included with this new collection and Tim Boyle took the front cover photo. Released with the full support and cooperation of the Evans Estate, I Believe In You is a limited edition of 1200 CDs.

Earlier in 2026, Y&T Music issued Miniskirts And Rainbows, their 2nd collection of unreleased demo recordings by The Iveys, which included Tom Evans on rhythm guitar and vocals.

I BELIEVE IN YOU track listing:
1. I Believe In You (version 2)
2. Try To See Eye To Eye
3. Don’t Let it Go
4. Friday Night
5. It’ll Be Alright
6. Money (original demo)
7. When I Say (original demo)
8. Blind Owl (demo version 2)
9. Queen Of Darkness (demo version 2)
10. So Far
11. I’m Gonna Love You
12. Till You Came Along
13. A Dream Come True
14. Fade Away
15. Lost Inside Your Love (demo version)
16. Sail Away (demo version)
17. Get To You (demo version)
18. Twenty-Four Reasons
19. Has Anybody Seen Her
20. I Believe In You (version 1)

For more information:
https://www.amazon.com/I-Believe-You-Tom-Evans/dp/B0HMXCTRWY
https://badfingerlibrary.com/
www.ytmusiconline.com

CONTACT Y&T / Rich Ulloa:
PH: 1-786-368-9904
YTMusic1@aol.com

Press inquiries:
Keith James, Glass Onyon PR, PH: 1-828-350-8158 (US), glassonyonpr@gmail.com


Tony Levin Releases The Book of BEAT, a Photographic Chronicle of the BEAT Tours

For Immediate Release

Tony Levin Releases The Book of BEAT, a Photographic Chronicle of the BEAT Tours

188 onstage and behind-the-scenes photographs from the 2024–2025 tours with Adrian Belew, Steve Vai and Danny Carey

Legendary bassist Tony Levin has released The Book of BEAT, a 156-page softbound photo book drawn from the thousands of pictures he took onstage and behind the scenes during BEAT’s 2024 and 2025 world tours. The book is available now at the merchandise stand at the BEAT North American concerts and online at tonylevinmusic.com.

BEAT brings together Levin and Adrian Belew — both members of King Crimson’s celebrated 1980s lineup — with guitarist Steve Vai and Tool drummer Danny Carey to perform the music of the King Crimson albums Discipline, Beat and Three of a Perfect Pair. Levin, who has kept a camera close at hand throughout his career, documented the project from a vantage point no outside photographer could share: on the stage itself, in the wings, and on the road between shows.

The Book of BEAT collects 188 of those images, capturing the four musicians in performance and in candid off-stage moments, alongside the audiences who filled venues from Brooklyn and Austin to Monterrey, Santiago and Tokyo.

“It’s been fun going through all my tour pics to find the best ones — to assemble a book that gives the feel what the tour was really like, and to feature shots that include our wonderful audiences!” said Levin.

About Tony Levin

Tony Levin is one of the most recorded and respected bassists in rock. A longtime member of King Crimson and of Peter Gabriel’s band since 1977, he has also performed/recorded with artists including John Lennon, Paul Simon, and Pink Floyd. A noted player of the Chapman Stick, Levin is equally known among fans for his photography and writing documenting life on the road.

BEAT North America Tour 2026

Tony Levin is currently on tour with BEAT featuring Adrian Belew and Steve Vai plus Terry Bozzio filling in for Danny Carey this fall. The Book of BEAT is available at the merch booth on this tour.

10/17 Omaha, NE — Orpheum Theater
10/18 Waukee, IA — Vibrant Music Hall
10/19 Milwaukee, WI — The Riverside Theater
10/21 Chicago, IL — Copernicus Center
10/22 Madison, WI — Orpheum Theater
10/23 Saint Charles, MO — The Family Arena
10/24 Prior Lake, MN — Mystic Lake Casino Showroom
10/26 Cincinnati, OH — Taft Theatre
10/28 Columbus, OH — Palace Theatre
10/29 Detroit, MI — Masonic Temple Theatre
10/30 Cleveland, OH — Agora Theatre
11/01 Toronto, ON — The Theatre at Great Canadian Toronto
11/02 Montreal, QC — Theatre St-Denis
11/04 Huntington, NY — The Paramount
11/05 Uncasville, CT — Mohegan Sun Arena
11/06 Boston, MA — Boch Center Wang Theatre
11/07 Hampton Beach, NH — Hampton Beach Casino Ballroom
11/09 Newark, NJ — Prudential Hall at NJPAC
11/10 Washington, DC — MGM National Harbor
11/11 Rochester, NY — Kodak Center
11/13 Virginia Beach, VA — Sandler Center
11/14 Reading, PA — Santander Performing Arts Center
11/15 Philadelphia, PA — Academy of Music
11/17 Durham, NC — DPAC
11/18 Nashville, TN — Grand Ole Opry House
11/19 Atlanta, GA — Cobb Energy Center
11/21 Charlotte, NC — Ovens Auditorium
11/22 Daytona Beach, FL — Peabody Auditorium
11/24 St. Petersburg, FL — Mahaffey Theater
11/28 Houston, TX — 713 Music Hall
11/29 Austin, TX — ACL Live
11/30 Dallas, TX — Music Hall at Fair Park
12/02 Inglewood, CA — YouTube Theater
12/03 Riverside, CA — Riverside Municipal Auditorium

Press inquiries: Keith James, Glass Onyon PR, PH: 828-350-8158, glassonyonpr@gmail.com


Pete Roth Trio feat. Bill Bruford Release New Live CD/DVD “Group Chat” September 18, 2026 – OUT NOW!

For Immediate Release

Pete Roth Trio feat. Bill Bruford Release New Live CD/DVD “Group Chat” September 18, 2026 – OUT NOW!

Two-disc set contains 9-track audio CD and 35-minute DVD.

Purchase “Group Chat”: https://www.cherryred.co.uk/pete-roth-trio-featuring-bill-bruford-group-chat-cd-dvd-edition

The Pete Roth Trio return with Group Chat, a striking new CD/DVD release that captures the spontaneity, interplay and fearless musical conversation at the heart of this exceptional band. Led by guitarist Pete Roth, alongside bassist Mike Pratt and legendary drummer Bill Bruford, Group Chat is Roth’s third major album and a release of particular significance, marking Bruford’s eagerly awaited return to headline performance after a 13-year hiatus, as well as his first appearance on new material in 19 years.

Produced by Pete Roth and Bill Bruford for Winterfold Records, Group Chat presents a trio that thrives on intimacy, risk and connection. Rooted in jazz but never constrained by it, the music moves fluidly through funk, contemporary classical influences and spontaneous improvisation, with nothing treated as untouchable. Original compositions such as Full Circle, Dancing With Grace and Original Sin sit alongside collaborative pieces including Part Of The Charm and Looking Forward To Looking Back, while the trio’s inspired Improvisation on the Largo from Dvořák’s Symphony No. 9 underlines the breadth of their musical imagination. The result is a record that feels adventurous, immediate and alive – music made in the moment by three musicians listening as deeply as they play.

The release is presented as a two-disc digipak CD/DVD edition, complete with a booklet containing extensive notes and group photographs. Alongside the nine-track audio album, the package includes a bonus 35-minute DVD offering further insight into the trio’s world, with performances, an introduction, and a special spoken segment from Pete Roth.

The music press reaction’s have been emphatic. “The Pete Roth Trio is a band of equals, clearly loving the opportunity to improvise and have musical conversations,” wrote Biff Bam Pop!, while Innerviews praised the music as “rich with nuance, invention, and telepathic rapport.” Dr. Jazz Talks described the album as “a feast of rhythm and melody,” and Make Weird Music summed up its appeal succinctly: “I wish more jazz was this much fun.” Another review captured the trio’s balancing act perfectly, calling it “loose enough that it could fall apart and tight enough that it grooves.”

Pete Roth brings to Group Chat a background that spans blues, rock and jazz, shaped first in Germany and then refined through his studies and career in the UK. Mike Pratt, a highly regarded bassist, composer and producer with deep roots in jazz fusion and groove-based music, brings both harmonic imagination and rhythmic authority to the trio. For Bruford, whose career has encompassed groundbreaking work with Yes, King Crimson, Earthworks and a host of major jazz collaborators, Group Chat reflects a continuing commitment to the innovative, the unusual and the unlikely. Together, the three musicians create an experience that reshapes expectations of the guitar trio format, making space for melody, texture, groove and surprise in equal measure.

Group Chat is a vivid document of three distinctive musical voices in open conversation – intimate, exploratory, witty and deeply alive.

INTERVIEW REQUESTS, PHOTOS, VIDEO STREAM ETC AVAILABLE ON REQUEST

TRACK LISTING

DISC ONE: CD AUDIO
1. Full Circle
2. Part Of The Charm
3. Group Chat
4. Improvisation on the Largo from Dvořák’s Symphony #9
5. Looking Forward To Looking Back
6. Summertime
7. Dancing With Grace
8. Original Sin
9. Hard Case, Soft Centre

DISC TWO: BONUS DVD
1. Introduction
2. Full Circle
3. Part Of The Charm
4. Group Chat
5. Improvisation on the Largo from Dvořák’s Symphony #9
6. A Word From Pete
7. Hard Case, Soft Centre

Produced by Pete Roth and Bill Bruford for Winterfold Records
BBWF006CDVD
www.winterfoldrecords.com

Purchase “Group Chat”: https://www.cherryred.co.uk/pete-roth-trio-featuring-bill-bruford-group-chat-cd-dvd-edition

Information about the Pete Roth Trio: www.peterothtrio.com

Facebook: https://www.facebook.com/PeteRothTrio

Press inquiries: Keith James, Glass Onyon PR, PH: 828-350-8158 (USA), glassonyonpr@gmail.com


JEFF CANNATA RETURNS AS ARC ANGEL CANNATA WITH THE BRAND-NEW ALBUM A KALEIDOSCOPE OF MADNESS ARRIVING OCTOBER 16 VIA DEKO ENTERTAINMENT

For Immediate Release

JEFF CANNATA RETURNS AS ARC ANGEL CANNATA WITH THE BRAND-NEW ALBUM A KALEIDOSCOPE OF MADNESS ARRIVING OCTOBER 16 VIA DEKO ENTERTAINMENT

FIRST SINGLE “DOPAMINE” AVAILABLE NOW

Stockton, NJ – Jeff Cannata, best known for his acclaimed work under the Arc Angel banner, returns with a brand-new chapter in his musical journey. Reintroducing the project as Arc Angel Cannata, he will release the highly anticipated new album A Kaleidoscope of Madness through Deko Entertainment on October 16, 2026.

A multi-instrumentalist, singer, songwriter, and producer, Cannata first gained recognition as a founding member of the influential 1970s progressive rock band Jasper Wrath, which toured extensively before disbanding in 1976. Following the group’s dissolution, Cannata shifted his focus toward a more melodic and expansive studio-driven vision.

Partnering with former Jasper Wrath bandmate Michael Soldan, Cannata developed what would become the legendary Arc Angel project. The duo attracted the attention of Portrait/CBS Records, resulting in the release of the self-titled Arc Angel album in 1983. Featuring fan favorites such as “Stars” and “Tragedy,” the album showcased contributions from acclaimed musicians including Jeff Bova and future Bon Jovi bassist Hugh McDonald. Produced with the involvement of industry veterans Tony Bongiovi, Lennie Petze, and Lance Quinn, the record remains a beloved classic among melodic rock and AOR enthusiasts worldwide.

Now, more than four decades later, Cannata revives the Arc Angel name with A Kaleidoscope of Madness, a powerful new collection that continues his signature blend of melodic rock, AOR, progressive rock, and art-rock influences.

“Music has always been an evolving journey for me. With ‘A Kaleidoscope of Madness,’ the intent was to bridge the melodic AOR and progressive rock structures of the early Arc Angel and Cannata days with distinctly fresh, contemporary sonic landscapes. Beyond the audio, I felt a strong pull to make this a comprehensive visual project, exploring themes of technology and identity, a lifetime of influences looking firmly forward, and I am content to finally let the listener step into this space. ” JC

The album represents the latest chapter in Cannata’s ever-evolving creative journey, following acclaimed releases including Images of Forever, Watching the World, Tamorok, Mysterium Magnum, and Harlequins of Light. Longtime fans can expect the soaring melodies, intricate arrangements, and progressive sensibilities that have defined his career, while new listeners will discover a thought-provoking and contemporary musical vision.

Songs such as “Dopamine,” “Silicon Soldier,” “Elliptical Mind,” and “Zenith Mind” explore themes of technology, psychology, identity, and perception, reflecting both modern anxieties and timeless human questions. The physical packaging elevates the release into a multisensory experience, featuring a comprehensive 16-page booklet curated with the evocative, digital surrealism of artist Arjuna Noor.  The imagery deepens the record’s exploration of technology, perception, and human identity.

Watch the video for “Dopamine” here: https://youtu.be/2WGehfdgq10?si=b68YWhl2GyW3E5we

Order A Kaleidoscope of Madness on CD and Signed Bundles While Supplies Last.
https://www.dekoentertainment.com/inthesquare/cannata

Track Listing
1. Silicon Soldier
2. Energy
3. Dopamine
4. Elliptical Mind
5. The Ghost in You
6. Salvador
7. True Voice
8. Zenith Mind
9. Kaleidoscope of Madness
10. Benjamin Franklin
11. Juliette
12. UFOs and Caviar
13. What John Would Say
14. Kensington Market
15. Savior

About Deko Entertainment
Deko Entertainment is a leading music and media company dedicated to delivering exceptional releases across rock, metal, progressive, pop, and specialty markets. Through innovative packaging, artist partnerships, and fan-focused experiences, Deko continues to bring legendary recordings and exciting new music to audiences around the world.

For more information:
https://www.dekoentertainment.com
Deko Entertainment–Art Has Value

Press inquiries: Keith James, Glass Onyon PR, PH: 828-350-8158 (USA), glassonyonpr@gmail.com


John Ferrara’s Mono Means One Unleashes Creatures of Symmetry, a 45-Minute Collision of Heartbreak Melody and Math-Metal Fury – OUT NOW!

For Immediate Release

John Ferrara’s Mono Means One Unleashes Creatures of Symmetry, a 45-Minute Collision of Heartbreak Melody and Math-Metal Fury – OUT NOW!

The instrumental trio led by “Unsung Genius of Tapping” John Ferrara (Consider the Source) releases its seven-song album October 2, led by the singles “Monolith” and “Creatures of Symmetry”

NORTH KINGSTOWN, R.I. — Mono Means One, the instrumental trio of bass, keyboard and drums led by bassist and composer John Ferrara, release its new album Creatures of Symmetry on Friday, October 2, 2026. Ferrara, known worldwide for building entire compositions with the two-handed tapping technique, leads the band through seven tracks and 45 minutes that pair deeply emotional melodies and chord progressions with odd-meter riffing, epic 10-minute arrangements and breakdowns that edge into Meshuggah-style math metal. The album is preceded by two singles, “Monolith” and the title track.

About the Album

Creatures of Symmetry is 45 minutes of intensity by every metric. Across seven songs, Ferrara moves from delicate, singable melodies to crushing polyrhythmic breakdowns, often within the same piece. Several tracks stretch past the 10-minute mark, giving themes room to build, fracture and return.

The result sits somewhere few instrumental records go: memorable enough to hum, complex enough to count along to, and heavy enough to feel in your chest. With no vocals, the bass, keyboard and drums carry every hook, and the album lives up to the band’s unofficial motto: “We make grown men cry.”

“I think of it as if Thom Yorke and Tomas Haake had a baby — one that just looks a little more like Yorke,” says Ferrara. “I took solo bass pieces of mine and reimagined them. These songs had so much potential to sound huge, nuanced and powerful, and I think the three of us achieved exactly that. I am very proud of this album, from the richness of the compositions to the playing and the production!”

The Singles

“Monolith” — “Monolith” showcases the band’s signature approach to arrangement and musicianship: bass tapping, fluid role-switching as bass and keyboards trade melody and low-end duties, and virtuosic drumming woven through several distinct movements. “The idea was to bring the listener from whisper quiet with an eerie chord progression to madness by the time it reaches the heavy, mathy riff in the middle,” says Ferrara. “I think we achieved it pretty well :)”

“Creatures of Symmetry” — Clocking in at 10:22, the title track is a prog epic that covers the most sonic terrain on the album. It moves through Ferrara’s signature “tremolo tapping” technique, odd-time grooves and memorable melodies, then a chaotic bridge that builds into a solo section where all three members shine.

What People Are Saying

“Jaw-dropping.” — Bob Boilen, NPR Music, creator of the Tiny Desk Concerts

“When it comes to bass tapping, John Ferrara is an absolute beast of a player.” — Scott Devine, Scott’s Bass Lessons

“The Unsung Genius of Tapping.” — Charles Berthoud, bassist

About Mono Means One

Mono Means One is an instrumental trio: John Ferrara on bass, Isaac Young on keyboard and Rob Madore on drums. Built around Ferrara’s two-handed tapping compositions, the band blends emotional, melodic songwriting with progressive and math-metal intensity.

About John Ferrara

John Ferrara is a solo bassist, composer and member of the progressive band Consider the Source. He has gained worldwide recognition for his unorthodox approach to writing and performing, built largely on the two-handed tapping technique.

His playing has drawn praise from prominent figures in the bass community, including Charles Berthoud, who called him “The Unsung Genius of Tapping.” He has shared the stage with bass legend Michael Manring at Solo Bass Night Chicago and with Tony Levin’s Stickmen.

Ferrara has been featured numerous times for his performances and lessons on the world-renowned site Scott’s Bass Lessons. He also writes a column for No Treble, teaching his tapping method and how to use it as a tool for composition. He teaches his approach to a growing community of players in Bass Club, his online bass school.

Personnel
John Ferrara, bass
Isaac Young, keyboard
Rob Madore, drums

Release date: October 2, 2026
Label: Self-released

Track list
1. Monolith (single)
2. One Small i
3. Alternate Endings
4. Songer
5. Kleshas
6. Creatures of Symmetry (single)
7. Did You Make It Through the Storm?

Listen and follow
Bandcamp: johnferraramusic.bandcamp.com
Landing Page for Streaming: https://distrokid.com/hyperfollow/monomeansone/creatures-of-symmetry
Spotify: Mono Means One
Instagram: @monomeansone
Website: johnferraramusic.com

John Ferrara tour dates
10/9 Providence, RI – The Parlour % *** Album Release show ***
10/30 Brattleboro, VT – Marigold >
10/31 Worcester, MA – Electric Haze $ >
11/6 Syracuse, NY – Funk N Waffles ¥
11/7 Buffalo, NY – Nietzches £
11/12 Asheville, NC – Third Room*
11/13 Charlotte, NC – The Rabbit Hole*
11/14 Boone, NC – Boone Saloon*
11/19 Boston, MA – O’Briens Pub ^
11/20 Hartford, CT – Broadbrook Opera House $
11/21 Dover, NH – Fuego

% Felicity Hubris
$ Leon Trout
> Mono Means One feat Gabriel Marin + Jeff Mann of Consider the Source
* Muscle tough
^ The Greys
¥ Zefram
£ Sailing Stones

Get tickets here: https://www.johnferraramusic.com/tour/

Press contact

[John Ferrara] · [John.Ferrara.Bass@gmail.com] · [917-704-6757]

Hi-res photos, album art and review copies available on request.

Press inquiries: Keith James, Glass Onyon PR, PH: 828-350-8158, glassonyonpr@gmail.com