The First Themed Compilation of the EXCALIBUR Series of Celtic Rock Albums ‘The Ladies of the Lake’ – NOW AVAILABLE!

For Immediate Release

The First Themed Compilation of the EXCALIBUR Series of Celtic Rock Albums The Ladies of the Lake – NOW AVAILABLE!

London – The Ladies of the Lake is the first themed compilation of the gold and platinum selling EXCALIBUR series of Celtic Rock albums.

The creator of Excalibur, Alan Simon, said of the compilation: “Since for creation of the first Excalibur album, it’s been a privilege to work with so many strong ladies characters. I speak not just of Guinevere and Morgane, but also of the talented singers who have brought some of the roles to life.”

The compilation follows the re-release of the Excalibur Trilogy, and the recently released fourth album, Excalibur IV: The Dark Age of the Dragon.

Alan Simon continued: “The rock genre is often dominated by so many male musicians, but it shouldn’t be forgotten how much Moya, Jacqui, Maddy, Karan, Kohann, Nikki, Sonja, Siobhan and Maite have given of their unique musical talents. This compilation is a tribute to them. they are the Ladies of the Lake. the Ladies of Excalibur. Please enjoy :)”

The compilation features the guests:
Moya Brennan
Maddy Prior
Karan Casey
Kohann
Siobhan Owen
Jacqui McShee
Nikki Matheson
Sonja Kristina
Maite Itoiz

Tracks:
1) The Origins feat MOYA BRENNAN
2) Secret Garden feat MADDY PRIOR
3) The Girl & the Demon feat KARAN CASEY
4) Skye feat KOHANN
5) Calling For You feat MOYA BRENNAN
6) The Last Lament of a Fairy feat SIOBHAN OWEN
7) There is Someone feat SIOBHAN OWEN
8) Silver Moon feat MOYA BRENNAN
9) Yseult feat SIOBHAN OWEN
10) Sacrifice feat JACQUI MCSHEE
11) A Prayer For My Lover feat SIOBHAN OWEN
12) Morning Song feat NIKKI MATHESON
13) The Passion feat SONJA KRISTINA
14) Dreaming Again feat SIOBHAN OWEN
15) Dun Angus feat MAITE ITOIZ

To purchase:
Amazon CD: http://geni.us/ExcalA
iTunes: http://geni.us/ExcalAdig

Press inquiries: Glass Onyon PR, PH: 828-350-8158 (USA), glassonyonpr@gmail.com

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Small Faces “Ogdens’ Nut Gone Flake’’ 50th Anniversary Deluxe-Editions Released October 26, 2018

For Immediate Release

Small Faces “Ogdens’ Nut Gone Flake’’ 50th Anniversary Deluxe-Editions Released October 26, 2018

Immediate Records and Charly Records To Release 50th Anniversary Deluxe-Editions of London rock legends’ 1968 psychedelic masterpiece across various formats

Immediate Records and Charly Records are to celebrate the 50th Anniversary of the Small Faces’ much loved third album “Ogdens’ Nut Gone Flake” with the release of a variety of new and very special deluxe editions across various formats (including deluxe triple 180-gram red, white & blue coloured vinyl LP box-set and a comprehensive 3CD+1DVD earbook set) on 26th October 2018.

To order Small Faces “Ogdens’ Nut Gone Flake’’ 50th Anniversary Deluxe-Editions: 
http://smarturl.it/ImmediateStore

The 180-gram vinyl LP formats have been newly mastered at half-speed for optimum sound quality and pressed in conjunction with Optimal : Media in Berlin and The Vinyl Factory in London from restored original Immediate Records tape sources. Originally recorded during 1967 and 1968 by Glyn Johns at Olympic Studios, Trident and Pye Studios, the expanded editions of “Ogdens’’ also feature rare material from the archive of surviving Small Faces member Kenney Jones.

“On ‘Ogdens’ Nut Gone Flake’ you can still hear it’s a real band firing on all cylinders, great dynamics and everyone equal in their musicianship. The story within concerned an amazing journey and it was exactly the same for us too – a fantastic journey” – Kenney Jones, 2018

All editions have been prepared under the watchful eye of Small Faces reissue producer and Immediate Records label manager Rob Caiger with remastering engineer Nick Robbins (Soundmastering Ltd) and vinyl cutting engineer Matt Colton (Alchemy Mastering) and approved by Kenney Jones.

Talking about the mastering process for this 50th Anniversary, reissue producer Rob Caiger says: “Listening back to the original first pressing of ‘Ogdens’ on both mono and stereo, we’ve captured a lot more purely because we can do so much more with the technology we have now, cutting more information to the vinyl than was able to be done back in the day because of the limitations of technology then.”

Remastering engineer Nick Robbins stresses how important it was for the new editions to stay true to the original LP: “I’m not concerned with how it might sound in the context of a modern recording. I think that’s a mistake. I think it’s much more important to bear in mind the context of its period rather than think ‘Most records these days are really whizzy so I should make this the same.’ No, you don’t do that – that would be a mistake. The records have their time and sound has its time. And it’s important to remain true to that.”

Mastering Engineer Of The Year Award winner 2018, Matt Colton explains the half-speed cutting process to produce a 33 1/3 rpm LP: “Cutting at half-speed offers a better transient and dynamic response, more defined and accurate sound, extended low frequency and smooth high frequencies. Basically, the band really kicks arse on the half-speed cut in a way that it doesn’t cutting at normal speed. The sound fills the room, Kenney’s kick drum is punching you in the chest, the guitars are pushing the amps to the edge of distortion with a beautiful blues tone and it just delivers a more musical experience. There’s more power there than cutting at normal speed and that is really satisfying.”

A red, white & blue coloured vinyl 180-gram half-speed mastered 3LP box-set (Immediate IMBX012) boasts a new softback 12” x 12” 72-page book full of Gered Mankowitz photos, original artwork, rare memorabilia, in-depth sleevenotes and interviews conducted with band members over many years by journalist & writer Mark Paytress, plus introduction by Kenney Jones. LP1 consists of the original mono mix of “Ogdens’ Nut Gone Flake,” LP2 features the album’s original stereo mix, whilst LP3 boasts a plethora of rare tracks released for the very first time on vinyl, all providing a fascinating snapshot of this key period in the acclaimed British band’s career.

The comprehensive new 3CD+1DVD earbook set (Immediate IMEB012) comprises both original mono and stereo versions of the album together with a third CD that boasts an expanded version of the vinyl box-set’s bonus LP disc, additionally featuring gems such as the rare American single versions of “Mad John” and “The Journey” plus the much sought after mono “Afterglow Of Your Love” (Alternate Single Mix), previously only released as a long sold-out 7” vinyl single for Record Store Day 2015 and made available here on CD for the first time. The contents of the vinyl book are also reproduced while this edition’s DVD boasts a real gem; although “Ogdens’ Nut Gone Flake” was never attempted live (in part due to its sheer complexity), the band did perform seven of the album’s twelve tracks on one occasion – the 21st June 1968 edition of BBC TV’s Late Line-Up Colour Me Pop show. This BBC TV studio performance is included on the new box-set’s DVD. Previously only available in grainy quality on a long-deleted VHS video release and as part of a hard-to-find DVD compilation, this new box-set’s audio & visual DVD content has been cleaned-up and is presented here in the best quality possible.

All editions have been assembled by Grammy-Award winning graphic designer Rachel Gutek who has had access to the Immediate Records original artwork files.

“They were the most complete pop group for me. They had everything – they were amazing players that all had the same influences. The image, the haircuts, blimey they were even all the same height. A kinda dream band that everyone would want to be in” – Paul Weller

The Small Faces story starts in July 1964 with vocalist & guitarist Steve Marriott, bassist Ronnie Lane and drummer Kenney Jones all sharing a bill at the Albion in Rainham, Essex as part of their own respective bands. Marriott, Lane and Jones met up again months later in a local music shop – the J60 Music Bar – and struck up a conversation whereby they discovered a shared love of American blues and R’n’B. Marriott was invited to play live with Lane & Jones’ that evening in Bermondsey but following a particularly rowdy show where Marriott smashed up the venue’s piano, they were sacked and ended up planning a new band together – the beginning of the Small Faces.

The band’s rise was stratospheric, with the new group playing their first out of town show at Peter Stringfellow’s Mojo Club in Sheffield in July 1965, accepting a residency in London’s Cavern Club in Leicester Square and signing with heavyweight manager Don Arden before releasing a debut single, “What’cha Gonna Do About It,” on Decca Records in August, which quickly ascended to No.14 in UK Singles Chart. When third single “Sha-La-La-La-Lee” reached No.3 five months later and their eponymously-titled debut LP also reached No.3 in the UK in the summer of 1966 (and with original keyboard player Jimmy Winston leaving the band at this point to be replaced by Ian “Mac” McLagan), the Small Faces had truly arrived.

Acrimoniously splitting from manager Don Arden, the band made an inspired move when they signed to Andrew Loog Oldham’s Immediate stable in February 1967. Oldham saw Marriott/Lane as the obvious replacements for the Jagger/Richard songwriting team that had thus far helped afford the fledgling record label its insouciant cool (and big hits). Liberated by the move to their new independent confines, the band could now completely spread their wings; releasing a well-received, accomplished first LP (again entitled “Small Faces”) for Immediate in June 1967, also finding the time to reflect that summer’s psychedelic reverberations two months later via non-album Top 3 hit single, “Itchycoo Park,” before finally blasting it out of the park in December 1967 with the astonishing single “Tin Soldier,” their first collaboration with newly-signed Immediate label mate P.P. Arnold.

The band were at something of a strange juncture as they entered Olympic Studios, London with engineer Glyn Johns in late-1967 to commence the recording of their third long-player. The credibility afforded ‘rock’ acts as opposed to those considered mere ‘pop’ was still of crucial importance at this time in British music history and, having already achieved four UK Top 10 singles in 1966 (including a No.1 hit with the mighty “All Or Nothing”) plus three Top 10 singles in the first few months of 1967, the pressure was now somewhat on to make that leap to timeless authenticity by delivering a truly great album. To add to the pressure, Immediate Records was suffering cashflow problems, inter-band relationships had become strained following a period of extensive overseas touring with The Who and the band’s frontman Steve Marriott was constantly questioning the group’s place in the musical firmament.

The decision was made to stop touring and give the band time to write a bigger record – the four musicians spent February 1968 working up tracks on three different boats cruising up and down the Thames, studio time was unlimited and the band members also took the opportunity to relocate to the countryside from the inner city, a new domestic scene perfectly captured in Andrew Loog Oldham’s choice of first single from the forthcoming album, “Lazy Sunday” (Steve Marriott had wanted to release the heavier “Song Of A Baker” with “Lazy Sunday” as the B-side, but Loog Oldham stuck to his guns). Having rowed with a member of The Hollies, both accusing the other of never singing in their own natural accents, Marriott quite deliberately ramped up his vocal cockney tones on the single which reached No.2 on its release in April 1968.

“One of the great English rock LPs” – Mojo  

The Small Faces’ third studio album, “Ogdens’ Nut Gone Flake,” was released by Immediate on 26th May 1968, soon sitting pretty atop the UK Album Chart where it enjoyed a six week reign at No.1 that summer. The LP was housed on its original release in a round circular sleeve featuring a replica of the Thomas Ogden metal tobacco tin that inspired the album’s title. “Ogdens’’ was a proper game-changer – a brave British psychedelic rock statement that oozed jaw-dropping rock, soul and R’n’B, played by four remarkable young musicians completely at the top of their game. Whilst side one dazzled with the sheer power of Ronnie Lane’s “Song Of A Baker” and the heavy soul of Marriott’s “Afterglow” (belatedly reworked into the band’s final official studio single, “Afterglow Of Your Love”) plus a liberal dash of Cockney knees-up on aforementioned first single “Lazy Sunday” and “Rene,” the LP’s second side premiered the band’s six-song fairytale of Happiness Stan and his quest to find the missing section of the crescent moon, the six track cycle linked via narration by comedian Stanley Unwin, his words suitably twisted into odd shapes via his unique, surreal ‘Unwinese’ linguistics.

“Ogdens’ Nut Gone Flake” was the landmark album that the Small Faces had always threatened to make – both a critical and commercial highpoint and one that would finally afford them the real rock credibility that had thus far slightly eluded them. The album’s whole was something truly psychedelic and new – at times almost childlike in its innocence, but at the same time infused with the band members’ complex emotions and already slightly world-weary experiences. It seems incredible that this was a group a mere three years away from its humble beginnings in the sweaty East End pubs & R’n’B clubs of its birth.

A major influence on acts such as Led Zeppelin, Sex Pistols, The Jam, Blur and Oasis and almost universally acclaimed on its initial release in May 1968, “Ogdens’ Nut Gone Flake” has gone on to appear in countless best album polls (it was voted #59 in Q Magazine’s Top 100 Greatest British Albums Ever poll in 2000 and was voted into Mojo’s Hall Of Fame) whilst The Guardian more recently described the album as, “A groundbreaker.”

In addition to these new 50th Anniversary deluxe editions of “Ogdens’ Nut Gone Flake” on 26th October 2018, surviving band member Kenney Jones has also recently published an acclaimed autobiography, “Let The Good Times Roll,” via Blink Publishing, writing extensively about his time drumming with the Small Faces, the Faces and The Who (amongst others), speaking openly about his own personal cancer battle and his continued work to raise awareness via the Prostate Cancer UK charity and his own Rock ‘n’ Horsepower charity events.

ALL ALBUM FORMATS NOW AVAILABLE TO ORDER HERE: http://smarturl.it/ImmediateStore

LINKS
http://www.thesmallfaces.com/
https://www.facebook.com/SmallFacesOfficial
https://www.facebook.com/Kenney-Jones-210771888961688/
http://www.immediate-records.com/
http://smarturl.it/ImmediateStore

North American Press Inquiries: Glass Onyon PR, PH: 828-350-8158 (USA), glassonyonpr@gmail.com


Prog Ensemble 41POINT9 Releases Highly Anticipated New Album “Mr. Astute Trousers”!

For Immediate Release

Prog Ensemble 41POINT9 Releases Highly Anticipated New Album “Mr. Astute Trousers”!

Prog Ensemble 41POINT9 is releasing their eagerly awaited new album“Mr. Astute Trousers” on October 19, 2018! Hammer meets anvil and the sparks fly. In the process, a sword is made stronger than it could have been before. The same thing happened back in 1995 when bassist/songwriter/producer Bob Madsen met guitarist/songwriter/singer Brian Cline in the North Bay Area of California. Brian and Bob began working together on a few tunes written by Bob and began a lifelong “bromance.” In Brian, Bob had found the perfect voice for his muse. The only problem was Brian’s insistence on editing Bob’s lyrics (a process referred to as “lyrical evisceration”). (Of course, the real problem is that almost without exception Bob has had to admit that Brian’s edits make the songs better.)

After nearly a decade of friendship the two decided to start a band together. That band is 41POINT9 and is known for being a prog rock band, but Bob and Brian would probably argue that point with you. “We don’t care about styles or subjects or how the song will be classified. We start out with an idea and let the idea dictate where the song will lead. We usually write the lyrics first and then add the music in order to further the concept of the song. As such, we are able to bring a diverse range of musical influences to bear, like a painter would with many pigments and brushes. We actually create the songs with little to no regard for how we would or even could perform them live.” Bob continues, “We might combine Stravinsky strings with funk bass and heavy metal guitars. Hip-hop or EDM production styles might meet new wave synths and storytelling lyrics that would be at home on a classic country album. We simply don’t care as long as the song is good.”

41POINT9 is known for being a prog rock band, but Bob and Brian would probably argue that point with you. “We don’t care about styles or subjects or how the song will be classified. We start out with an idea and let the idea dictate where the song will lead. We usually write the lyrics first and then add the music in order to further the concept of the song. As such, we are able to bring a diverse range of musical influences to bear, like a painter would with many pigments and brushes. We actually create the songs with little to no regard for how we would or even could perform them live.” Bob continues, “We might combine Stravinsky strings with funk bass and heavy metal guitars. Hip-hop or EDM production styles might meet new wave synths and storytelling lyrics that would be at home on a classic country album. We simply don’t care as long as the song is good.”

“Notice we didn’t mention Prog?” Brian adds, “We absolutely love progressive music; however, we don’t stop there. We are in the pursuit of the different. Shouldn’t progressive music progress? Why apply the same stylistic norms that have been used since the ’70s and still call it progressive? That’s not progressive – that’s stagnant.”

“Don’t get us wrong,” chimes in Bob, “we are writing songs with a very strong pop sensibility and we feel they are eminently listenable; we just don’t feel the pressure to stay in one genre or tonality. It just doesn’t matter as long as it serves the song.”

In support of the “Mr. Astute Trousers” album release, 41POINT9 is preparing to tour later in the year if all goes well. “The difficulty in touring is that we have been having a real problem finding a drummer for the band,” Bob concludes. “All of the ones we have auditioned have spontaneously combusted. I guess that’s what we get for using the same talent agency as Spinal Tap.”

For the past year Bob and Brian have been producing a series of high quality concept videos for songs on “Mr. Astute Trousers.” In their most recent video, 41POINT9 pays tribute to the honor and traditions of the Marine Corps and to the sacrifice embodied by all who serve. It is for this reason all proceeds from this video will be donated to The Semper Fi Fund, an A+ rated charity that provides immediate financial assistance and lifetime support to post 9/11 combat wounded, critically ill and catastrophically injured members of the U.S. Armed Forces and their families.

Watch the premiere 41POINT9’s “The Marine” video at PowerofProg.com here: 
https://powerofprog.com/41point9-premiere-new-video-the-marine-as-tribute-to-us-marine-corps-from-the-upcoming-album-mr-astute-trousers/

Watch 41POINT9’s “Confessions At Midnight”: https://youtu.be/lKZTgMS3yFk

Watch 41POINT9’s “These Four Lands” video here: https://www.sonicperspectives.com/news/41point9-premieres-these-four-lands-video/ ;

Here’s what some of our friends are saying about the album:

“What a great Progtastic album by 41POINT9. The compositions, playing and production by Bob and the boys is superb. Listen out for some familiar players on the excellent collection of tracks” – John Payne – Asia, Dukes of the Orient

“In my mind this is a band that melds two of my favorite things about music; Pop sensibility and progressive complexity. Delivered in droves by, not only the songwriting but by the vocals from Brian Cline (the original vocalist of Enchant) and the Bass playing of Bob Madsen (who has guested on numerous Enchant releases) Love it.!!!” – Ted Leonard – Spocks Beard, Enchant

“41POINT9 is great modern prog/metal/jazz/pick-your- drawer stuff, driven by Madsen’s elegant basslines and composition skill, and genre-busting guitars by Chad Quist. The record sounds fantastic, this is a great mix by Tom Size and Matt Wallace. From a bit Gothic to a bit Fusion to a lot of Metal and performed with skill and confidence, this is good stuff. I wish I’d played on it.” – Tony Carey – Rainbow, Planet P, Tony Carey Solo

To purchase 41POINT9’s “Mr. Astute Trousers”: https://www.amazon.com/Mr-Astute-Trousers-41Point9/dp/B07GDVXYX6

For more information:
www.41POINT9.com
www.TheHighlanderCo.com
https://www.facebook.com/41POINT9/

Press inquiries: Glass Onyon PR, PH: 828-350-8158, glassonyonpr@gmail.com


Take A Ride This Christmas With Rock/Soul Legend MITCH RYDER On His First Ever Holiday Album!

For Immediate Release

Take A Ride This Christmas With Rock/Soul Legend MITCH RYDER On His First Ever Holiday Album!

Los Angeles, CA – Of the many gifts given to the world by the Detroit music scene, from the compositions of Duke Ellington to the raw punk power of The Stooges and current Hall Of Fame nominees The MC5, one of the most enduring has been the unforgettable voice of Mitch Ryder. Whether performing with or without his Detroit Wheels, Ryder has been one of the most dominant figures in the Motor City’s bountiful music scene for the last 4 decades, stuffing the world’s musical stockings with such sweet hits as “Devil With A Blue Dress On,” “Jenny (Take A Ride)” and lots more! This year he proudly presents a collection of brand new recordings to celebrate the spirit and soul of Christmas, called Christmas (Take A Ride), which finds the blue-eyed crooner offering fresh takes on holiday classics made famous by Elvis Presley, Stevie Wonder, and Bruce Springsteen along with seasonal favorites “Let It Snow,” “Rudolph The Red-Nosed Reindeer” and more! Christmas (Take A Ride) will be available on both CD and digital starting October 26 via Goldenlane Records, a division of Cleopatra Records, Inc.

Also be sure to watch for a new album from Ryder featuring very special guest appearances by James Williamson (The Stooges), Sylvain Sylvain (NY Dolls), Walter Lure (Johnny Thunders & The Heartbreakers), Joe Louis Walker, Brian Auger and more!

Track List:
1. What Christmas Means To Me
2. Blue Christmas
3. Santa Claus Is Coming To Town
4. Someday At Christmas
5. Jingle Bell Rock
6. Santa Claus
7. Rudolph The Red-Nosed Reindeer
8. Christmas (Baby Please Come Home)
9. Sleigh Ride
10. Grandma Got Run Over By A Reindeer
11. Let It Snow
12. Put A Little Love In Your Heart

Buy the CD: https://cleorecs.com/store/shop/mitch-ryder-christmas-take-a-ride-cd/
Buy the digital: https://itunes.apple.com/us/album/christmas-take-a-ride/1438765132

Press inquiries: 
Glass Onyon PR
Billy James
PH: 828-350-8158
glassonyonpr@gmail.com

GOLDENLANE RECORDS
Facebook @GoldenlaneRecords
https://www.facebook.com/GoldenlaneRecords/
Twitter @GoldenlaneRecs
https://twitter.com/GoldenlaneRecs

CLEOPATRA RECORDS, Inc.
11041 Santa Monica Blvd #703
Los Angeles CA 90025
www.CleopatraRecords.com


Jann Klose Reveals The Music Video For Latest Single “Love High”

For Immediate Release

Jann Klose Reveals The Music Video For Latest Single  “Love High”

Jann Klose reveals the music video for his latest single,  “ Love High”, shot in Williamsburg, Brooklyn.

Watch the music video for “Love High” here: https://youtu.be/fX6R03ZMEbY

The music video for Jann Klose’s  “Love High” – the second single off his latest studio album  “In Tandem” –  came together after Jann reached out his friend, collaborator, and Tony Award winning choreographer, Yo-EL Cassell. Now a professor at Boston University, Yo-EL connected Jann with recent BU graduates Director/Producer Klaudyna Astramowicz and Director of Photography Wyatt Ward. Both came onboard to create the music video for “Love High” which features several NYC-based dancers and actors. The shoot took place in a single day in Williamsburg, Brooklyn and centers around a dreamscape setting in which the lead character connects with lovers of the past and future during a daydream. Edited by Deijah Lee-Carroll, the world premiere of the video took place Oct 14th at the famed NYC venue The Cutting Room.

‘Love High’ is about that moment in a relationship where you realize the physical aspect will most likely outweigh the emotional! You reach a point in the relationship where you have to let go because it can only go so far,” explains Klose.

Klose gathered some of SA’s top musicians while recording  “Love High” and the single features Sakhile Nkosi (who also performs with AKA) on bass, Ezra Erasmus (Idols SA, John Legend) on keys, Leagan Breda (Lira, Trevor Noah) on drums and Raymond Green (Idols SA) on featured electric guitar. Produced by RJ Benjamin, mixed by Rici Martins and mastered by Ben Kesler.

Jann Klose also announces all the dates for the “In Tandem” Acoustic SA Tour. Catch him live at the following venues:

Cape Town Leg
Thu, 15 Nov: Café Roux, Noordhoek, Cape Town
Ticket Price: R130
Tickets on sale from webtickets

Sat, 17 Nov: Masterclass at Music Exchange, Cape Town
Sat, 17 Nov: The House Of Machines, Cape Town
Sun, 18 Nov: Cottage Club, Kommetjie 

Gauteng Leg
Wed, 21 Nov: Rusty Hook, Honeydew, Johannesburg
Thu, 22 Nov: Café Barcelona, Pretoria 
Ticket Prices: Limited Tickets on Pre-sale at R80 from https://www.howler.co.za/JannKlose22Nov
Remainder available at the door on the night at R100
**Space is VERY limited, so get your tickets now

Fri, 23 Nov: The Local Culture, Greenside, Johannesburg 
Ticket Prices: Limited Tickets on Pre-sale at R80 from https://www.howler.co.za/JannKlose23Nov
Remainder available at the door on the night at R100
**Space is VERY limited, so get your tickets now

Sun, 25 Nov: 11am – The Local Market At Silverstar, Krugersdorp 
Sun, 25 Nov: 2pm – Beerhouse, Fourways

Jann Klose is elated to have his brand-new studio album “In Tandem” released worldwide. Fans can download and stream the album, which features a selection of top South African artists such as Karen Zoid and Tamara Dey, on their favorite digital platform. “In Tandem” also features a duet between Jann and legendary Renaissance vocalist Annie Haslam on a cover version of Peter Gabriel’s “Don’t Give Up,” which has also been released as a single.

The wait is finally over after almost a year’s worth of work going into the writing and recording of the album, and Jann is ready for people to hear all the songs on “In Tandem”! “I am so excited to release ‘In Tandem’ to the world! Making this album has been the most beautiful creative experience of my life and career thus far. Working with all these great guest artists from three continents has opened my mind in ways I never expected. I think this is my most honest work to date and I hope everyone enjoys listening to it as much as we did making it.”

Watch the music video for “Take Me 2 Forever”: https://youtu.be/1Z3WHpXIPS8

Jann spent time in SA last year recording his 6th studio album in partnership with the Academy of Sound Engineering, in addition to lending his time and supporting the work of Desmond Tutu’s TutuDesk foundation. The album features a selection of SA’s finest with RJ Benjamin as producer, songwriting contributions from James Stewart (The Usual), Ziyon (Liquideep), Karen Zoid (who also features on the song she co-wrote), and collab feature from Tamara Dey.

“In Tandem” Tracklisting:
01. Love High
02. Dear Mel
03. Don’t Give Up (feat. Annie Haslam)
04. What Have You Got to Say?
05. Never Fall
06. You and I (Cosmic Love) (feat. Tamara Dey)
07. Hochzeitslied
08. Pour the Champagne (feat. Karen Zoid)
09. After the Last
10. Take Me 2 Forever
11. What it Is
12. Win This Fight (feat. The RJ Benjamin Voices)
13. Wedding Song (Hochzeitslied English Version)

“In Tandem” is out now on digital and CD. Download or stream Jann Klose’s brand-new album “In Tandem” now – http://smarturl.it/JannKloseInTandem

Jann Klose is an award-winning pop singer-songwriter, who has released six albums and two EPs. Jann was raised in Kenya, South Africa, Germany, and the United States and now resides in New York City. His music has been streamed over 1,000,000 times online and his song “Make It Better” is featured on the Billboard Top 10 charting compilation album “Action Moves People United.” His new album “In Tandem” was released by Gallo Records in June 2018. Jann is an ambassador for Desmond Tutu’s Tutudesk campaign.

Jann’s most recent solo album, “Mosaic” featuring “Make It Better” entered the Roots Rock charts at #22 and won three 2014 Independent Music Awards. The record also made the first round of the 2014 Grammys® in the categories Pop Vocal Album and Album Of The Year.

His voice is featured in the movie “Greetings From Tim Buckley” (Universal) as the voice of Tim Buckley starring Penn Badgley and Imogen Poots. His songs have been heard on the Grammy® nominated “Healthy Food For Thought”compilation as well as MTV Cribs and movies “Dead Broke” (Warner Bros) featuring Paul Sorvino and “A Venue For The End Of The World” (BrinkVision) featuring Dick Cavett and Ian Anderson. Most recently Jann scored the music for the award-winning short “The Beauty of Disaster.”

He has performed as an actor and singer in touring companies of Broadway musicals, including “Jesus Christ Superstar,” “Jekyll & Hyde,” and “The Who’s Tommy.” In 2005, the off-Broadway production “Moonlight Interior,” a musical based on Klose’s music, premiered in New York City.

Jann Klose has periodically collaborated with members of classical rock group Renaissance and tours regularly in the U.S., Europe, Africa and Asia. He has worked with a wide range of artists including Pat Benatar, John Oates of Hall and Oates, Suzanne Vega, Paula Cole, Annie Haslam, Denny Laine and Steve Holley (Paul McCartney & Wings), Ann & Liz Callaway, Gary Lucas, Brett Dennen, Rusted Root, Vonda Shepard, Ben Taylor, RJ Benjamin, Karen Zoid, Tamara Day, Ziyon (Liquideep), Shekhinah, Amanda Black, Jeffrey Gaines, Bret Michaels, Rosanne Cash, The Byrds’ Roger McGuinn, Marty Stuart, The Yardbirds’ Jim McCarty, Pete Seeger and Les Paul.

To purchase Jann Klose’s “In Tandem”: http://smarturl.it/JannKloseInTandem  ;

Follow Jann Klose Online:
Official Site: jannklose.com
Facebook: facebook.com/jannklose
Twitter: twitter.com/jannkloseband
YouTube: youtube.com/jannklose
Instagram: instagram.com/jannklose

Follow Gallo Record Company online:
Facebook: https://www.facebook.com/gallorecordcompanysa/
Twitter: @GalloRecordsSA
Instagram: @GalloMusicSA

Press inquiries: Glass Onyon PR, PH: 828-350-8158 (USA), glassonyonpr@gmail.com

Melissa Conradie Agency – Publicity South Africa: Melissa Conradie, + 27 (0) 83 601 0487, mel@melissaconradie.co.za /

Gallo Record Co – Label: Rob Cowling, robc@gallo.co.za


“Jazz On A Summer’s Day” 60th Anniversary Edition – 1958 Newport Jazz Festival

For Immediate Release

“Jazz On A Summer’s Day” 60th Anniversary Edition – 1958 Newport Jazz Festival

Bert Stern’s acclaimed film of the 1958 Newport Jazz Festival is newly restored for its 60th Anniversary

“Jazz on a Summer’s Day” is one of the greatest concert movies ever made, a timeless record of the 1958 Newport Jazz Festival, with some of the most stunning images of live music ever brought to the cinema screen.

Conceived by stills photographer Bert Stern (Vogue magazine, Marilyn Monroe, Audrey Hepburn) and brilliantly filmed over three days in August 1958, “Jazz On A Summer’s Day” provided the template for future concert documentaries such as Monterey and Woodstock.

Interspersing footage of the crowd and fashions of late Fifties America, the America’s Cup yacht race with artists live on stage and largely devoid of dialogue, Stern’s fluid form perfectly echoes the jazz vibe tempering a fly-on-the-wall documentary style with surreal, dreamlike flourishes.

Although the festival featured a glittering array of jazz giants such as Louis Armstrong, Thelonious Monk, Anita O’Day, Dinah Washington, George Shearing, and Gerry Mulligan, the event encompassed far more. Chuck Berry duck-walked his way to rock glory, Big Maybelle provided her powerhouse R&B and the magnificent Mahalia Jackson delivered gospel in a manner that demonstrated what true soul was all about.

In 1999, the film was selected for preservation in the United States National Film Registry by the Library of Congress as being “culturally, historically, or aesthetically significant.”

Bert Stern’s acclaimed film of the 1958 Newport Jazz Festival is newly restored for its 60th Anniversary by Richard J Whittaker of FX with DVD authoring by Ray Shulman at I-Sonic while the soundtrack has been digitally remastered for CD by Peter Reynolds at Reynolds Mastering and for the first time ever, mastered at half-speed by Barry Grint at Alchemy Studios on two 33 1/3 rpm audiophile Vinyl LPs.

Released on Charly Records, the special edition comes housed in a lavish, blue-foil blocked fully-illustrated 40-page hardback book complete with new, definitive sleeve notes by Mojo’s Fred Dellar, including artist and track-by-track details.

DVD extras include an interview with Bert Stern, an introduction to “Jazz on a Summer’s Day,” artist biographies and photo gallery.

60TH ANNIVERSARY EDITION
DVD | CD | VINYL | BOOK
• Complete film DVD + bonus
documentary + extras
• Newly-remastered soundtrack
on CD
• 2 x 10-inch LPs mastered
half-speed on audiophile vinyl
• 40-page lavishly illustrated
hardback book
• New liner notes by Fred Dellar

Release date: 26th October 2018

“An audio-visual treat, a moment to savour from the Indian summer of Jazz.” – THE GUARDIAN

“Sixty years on, ‘Jazz on a Summer’s Day’ remains a timeless venture, forever memorable.” – Fred Dellar, MOJO MAGAZINE

To purchase: http://smarturl.it/JAZZis60

Press inquiries (North America): Glass Onyon PR, PH: 828-350-8158 (USA), glassonyonpr@gmail.com


Curved Air Announces Third Volume of its Ongoing Rarities Series With The Second British Rock Meeting 1972 – OUT NOW!

For Immediate Release

Curved Air Announces Third Volume of its Ongoing Rarities Series With The Second British Rock Meeting 1972 – OUT NOW!

London – Legendary Prog band Curved Air is pleased to announce the third volume of its ongoing rarities series with The Second British Rock Meeting 1972 – OUT NOW!

The sound quality is of an astonishing fidelity for a live recording from the early 1970s and features the only known recordings of the band improvising!

The last track is an extended jam and a version of the band’s hit “Vivaldi” – lasting well over 30 minutes!

The band had just released its Phantasmagoria album at the time and the line-up was:
Sonja Kristina
Darryl Way
Francis Monkman
Florian Pilkington-Miksa
Mike Wedgwood

The booklet features a written introduction by Francis Monkman, who mastered the audio and curated the release personally, along with two essays written by attendees at the festival and previously unseen pictures.

Francis recalls the concert: “Listening to the recording, I was at first puzzled that we’d decided to start the set with Everdance, especially as I had some kind of hazy memory of waiting in the dank pre-dawn gloom, trying to persuade my fingers to work in preparation for our customary opening with It Happened Today. But the uncertainty of the initial holding pattern rhythm, together with Sonja’s plaintive “what shall we do?” triggered the realisation that we had arrived on stage and plugged in, only to find that the guitar was for some now-long-forgotten reason not working. So we had to decide quickly once it became clear it wasn’t going to be fixed in a hurry. And what you hear is the upshot…”

These recordings capture a unique set from the band’s heyday, their only recorded improvisations and all in unbelievable sound quality for a festival in the early 70s!

1. No-Guitar Blues (3:33)
2. Everdance / Cheetah / Vivaldi (7:40)
3. Phantasmagoria (3:34)
4. Melinda (More or Less) (3:11)
5. Over And Above (11:32)
6. The Germersheim Jam / Vivaldi (31:47)

To Purchase:
Amazon CD: http://geni.us/CRVERS003
iTunes: http://geni.us/CRVERS003dig

Official website: www.curvedair.com
Official Facebook: www.facebook.com/CurvedAir

Press inquiries: Glass Onyon PR, PH: 828-350-8158 (USA), glassonyonpr@gmail.com


Keyboardist Tim Morse To Release New Album “Tim Morse III”

For Immediate Release

Keyboardist Tim Morse To Release New Album “Tim Morse III”

Songs about spiritual epiphanies, longing, friendship and loss

Much to the excitement of Prog fans worldwide, keyboardist Tim Morse will be releasing his 3rd album “Tim Morse III” featuring songs about spiritual epiphanies, longing, friendship and  loss. The original idea for Tim’s third album was that it would be a completely solo project where he would play all the instruments and sing all the vocals. However, even at the demo stage he missed the input of others, and decided to bring in some of his favorite musicians for cameo appearances (mostly drummers and guitarists).

Says Tim, “I’m not really a multi-instrumentalist – I’m a pianist and guitarist. By extension I play other keyboards, bass and a little bit of percussion.  Anyone can play drums as good as I can! You can hear me play everything on one song ‘The Marquis’ and I play most of the instruments on ‘My Ally’ and ‘Talisman’ as well.

“It was very important to me to get to the ’emotional core’ of the songs on this recording and so I looked for ways to eliminate some of the fiddling about – don’t get me wrong, this is still a progressive rock album – but I wanted to make sure the message was clear.  My work with The Mangoes and the music of some of my favorite recording artists like Field Music and Kevin Gilbert influenced this approach.  Also, I knew from the start that there would be a vinyl release and so that was an exciting aspect of the project. It’s been a dream of mine since I was thirteen to release a vinyl album of my original music and it’s finally coming true! I’m very proud of the songwriting on ‘III,’ I definitely feel that it features some of my best work.”

When the writing was finished Tim decided that it was essential to record on as much vintage gear as possible – Hammond organ, Fender Rhodes electric piano, Mini-Moog, and Mellotron samples. He spent a day at the Oakland Vintage Synthesizer Museum tracking songs with all kinds of analog synthesizer goodness (including the mighty Moog Taurus Bass pedals).

Says Tim, “On this recording I wanted to find the right balance between structure and improvisation. Of course, all of my solos were improvised (most of them are first takes done on the original demos), but even parts that might seem structured were done one pass on the fly. I believe that adds a vital feel to the music. I also kept a lot of scratch tracks where some precision may be sacrificed because the feel of the music was right.”

Most of the recording was done in Tim’s home studio (and others contributed parts from their project studios). However, he did track drums at Andrew Glasmacher’s Studio 12 West in Utah over a few days. Also, all of the lead vocals were recorded at Paradise Studios with Craig Long. Craig is a mini-local legend in northern California, having worked with multi-platinum acts like Cake, Tesla, Bobby Brown, Tony, Toni, Tone! and many others. Tim wanted his expertise for the vocal sessions and Craig also made important contributions to the mix and did the final mastering of “Tim Morse III.”

Watch the video for “The Mary Celeste”: https://www.youtube.com/watch?v=qeN88tIBTU4

Tim Morse began his instrument instruction at a young age and started composing immediately upon picking up the guitar. He later moved onto the piano and studied as a music composition major, writing extended pieces such as a string quartet and two piano sonatas. During this time Tim performed with various rock and fusion bands and played on many recording sessions. Tim’s first album of original music was entitled “Transformation” and was released in 2005. The album was well received by the Progressive Rock community and recognized as an original voice, in the tradition of Yes and Genesis, yet recorded and performed with a modern edge.

His second album “Faithscience” was released in 2012 and musically it picked up where “Transformation” left off, continuing to explore the best of Progressive Rock. In addition to this release Tim became a member of the Jerry Jennings band and formed The Mangoes with Bret Bingham. The Mangoes released their debut album in 2014 and it was embraced for its pop sensibility and quirky humor.

Tim Morse is also a published author and his book “Yesstories” has sold over 20,000 copies worldwide. His book “Classic Rock Stories” was published by the St. Martin’s Press and was featured on the Howard Stern show. He has also written for music magazines over the years including Mix, Guitar World, Keyboard and Bass Player.

“Tim Morse III” will be released on CD and digital download on October 22, 2018 by Cymbalick Music. There will be a limited edition vinyl LP release of the album in January 2019. Plans for live performances in support of the new album release are in the works.

In closing Tim has this message for listeners: “I’m always grateful when anyone takes the time to listen to my music, whether they loved it or were critical of it. In this modern age of endless distractions it is a lovely thing when someone will truly listen to music.”

To purchase:
“Tim Morse III” will be available on CDBaby, iTunes, Amazon, etc.
*Anyone ordering CDs or LPs on timmorse.com will get a free promotional bonus disc with cover songs, demos, alternate tracks, etc.
https://store.cdbaby.com/Artist/TimMorse

Official website: http://timmorse.com/
YouTube channel: https://www.youtube.com/channel/UCyR8pFxiUZswrNSNTHR5BUQ
“Tim Morse III” Sampler: https://www.youtube.com/watch?v=QHyQ_gUpWSc

Press inquiries: Glass Onyon PR, PH: 828-350-8158 (USA), glassonyonpr@gmail.com


Todd Rundgren Nominated to the Rock and Roll Hall of Fame, Class of 2019!

Todd Rundgren Nominated to the Rock and Roll Hall of Fame, Class of 2019!

Spirit of Harmony Foundation Founder and President Todd Rundgren has been nominated to the Rock and Roll Hall of Fame.

The RRHOF is offering fans the opportunity to officially participate in the induction selection process. Beginning October 9 and continuing through 11:59 p.m. EST on December 9, 2018, fans can visit rockhall.com to cast votes for who they believe to be most deserving of induction into the Rock & Roll Hall of Fame. The top five artists, as selected by the public, will comprise a “fans’ ballot” that will be tallied along with the other ballots to choose the 2019 inductees.

Fans will need to login to vote. Voting is capped at one ballot per day.

Please click here for the Rock and Roll Hall of Fame’s bio page about Todd.

For the SOHF webpage on the latest Todd news, please click here.

Press inquiries: Glass Onyon PR, PH: 828-350-8158 (USA), glassonyonpr@gmail.com


Iconic Jethro Tull Guitarist Martin Barre Releases New Album Roads Less Travelled

For Immediate Release

Iconic Jethro Tull Guitarist Martin Barre Releases New Album Roads Less Travelled 

Los Angeles – Martin Barre, best-known as guitarist in Jethro Tull – one of the biggest selling prog bands of all time, releases his new solo album Roads Less Travelled on Cleopatra Records on October 12, 2018.

Barre has developed his own distinctive style within the framework of Jethro Tull, and his instantly recognizable and original sound form the basis of this album. Roads Less Travelled features 11 original tracks by Barre, which reflect the last 50 years of his esteemed musical career.

Reflecting on the tracks & recording of the album, Barre says “I’ve concentrated on improving my songwriting over the last few years and as a result, I am really pleased with this new CD. Although my playing has a lot of space in the music, I’ve worked a lot harder on the arrangements and lyrics. My goal is to have a CD that keeps the listener from beginning to end. ‘Roads Less Travelled’ reflects my belief in taking music somewhere new.”

Barre’s solo on Jethro Tull’s 1971 hit “Aqualung” has been repeatedly voted as one of the top guitar solos of all time. Barre has been cited as an important influence by many virtuoso players, including Joe Bonamassa, Steve Vai & Jo Satriani and can count the likes of Mark Knopfler and Geddy Lee amongst his many fans.

Track Listing:
1. Lone Wolf
2. Out of Time
3. On My Way
4. Roads Less Travelled
5. Badcore Blues
6. Seattle
7. For No Man
8. (This Is) My Driving Song
9. You Are An Angel
10. Trinity
11. And The Band Played On

While all the songs showcase his exceptional electric guitar, acoustic guitar and mandolin playing, the Martin Barre Band also shine throughout. A long-time resident of Devon, Barre’s band features several local musicians: Dan Crisp (vocals), Alan Thomson (bass/fretless bass), Darby Todd (drums), Becca Langsford (vocals/backing vocals), Josiah J (Percussion/Hammond), Aaron Graham (drums), Alex Hart (vocals/backing vocals) Buster Cottam (“stand up” bass).

About Martin Barre

Barre was the guitarist for rock band Jethro Tull from 1969 – 2012. Jethro Tull have sold an estimated 60 million albums worldwide, with 11 gold and 5 platinum albums among them and were described by Rolling Stone as “one of the most commercially successful progressive rock bands.” Barre appeared on all but their debut album during his 33 year stint with Tull and is the longest-serving member after Ian Anderson.

For four decades, Barre’s career focused on Jethro Tull but in the 1990s Barre began to perform as a solo artist and has since released 7 solo studio albums. On these recordings, Barre combined rock and guitar-oriented fusion in his sound.

Martin’s guitar playing has earned him a high level of respect and recognition; he was voted 25th best solo ever in the USA and 20th best solo ever in the UK for his playing on “Aqualung.” His playing on the album Crest of a Knave earned him a Grammy award in 1988.

In addition to his Jethro Tull and solo work, Martin has worked live with many other artists including: Paul McCartney, Phil Collins, Gary Moore, Jo Bonamassa and Chris Thompson and has shared a stage with such legends as Hendrix, Fleetwood Mac, Pink Floyd and Led Zeppelin.

To purchase:
Buy the CD: https://cleorecs.com/store/shop/martin-barre-roads-less-travelled-cd/
Buy the digital: https://itunes.apple.com/us/album/roads-less-travelled/1436785912

Martin Barre’s official website: www.Martinbarre.com

Press inquiries: 
Glass Onyon PR
PH: 828-350-8158
glassonyonpr@gmail.com


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