Category Archives: Ben Craven

Australian Cinematic Progressive-Rock Artist Ben Craven To Release New Album “Monsters From The Id” on May 6, 2022

For Immediate Release

Australian Cinematic Progressive-Rock Artist Ben Craven To Release New Album “Monsters From The Id” on May 6, 2022

Seriously well-distilled and blended” – Van Dyke Parks

“Monsters From The Id” is the logical realization of Craven’s musical trajectory thus far. It’s an album of two halves, each containing a traditional progressive rock “epic” the length of a side of vinyl. The two pieces comprise flowing parts and movements with both rock and Hans Zimmer-esque orchestral arrangements, punctuated by Ben’s distinctive lead guitar and vocals. Yet the album is predominantly instrumental.

“Lyrics are incredibly important to me,” explains Craven, “but this music was not driven by words or language. It’s pure other-worldly escapism. It’s playing dress-up, wanting to make the world look much bigger than it seems right now, trying to recall the feeling that anything is possible, no matter how unlikely that might be.”

Visually, the album cover is a treat, featuring breathtaking artwork by Freyja Dean adorning the triple gatefold CD/DVD wallet. Sonically, things are equally ambitious. A 5.1 surround mix is included on the DVD, while both stereo and surround versions are available for digital download in 24-bit 96kHz high resolution.

For downloaders, Craven is offering unique optional extras he hopes will help personalize the experience. “I’ll personally dedicate and hand-sign a digital version of the album cover, creating a one-of-a-kind image. And for good measure I’ll also send you an individualized thank-you video! There are no NFTs here, just unique digital offerings for anyone who wants them. Downloading music can feel like a detached, intangible activity for both parties. This is one way of bringing the human element back into it.”

Ben Craven is a cinematic progressive-rock artist from Brisbane, Australia. He likes to make records.

His 2011 album, “Great & Terrible Potions”, blurred the boundaries between conventional songs and orchestral soundtracks. Augmented by a stunning cover designed by legendary artist Roger Dean (Yes, Asia, Steve Hackett), “Potions” was dense, complicated and unashamedly pretentious. That is, everything a good prog rock album should be!

2016’s “Last Chance To Hear” was a triumphant masterpiece of progressive rock. Expanding upon Craven’s one-person musical palette, the album featured legendary Star Trek actor William Shatner providing spoken-word vocals for the track “Spy In The Sky”. Meanwhile, the album’s opener, “Critical Mass”, went on to win the 2016 Australian Independent Music Award for Best Instrumental.

Here’s what the press has raved about Ben Craven’s releases:

Heavy-duty prog rock monster” – Anil Prasad, Innerviews

Cracking virtuoso performance by an absurdly talented individual” – Classic Rock Society

Craven’s one-man-band production is a prog opus for the 21st century” – Musoscribe

Press play and this album does the rest” – Muzikreviews

Track list:
01 Die Before You Wake [19:32]
02 Amnis Flows Aeternum  [19:11]
03 Die Before You Wake (Single Edit) [4:47]
04 Wicked Delights (Single Edit) [2:40]
05 Guiding Voice (Single Edit) [3:31]
06 Amnis Flows Aeternum (Single Edit) [4:51]

Bonus DVD includes:
• main album audio in 5.1 surround (DTS 96/24)
• main album audio in high resolution stereo (24-bit PCM)
• Single Edit videos in 5.1 surround (DTS 96/24)

Release Date: May 6, 2022

CD/DVD pre-order:
Europe: https://justforkicks.de
North America: https://thebandwagonusa.com/
Australia: https://bencraven.bandcamp.com/album/monsters-from-the-id

Digital pre-order. Includes immediate download of the four “Single Edits”:
https://bencraven.bandcamp.com/album/monsters-from-the-id

Album trailer: https://youtu.be/VxCdUACi2nQ

More about digital optional extras: https://youtu.be/EUx6u1RfSJc

For more information:
http://www.bencraven.com

Press inquiries: Glass Onyon PR, PH: 1-828-350-8158 (US), glassonyonpr@gmail.com


Australian Prog Artist Ben Craven To Release Third Album “Last Chance To Hear” Featuring Guest Contributions By William Shatner and Billy Sherwood

LastChanceToHear med res

For Immediate Release

Australian Prog Artist Ben Craven To Release Third Album “Last Chance To Hear” Featuring Guest Contributions By William Shatner and Billy Sherwood

“Seriously well-distilled and blended” – Van Dyke Parks

Brisbane, Australia – Australian cinematic progressive-rock singer-songwriter Ben Craven is releasing his highly anticipated third album “Last Chance To Hear”. The new release features guest contributions by YES legend Billy Sherwood and iconic actor William Shatner (yes, Capt. Kirk himself!!!). A new single titled “The Remarkable Man” is available for immediate download when pre-ordering the album. It’s an imaginary theme song from a spy thriller movie franchise.

Says Ben, “ ‘Last Chance To Hear’ is loosely inspired by the end of the music industry as we knew it. There’s never been a time when so much new music was being made by so many people and being listened to by so few people. The concept of paying for new music is now alien to a lot of the audience. Digital downloads have made physical media virtually obsolete. Streaming services mean that anybody making new music is now competing with the whole history of recorded music. And the album format is in danger of becoming extinct. There’s never been a time full of more ‘opportunity’ than now. So I made an album about it.

“The new album is a logical progression from my previous album, ‘Great & Terrible Potions’. The arrangements are more confident and more purposeful. But probably the biggest difference is that there are fewer vocals on this new one. ‘Last Chance To Hear’ is more about having the confidence, and presumably the competence, to let the music do the talking.”

The obvious question is how did Ben recruit such iconic artists as William Shatner and Billy Sherwood to guest on his new album? Ben explains, “I was not my first choice to perform the vocals on ‘Spy In The Sky Part 3’. I pored over the melody and the lyrics to get them just right. But when I finally ran through the completed lyrics in my head, I could only imagine a speaking voice.

“Immediately I thought ‘William Shatner!’ and loved the idea. Then reality kicked back in and I got on with the job of singing my own vocals. Except the idea never went away. It kept nagging and eating away at me, like all good ideas do. And here I was willing to give up my own vocal performance on the most dramatic piece of music on the album! So I had to stop ignoring it.

“I reached out to Billy Sherwood who as you know produced William Shatner’s last album, the excellent ‘Ponder The Mystery’. Billy would have been my first and only choice to record the session. I asked him if he thought the concept of having Shatner appear one of my songs would even be possible. Amazingly, everyone agreed, and Billy is the one who actually made it happen.

“Deep down I felt a lingering terror that the music might collapse under the weight of a William Shatner vocal performance. But I suspect Shatner realized the opposite. He played the lead vocalist role perfectly, as boldly and grandly as the music aspired to be. It is an awesome combination and he brought the track up to a new level altogether. I love it.”

Hailing from Brisbane, Australia, immersed as a toddler in the era of big prog rock, Craven taught himself guitar and keyboards and joined a series of bands. None of them made it and none of them remotely played the kind of music that had been burned into his mainframe as a kid. Nonetheless, the songs he wrote accumulated steadily. In 2005, Craven dispensed entirely with the band approach and recorded his debut album, “Two False Idols” under the name of Tunisia. The result was a work of incredible maturity, with influences ranging from Pink Floyd and Brian Wilson to the likes of Bernard Herrmann and John Barry.

Says Ben, “My usual suspect influences are Pink Floyd, Mike Oldfield, Yes and King Crimson. But just as important are composers like Bernard Herrmann, John Barry, Henry Mancini and John Williams. I seem to blend progressive music with film soundtrack elements. I’m also a Brian Wilson tragic.”

As Craven worked his first album it became painfully obvious that the music business was in the midst of a sea change, and most of the old guard didn’t seem to realize they were the cause. Very quickly he took an anti-DRM stance and released the live acoustic EP “Under Deconstruction” as a high-quality free download.

Craven stepped up a gear for his sophomore album, “Great & Terrible Potions”. Delivering on the cinematic promise of “Two False Idols”, “Potions’” went widescreen as Craven blurred the boundaries between conventional songs and orchestral soundtracks. Augmented by a stunning cover designed by legendary artist Roger Dean (Yes, Uriah Heep, Asia), “Potions” was dense, complicated and unashamedly pretentious – everything a good prog rock album should be! Or, to put it another way, Craven sounded exactly like someone reveling in the creative freedom that came only from not worrying about what others wanted, and delivering what he felt instead.

And now, much to the excitement of Prog fans worldwide, Ben is releasing his latest masterpiece “Last Chance To Hear”!

Here’s what the press raved about Ben Craven’s previous release:

“Heavy-duty prog rock monster” – Anil Prasad, Innerviews

“Cracking virtuoso performance by an absurdly talented individual” – Classic Rock Society

“Craven’s one-man-band production is a prog opus for the 21st century” – Musoscribe

“All the drama, thunder, strum and drang you could want the spiritual grand child of Rick Wakeman and Keith Emerson to bring” – Midwest Record

“Craven’s tremendous ability to combine memorable hooks with complex progressive rock and cinematic orchestral music is astounding” – Sea Of Tranquility

“Press play and this album does the rest” – Muzikreviews

In support of “Last Chance To Hear” Ben is putting together a one-man show for the album launch event in April, and hopes to develop it for further performances.

In closing Ben has this to impart to his fans and listeners, “This is a desperate time for music. The landscape is littered with album reissues, remixes, repackages and compilations. Record companies are trying to squeeze out every last cent while they still can. Some artists only put out new albums so they can tour. Others have decided that nobody wants to hear their new music so they don’t bother making any. There’s so much noise out there now that it’s virtually impossible for anyone to stand out without the marketing might of a big record label. I want people to know that there are still those of us flying under the radar, the obsessives, who make music because it keeps us alive. With no realistic expectations of financial success, it’s the anticipation of the next song, the one we haven’t finished yet, that keeps us going!”

For more information: http://bencraven.com/

“The Remarkable Man” video: https://youtu.be/eEWnhjJVTUg

To purchase Ben Craven’s “Last Chance To Hear”: https://bencraven.bandcamp.com/album/last-chance-to-hear

Press inquiries: Glass Onyon PR, PH: 828-350-8158 (USA), glassonyonpr@gmail.com


Australian Prog Artist Ben Craven To Release New Single Through Innovative Music Delivery System ‘TuneLeak’

Ben Craven med res

For Immediate Release

Australian Prog Artist Ben Craven To Release New Single Through Innovative Music Delivery System ‘TuneLeak’

“Seriously well-distilled and blended” – Van Dyke Parks

Brisbane, Australia – Much to the excitement of prog music aficionados across the planet, Australian cinematic progressive-rock singer-songwriter Ben Craven is releasing his new single through an innovative new music delivery system he’s developed called ‘TuneLeak’. Ben Craven’s new single titled “Critical Mass Part 2” is now available through TuneLeak at http://www.tuneleak.com.

Ben explains, “This project is being driven by music industry commentators saying the album is dead. I agree it’s an endangered species, at least commercially. As a musician and a listener, I’m very attached to the concept of albums as coherent collections of songs and all the emotional ties we make with them. So for this album I’m trying a different business model – which I’m calling ‘TuneLeak’ – where I can engage the audience at every step of the recording process, officially ‘leak’ songs well before they’re finished, and hopefully even get paid!”

The new single is part of Craven’s highly anticipated forthcoming third album tentatively titled ‘Last Chance To Hear’. Says Ben, “’Critical Mass Part 2′ is the first song I’ve recorded for the album, and the first track I’m putting out there on the TuneLeak website. It’s a short, sharp instrumental, and sounds like outer-space spy music. There is of course a ‘Part 1’ and I’ll be leaking that track very soon as well!”

Hailing from Brisbane, Australia, immersed as a toddler in the era of big prog rock, Craven taught himself guitar and keyboards and joined a series of bands. None of them remotely played the kind of music that had been burned into his mainframe as a kid. Nonetheless, the songs he wrote accumulated steadily. In 2005, Craven dispensed entirely with the band approach and recorded his debut album, ‘Two False Idols’ under the name of Tunisia. The result was a work of incredible maturity, with influences ranging from Pink Floyd and Brian Wilson to the likes of Bernard Herrmann and John Barry.

Says Ben, “My usual suspect influences are Pink Floyd, Mike Oldfield, Yes and King Crimson. But just as important are composers like Bernard Herrmann, John Barry, Henry Mancini and John Williams. I seem to blend progressive music with film soundtrack elements. I’m also a Brian Wilson tragic.”

As Craven worked his first album it became painfully obvious that the music business was in the midst of a sea change, and most of the old guard didn’t seem to realise they were the cause. Very quickly he took an anti-DRM stance and released the live acoustic EP ‘Under Deconstruction’ as a high-quality free download.

Craven stepped up a gear for his sophomore album, ‘Great & Terrible Potions’. Delivering on the cinematic promise of ‘Two False Idols’, ‘Potions’ went widescreen (literally) as Craven blurred the boundaries between conventional songs and orchestral soundtracks. Augmented by a stunning cover designed by legendary artist Roger Dean (Yes, Uriah Heep, Asia), ‘Potions’ was dense, complicated and unashamedly pretentious – everything a good prog rock album should be! Or, to put it another way, Craven sounded exactly like someone revelling in the creative freedom that could come only from not worrying about what others wanted, and delivering what he felt instead.

And now Ben is working on his latest masterpiece! He explains, “In keeping with the idea of the album as an endangered species, the working title is ‘Last Chance To Hear’. It’s shaping up to be another solo album in the true sense of the word where I play just about everything, like on my previous album ‘Great & Terrible Potions’. The difference this time is a much greater portion will likely be instrumental. Not that I dislike vocals, but sometimes the music can be strong and emotional and moving enough to stand on its own without them.”

Here’s what the press raved about Ben Craven’s previous release:

“Heavy-duty prog rock monster” – Anil Prasad, Innerviews

“Cracking virtuoso performance by an absurdly talented individual” – Classic Rock Society

“Craven’s one-man-band production is a prog opus for the 21st century” – Musoscribe

“All the drama, thunder, strum and drang you could want the spiritual grand child of Rick Wakeman and Keith Emerson to bring” – Midwest Record

“Craven’s tremendous ability to combine memorable hooks with complex progressive rock and cinematic orchestral music is astounding” – Sea Of Tranquility

“Press play and this album does the rest” – Muzikreviews

In closing Ben has this to impart to his fans and listeners, “The music business is becoming an increasingly cynical place. The landscape is dominated by reissues, remixes and repacking of old material in what feels like a ‘last hurrah’. But there are still true believers out there flying under the radar and producing music primarily out of love and obsession. Not because of contractual obligations, deadlines or other market forces. I’d still be making music if the industry was truly dead and buried. But I’d much rather people listened to it!”

For more information: http://bencraven.com/

“Critical Mass Part 2” video:

Press inquiries: Glass Onyon PR, PH: 828-350-8158 (USA), glassonyonpr@gmail.com

The TuneLeak Manifesto

TuneLeak is a different approach for releasing music. It’s like getting to know someone gradually over a meaningful period of time, rather than telling them you love them on the first date. Most importantly, it’s about albums. That is, TuneLeak features albums as they’re being recorded.

As each individual song is worked on, the artist will “leak” an early version. It might just be a rough demo. Or it could be almost complete. It will probably sound different when the album is finished. But it will be out there for all to hear.

These leaked tracks (“TuneLeaks”!) will be available for purchase as digital downloads. When the album is finally released, TuneLeak customers will receive a discount equal to the total amount they spent on purchasing the leaked tracks from that album. So, if you download, say, five “TuneLeaks” from a particular artist at $1 per track, you’ll receive a $5 discount on the album. You won’t pay twice for the same song.

It’s not quite crowdfunding. It’s not quite pre-ordering. It’s artists and audiences coming together on the creative journey of making an album.