Category Archives: Press Release

Pete Roth Trio feat. Bill Bruford Release Titular Single “Group Chat” From Upcoming CD/DVD

For Immediate Release

Pete Roth Trio feat. Bill Bruford Release Titular Single “Group Chat” From Upcoming CD/DVD

Single releases today, Thursday July 3, 2026

Listen to “Group Chat”: https://cherryred.co/PRTGroupChat

Group Chat is the third single and title track from the upcoming Pete Roth Trio album of the same name, released September 18, 2026. Led by guitarist Pete Roth, alongside bassist Mike Pratt and incomparable drummer Bill Bruford, Group Chat is a release of particular significance, marking Bruford’s eagerly awaited return to headline performance after a 13-year hiatus, as well as his first appearance on new material in 19 years.

Produced by Pete Roth and Bill Bruford for Winterfold Records, Group Chat presents a trio that thrives on intimacy, risk and connection. Rooted in jazz but never constrained by it, the single moves fluidly through funk and spontaneous improvisation, with nothing treated as untouchable. As the title implies, it is a vivid document of three distinctive musical voices in open conversation – intimate, exploratory, witty and deeply alive.

The music press reactions to both single and album have been emphatic. “The Pete Roth Trio is a band of equals, clearly loving the opportunity to improvise and have musical conversations,” wrote Biff Bam Pop!, while Innerviews praised the music as “rich with nuance, invention, and telepathic rapport.” Dr. Jazz Talks described the album as “a feast of rhythm and melody,” and Make Weird Music summed up its appeal succinctly: “I wish more jazz was this much fun.” Another review captured the trio’s balancing act perfectly, calling it “loose enough that it could fall apart and tight enough that it grooves.”

Group Chat reflects a continuing commitment to the innovative, the unusual and the unlikely. Together, the three musicians create an experience that reshapes expectations of the guitar trio format, making space for melody, texture, groove and surprise in equal measure.

INTERVIEW REQUESTS, PHOTOS, VIDEO STREAM ETC AVAILABLE ON REQUEST

TRACK LISTING

DISC ONE: CD AUDIO
1. Full Circle
2. Part Of The Charm
3. Group Chat
4. Improvisation on the Largo from Dvořák’s Symphony #9
5. Looking Forward To Looking Back
6. Summertime
7. Dancing With Grace
8. Original Sin
9. Hard Case, Soft Centre

DISC TWO: BONUS DVD
1. Introduction
2. Full Circle
3. Part Of The Charm
4. Group Chat
5. Improvisation on the Largo from Dvořák’s Symphony #9
6. A Word From Pete
7. Hard Case, Soft Centre

Produced by Pete Roth and Bill Bruford for Winterfold Records
BBWF006CDVD
www.winterfoldrecords.com

Listen to the “Group Chat” single: https://cherryred.co/PRTGroupChat

Pre-order the “Group Chat” album: https://www.cherryred.co.uk/pete-roth-trio-featuring-bill-bruford-group-chat-cd-dvd-edition

Information about the Pete Roth Trio: www.peterothtrio.com

Facebook: https://www.facebook.com/PeteRothTrio

Press inquiries: Keith James, Glass Onyon PR, PH: 828-350-8158 (USA), glassonyonpr@gmail.com


Swedish Artist Malou Berg Releases the Piece ”SPIRAL – An Inner Journey”

For Immediate Release

Swedish Artist Malou Berg Releases the Piece ”SPIRAL – An Inner Journey”

Snäcksjön, Sweden – Malou Mountain Music is thrilled to release her album Spiral – An Inner Journey on all streaming services. Spiral – An Inner Journey, also released as a CD, is the final release in Malou Berg’s series of nine CDs called The Pleiadian Suite.

Malou Berg’s 40-minute piece, “Spiral – An Inner Journey”, takes the listener on a relaxing and life-affirming journey centered on the theme of birth. It all began when Malou wanted to record a longer piece of music, where the music was created from scratch, from the moment producer Lasse Nilsson pressed the record button.

No structure. No melody. No lyrics. No form. It could have ended in chaos. Instead, what emerged was an evocative piece of magical music.

The journey began when world-class percussionist Xavier Desandre Navarres started playing, without a word, on bowls tuned to 639 Hz—that is, the key of E-flat major, but slightly higher than the traditional Western/German tuning. The piece thus follows the ancient, so-called Solfeggio scale, also known as the “frequency of love”. It is linked to the heart chakra, and is believed to create harmony.

“Many of us haven’t had a clue why, but the Solfeggio frequency feels better in the body than the traditional Western scale,” Malou notes. The scale’s fundamental tone created a sort of “drone,” which in turn laid the foundation for Thomas Hellsten’s deeply musical keyboard playing and Malou’s fantastic vocal performances, which convey a wealth of emotional expression. One can only imagine the mutual trust and sensitivity required for this almost telepathic approach to work.

“Even my singing is exactly as it was at the moment of creation—I haven’t re-recorded or edited anything,” Malou reveals, ”but we did add backing vocals and a few other instruments”.

Framed by a drizzling rain and harmonious birdsong, the various parts flow seamlessly into one another.

Sung in Pleiadian, a language Malou herself invented, the song depicts the seed, something rising up, followed by anticipation, expansion, stabilization, form, and structure, before the time has come for birth. Then comes wonder, relaxation, and stillness.

”Spiral – An Inner Journey” was mixed by experienced and highly talented producer/engineer and musician, Lasse Nilsson. When putting the finishing touches to the mix, Lasse consistently started from scratch, in order to maintain a holistic approach to the piece. Malou also wanted to tie the last part to first one so that the listener can play the track on repeat, and not be entirely sure when it starts over.

“I think it’s absolutely the best mix Lasse has ever done with my music,” says Malou. “It’s airy and exciting, yet nuanced.”

Malou’s songs usually arrive fully formed. Melody and lyrics – the whole package – all at once.

Only then her knowledge and experience take over: arrangement, vocal harmonies and general flow.

“When you receive the songs that way, it’s a gift to myself as well. It allows me to listen to the music and take joy in it. Not because I ”made” it, but because I’ve had the privilege of receiving it”.

“Spiral – An Inner Journey” is meditative, harmonious, and dynamic. It lends itself to both active listening and together with other activities. With its sense of presence, rich sensuality, and playfulness, it is a vibrant, pulsating work of total art celebrating life and its origins.

“Given the state of the world right now, anything that can bring a sense of calm to the body and soul is sorely needed,” Malou observes.

Consciously or not, people strive for balance and healing. The ancient Solfeggio scale helps us in this quest. ”Spiral – An Inner Journey” was released on all major streaming services in the spring of 2026. When the decision to also submit ”Spiral” for the Grammy jury’s consideration reached Xavier, the world class percussionist reacted with delight:

”This album is fantastic, I love it and it’s a beautiful decision to send it to the Grammy awards. This music is made of joy, happiness and the deepest side of our souls. We made a wonderful connection, and Lars magnified the result of these sessions”.

Sweden, August 2026 – Listen to SPIRAL – An Inner Journey

Spiral is available on all major streaming services

Listen on malou.se: https://www.malou.se/en/album/spiral-an-inner-journey
Spotify:  https://open.spotify.com/track/0VWE9dFiRooHwu3QDzxouA?si=c89ec66b232c4764
Apple Music: https://music.apple.com/us/song/spiral-an-inner-journey/6766096561
Tidal: https://tidal.com/album/521255093/u
Youtube Music: https://music.youtube.com/watch?v=NQG0Eu1Sy5A&si=le4RkX4rrOn1YQtD

Official Website: https://www.malou.se/
Facebook: https://www.facebook.com/MalouBergMMM/
Instagram: https://www.instagram.com/maloubergmusic/

Contact information: Malou Berg, Malou Mountain Music AB Phone: +46 70-316 3100 info@malou.se

Press inquiries: Keith James, Glass Onyon PR, PH: 828-350-8158 (USA), glassonyonpr@gmail.com


WILL SELLENRAAD RETURNS WITH THE CONTINUATION TO GREENE STREET VOL. 1. GREENE STREET VOL. 2 IS COMING IN THE FALL AND THE FIRST SINGLE “MY LOVE AND I“ IS OUT NOW THROUGH DEKO ENTERTAINMENT.

For Immediate Release

WILL SELLENRAAD RETURNS WITH THE CONTINUATION TO GREENE STREET VOL. 1

GREENE STREET VOL. 2 IS COMING IN THE FALL AND THE FIRST SINGLE “MY LOVE AND I“ IS OUT NOW THROUGH DEKO ENTERTAINMENT.

Stockton, NJ – Greene Street Vol. 2 brings together guitarist Will Sellenraad, bassist Elam Friedlander, and drummer Eric McPherson for a recording rooted in trust, spontaneity, and tradition. Recorded at GB’s Juke Joint in New York City on August 15, 2025, the album captures three musicians meeting with a shared commitment to honest interaction and creative discovery.

As a continuation of Greene Street vol.1, this recording reflects an ongoing exploration of the musical relationships, influences, and experiences that have shaped their work in and around New York City’s creative music community. Rather than functioning as a showcase for any single musician, Greene Street Vol. 2 presents a genuinely collaborative trio sound, where each voice contributes equally to the direction and character of the music.

The album was recorded in a single afternoon with only a handful of takes devoted to each composition. There was little interest in chasing the perfect production, more so the focus was on as much MoJo as possible. Capturing performances with energy, personality, and the moment itself. The result is a recording that preserves the immediacy of musicians listening and responding to one another in real time. As Sellenraad states, “This record is the result of us playing a lot over the years.  We had the opportunity to get in the studio and really wanted to get as analog as possible with this recording. We hope you can feel it”

The repertoire balances original compositions with material drawn from the jazz tradition. Sellenraad’s compositions “Double Down,” “Bean’s Blues,” and “Icebreaker” sit comfortably alongside interpretations of David Raskin’s “My Love and I,” Frank Foster’s “Raunchy Rita,” John Coltrane’s “Satellite,” and Jerome Kern’s classic “Yesterdays.” Each selection serves as a starting point for exploration, allowing the trio to move fluidly between structure and improvisation while maintaining a strong sense of melody and swing.

Listen to: https://push.fm/ps/b4vn6jbc

The album opens with a lyrical interpretation of the beautiful “My Love and I,” featuring Sellenraad on nylon-string guitar before returning to electric guitar for the remainder of the recording. Throughout the session, Friedlander’s deep, resonant bass sound and McPherson’s masterful drumming provide a constantly shifting foundation, creating space for conversation rather than accompaniment.

Greene Street Vol. 2 documents a moment. It is the sound of three musicians bringing their individual histories, influences, and instincts into the room and allowing the music to unfold naturally. The album embraces the qualities that have always defined great jazz recordings: communication, risk, lyricism, and the excitement of discovery.

Pre-order Greene Street Vol. 2 here: https://www.dekoentertainment.com/will-sellenraad

Track Listing
My Love and I (David Raskin)
Double Down (Will Sellenraad)
Raunchy Rita (Frank Foster)
Bean’s Blues (Will Sellenraad)
Icebreaker (Will Sellenraad)
Satellite (John Coltrane)
Yesterdays (Jerome Kern)

For more information:
https://www.dekoentertainment.com
Deko Entertainment–Art Has Value

Press inquiries: Keith James, Glass Onyon PR, PH: 828-350-8158 (USA), glassonyonpr@gmail.com


EDDIE JOBSON – U.K. REVISITED – 2026 U.S. DATES ANNOUNCED

For Immediate Release

EDDIE JOBSON – U.K. REVISITED – 2026 U.S. DATES ANNOUNCED

Legendary musician Eddie Jobson, the co-founder of ’70s progressive-rock supergroup ‘U.K.,’ is returning to the U.S. for just three concerts in Los Angeles, Chicago and New York.  Performing the music of U.K. for the first time in almost a decade, he will be joined by Marc Bonilla (CTA, Keith Emerson); Alex Machacek (U.K., Brand X); and Marco Minnemann (U.K., Hans Zimmer, The Aristocrats). Jobson has stated that these could be his final ‘U.K.’ concerts in North America.  His son, Chris Jobson will perform a short opening set in his U.S. solo debut.

The confirmed dates are:
Oct. 5th The Roxy Theatre, West Hollywood (Tickets) [on sale 10am PDT Monday August 31st]
Oct. 7th Reggie’s, Chicago (Tickets) [on sale 12pm CDT Monday August 31st]
Oct. 10th ProgStock, Rutherford, NJ (Tickets)

Tickets for Los Angeles and Chicago go on sale on Monday August 31st.

Though best-known as the first violinist inducted into the Rock & Roll Hall of Fame and as one of the top keyboard players in the progressive-rock genre, having played with Curved Air, King Crimson, U.K., Yes and Jethro Tull, Jobson has actually spent the majority of his career as a cross-genre composer and producer.  A child prodigy violinist and young classical composer and pianist, he first came to international attention replacing Brian Eno as synthesist in the influential art-rock band Roxy Music at the age of 18; going on to becoming Frank Zappa’s keyboardist and electric violinist at the age of 21, and forming U.K. at 22 with Allan Holdsworth, John Wetton and Bill Bruford.  Leaving the rock world and international arena touring at the age of 25, Jobson became a multi-award-winning composer for television and film, scoring over 100 TV dramas, working on several movies, and focusing on a diverse range of recording projects for his own international label Globe Music, before briefly reforming U.K. in 2014.

Regarded by many as the consummate musician, Jobson’s live performances have received accolades worldwide for their musical power and for the band’s unparalleled virtuosity.

Eddie Jobson FB page: https://www.facebook.com/EJ.UK.fanpage/

Press inquiries: Glass Onyon PR, PH: 828-350-8158 (USA), glassonyonpr@gmail.com


Pete Roth Trio feat. Bill Bruford Release New Single “Improvisation on the Largo from Dvořák’s Symphony #9” From Upcoming CD/DVD “Group Chat”

For Immediate Release

Pete Roth Trio feat. Bill Bruford Release New Single “Improvisation on the Largo from Dvořák’s Symphony #9” From Upcoming CD/DVD “Group Chat”

Single out Friday August 14, 2026

Listen to “Improvisation on the Largo from Dvořák’s Symphony #9”: https://cherryred.co/PeteRothLargo

The Pete Roth Trio have released their new single “Improvisation on the Largo from Dvořák’s Symphony #9” on August 14, 2026! This is the second single from their upcoming live CD/DVD album Group Chat.

The Pete Roth Trio return with Group Chat, a striking new CD/DVD release that captures the spontaneity, interplay and fearless musical conversation at the heart of this exceptional band. Led by guitarist Pete Roth, alongside bassist Mike Pratt and legendary drummer Bill Bruford, Group Chat is Roth’s third major album and a release of particular significance, marking Bruford’s eagerly awaited return to headline performance after a 13-year hiatus, as well as his first appearance on new material in 19 years.

Produced by Pete Roth and Bill Bruford for Winterfold Records, Group Chat presents a trio that thrives on intimacy, risk and connection. Rooted in jazz but never constrained by it, the music moves fluidly through funk, contemporary classical influences and spontaneous improvisation, with nothing treated as untouchable. Original compositions such as Full Circle, Dancing With Grace and Original Sin sit alongside collaborative pieces including Part Of The Charm and Looking Forward To Looking Back, while the trio’s inspired Improvisation on the Largo from Dvořák’s Symphony No. 9 underlines the breadth of their musical imagination. The result is a record that feels adventurous, immediate and alive – music made in the moment by three musicians listening as deeply as they play.

The release is presented as a two-disc digipak CD/DVD edition, complete with a booklet containing extensive notes and group photographs. Alongside the nine-track audio album, the package includes a bonus 35-minute DVD offering further insight into the trio’s world, with performances, an introduction, and a special spoken segment from Pete Roth.

The music press reaction’s have been emphatic. “The Pete Roth Trio is a band of equals, clearly loving the opportunity to improvise and have musical conversations,” wrote Biff Bam Pop!, while Innerviews praised the music as “rich with nuance, invention, and telepathic rapport.” Dr. Jazz Talks described the album as “a feast of rhythm and melody,” and Make Weird Music summed up its appeal succinctly: “I wish more jazz was this much fun.” Another review captured the trio’s balancing act perfectly, calling it “loose enough that it could fall apart and tight enough that it grooves.”

Pete Roth brings to Group Chat a background that spans blues, rock and jazz, shaped first in Germany and then refined through his studies and career in the UK. Mike Pratt, a highly regarded bassist, composer and producer with deep roots in jazz fusion and groove-based music, brings both harmonic imagination and rhythmic authority to the trio. For Bruford, whose career has encompassed groundbreaking work with Yes, King Crimson, Earthworks and a host of major jazz collaborators, Group Chat reflects a continuing commitment to the innovative, the unusual and the unlikely. Together, the three musicians create an experience that reshapes expectations of the guitar trio format, making space for melody, texture, groove and surprise in equal measure.

Group Chat is a vivid document of three distinctive musical voices in open conversation – intimate, exploratory, witty and deeply alive.

INTERVIEW REQUESTS, PHOTOS, VIDEO STREAM ETC AVAILABLE ON REQUEST

TRACK LISTING

DISC ONE: CD AUDIO
1. Full Circle
2. Part Of The Charm
3. Group Chat
4. Improvisation on the Largo from Dvořák’s Symphony #9
5. Looking Forward To Looking Back
6. Summertime
7. Dancing With Grace
8. Original Sin
9. Hard Case, Soft Centre

DISC TWO: BONUS DVD
1. Introduction
2. Full Circle
3. Part Of The Charm
4. Group Chat
5. Improvisation on the Largo from Dvořák’s Symphony #9
6. A Word From Pete
7. Hard Case, Soft Centre

Produced by Pete Roth and Bill Bruford for Winterfold Records
BBWF006CDVD
www.winterfoldrecords.com

Listen to “Improvisation on the Largo from Dvořák’s Symphony #9”: https://cherryred.co/PeteRothLargo

Pre-order “Group Chat”: https://www.cherryred.co.uk/pete-roth-trio-featuring-bill-bruford-group-chat-cd-dvd-edition

Information about the Pete Roth Trio: www.peterothtrio.com

Facebook: https://www.facebook.com/PeteRothTrio

Press inquiries: Keith James, Glass Onyon PR, PH: 828-350-8158 (USA), glassonyonpr@gmail.com


Signal Meridian Reimagines Strawbs Classic on Debut Single “Heartbreaker” on Blue Élan Records feat. Members of Grace Potter, David Bowie, Moody Blues, The Killers

For Immediate Release

Signal Meridian Reimagines Strawbs Classic on Debut Single “Heartbreaker” on Blue Élan Records feat. Members of Grace Potter, David Bowie, Moody Blues, The Killers

Reinterpreting Overlooked Song Catalogs

Listen to “Heartbreaker”/Pre-order Signals in Autumn: https://signalmeridian.lnk.to/heartbreaker

Watch the lyric video: https://www.youtube.com/watch?v=RNtvicrV0cw

Today, August 19, 2026, Signal Meridian releases their debut single “Heartbreaker” from their upcoming album Signals in Autumn on Blue Élan Records. “Heartbreaker” reimagines the Strawbs track of the same name from their 1977 release Burning for You.

Signal Meridian sounds like a forgotten progressive-rock group of the ‘70s. It’s not. It’s happening right now.  It’s a collective of top-flight session musicians and vocalists enlisted by Blue Élan Records co-founder Kirk Pasich to reimagine and reinvent the song catalogs of underappreciated artists from the progressive rock genre and beyond.

Signals in Autumn, the first of a planned four initial chapters (all featuring different groups), is inspired by the music of Strawbs, a U.K. band that has reinvented itself four times, and produced such alumni and collaborators as Yes’ Rick Wakeman, Fairport Convention’s Sandy Denny and Blue Weaver, a keyboardist who went on to play with the Bee Gees and Average White Band. Formed in 1963 by Dave Cousins and Tony Hooper as the bluegrass duo Strawberry Hill Boys, the band transformed into British folk-rockers among contemporaries such as Fairport Convention, Steeleye Span, Fotheringay, Pentangle and Richard and Linda Thompson. A progressive art-rock phase ensued with keyboardist Wakeman before Strawbs launched into a more hard-rocking, commercially successful phase in 1972 with the addition of singer/songwriter/guitarist Dave Lambert to the writing team of Cousins and Chas Cronk.

“From bluegrass to folk to prog to rock, Strawbs kept reinventing themselves,” said Pasich. “I wanted to reintroduce great songwriters in a contemporary way, with world-class players and singers. Also, to remind people that prog is not just in 7/4 time with 43-minute-long tracks and technical proficiency.”

While at UCLA in the mid-1970s, Pasich became a fan of not only Strawbs, but progressive acts like Kansas, Triumvirat, and Camel, and has long wanted to redeem the often critically ignored, maligned genre. The 10 Strawbs tracks on Signals in Autumn come from six studio albums released in six years. All those albums, including stints on the A&M, Oyster, and Arista labels, are represented on Signals in Autumn, none of them cracking the Top 100 on the U.S. charts — Bursting at the Seams (1973), All Our Own Work (1973), Hero and Heroine (1974), Nomadness (1975), Burning for You (1977), and Deadlines (1978).

With Pasich at the helm, the idea was not a tribute or covers album, but a chance to “reveal new versions just as rich and rewarding as pop recordings that revisit early songs, with fresh ears and artistic freedom.”

Kirk tapped keyboardist Sasha Smith as co-producer “to help shape every aspect of the recording process.” Smith is an L.A.-based musician who has worked with a wide range of artists, including Cat Power, Ariana Grande, Ann Wilson, Sia, and the Wallflowers, and released a solo instrumental album, New Leaves, on Blue Élan. They were joined by a veritable all-star team, including guitarists Val McCallum (Jackson Browne, Lucinda Williams, Sheryl Crow and his own Jackshit combo with Elvis Costello drummer Pete Thomas) and Nashville-to-LA native Adam Gimenez (Paris Jackson, 3OH!3, Savannah Pope).  The group is rounded out by bassist Kurtis Keber and female drummer Jordan West, who double as Grace Potter’s rhythm section, along with longtime Billy Idol keyboardist Paul Trudeau (whose own solo album, Lost Diamond Boy, was released on Blue Élan last year). The four lead vocalists include Blue Élan’s Bernie Barlow (eight years with the Moody Blues, plus Sarah McLachlan and Melissa Etheridge), Vanessa Bryan (Lady Gaga, Gwen Stefani, The Killers, Idina Menzel), Holly Palmer (David Bowie, Gnarls Barkley, Dr. Dre, Allee Willis), and Jordan West (who also has a solo album on Blue Élan on tap).

Signals in Autumn offers the perfect showcase for those powerful female voices, with Bryan belting out “Heartbreaker,” the first focus track, featuring some jagged guitar riffs from McCallum and Gimenez, a track from ‘77’s Burning for You, while Bryan’s and Barlow’s pipes make “The Last Resort,” the second single, one of the album’s highlights. The eclectic styles represented, from Bryan’s slow-burning ballad “Carry Me Home,” Palmer’s take on “Don’t Try to Change Me,” and the Stonesy-Chuck Berry R&B number, “Little Sleepy,” given a raucous treatment by Barlow, to the epic three-part art-rock set piece, “Autumn,” with lead vocals by Jordan West, show how eclectic the band’s primary songwriters – Dave Cousins, Chas Cronk, and Dave Lambert – really were.

The album was recorded in five days at Dave’s Room Recording Studio, engineered and mixed by Steve Olmon, and mastered by Stephen Marsh of Marsh Mastering.  Signals in Autumn is the first of a four-part series that will reimagine overlooked songs of the past, not necessarily just in the progressive genre, either.

“Progressive rock provides the starting point because it contains a remarkable body of songwriting that I believe deserves continued exploration,” Pasich pointed out. “But the philosophy itself isn’t limited to progressive rock. Great songs exist everywhere. What will connect future Signal Meridian projects won’t be style or instrumentation. It will be craftmanship, emotional honesty and the belief that exceptional songwriting continues revealing new possibilities over time.”

Pasich is planning for an eventual Signal Meridian tour and looking to brand the semi-permanent collective in the mode of the rotating cast of characters in the Alan Parsons Project.

“The core musicians will largely stay the same from album to album, though we may use an occasional guest vocalist,” he noted. “But this stuff isn’t easy to play live.”

Signals in Autumn will release on October 23, 2026.

Track Listing:
1. Cut Like a Diamond
2. Carry Me Home
3. Little Sleepy
4. Don’t Try to Change Me
5. Lay Down
6. Heartbreaker
7. I Don’t Want to Talk About It
8. The Last Resort
9. Autumn [Suite]
10. Who Knows Where the Time Goes

CD Bonus Tracks:
11. Cut Like a Diamond (Radio Edit)
12. Heartbreaker (Radio Edit)
13. Autumn Heroine’s Theme
14. Autumn Deep Summer’s Sleep
15. Autumn The Winter Long

Listen to “Heartbreaker”/Pre-order Signals in Autumn: https://signalmeridian.lnk.to/heartbreaker

Watch the lyric video: https://www.youtube.com/watch?v=RNtvicrV0cw

For more information: https://blueelan.com/

Press inquiries: Keith James, Glass Onyon PR, PH: 828-350-8158 (USA), glassonyonpr@gmail.com


Legendary Celtic Progressive Rock Band Iona’s First Five Studio Albums to Be Released on Vinyl for the First Time

For Immediate Release

Legendary Celtic Progressive Rock Band Iona’s First Five Studio Albums to Be Released on Vinyl for the First Time

Release date: September 25, 2026

Vinyl lovers of the world can be united in enjoying legendary Celtic progressive rock band Iona’s first five iconic studio albums which are finally available on vinyl for the first time! These albums are:

Iona (1990)
The Book of Kells (1992)
Beyond These Shores (1993)
Journey into the Morn (1996)
Open Sky (2000)

Each double album is specially mastered for vinyl, pressed on 180 gram, heavyweight vinyl, with stunning newly designed artwork and bonus tracks not included on the original CD releases. All of this brings these astonishing albums to life and gives the listener a wonderful, immersive experience. These special vinyl releases are currently available for pre-order, and will be released on Open Sky Records on September 25, 2026.

Each album is available individually in both black and coloured vinyl versions, as well as in a limited-edition 10-disc box set in black vinyl.

If that wasn’t enough, each box set includes a 72-page hardback book, ‘The Studio Files’, a visual time capsule collated by Iona co-founder Dave Bainbridge and beautifully laid out by designer Mike Inns. Featuring photos of recently rediscovered handwritten lyrics, studio track sheets, letters and notes from the time of each album, this book uniquely gives you insights into what the band were thinking and intending with each release.

Also in the box is a numbered certificate hand-signed by Dave Bainbridge.

Quote from Iona co-founder Dave Bainbridge:

“I grew up in the era when vinyl was the default medium to listen to new music on. Taking a new vinyl album out of its sleeve and carefully placing it on the turntable and the needle onto the edge of the album was like a sacred act. Many years before the internet gave us previews of new music, this was usually the very first time that the latest opus from a favourite artist would be heard. The large 12” sleeve format was an accompanying bit of art that I’d stare at whilst listening to the music, absorbing every detail written on the cover about who was playing, what instruments were being used and what the meaning behind the lyrics I was reading could be. By the time Iona the band came into being, CDs had already begun to replace vinyl, and although Iona’s debut album was pressed onto vinyl, most sales were of CD’s and cassette tapes. The vinyl version was more of an afterthought by this time, a respectful nod to a bygone era. Not only did it not include all the tracks, due to the limited space on the medium, the cover was very basic and uninspiring.

Now, a full 36 years since that debut release, Iona has long ceased being a touring and recording band, but amazingly vinyl is once again in fashion as a medium to listen to music on. When I’m on tour with The Colin Blunstone Band we regularly have ‘Record Club’ evenings, where we spend time listening to rare, classic, obscure, old and new albums on vinyl. I love these times as it feels like this setting aside of time to absorb music in this way once again exalts the act of listening to something beyond the everyday.

When Rob at Gonzo Multimedia first mooted the idea of releasing the Iona albums on vinyl, I was immediately excited about the possibilities. Unlike the original vinyl version of the first Iona album, this time we had the opportunity to do it properly. Gatefold sleeves to have a bigger canvas for new, immersive artwork, to match the often vast landscapes conjured by the music; double albums so that not only would all the tracks be present, but that there would be room for some additional bonus tracks. All the albums would be remastered specifically for vinyl by our long time sonic collaborator Nigel Palmer, including some tracks directly from the original master tapes. We’d use the best quality 180 gram vinyl for optimum sound quality and we’d include a signed, numbered certificate in each.

This would have been enough, but the recent rediscovery in my storage unit of the original folders for each of the first five Iona studio albums enabled us to create something truly special. The folders contain Joanne’s original handwritten lyrics, all of the studio track sheets for each song from the albums, letters and notes from the time of each recording, it was a treasure trove, a visual time capsule. This gave us the idea to also include a 72 page hardback book, titled ‘The Studio Files’ which uniquely gives insights into what the band were thinking and intending with each release, by the inclusion of photos of as many of these historical documents as we could fit into the book.

It took a long time to put all of this together, but now, finally, here are the first five, classic Iona albums on vinyl. I hope you will take the time to listen, getting lost in the notes and illustrations on the sleeves and in the book, taking in the music as though you’re hearing for the first time.”

Quote from Iona co-founder David Fitzgerald:

“Iona was formed in 1989, following an impromptu first visit to the Holy Island of Lindisfarne. For about three years I had been recording and touring extensively with Adrian Snell on projects such as ‘Alpha + Omega’, ‘Song Of An Exile’ and City Of Peace’. It was during the recording of the first project ‘A+O’ that I first met Dave Bainbridge. Those who attended concerts during those years will have witnessed and experienced the powerful sound of Adrian’s vocal delivery & musicianship combined with the immense sound of Dave’s keyboards & my assortment of woodwind & reed instruments.

Following what I can only describe as a powerful encounter, feeling for the first time something of that ‘thin place’ between heaven & earth during those 2/3 days sojourning on Holy Island, I shared this experience with Dave Bainbridge upon arrival for a huge concert of ‘Alpha + Omega’ in Glasgow. Both of us knew that we had to look more closely at the Celtic Roots of the Christian faith (it’s saints, literature & artwork – such as the ‘Lindisfarne Gospels’ and the ‘Book Of Kells’).

Soon afterwards, we were offered space in a friend’s cottage in Suffolk, where we began to explore musical ideas and delve into the rich tapestry of history and spirituality that was new to us and so enriching. Not long after that, Dave & I journeyed to the Island of Iona – to learn more of the life of Saint Columba and of the ‘birthplace of Christianity’ in Scotland (in approximately 563 AD).

Special friends, such as Joanne Hogg, Terl Bryant, Nick Beggs & Troy Donockley became central to the vision, music & legacy of Iona). So much more could be shared of these exciting and life-changing early days of the band Iona.

Thanks to the commitment and vision of Dave Bainbridge & Gonzo Multimedia here is a most beautiful and truly exciting new Vinyl Box Set for you to explore – as well as Individual editions of those early, formative years. Thank you Rob Ayling (formerly MD of Voiceprint Records & now Director of Gonzo Multimedia) for this wonderful new edition of these special projects, of the band Iona. Thank you Dave Bainbridge for your heart and commitment over the years, along with producing some of the most phenomenal music on planet earth these last decades. Thank you especially for your friendship in the journey.”

To pre-order: https://www.musicglue.com/iona/

Official website: https://www.iona.uk.com/

Press inquiries: Keith James, Glass Onyon PR, PH: 828-350-8158 (USA), glassonyonpr@gmail.com


7D Media Presents Solace, a New Ambient Jazz Album by Jonathan Crossley, David Kollar and Lukas Ligeti

For Immediate Release

7D Media Presents Solace, a New Ambient Jazz Album by Jonathan Crossley, David Kollar and Lukas Ligeti

Special guest: Arve Henriksen

Watch the video for ’They Are Coming’: https://youtu.be/6xCPODJPi3A

Release date: September 11, 2026 | Cat# 7D2602

Genre: Ambient Jazz

Secondary genres: Electroacoustic improvisation, Experimental jazz, Fourth World / post-Fourth World

Santa Fe, NM — 7D Media is proud to announce Solace, a dynamic new set of wholly improvised works from Jonathan Crossley, David Kollar and Lukas Ligeti. Recorded in June 2024 during an artistic residency at the University of Liverpool, the project captures three singular musical minds in deep, real-time dialogue.

On this recording, the digitally enabled guitar practices of Crossley and Kollar intersect with the polymetric, Africa-inflected drumming of Ligeti, generating environments that move between ambient, pulsating and rhythmically intricate states. Crossley’s playing fuses guitar, synthesis and real-time digital control into an expanded, gestural improvisational language, while Kollar treats the guitar as a vehicle for expansive, genre-defying expression, ranging from tonal abstraction to avant-garde interplay. Ligeti’s drumming draws on experimental, jazz, contemporary and world traditions, weaving overlapping polyrhythms and cross-cultural influences into a percussive approach that is both grounded and exploratory.

On the title track, Solace, the trio are joined by Arve Henriksen, whose haunting trumpet work paints a picture of melancholy and openness within this improvised setting, adding an expansive, textural dimension that underscores the album’s emotional and sonic breadth.

The tracks Solace and They Are Coming are already available for purchase/streaming.

Track Listing
1. Solace (10:04)
2. Interlude (2:16)
3. They Are Coming (6:45)
4. Freedom to Choose (3:28)
5. Imagining Marrakesh (3:47)
6. Games to Play (3:08)
7. You Don’t Know What to Do With Your Life (4:11)
8. Coda (8:17)
9. Dub Ephemeral (7:52)

Personnel
Jonathan Crossley – Guitar, Synth-Guitar, Bass
David Kollar – Guitar, Synthesisers
Lukas Ligeti – Drums
Arve Henriksen – Trumpet

Production
Recorded live at the University of Liverpool by Phil Almond-Higgins, 27 and 28 June 2024.
Additional recording by Jonathan Crossley and Arve Henriksen.
Mixed by Jonathan Crossley.
Mastered by Andrew Larrabee.
Artwork and design by Michal Kořán.
Label: 7D Media — 7dmedia.com

To pre-order: https://7dmedia.com/solace

For more information:
https://www.lukasligeti.com/
https://davidkollar.com/home
https://www.jonathancrossley.uk/

Press inquiries: Keith James, Glass Onyon PR, PH: 828-350-8158 (USA), glassonyonpr@gmail.com


OZRIC TENTACLES RETURN WITH THEIR NEW SINGLE ‘SPACE PLATFORM’

Photo by Simon J Evens

For Immediate Release

OZRIC TENTACLES RETURN WITH THEIR NEW SINGLE ‘SPACE PLATFORM’

THE FIRST SINGLE FROM THE NEW STUDIO ALBUM HARMONIC MIND

SET FOR RELEASE ON KSCOPE ON 18th SEPTEMBER

Following the recent announcement of their new album Harmonic Mind, Ozric Tentacles today share the album’s first single, ‘Space Platform’. From chief Ozric Ed Wynne himself – “Hey everyone, hope you’re doing well n stuff. Here’s the first taster for the upcoming Harmonic Mind. Space Platform is a bit like a launch pad to the new Ozric world. Twisting and turning through the lines and spaces of the Harmonical mind landscape. Hang onto the turf lest you float away.”

WATCH THE VISUALISER FOR ‘SPACE PLATFORM’: https://youtu.be/ejA6lRnQ4KY

STREAM/DOWNLOAD THE NEW SINGLE ‘SPACE PLATFORM’: https://orcd.co/space_platform

Harmonic Mind, the band’s 17th studio album, is another welcome chapter in the ever-evolving Ozric’s story. Named after the geometric structure and harmonic nature of existence, the album weaves together soaring guitar melodies, intricate rhythms, lush synth textures and deep, hypnotic grooves into the kind of free-flowing psychedelic odyssey that has become their trademark.

Recorded at the band’s home studios as it gradually took shape across Scotland, Devon and finally Glastonbury, Harmonic Mind also captures something a little different. Featuring the full touring line-up – including drummer Pat Garvey, bassist Corey Wallace, percussionist Paul Hankin and multi-instrumentalist Saskia Maxwell – the album has a natural energy that reflects the chemistry of the band’s live performances, with each player bringing their own voice to the music.

HARMONIC MIND WILL BE RELEASED EVERYWHERE ON CLASSIC BLACK VINYL LP, TRANSPARENT BLUE VINYL LP, CD AND DIGITALLY. PRE-ORDER HERE: https://ozrictentacles.lnk.to/Harmonic_Mind

A LIMITED PURPLE VINYL LP EDITION IS ALSO AVAILABLE THROUGH OFFICIAL KSCOPE AND OZRIC TENTACLES STORES.

From the driving pulse of “Guardstones” to the cosmic momentum of “Space Platform”, Harmonic Mind is packed with the flowing musicianship and exploratory spirit that fans have come to expect and adore. “Malachite” pays tribute to one of Ed Wynne’s favourite minerals, while also giving centre stage to his custom sandalwood acoustic from Kif Wood Guitars, complete with a beautiful malachite inlay around the sound hole. It’s one of many moments that highlights the warmth and detail running throughout the album, alongside the fluid interplay between Ed Wynne’s guitar and Silas Neptune’s ever-shifting synth landscapes.

Produced by Ed Wynne and Silas Neptune, with mastering handled by Silas for the first time, the album feels both fresh and reassuringly familiar. Even the return of the beloved Erp on the cover art offers a knowing nod to longtime listeners. There’s no radical change of direction here, just Ozric Tentacles doing what they do best.

Ozric Tentacles – Harmonic Mind
1. Guardstones [06:40]
2. Space Platform [05:57]
3. Harmonic Mind [09:12]
4. Malachite [07:52]
5. Tillamook [09:11]
6. Sumipad [04:54]

Since emerging from the UK’s festival scene in the early ’80s, Ozric Tentacles have remained one of psychedelic music’s true originals. More than four decades on, they’re still pushing forward, still exploring new sonic possibilities, and still making music with the same spirit of curiosity and freedom that first set them apart. 2026 sees Ozric Tentacles continue their extensive touring schedule with a large run of Autumn/Winter shows and a number of co-headline shows alongside The Orb.

OZRIC TENTACLES TOUR DATES
2026
22nd August – Down the Hill Festival, Aarschot, Belgium
31st August – Honey Fest, Honeystreet, Devizes, England
4th September – Existence Festival, Tetbury, England
17th September – Foxlowe Arts Centre, Leek, England
18th September – Equinox Festival, Coningsby, England
16th October – Gazarte Ground Stage, Athens, Greece
17th October – WE, Thessaloniki, Greece
11th November – Buttermarket, Shrewsbury, England
12th November – Boilershop, Newcastle, England (with The Orb)
13th November – Lemon Tree, Aberdeen, Scotland
14th November – Queen Margaret Union, Glasgow, Scotland (with The Orb)
15th November – Platform, Morecambe, England
18th November – Social, Hull, England
19th November – O2 Academy, Leeds, England (with The Orb)
20th November – O2 Academy, Liverpool, England (with The Orb)
21st November – Bodega, Nottingham, England
22nd November – Club 85, Hitchin, England
25th November – Con Club, Lewes, England
26th November – O2 Academy, Bournemouth, England (with The Orb)
27th November – O2 Academy, Bristol, England (with The Orb)
28th November – O2 Academy 2, Oxford, England
2nd December – The Church, Ipswich, England
3rd December – Hare & Hounds, Birmingham, England
4th December – O2 Ritz, Manchester, England (with The Orb)
5th December – O2 Kentish Town Forum, London, England
2027
25th February – De Helling, Utrecht, The Netherlands
26th February – De Pul, Uden, The Netherlands
27th February – Poppodium Boerderij, Zoetermeer, The Netherlands
19th March – Shiiine Weekender, Skegness, England
2nd–9th April – Cruise to the Edge, Miami, USA

BUY TICKETS: https://ozrics.com/live-shows/

Harmonic Mind will be released on 18th September on Kscope, pre-order here: https://ozrictentacles.lnk.to/Harmonic_Mind

Ozric Tentacles
Facebook: https://www.facebook.com/OfficialOzricTentacles
Instagram: https://www.instagram.com/ozrictentaclesofficial
Spotify: https://open.spotify.com/artist/0Iv00ucAIqr5KVS7bXGFa9?si=WU3Uy1BMQJav4zGk16oJyw
Apple: https://music.apple.com/gb/artist/ozric-tentacles/464266722
YouTube: https://www.youtube.com/@OzricTentaclesOfficial

Press inquiries: Keith James, Glass Onyon PR, PH: 828-350-8158 (USA), glassonyonpr@gmail.com


ART IN AMERICA TO RELEASE NEW ALBUM DREAMS OF THE DISAPPEARED

For Immediate Release

ART IN AMERICA TO RELEASE NEW ALBUM DREAMS OF THE DISAPPEARED

Follow-up to 2025 comeback album, Rise

Features original members, siblings Chris Flynn, Shishonee Flynn and Dan Flynn

All new material

Out September 24, 2026 on Iconoclassic Records

Art in America returns with Dreams of the Disappeared – the next chapter in one of progressive rock’s most remarkable stories.

Some bands become legends because of the albums they released. Others achieve near-mythical status because of the music that was almost lost. Art in America belongs firmly in the latter category.

When the Detroit, Michigan-based group released their self-titled debut in 1983, progressive rock gained something genuinely new. Combining Chris Flynn’s ambitious songwriting with the pioneering use of Shishonee Flynn’s concert harp as a lead instrument, the band created a sound unlike anything else. Produced by legendary Yes and Emerson Lake and Palmer collaborator Eddy Offord, with arrangements by Steve Morse and keyboards by T. Lavitz (both of Dixie Dregs), and cover art by Ioannis, the Art in America album and its eponymous single and music video became cult favorites. Collaborations with Genesis producer David Hentschel and King Crimson bass player Tony Levin followed before Art in America disappeared from view as musical fashions shifted.

Now, more than forty years later, Art in America continues their story with a new studio album: Dreams of the Disappeared. Their fourth album and their second new release over consecutive years, Dreams of the Disappeared pushes further into the rich musical territory the band first began exploring decades ago.

For songwriter Chris Flynn, the album’s title reflects both its musical structure and its deeper philosophical themes. “These songs morph together as dreams often do. They contain a continuing thread or theme, again a definition of dreams. And in a larger sense, we prepare for the infinite, our disappearance, by defining the finite, our Dreams of the Disappeared.”

That dream-like continuity flows throughout the album, where melodies evolve organically and individual songs feel like chapters within a larger musical narrative. The band’s distinctive identity remains intact, led by the unmistakable sound of Shishonee Flynn’s harp — still one of the most original instruments in progressive rock. As she explains, “Our new album Dreams of the Disappeared features several unique instruments from around the world including a Japanese koto, an African balangi, and an Indian tamboura. Most striking is my ebony and bronze Lyon & Healy pedal harp.”

“What has always set Art in America apart from other rock bands is our unusual instrumentation in conjunction with my brother Chris’s songwriting. Art in America was the first rock band to integrate harp into our unique prog/art rock sound. We continue to explore different tonal landscapes with these beautiful, unusual instruments.” This remains central to the band’s compositional language, weaving alongside guitars, keyboards and intricate rhythms to create music that feels simultaneously familiar and unlike anything else in progressive rock.

Dreams of the Disappeared also continues the band’s tradition of treating every aspect of an album as part of a complete artistic statement. The cover artwork, based on the ancient Greek comedy/tragedy masks, was painted by drummer Dan Flynn, whose art illustrates the lyrics throughout the 20-page CD booklet.

Dreams of the Disappeared represents the continuation of a creative journey interrupted by circumstance rather than inspiration. Its themes of memory, transformation and renewal resonate all the more powerfully because they are lived experience.

Some dreams disappear. Others simply wait to be heard.

Dreams of the Disappeared will be released September 24, 2026.

Dreams of the Disappeared (CD and Digital, Iconoclassic Records ICON 1098)
1. Others
2. Requiem
3. Road Thrill
4. Game
5. Shepherd
6. Three Links
7. Walking the Dog
8. Pink Dominoes
9. Falling Forward
10. Battle of Because
11. Sorry to Say
12. Postscript

To pre-order:
Label store: https://iconoclassicrecords.com/album/dreams-of-the-disappeared/
Independent retail: https://recordstoreday.com/upc/990481103843

For more information:
https://www.artinamericamusic.com
https://www.facebook.com/ArtinAmerica.music
https://www.youtube.com/@ArtinAmericaOfficial-f8b8r

Press inquiries: Keith James, Glass Onyon PR, PH: 828-350-8158 (USA), glassonyonpr@gmail.com