Category Archives: Press Release

Todd Rundgren Announces “Damned If I Do” 2026 Tour

For Immediate Release

Todd Rundgren Announces “Damned If I Do” 2026 Tour

ARTIST PRESALE: Wednesday, March 25 @ 10AM ET [PW: VICTORY26]

PUBLIC ON-SALE: Friday, March 27@ 10AM LOCAL

Legendary producer/songwriter/guitarist Todd Rundgren announces today that he will be embarking on a tour across the United States! Entitled “Damned If I Do”, this tour promises to include plenty of fan favorite songs. Says Todd, “It’s always a challenge for me because my audience is so diverse, I never know what they’re in the mood for. I want to make sure we have all the musical ammunition we need to satisfy the spectrum.”

The tour commences June 11th at the Arcada Theatre in St. Charles, Illinois and ends July 19th at the Cabot Theater in Beverly, Massachusetts. The artist presale begins at 10 AM ET on March 25th [PW: VICTORY26], and tickets go on sale for the public at 10 AM local time on March 27th.

Todd’s band for the Damned If I Do tour will feature Gil Assayas (Keys), Bruce McDaniel (Guitar), Prairie Prince (Drums), Bobby Strickland (Horns), and Kasim Sulton (Bass).

FOR INTERVIEW REQUESTS CONTACT: Paul Maloney, 21st Century Artists Inc. paul@21stca.com

TODD RUNDGREN “DAMNED IF I DO” TOUR
June 11 – Arcada Theatre – St. Charles, IL
June 12 – Des Plaines Theatre – Des Plaines, IL
June 14 – Vibrant Music Hall – Waukee, IA
June 16 – Majestic Theatre – Dallas, TX
June 17 – House of Blues – Houston, TX
June 19 – Tobin Center for the Performing Arts – San Antonio, TX
June 20 – Golden Nugget – Lake Charles, LA
June 22 – Buckhead Theatre – Atlanta, GA
June 23 – The Parker – Ft. Lauderdale, FL
June 25 – Capitol Theatre – Clearwater, FL
June 26 – Capitol Theatre – Clearwater, FL
June 28 – Circle Square Cultural Center – Ocala, FL
June 30 – Charleston Music Hall – Charleston, SC
July 01 – Carolina Theatre of Durham – Durham, NC
July 03 – The Caverns – Pelham, TN
July 05 – KEMBA Live! – Columbus, OH
July 06 – Riviera Theatre – North Tonawanda, NY
July 08 – Community Arts Center – Williamsport, PA
July 09 – Warner Theatre – Washington, DC
July 11 – Keswick Theatre – Glenside, PA
July 12 – Keswick Theatre – Glenside, PA
July 15 – Patchogue Theatre – Patchogue, NY
July 16 – Tarrytown Music Hall – Tarrytown, NY
July 18 – Bally’s Twin River Casino – Lincoln, RI
July 19 – Cabot Theater – Beverly, MA

TODD RUNDGREN

Born and raised in Philadelphia, Rundgren began playing guitar as a teenager, going on to found and front The Nazz, the quintessential `60’s psychedelic group. In 1969, he left the band to pursue a solo career, recording his debut offering, the legendary Runt. But it was 1972’s seminal Something/Anything?, on which he played all the instruments, sang all the vocal parts, and acted as his own producer, that catapulted Todd into the superstar limelight, prompting the press to unanimously dub him ‘Rock’s New Wunderkind’. It was followed by such landmark LPs as The Hermit of Mink Hollow and the above mentioned A Wizard, A True Star, as well as such hit singles as I Saw The Light, Hello It’s Me, Can We Still Be Friends, and Bang The Drum.

In 1974, Todd formed Todd Rundgren’s Utopia (renamed and reconfigured in 1976 as Utopia), an entirely new approach to the concept of interactive musicianship, and embarked on an extensive round of touring and recording. Standout Utopia offerings included Oops! Wrong Planet, Adventures in Utopia, and Oblivion. Along the way, Todd Rundgren’s Utopia combined technical virtuosity and creative passion to create music that initially, for millions, defined the term “progressive rock”, and subsequently, as Utopia, the term “powerpop”.

Rundgren’s myriad production projects include albums by Patti Smith, Cheap Trick, Psychedelic Furs, Meat Loaf, XTC, Grand Funk Railroad, and Hall And Oates. Rounding out his reputation as rock’s Renaissance Man, Rundgren composed all the music and lyrics for Joe Papp’s 1989 Off-Broadway production of Joe Orton’s Up Against It (the screenplay commissioned by The Beatles for what was meant to have been their third motion picture). He also has composed the music for the hit film Dumb and Dumber, as well as a number of television series, including Pee Wee’s Playhouse and Crime Story.

In 2009 Rundgren performed his iconic 1973 album A Wizard A True Star in concert in its entirety for the first time ever, and several years later did the same with a double bill: Todd & Healing. He has toured with Ringo Starr as an erstwhile member of the All-Starr Band since 1989, and continues to perform with symphony orchestras both domestically and internationally. In 2018 he toured North America with original Utopians Kasim Sulton and Willie Wilcox for the first time in 33 years. After the release of his long-awaited autobiography The Individualist, he spearheaded the world’s first hybrid concert/book tour highlighting music across his 50-plus-year career.

In 2017 on successive weekends he was awarded honorary doctorates from both the Berklee School of Music and DePauw University.

In 1998 Todd debuted his new PatroNet technology which for the first time allowed fans of a musical artist to subscribe directly to the artist’s musical output via the Internet. This caps a long history of groundbreaking early multimedia “firsts”, including:

•1978: The first interactive television concert, broadcast live over the Warner/QUBE system in Columbus, Ohio (the home audience chose each song in real time during the concert by voting via QUBE’s 2-way operating system).
•1978: The first live nationally broadcast stereo radio rock concert (by microwave), linking 40 cities around the country.
•1979: The opening of Utopia Video Studios, a multi-million dollar state-of-the-art facility. The first project produced by Todd there is Gustav Holst’s The Planets, commissioned by RCA Selecta Vision as the first demonstration software for their new videodisc format.
•1980: Creation of the first color graphics tablet, which was licensed to Apple and commercially released as The Utopia Graphics Tablet.
•1981: Time Heals, the first music video to utilize state-of-the-art compositing of live action and computer graphics (produced and directed by Todd), becomes the eighth video to be played during the launch of MTV on August 1, 1981.
•1982: The first live national cablecast of a rock concert (on the USA Network), simulcast in stereo to over 120 radio stations.
•1982: The first two commercially released music videos, one of which was nominated for the first-ever Grammy awarded for “Best Short Form Video” in 1983.
•1992: The first commercially available music downloads via CompuServe.
•1993: The release of “No World Order”, the world’s first interactive record album on CD-i.
•1994: The release of “The Individualist”, the world’s first full-length Enhanced CD.
•1994: The world’s first interactive concert tour.
•1998: Launches PatroNet, the world’s first direct artist subscription service — predicts that someday “music will be sold by the pound”.
•2016: The production of the world’s first full length concert shot with multiple Virtual Reality 360º cameras.
•2021: Spearheaded the “Clearly Human” virtual concert tour, featuring 25 live-streamed performances geo-fenced and tailored to a different US city each night.

CONTACT: paul@21stca.com, PH: 212-254-5500

Press inquiries: Glass Onyon PR, PH: 828-350-8158, glassonyonpr@gmail.com


MULTI-INSTRUMENTALIST, PRODUCER AND THE PINEAPPLE THIEF FRONTMAN BRUCE SOORD RELEASES NEW SINGLE AND VIDEO ‘PILLARS’

Credit: Anne-Marie Forker

For Immediate Release

MULTI-INSTRUMENTALIST, PRODUCER AND THE PINEAPPLE THIEF FRONTMAN BRUCE SOORD RELEASES NEW SINGLE AND VIDEO ‘PILLARS’

FIRST SINGLE FROM NEW SOLO ALBUM ‘GHOSTS IN THE PARK’

SET FOR RELEASE ON 15th MAY 2026

As founding member and principal songwriter of The Pineapple Thief, Bruce Soord has spent the last decade steadily refining a voice that balances emotional directness with musical restraint. Set for release on 15th May, Ghosts In The Park, his latest solo album, is his most personal and unguarded work to date: a record shaped by loss, memory, and the quiet spaces that reveal themselves when life continues to move while everything else appears to stop. Today, Bruce has shared the first single from the album, titled ‘Pillars’ alongside a new video produced by George Laycock.


WATCH THE NEW VIDEO FOR ‘PILLARS’ NOW, PRODUCED BY GEORGE LAYCOCK: https://youtu.be/dc3HOoWY5gg

Excessive, damaging introspection, I guess is the theme of the song. I remember the day in my life when I was liberated from my god-fearing introspection. Only then could I see the damage it had done to me and was still doing to the people around me. The song is about that: the damage I have witnessed. It’s framed around religion and penance, but it’s not anti-religion, it’s about balance. Oh and the line about pillars. It’s a bit of a playful reference to Saint Simeon Stylites, a Christian ascetic from around 400 AD. Legend has it he perched on top of a pillar for 37 years, taking himself away from the world in order to dedicate his life entirely to prayer, fasting, and repentance. I thought it was quite apt.

I’ve been working with George Laycock from Blacktide Productions for years now, it’s incredible what he can do with his imagination and camera. – Bruce Soord


STREAM/DOWNLOAD THE NEW SINGLE ‘PILLARS’: https://orcd.co/pillars_listen

Written over a two-year period while Soord was touring extensively with The Pineapple Thief, the album emerged in hotel rooms, unfamiliar cities, and moments of enforced solitude. Against this backdrop, Soord was navigating the drawn-out decline and eventual death of his father, alongside the continued progression of his mother’s Alzheimer’s. These experiences form the emotional spine of Ghosts In The Park – grief in motion, memory surfacing unpredictably, and the quiet determination to keep moving forward.

Bruce Soord – Ghosts In The Park
Concepcion [01:25]
Pillars [03:10]
Meet Me On The Downs [03:05]
Kept Me Thinking [06:34]
Day Of Wrath [04:21]
Our Predicament [03:43]
Stared Down [04:33]
You Made A Promise [02:56]
Ghosts In The Park [12:52]

Ghosts In The Park will be released on 15th May on the following formats –

3CD/BLU-RAY EARBOOK EDITION FEATURING RENOWNED PIANIST GLEB KOLYADIN (IAMTHEMORNING) – INCLUDES ‘GHOSTS IN THE PARK’ CD ALBUM, CD WITH ACOUSTIC REIMAGININGS, CD WITH PIANO VERSIONS & BLU-RAY DISC WITH HI-RES MIXES (DOLBY ATMOS, DTS-HD MA 5.1, & 24/48 PCM STEREO)



CREAM WHITE VINYL LP (UK INDEPENDENT STORE EXCLUSIVE)
+ DARK GREEN VINYL LP


CLASSIC BLACK VINYL LP


DIGIPACK CD EDITION, INCLUDES 16-PAGE PRINTED BOOKLET WITH LYRICS AND UNSEEN PHOTOGRAPHS

PRE-ORDER GHOSTS IN THE PARK: https://brucesoord.lnk.to/Ghosts_In_The_Park

Acoustic guitar sits at the centre of the record, often captured in raw, first-take performances recorded directly in hotel rooms before being carefully integrated with studio recordings. This tension between fragility and control defines the album’s sound. Tracks such as “Concepción,” “Meet Me On The Downs,” and the title piece were conceived in specific places – Chile, Hamburg, Oberhausen – each location leaving a subtle imprint on the music. Parks, harbours, and anonymous rooms become recurring settings where past and present coexist, intersected by fleeting moments of clarity amongst the disorder.

Performed almost entirely by Soord himself, with bass contributions from Jon Sykes on “Kept Me Thinking,” the album was recorded using a combination of hotel-room captures and studio sessions, preserving the immediacy of its origins. Mastered by Steve Kitch, Ghosts In The Park stands as a stark, reflective and evolutionary companion piece to Soord’s acclaimed previous solo work.

BRUCE SOORD LIVE SHOWS

Bruce Soord & Jon Sykes/ Tim Bowness (co-headliner)
Sun 24 May | Liverpool | Philharmonic Music Room
Fri 29 May | Bath | Bath Fringe Festival at Rondo Theatre
Sat 20 June | London | The 100 Club

Bruce Soord
3 June – Backstage by the Mill, Paris – France
4 June – Boederij, Zoetermeer – NL
5/6 June – Ankea Festival – Tampere, Finland

Ghosts In The Park will be released on 15th May on Kscope. Pre-order here.
https://brucesoord.lnk.to/Ghosts_In_The_Park

Bruce Soord online:
Facebook, twitter & Instagram: @bsoord

The Pineapple Thief online:
Website: www.thepineapplethief.com
Facebook: www.facebook.com/thepineapplethief
Twitter: www.twitter.com/pineapplethief
Instagram: www.instagram.com/thepineapplethief
Spotify: https://play.spotify.com/artist/4lrBMUSk8PiNnCEZfsmPAk
YouTube: https://www.youtube.com/playlist?list=PLE6401DB011BD837E
Apple Music: https://itunes.apple.com/gb/artist/the-pineapple-thief/id278648772

Hi-res images available here: www.kscopemusic.com/media/brucesoord


Press inquiries: Keith James, Glass Onyon PR, PH: 828-350-8158 (USA), glassonyonpr@gmail.com


90’s Rock Band Nuclear Valdez To Release Expanded Double CD of “Present from the Past” April 10

For Immediate Release

90’s Rock Band Nuclear Valdez To Release Expanded Double CD of Present from the Past April 10

Nuclear Valdez announces the release of a newly remastered and expanded edition of their album Present from the Past on April 10, 2026. Originally released on vinyl in 2017, this enhanced, 25-song follow-up includes 14 new, previously unreleased demos from the Nuclear Valdez archives. They’ve been beautifully remastered to benefit from the CD listening experience.

The Digipak also includes an 8-page booklet featuring photos from the past, and a tribute to their friend and manager, John Tovar, who was instrumental in their signing with Epic and the national success of bands including The Mavericks and Marilyn Manson, among others.

Artist Biography:
Nuclear Valdez is an all-Hispanic band formed in Miami in 1985. Vocalist Fro Sosa is Dominican; bassist Juan Diaz, guitarist Jorge Barcala, and drummer Robert Slade LeMont are Cuban. The band quickly became a prominent force in the local music scene, which garnered them a record deal with Epic. Their manager, John Tovar, had the band back Raul Malo on live shows when he was creating The Mavericks. Fro played the keyboard hook and Jorge played the guitar solo on Exposé’s “Point of No Return” (1987), and Fro also played the keyboard hook on Pet Shop Boys’ “Domino Dancing” (1988).

Nuclear Valdez gained national attention with their 1989 debut album, I Am I. They also got noticed for their performance on MTV Unplugged with The Alarm. Their second release, Dream Another Dream, expanded their audience with the single “Shelter.” Following a hiatus, the band returned in 2002 with their third studio album, In a Minute All Could Change, marking a shift toward a heavier, grunge-influenced sound.  In 2017, Present from the Past arrived with 8 remastered songs on vinyl leading to the complete 25 song “Deluxe” release in 2026.

DISC ONE
The Vinyl:
1. Give Up on You*  4:05
2. Trapped In Time**       5:04
3. Queen  4:43
4. A Tear for a Smile  3:38
5. Nineteen  6:40
6. Come Inside*  4:54
7. Rose-Colored Glasses  4:19
8. Dead Siobhan  3:57
Bonus from 2017 LIVE:
9. Summer – Live  4:57
10. Hope – Live  4:52
11. Run Through the Fields – Live  4:45

DISC TWO
Bonus Demos:
1. Depending on You*  3:43
2. Forgotten Yellow Cowboy  4:32
3. Running Red Lights  5:44
4. I Found Out**  3:18
5. Candle  5:49
6. The Boy Within*  4:56
7. Memories and Desire  3:00
8. Out of My Head  4:19
9. A Simple Light*  6:19
10. Open Your Eyes*  5:00
11. Chances*  3:44
12. Mad About You  5:35
13. Midsummer Nights*  2:21
14. Listen*  3:57

All songs written by Nuclear Valdez except (*) written by Fro Sosa and
(**) by Fro Sosa and Juan Diaz.

Personnel:
FRO SOSA – Vocals, Guitars
JUAN DIAZ – Bass, Vocals
JORGE BARCALA – Guitars, Vocals
ROBERT SLADE LEMONT – Drums, Vocals

Order Present from the Past: https://recordstoreday.com/UPC/762184628226

For more information:
https://NuclearValdez.com
https://facebook.com/nuclearvaldez
https://en.wikipedia.org/wiki/Nuclear_Valdez

Contact:
Sinical Records, LLC
Roland Alvarez 305-505-3310
roland@sinicalrecords.com

Press inquiries: Keith James, Glass Onyon PR, PH: 828-350-8158 (USA), glassonyonpr@gmail.com


FIRST TIME VINYL RELEASE OF LAURA NYRO’S STUNNING “LIVE IN SAN FRANCISCO, 28TH APRIL 1994”

For Immediate Release

FIRST TIME VINYL RELEASE OF LAURA NYRO’S STUNNING LIVE IN SAN FRANCISCO, 28TH APRIL 1994

LIMITED EDITION CLEAR VINYL 2LP SET FOR RELEASE ON 27TH MARCH

A rare and intimate live document from one of America’s most singular songwriting voices, Live In San Francisco, 28th April 1994 captures Laura Nyro in spellbinding form during a late-career performance at the New Orleans Room, Fairmont Hotel. Recorded just three years before her passing, this show finds Nyro revisiting her extraordinary catalogue with warmth and conviction, exuding her indelible soulful nature.

Pressed for the first time ever on vinyl, this limited edition clear 2LP presents a beautifully curated set spanning early classics, fan favourites, and deeply personal later works. Stripped back and heartfelt, Nyro’s piano-led performances are enhanced by subtle backing vocals, the power of her songwriting and voice shining through.

She wrote songs that had no kind of fixed compass point. They remain as unique and absolutely spellbinding to this day as when I first heard them in the ‘60s.”

Elton John, 2024

PRE-ORDER LIVE IN SAN FRANCISCO, 28TH APRIL 1994 LIMITED EDITION CLEAR VINYL: https://lauranyro.lnk.to/Live_In_SF_94_2LP

Highlights include moving renditions of “Dedicated To The One I Love,” “Save The Country,” “And When I Die,” “Emmie,” and “It’s Gonna Take A Miracle,” alongside lesser-heard gems.

During the singer/songwriter movement in the late ’60s and early ’70s, Laura Nyro was one of the most celebrated tunesmiths of her day. Nyro was just 18 years old when she signed her first recording contract and wrote the songs for which she is likely to be best remembered. By the time she was 22, she had become one of the most successful composers in American popular music. She wrote wonderfully expressive and poetic songs that took the folky introspection of her peers and infused it with elements of soul, R&B, jazz, and gospel, giving them an emotional heat that set her apart.

This 2LP edition of Live In San Francisco, 28th April 1994 is available on vinyl for the first time and is pressed on limited edition clear vinyl.

DOWNLOAD PRESS SHOTS AND ARTWORK HERE: https://madfishmusic.com/media/lauranyro/

Press inquiries: Keith James, Glass Onyon PR, PH: 828-350-8158 (USA), glassonyonpr@gmail.com


Hans Annellsson Releases New Cover of Frank Zappa’s “Sinister Footwear”

For Immediate Release

Hans Annellsson Releases New Cover of Frank Zappa’s “Sinister Footwear”

Hans Annellsson, one part of the prog duo The Vegetarians, has recorded a complete cover version of Frank Zappa’s orchestral composition Sinister Footwear. This new version has been arranged for keyboards, bass, drums, guitar, violin, woodwinds & mallets. This recording was produced and performed by Hans Annellsson with Andreas Hagman (violin) & Viktor Enebjörn (drums). The new recording released on March 1, 2026 on Bandcamp, and is available as a digital download or as a numbered limited edition CD.

The complete version of Sinister Footwear, which had its world premiere at Zellerbach Auditorium, Berkeley, California on June 15, 1984, has never been officially released by Frank Zappa.

Most of the instruments on this new version were recorded in Annellssongs studio during the second half of 2025. The drums were recorded by Viktor Enebjörn in his studio, and the violin was recorded at Studio Loftet, Malmö, Sweden by Janne Brovall. The mixing and mastering was also done at Studio Loftet by Hans Annellsson & Janne Brovall.

The story of the music:

00:00 JAKE, WHO DESIGNS IT
01:06 SOMEPLACE IN NEW JERSEY WHERE THEY MAKE THEM
02:55 ILLEGAL ALIENS ON A LUNCHBREAK
03:35 AT THE CATERING TRUCK
04:15 JAKE EATS A MOLDED JELLO SALAD
05:16 JAKE’S SECRETARY
05:55 ILLEGAL ALIENS WORK SLOWER IN THE AFTERNOON
06:06 JAKE’S SECRETARY READS HER MAGAZINE
06:22 ILLEGAL ALIENS WANT TO GO HOME
06:30 JAKE’S SECRETARY EATS COTTAGE CHEESE
06:41 UGLY SHOES ON THE ASSEMBLY LINE
07:51 WHAT YOU THINK YOU LOOK LIKE WHILE YOU’RE
WEARING THEM
09:11 SOMETIMES THEY MAKE YOU WALK FUNNY
09:48 OTHER PEOPLE PRETEND NOT TO NOTICE
12:08 SOMETIMES YOU HAVE TO TAKE THEM OFF FOR A MINUTE
12:28 THEN YOU PUT THEM BACK ON BECAUSE YOU THINK THEY LOOK SO GOOD ON YOU
13:18 CHILDREN CAN ALSO HAVE UGLY SHOES
15:03 THE FOOT DOCTOR SAYS YOU MIGHT NEED AN OPERATION
15:30 BUT YOU’RE GONNA WEAR THEM ANYWAY
16:04 VARIOUS NEW POSTURES
16:42 EVERYBODY HAS A PAIR SOMEWHERE
18:19 A PLACE YOU CAN GO WHEN YOU GOT THEM ON

Hans Annellsson

Musician/Composer from Sweden. One part of the Swedish-American Prog duo The Vegetarians with John Tabacco. Has released music on his label Annellssongs since 1989. Has his own studio where the majority of the music is recorded. Got permission from Frank Zappa to release one of Frank’s compositions in Swedish, Penisens Storlek, (Penis Dimension) 1993. Performed with The Vegetarians at the Zappanale Festival in Bad Doberman, Germany in 2011. Has worked with Morgan Ågren & Mats Öberg (Mats&Morgan Band), Gustaf Hielm (Meshugga), Napoleon Murphy Brock (Frank Zappa & George Duke) & John Tabacco.

Andreas Hagman

Violinist from Sweden with an interest in contemporary & avant-garde music. A member of the Opera Orchestra in Malmö, Sweden.

Viktor Enebjörn

Freelancing drummer from Sweden. Also supporting himself as a drum teacher.

To purchase digitally or on CD: https://hansannellsson.bandcamp.com/album/sinister-footwear

Press inquiries: Keith James, Glass Onyon PR, PH: 828-350-8158 (USA), glassonyonpr@gmail.com


Experimental Musician Billy Yfantis Presents the Conceptual Album Reversed Universe

For Immediate Release

Experimental Musician Billy Yfantis Presents the Conceptual Album Reversed Universe

Inspired by scientific ideas from modern cosmology and physics, Reversed Universe explores the fascinating possibility that the universe may exist in mirrored or time-reversed forms. The album reflects theories suggesting that time might not move in only one direction and that alternative universes could exist where the fundamental laws of physics appear inverted.

The concept of Reversed Universe draws inspiration from ideas such as time-reversal in cosmology, mirror universes, and the existence of antimatter counterparts to ordinary matter. Some physicists have proposed that near the moment of the Big Bang, time may have split into two directions, forming parallel universes, one moving forward in time and another evolving in reverse. The album musically imagines these possibilities, where entropy might decrease, cause and effect may appear inverted, and reality itself becomes a mirrored reflection of our own universe.

A distinctive feature of the album is that several tracks are purposefully played backward from their original recording. By reversing the direction of the sound, Yfantis symbolically represents a universe where not only time but also sound itself travels backward. This compositional approach transforms the album into an experiment that reflects the theoretical idea of a time-reversed cosmos.

Reversed Universe Tracklist
1. Reversed Universe
2. Time Flows Backward
3. Echoes of Time (Extended Version)
4. Time Direction
5. Mirror Universes
6. Antimatter (Reversed Version)
7. Antiparticles (Alternative Ending)
8. Norms Are Flipped
9. Logic Is Upside Down
10. Echoes of Tomorrow (Reversed Dub Version)

Listen to the album

Spotify: https://open.spotify.com/album/4UzIa5LCiXJoz7y7hvW3o9?si=qUfFYKWVTcSLWgGQYDgNBg
YouTube Music: https://music.youtube.com/playlist?list=OLAK5uy_m5EI0YW-9RRWwWNlh4F8MW1fF4Na5PWFI
Apple Music: https://music.apple.com/us/album/reversed-universe/1823504046
Bandcamp (with bonus track): https://billyyfantis.bandcamp.com/album/reversed-universe

About Billy Yfantis

Vasileios (Billy) Yfantis holds two Master’s degrees in computing science and a Ph.D. in the field of e-government. Billy has been working on music since the late 1990s by experimenting with tape mixing and sound design. He plays digital keyboards but prefers to express his artistic vision through electronic sounds generated by unusual machines and unconventional sound sources.

Over the years, he has experimented with recording everyday objects such as vacuum cleaners, electric blenders, and other unexpected sounds that later became part of his musical compositions. Billy has also authored books on music, business, and science, and occasionally speaks about electronic governance at scientific conferences across Europe.

Find other music by Billy Yfantis here: https://billyyfantis.bandcamp.com
Find books by Billy Yfantis here: https://www.amazon.com/Vasileios-Yfantis/e/B00JNNL306

Contact

E-mail: Byfantis@yahoo.com

Facebook: https://www.facebook.com/billy.yfantis
Twitter: https://twitter.com/billyyfantis
Instagram: https://www.instagram.com/billyyfantis

Press inquiries:Keith James, Glass Onyon PR, PH: 828-350-8158 (USA), glassonyonpr@gmail.com


Tribute Shows to the Late, Great, John Lodge of the Moody Blues Announced!

For Immediate Release

Tribute Shows to the Late, Great, John Lodge of the Moody Blues Announced!

Friday July 17th at The Bilheimer Capitol Theatre, Clearwater, Florida, and Sunday July 26th at Esher Theatre, Esher, UK

We are delighted to confirm that two special concerts have been planned to celebrate John Lodge, his music, and the music of the Moody Blues.

Friday July 17th at The Bilheimer Capitol Theatre, Clearwater, Florida – Tickets on Sale Friday, March 13, 2026 at 10:00am
https://www.rutheckerdhall.com/events/detail/john-lodge-celebration

Sunday July 26th at Esher Theatre, Esher, UK – Tickets on Sale  Wednesday March 11.
http://www.eshertheatre.com/

VIP tickets available to include a Meet and Greet with Jon Davison, Alan Hewitt and the 10,000 Light Years Band.

When the Moodies stopped touring in 2018, John made it his absolute passion to keep the Moody Blues music alive.  John had embarked on his first solo tour in 2015, aided by his great friend and Music Director Alan Hewitt (Keyboards for the Moody Blues), and what followed was a series of tours capturing the music that John described as the soundtrack of his life.  The shows grew from simple shows in small venues, to the extravaganza that followed, with captivating video and lights joining the impeccable sound, energy, and passion that John, Alan, and the 10,000 Light Years Band, brought to this magical and iconic music.

John’s first ‘tribute’ in his show was to his oldest friend, Ray Thomas, with his mesmerizing rendition of ‘Legend of a Mind’.  Soon after he added his tribute to Mike Pinder with his ethereal version of ‘The Sunset’, and very sadly Graeme Edge was then lost. Prior to Graeme’s passing he met with John, and John asked him to record his poem ‘Late Lament’, so he could forever be on stage beside him. It gave John never-ending joy to include it in his show, and take a moment during each evening to stop and listen to the words his friend wrote so many decades ago… The years would fall away as John, together with the audience, would journey back in time together through this timeless music.

At the same time that John was building this stunning show, his daughter Emily met Jon Davison of Yes…. not only did they fall in love (and later marry), but Jon and John became great friends… and over nights spent enjoying each other’s company, they decided that Jon should join the merry band of brothers, and together they could continue to honour the music of the Moody Blues, and that of Graeme, Justin, Mike and Ray.  As John said, he hoped people would leave his shows feeling that something joyful had happened to them.

The years of touring brought so much happiness and created deep and lasting memories for all.  There were a lot of laughs, and sometimes challenges, but always a shared passion for the love of the music, and for those standing side by side on stage together.

During some of the long travel days John and Jon continued to talk and make plans… everything and anything seemed possible as the miles rolled by, and one of the conversations was how much John wanted Jon and Alan to continue the band into the future.

Sadly, this all came to an end one day in October.  For a little while there was silence.  Then slowly Jon and Alan began to talk. Could it be possible to fulfil John’s wishes?  Could they continue John’s mission to ‘Keep the Music Alive’?  The seedling of hope grew day after day as ideas flew between them. They brought in the videographer Andy Clark, a long-time friend and collaborator, and he began work on the video. Jon picked up his bass guitar and began to learn John’s parts… and Alan started making magic Moody Blues music again…

The concert will be a Celebration of John and the music of The Moody Blues. The hope is to bring all the love, joy, happiness, and incredible music that John’s shows were famous for alive.  The set list will incorporate hits and fan favourites, and will include enchanting vocals and visuals of John, together with the angelic voice of Jon Davison, and the incredible 10,000 Light Years Band.  This is a show that will reach deep in the heart, but at the same time, create happiness through the power of music. These two unique shows are planned for now, one near John’s home in the USA, and one near his home in the UK, and just maybe, if the fans enjoy it as much as the band on stage do, more might follow.

“To be able to work with my darling Jon and the incredibly talented Alan on these shows for my father has been the thing that has made the sun shine again.  My hope is that for all of us; me, Jon, the band, and the fans, we can come together to share in our love of my father, and the music, one more time.  He will forever be in my heart, and forever walking by my side.  It is not a time for sadness. It is a time to smile to the heavens, and I hope people will come and join us as Jon, Alan and the band play the music we all love, as we fulfil his wishes. As my father always said, Thank You for Keeping the Faith.” Emily Davison, February 2026

“I had a unique perspective of John in that I was lucky enough to become his son-in-law and close friend. I learned so much from my time with John, which included many exciting stage experiences performing beside his magnificent and magnetic personality. Along with the incredible Alan Hewitt and the 10,000 Light Years band, I’m thrilled to have the blessed opportunity to be standing by John’s side one more time.” Jon Davison, February 2026

“John had a huge heart and was loved by so many. I will miss him and will miss being on stage playing those great songs with him, but this is the next best thing. I know he’ll be with us in spirit and smiling, knowing that we kept the promise we made before he left to fly with the angels.” Alan Hewitt, February 2026

Press inquiries: Keith James, Glass Onyon PR, PH: 828-350-8158 (USA), glassonyonpr@gmail.com


MULTI-INSTRUMENTALIST, PRODUCER AND THE PINEAPPLE THIEF FRONTMAN BRUCE SOORD RETURNS WITH NEW SOLO ALBUM ‘GHOSTS IN THE PARK’


Credit: Anne-Marie Forker

MULTI-INSTRUMENTALIST, PRODUCER AND THE PINEAPPLE THIEF FRONTMAN BRUCE SOORD RETURNS WITH NEW SOLO ALBUM GHOSTS IN THE PARK

SET FOR RELEASE ON 15th MAY 2026

As founding member and principal songwriter of The Pineapple Thief, Bruce Soord has spent the last decade steadily refining a voice that balances emotional directness with musical restraint. Set for release on 15th May, Ghosts In The Park, his latest solo album, is his most personal and unguarded work to date: a record shaped by loss, memory, and the quiet spaces that reveal themselves when life continues to move while everything else appears to stop.

WATCH THE TRAILER FOR GHOSTS IN THE PARK: https://www.youtube.com/watch?v=0gbLVlPN7mU

Written over a two-year period while Soord was touring extensively with The Pineapple Thief, the album emerged in hotel rooms, unfamiliar cities, and moments of enforced solitude. Against this backdrop, Soord was navigating the drawn-out decline and eventual death of his father, alongside the continued progression of his mother’s Alzheimer’s. These experiences form the emotional spine of Ghosts In The Park – grief in motion, memory surfacing unpredictably, and the quiet determination to keep moving forward.

Bruce Soord – Ghosts In The Park
Concepcion [01:25]
Pillars [03:10]
Meet Me On The Downs [03:05]
Kept Me Thinking [06:34]
Day Of Wrath [04:21]
Our Predicament [03:43]
Stared Down [04:33]
You Made A Promise [02:56]
Ghosts In The Park [12:52]

Ghosts In The Park will be released on 15th May on the following formats –

3CD/BLU-RAY EARBOOK EDITION FEATURING RENOWNED PIANIST GLEB KOLYADIN (IAMTHEMORNING) – INCLUDES ‘GHOSTS IN THE PARK’ CD ALBUM, CD WITH ACOUSTIC REIMAGININGS, CD WITH PIANO VERSIONS & BLU-RAY DISC WITH HI-RES MIXES (DOLBY ATMOS, DTS-HD MA 5.1, & 24/48 PCM STEREO)



CREAM WHITE VINYL LP (UK INDEPENDENT STORE EXCLUSIVE)
+ DARK GREEN VINYL LP


CLASSIC BLACK VINYL LP


DIGIPACK CD EDITION, INCLUDES 16-PAGE PRINTED BOOKLET WITH LYRICS AND UNSEEN PHOTOGRAPHS

PRE-ORDER GHOSTS IN THE PARK: https://brucesoord.lnk.to/Ghosts_In_The_Park

Acoustic guitar sits at the centre of the record, often captured in raw, first-take performances recorded directly in hotel rooms before being carefully integrated with studio recordings. This tension between fragility and control defines the album’s sound. Tracks such as “Concepción,” “Meet Me On The Downs,” and the title piece were conceived in specific places – Chile, Hamburg, Oberhausen – each location leaving a subtle imprint on the music. Parks, harbours, and anonymous rooms become recurring settings where past and present coexist, intersected by fleeting moments of clarity amongst the disorder.

Performed almost entirely by Soord himself, with bass contributions from Jon Sykes on “Kept Me Thinking,” the album was recorded using a combination of hotel-room captures and studio sessions, preserving the immediacy of its origins. Mastered by Steve Kitch, Ghosts In The Park stands as a stark, reflective and evolutionary companion piece to Soord’s acclaimed previous solo work.

BRUCE SOORD LIVE SHOWS

Bruce Soord & Jon Sykes/ Tim Bowness (co-headliner)
Sun 24 May | Liverpool | Philharmonic Music Room
Fri 29 May | Bath | Bath Fringe Festival at Rondo Theatre
Sat 20 June | London | The 100 Club

Bruce Soord
3 June – Backstage by the Mill, Paris – France
4 June – Boederij, Zoetermeer – NL
5/6 June – Ankea Festival – Tampere, Finland

Ghosts In The Park will be released on 15th May on Kscope. Pre-order here.
https://brucesoord.lnk.to/Ghosts_In_The_Park

Bruce Soord online:
Facebook, twitter & Instagram: @bsoord

The Pineapple Thief online:
Website: www.thepineapplethief.com
Facebook: www.facebook.com/thepineapplethief
Twitter: www.twitter.com/pineapplethief
Instagram: www.instagram.com/thepineapplethief
Spotify: https://play.spotify.com/artist/4lrBMUSk8PiNnCEZfsmPAk
YouTube: https://www.youtube.com/playlist?list=PLE6401DB011BD837E
Apple Music: https://itunes.apple.com/gb/artist/the-pineapple-thief/id278648772

Hi-res images available here: www.kscopemusic.com/media/brucesoord


Press inquiries: Keith James, Glass Onyon PR, PH: 828-350-8158 (USA), glassonyonpr@gmail.com


Progressive Rock Band Brass Camel to Release Third Album “Brass Camel” April 15th, Mixed by Legendary Producer Terry Brown

For Immediate Release

Progressive Rock Band Brass Camel to Release Third Album “Brass Camel” April 15th, Mixed by Legendary Producer Terry Brown

New single “What Are You Going to Do” releases today, March 4th

Vancouver-based progressive rock band Brass Camel announce that they will release their third album Brass Camel on April 15th, 2026. The new single from the upcoming album, “What Are You Going to Do”, releases today, March 4th.

Listen to “What Are You Going to Do”: http://linktr.ee/listentobrasscamel

The album was recorded primarily at Chalet Studios in Uxbridge and co-produced by Kevin Comeau (Crown Lands). The mix of this new album gets a decidedly more old-school treatment this time as the band had the honour of getting Terry Brown of Rush production fame on board. Says Terry, “Some classic influences here on the new Brass Camel album, so couple that with cool tunes, great arrangements, excellent lyric writing and superb execution by a group of talented musicians – you get great results! Thanks for having me mix this epic.”

This upcoming self-titled record represents both a consolidation of the band’s previous strengths, and an evolution in other ways. Brass Camel is the first album of material entirely written during the tenure of the current lineup. Even the previous album Camel, recorded with the full five-piece, still contained much material conceived during more primordial stages of the Brass Camel project. The band sees this as a culmination of a loose three-album cycle that firmly establishes what they’re about, as evidenced by the cheeky progression of titles Brass, Camel, and finally Brass Camel.

Says guitarist Daniel Sveinson, “Brass Camel is, appropriately, the first Brass Camel record that I feel sounds like a Brass Camel record. We’ve spent god knows how many hours in a bus together, in studio together and onstage together and I’d like to believe that is reflected in this collection of songs and recordings. We were focused, driven and motivated throughout the process and can’t wait to play these songs live all over the country and, later this year, in Europe (and hopefully the UK).”

One goal the band had for this new album was for the lyrical content to be more central to the creative process. Says keyboardist Aubrey Ellefson, “Each track here explores a specific concept or story; from the legend of the Jersey Devil, to a dramatic narration of the Titan submersible disaster, to tackling the can of worms that is AI vs. the creative process, and many more.”

Says Daniel, “This album is more lyrically dense – there’s a higher word count here than our first two LPs put together – and more musically ambitious, weirder and yet somehow more accessible than our previous efforts. There are a lot of subtleties and easter eggs hidden in the arrangements which I hope will make each listen more entertaining than the last! When it’s funk, it’s funkier. When it’s proggy, it’s proggier. When it’s loud, it’s louder. When it’s quiet, it’s quieter. There’s a lot more of a lot more but it’s all Brass Camel. Hope you enjoy it.”

Track list:

Side A:
1. You’ve Got Time
2. What Are you Going to Do
3. Why Bother
4. Can’t Say We Didn’t Try
5. Ice Cold
6. Careful What You Wish For

Side B:
7. Everybody Loves a Scandal
8. Catch Us If You Can
9. Last Call
10. This is Goodbye

Produced by Brass Camel and Kevin Comeau
Mixed by Terry Brown at Moron Heights
Engineered by Kevin Comeau and Dylan Lammie
Mastered by João Carvalho

Recorded at:
Chalet Studios*
Hipposonic Studio**
Blue Light Studio**
Camelot Studio**
*Uxbridge   **Vancouver

Drum technician: Graham Shaw
Cover art by Red Baron
Sleeve Photography by Heather Horncastle

Performed by:
Daniel Sveinson – electric guitar/vocals
Curtis Arsenault – bass/vocals
Aubrey Ellefson – keyboards/vocals
Wyatt Gilson – drums and percussion
Additional musicians:
Dylan Lammie – electric guitar on “Why Bother” and “Careful What You Wish For”
Cat Madden – vocals on “What Are You Going to Do”

About Brass Camel:
Vancouver’s Brass Camel is a rock band that defies labels, fusing deep-pocket funk, face-melting prog, and massive-harmony art rock. Since releasing their debut album Brass in 2022, they’ve played over 180 shows, including four national Canadian tours, major festivals (Between the Peaks, Starbelly Jam, Wapiti), and stages like Vancouver’s Commodore Ballroom, Vogue Theatre, and a Toronto headliner at the historic Longboat Hall. Their musicianship and work ethic have earned endorsements from Sabian, Rotosound UK, Pro Mark Drumsticks and Evans Drumheads. In 2024, their cover of Sabrina Carpenter’s Please Please Please on Musora’s Covers Challenge took off on YouTube, drawing 750,000 views and counting. Their sophomore album Camel (spring 2025) brought international press, reaction videos, and steady LP sales. While touring in support of this album, the band recorded their third LP at Uxbridge’s pastoral Chalet Studio with Kevin Comeau of Crown Lands co-producing. Mixed by the legendary Terry Brown (Rush, Hendrix, The Who, Blue Rodeo), the upcoming (April 2026) release marks a bold leap in songwriting, distilling Brass Camel’s road-forged sound into something entirely their own.

Testimonials:

Brass Camel…man, they’re good worldwide!” – Gordie Johnson (Big Sugar)

They’re like a funky RUSH” – Fantastic Negrito (3X Grammy winner)

The mad scientists of modern rock.” – Jesse Roper

“Brass Camel is the best band in Canada – mind blowing. Their live show is truly unbelievable.” -Hal Jacques (CHOM DJ – Montreal)

I have seen the future of prog rock and it is Brass Camel.” – Kevin Comeau (Crown Lands)

Brass Camel is gonna save rock and roll.” – Clayton Bellamy (Road Hammers)

Top notch across the board.” – Tayo Branston (Five Alarm Funk)

“Brass Camel is without-a-doubt, one of Vancouver’s best bands. Period. All genres. They’re absolutely crushing players! Tight and punchy. You need to see the Camel live!” – Todd Hancock (Toddcast Podcast, CFOX Vancouver)

This is a band that embraces musicianship and the spectacle of a live show, at the highest level. They are on a fast trajectory to being one of the great Canadian rock and roll bands.” – Ben Kaplan (Producer/engineer/mixer, Mother Mother, Rise Against, Shakira, etc)

Pre-order Brass Camel: https://www.brasscamel.store/product/pre-order-the-third-album-on-vinyl-/KNQ6PEOIBHJ2OI3EXIWAXIVH

For more information: https://www.brasscamel.ca/

CONTACT:
mgmt@minotaurmusic.com
Daniel James
778-839-2399

Press inquiries: Keith James, Glass Onyon PR, PH: 828-350-8158 (USA), glassonyonpr@gmail.com


Aisles Releases Live Video At Abbey Road Studio 3 Through Instagram Live With Jo Kendall This Wednesday


For Immediate Release

Aisles Releases Live Video At Abbey Road Studio 3 Through Instagram Live With Jo Kendall This Wednesday

Jo Kendall (Prog / Classic Rock) interviews Aisles on Instagram live ahead of the YouTube premiere of Blue Skies (live at Abbey Road) this Wednesday at 6pm UK

A powerful live performance filmed inside Studio 3 at Abbey Road Studios — a milestone moment ahead of the band’s next studio album.

Filmed during the band’s recent UK tour — which included a highly successful appearance at HRH Prog — the session documents a defining moment in Aisles’ international trajectory. On 17 November 2025, four songs were recorded fully live at Abbey Road, to be released individually throughout the year on YouTube, culminating in a full live EP available on CD and digital platforms later this year.

Jo Kendall, music journalist from Prog Magazine and Classic Rock, was there to witness the session, and she will join Aisles again on Instagram Live this Wednesday 4th of March at 6 pm UK, to discuss the video and performance.

The performance features the band’s current lineup consisting of Boris Seeder (lead vocals), Germán Vergara (guitars, vocals), Juan Pablo Gaete (keyboards), Daniel Alejandro Concha Baird-Kerr (bass) and Alvaro Poblete (drums). The band were accompanied by their long-time sound engineer and recording engineer, Fernando Cubillos, who engineered, mixed and mastered the session, ensuring the performance retained both its raw energy and sonic depth.

The first release, Blue Skies, is particularly significant. Originally the first single from the band’s upcoming studio album, the song now re-emerges in a raw and emotionally charged live setting. The performance not only showcases the band’s precision, chemistry and sonic power, but also captures them performing inside the very room where artists such as The Beatles and Pink Floyd shaped modern music history and both very influential to Aisles’ emotional and at the same time expansive sound.

Studio 3 provides an intimate yet historic backdrop. The video offers more than a live rendition; it delivers a visual and sonic statement about where Aisles stand today: confident, cohesive, and operating at a new level of intensity ahead of the unveiling of their upcoming long-awaited sixth studio album.

Recorded entirely live, without overdubs, Blue Skies (Live at Abbey Road) highlights the band’s tight musicianship and dynamic interplay. The session stands as both a symbolic and artistic milestone — reflecting Aisles’ expanding international presence and serving as a powerful preview of what lies ahead with their next studio album.

With this release, Aisles invite listeners to witness the band at a pivotal moment: refined, ambitious, and fully alive inside one of the world’s most iconic recording spaces.

ON MARCH 4TH 6 PM UK TIME THE BAND WILL BE INTERVIEWED ON INSTAGRAM LIVE BY MUSIC JOURNALIST AND CRITIC JO KENDALL AHEAD OF THE OFFICIAL VIDEO PREMIERE AT 6:20 UK ON THEIR OFFICIAL YOUTUBE CHANNEL.

AISLES ON YOUTUBE: https://www.youtube.com/channel/UC3m_ezhicmtfbhcejWDSy5A

THERE WILL BE Q&A WITH THE BAND DURING THE BROADCAST.

VIDEO CREDITS

Recorded and Filmed Live at Abbey Road Studios
17 November 2025
Engineered, Mixed and Mastered by Fernando Cubillos
Filmed by Manuela Langotsch and Nick Davaris
Edited and Online by Diego Carrasco
Color Grading by Sergio Bejárez

THE VIDEO IS AVAILABLE RIGHT NOW TO ALL AISLES’ PATREON MEMBERS AS PART OF THEIR EXCLUSIVE CONTENT: https://www.patreon.com/posts/blue-skies-live-150956417

For more information:
https://www.patreon.com/c/aislesproject
https://www.instagram.com/aislesproject
https://aisles.bandcamp.com/
https://open.spotify.com/artist/1aHj1tpKsDAUDDOMZXcjQg
https://www.facebook.com/presagiorecords

AISLES ON BURNING SHED: https://burningshed.com/artists/aisles_artist

PRESAGIO RECORDS

Press inquiries: Keith James, Glass Onyon PR, PH: 828-350-8158 (USA), glassonyonpr@gmail.com