Kevin Godley’s Spacecake – Interview
JUNE 18, 2015
Kevin Godley’s long and illustrious career in music is something to be marvelled at. From his early success as a founding member of the successful rock band 10cc, and duo Godley and Creme, to becoming one of the most sought after and innovative music video directors of his generation, he has well and truly done it all and worked with some of the biggest names in music in the process. Spacecake is a truly entertaining and honest account of one mans experience of the sleazy world of Rock & Roll and the heights of musical success.
I just finished the book, I found it to be very funny which I didn’t expect. Was that a conscious effort to try and make it that way?
Kevin: When I first started writing it it naturally seemed to fall out like that. I have a tendency to look at life as a series of absurdities. So it kind of wrote itself in that respect.
The book has been described as part-autobiography / part-creative manual. What was the initial idea?
Kevin: Well, I’d never really considered writing a book before, but the more I thought about it the more I thought it’d be a good challenge. The thing that was mostly interesting was the fact that it could be an interactive experience, that I didn’t have to rely on the written word for people to be entertained by the book. They can actually see things and listen to things while they are reading. It’s more of a 3d experience, which is exactly what it should be.
Looking back at your first steps in music with Hotlegs and the success of Neanderthal Man, you reflect in the book that you feel as though you sold yourself in many ways to the commercial aspect of the industry. How much did this experience contribute to the formation of 10cc and its success?
Kevin: I think everything we did up to that point contributed to it whether we knew it or not. What we were doing essentially was learning by doing. Although some of the stuff we did we didn’t think was great, every time we did anything it coalesced in our brains without us knowing it was happening.
I get the impression in the book that Strawberry Studios in Stockport was the perfect environment to find yourself and to have that period of trial and error?
Kevin: We were incredibly lucky. We were in a unique situation in that we were away from the main hub of the music business being out of London and in the sticks. Therefore we had the run of the place when it wasn’t being used as a commercial studio and we were allowed to play, which is exactly what we did. We played as opposed to working. The whole experience was a sort of voyage of discovery.