Author Archives: glassonyonpr

Mandalaband Debut and “The Eye of Wendor: Prophecies” Featuring Justin Hayward & 10cc Members Remastered Vinyl and CD Box Set Available November 30, 2023

For Immediate Release

Mandalaband Debut and “The Eye of Wendor: Prophecies” Featuring Justin Hayward & 10cc Members Remastered Vinyl and CD Box Set Available November 30, 2023

The Mandalaband’s debut album and second release “The Eye of Wendor: Prophecies” will be released on remastered vinyl and CD box set on November 30, 2023!

Mandalaband (Expanded Edition)

Mandalaband began life in the early 1970’s, gaining cult status as one of the most forward-thinking prog outfits of the time. The brainchild of David Rohl, who formed a lineup featuring future Sad Café members Vic Emerson (keyboards), Ashley Mulford (guitars), John Stimpson (bass guitar and backing vocals), Tony Cresswell (drums) and vocalist Dave Durant.

Mandalaband received critical acclaim with legendary BBC radio presenter John Peel playing the entire album on his show before promptly re-broadcasting the whole thing immediately after. Unfortunately, at the time, this didn’t translate to sales and Mandalaband fell into obscurity. However, with the advent of the internet, their legend grew, exciting a new generation of prog fans.

We are now pleased to make these recordings available again and offer a chance to dig into some of the most interesting progressive music of the ‘70s. As well as presenting the original album remastered, David gained access to the original 24-track analogue master tapes, having them restored and digitized at Abbey Road Studios before reinforcing the sound and instrumentation before remixing the entire album. Nearly fifty years on, a veil of sonic mist has been lifted from these unique recordings.

Format: 2LP 180g gatefold edition featuring the original album and David Rohl. 2024 remix of entire album, both remastered at AIR Mastering, with rare bonus track. Includes newly written liner notes.

The Eye of Wendor: Prophecies (Expanded Edition)

The second Mandalaband album – “The Eye of Wendor: Prophecies” – took two full years to create. Recorded at Strawberry Studios with the help of Barclay James Harvest plus a plethora of musician friends and colleagues with whom David had worked with over the years including Eric Stewart (10cc), Maddy Prior (Steeleye Span), Justin Hayward (Moody Blues), Graham Gouldman, Lol Creme & Kevin Godley (10cc) and Paul Young (Sad Café / Mike and the Mechanics).

The narrative is based on a Tolkienesque fantasy of a magical gemstone, set in prehistory, the music and lyrics tell the tale through different vocalists playing the roles of the leading characters in the story. The Mandalaband founder carefully created this classic symphonic rock album on a budget of just £8,000.

As well as presenting the original album remastered, David gained access to the original 24-track analogue master tapes, having them restored and digitized at Abbey Road Studios before reinforcing the sound and instrumentation before remixing the entire album.

Listening to David’s newly remixed version is a stunning sonic journey, with elements of prog, electronica, soft rock and instrumental soundscapes, the influence of these recordings on prog-music that followed is clear.

Format: 2LP 180g gatefold edition featuring the original album and David Rohl 2024 remix of the entire album, newly remastered at AIR Mastering. Comes with the original 6-panel booklet telling the full “The Eye of Wendor: Prophecies” story with beautiful illustration and newly written liner notes.

4CD Edition:
Both albums will be released as a 4CD edition housed in a clamshell box, featuring 2024 David Rohl remixes of the band’s first two albums, along with the original versions, with rarities from the archives, all newly remastered at AIR Mastering. Comes with a 24-page booklet with liner notes previously unseen photographs.

TRACKLISTING:
Disc 1: Mandalaband – 2024 Remaster
1. Om Mani Padme Hum (In four movements) 2. Determination 3. Song For a King 4. Roof of the World 5. Looking In
Disc 2: The Eye of Wendor: Prophecies – 2024 Remaster
1. The Eye Of Wendor 2a. Florian’s Song 2b. Ride To The City
3. Almar’s Tower 4. Like The Wind 5a. The Tempest 5b. Dawn Of A New Day 6. Departure from Carthilias 7. Elsethea 8. Witch of Waldow Wood 9. Siledandre 10. Aenord’s Lament 10a. Funeral of the King 10b. Coronation of Damien
Disc 3: Mandalaband – 2024 David Rohl Version
1. Om Mani Padme Hum (In four movements) 2. Determination 3. Song For a King 4. Roof of the World 5. Looking In 6. Om Mani Padme Hum (Camel Studios Demo) 7. Looking In (CBS Studios Chrysalis Live Audition) 8. Roof of the World (Indigo Sound Demo)
Disc 4: The Eye of Wendor: Prophecies – 2024 David Rohl Version
1. The Eye Of Wendor 2a. Florian’s Song 2b. Ride To The City
3. Almar’s Tower 4. Like The Wind 5a. The Tempest 5b. Dawn Of A New Day 6. Departure from Carthilias 7. Elsethea 8. Witch of Waldow Wood 9. Siledandre 10. Aenord’s Lament 10a. Funeral of the King 10b. Coronation of Damien 11. Dawn Of A New Day (Single Mix) 12. The Eye Of Wendor (Indigo Sound Demo) 13. Witch Of Waldow Wood (Indigo Sound Demo) 14. Silesandre (Indigo Sound Demo) 15. The Tempest / Dawn Of A New Day (Australian Single Version) 16. Florian’s Song / Ride To The City (Australian Single Version)

To purchase: https://burningshed.com/store/mandalaband

Images available on request

Press inquiries: Glass Onyon PR, PH: 828-350-8158 (USA), glassonyonpr@gmail.com


Friday Harbor-Based Rock Band Desolation Sound Releases Second Album “Silver Rain”

For Immediate Release

Friday Harbor-Based Rock Band DESOLATION SOUND Releases Second Album “Silver Rain”

Living on an island in the Pacific Northwest sets a mood and a mindset. The music DESOLATION SOUND makes together has a unique sound that the band likes to call “Salish Rock”.

“I’m fascinated with that beautiful place where the Salish Sea meets the shore of our island. It’s a mysterious, shifting boundary and I often draw deeper meaning from my experiences there” says Daniel, the band’s primary lyricist.

Hot on the heels of the band’s debut release “Salish Rock,” DESOLATION SOUND has released their second album “Silver Rain.” The music touches on the recurring theme of remaining true to oneself while living in the fog of confusion and falsehood that is so prevalent in our world today. We think this album is hopeful, while recognizing the underlying unease we all feel. The message of this record is that purity can still exist in an environment of filth, love can exist in an environment filled with fear and hatred. That even in this insane world one can still find truth and beauty among the chaos.

DESOLATION SOUND is made up of Friday Harbor locals: Scott Sluis – Drums and Vocals, Darvis Taylor – Bass and Vocals, Tom Henry – Lead Guitar and Daniel Day – Lead Vocals and Rhythm Guitar.

The band is produced by Adam Kasper and assisted by Jon Auer.

“Silver Rain” was Mixed by Matt Bayles, Mastered by Ed Brooks, and produced by Desolation Sound.

To purchase: https://robojackrecords.bandcamp.com/album/silver-rain

Press inquiries: Glass Onyon PR, PH: 1-828-350-8158(US) glassonyonpr@gmail.com


Indie Rockers RED HOT SHAME Defy Convention with Their New Album YOU CAN’T MAKE ME

For Immediate Release

Indie Rockers RED HOT SHAME Defy Convention with Their New Album YOU CAN’T MAKE ME

Eureka, CARED HOT SHAME is a Northern California-based indie rock group fronted by singer-songwriter Xeff Scolari and his fluctuating lineup of musical cohorts. For their sensational new album YOU CAN’T MAKE ME, Xeff Scolari recorded with frequent collaborators Steven Pitsenbarger (vocals, percussion), Ryan Wilson (guitar), Spencer Kennedy (bass, drums, keys, vocals), and Mark Bennet (harmonica), a lineup that brings an energy and excitement to RED HOT SHAME that Xeff could not accomplish alone. Adding to their ever expanding catalog of imaginative visual media, RED HOT SHAME also released music videos for their new tracks “Stone” and “Vampire Empire” ahead of the album’s December 1, 2023, release date.

Xeff Scolari recorded, mixed, and mastered YOU CAN’T MAKE ME at his own Shameful Studio collaboratively with the whole group. They tried some new things on this record to make it more representative of how the band sounds live; on some previous releases the material was developed largely in the studio, but on this new album they were able to begin recording with the songs already fleshed out and developed across months of performances. With less layering and more live in-the-room recording, YOU CAN’T MAKE ME better captures the wild ride feel of a RED HOT SHAME live show.

YOU CAN’T MAKE ME features striking album art by Jeff Jordan, known for his work with The Mars Volta. Reminiscent of Gulliver, the band’s signature giant chick is unsuccessfully tied down by likenesses of the band. Look closely and you’ll see many of the band’s friends and fans represented amongst the captivated onlookers. In fact, the album’s title YOU CAN’T MAKE ME comes from a playful joke between Xeff and his friend Linda (she’s the fairy godmother on the cover), who would taunt each other with the phrase.

Over the years, RED HOT SHAME has included a range of talented multi-instrumentalists who add layers of sonic textures to the group’s releases, at times including horns, vintage mellotron, or even accordion. The group began in 2017 when it was just Xeff Scolari with a few guest tracks by some close friends like Steven Pitsenbarger and James Terris on the debut release Curiosity. In 2021, RED HOT SHAME released the follow up album Sounds Like, which also featured Chad Johnson. Their last album My Satellite (2022) also included Rick Fugate (drums) and James Terris (keys), starting with a literal bang on the opening track “Liftoff” and from there soaring into musical outer space.

A resident of Eureka, CA, lead vocalist and songwriter Xeff Scolari has played in several other local bands including Colorblind, Acoustic Gypsies, Sugardaddy, and Chowderhead, the last of which was on the Magnetic Oblivion Records label. Throughout 2020 he created and launched Shelter N Play, an online virtual open mic with musicians signing up to perform 15-minute sets from all over the country, a hugely valuable resource to the musical community throughout the pandemic. These also helped Xeff to further hone his own vocal and songwriting chops, and it was actually through the Shelter N Play open mics that Xeff met bassist Spencer Kennedy and guitarist Ryan Wilson, a fortuitous meeting indeed.

Xeff Scolari has been singing together with Steven Pitsenbarger for so long that it feels like instinct, a vocal blending that is rich with decades of collaboration and friendship. Steven Pitsenbarger was a member of the San Francisco bands RhythmChaos, and Machine Shop, and has been making music together with Xeff since the late 80s. The only core member of the band that doesn’t live near the rest, Steven collaborated on many of the songs via email, sending tracks back and forth to Xeff. Together they also have another band known as Vanity Project.

Guitarist Ryan Wilson’s inventive stylings bring the RED HOT SHAME sound to life. They call his pedalboard “the spaceship” because of all the crazy sounds he wields with it. He also performs with bassist and multi-instrumentalist Spencer Kennedy in another group called Stable Vices, who were regulars at Xeff’s Shelter N Play open mics. Mark Bennet and Xeff are old friends who met on the open mic circuit. They’ve performed together for years, and Mark is featured on multiple RED HOT SHAME tracks.

Keep an eye out for a new music video for their song “Sophie” along with a four-song RED HOT SHAME EP in early 2024 tentatively titled “Scratched Tracks” and featuring one song from each of their four albums that was left off. The new RED HOT SHAME album YOU CAN’T MAKE ME is available December 1, 2023!

For more information about RED HOT SHAME please visit: www.redhotshame.com

To order or stream YOU CAN’T MAKE ME please visit: https://lnk.to/YouCantMakeMe

For Press and Interview inquiries please contact Billy James of Glass Onyon PR at (828) 350-8158 or glassonyonpr@gmail.com

For Digital Marketing please contact Jerome Forney of Independent Distribution Collective at jerome@independentdistro.com


Italian Prog Legends Syndone To Release New Concept Album “DirtyThirty”

For Immediate Release

Italian Prog Legends Syndone To Release New Concept Album “DirtyThirty”

Sit down, make yourself comfortable. This is the story of an artistic journey, a 30-year parable.

Listen. Immerse yourself. Eliminate all distractions; let the music speak to you, like it used to do. “DirtyThirty” is the culmination of a class struggle, of the utopian ideal of those who stubbornly cling to a model of the world that still embraces thought, wonder and the courage of art. Syndone is a vision, a nine-album journey, the desire to make a mark in the world. Syndone is a shapeshifter, a band that’s changed its skin and its musicians without ever changing its soul: swimming against the tide, defying fashion and the decline (not only musical) of an era in which you can be successful only if it pleases the powers that be.

Yet there was a time when record albums were capable of transporting us, starting with the artistry of the album covers, of breaking the rules, crossing boundaries, with a whole set of atmospheres, sounds, and thoughtful, refined, stylistic constructions. Those were the days of progressive rock; at the time it was simply called ‘pop’, because it was popular. Today there’s very little left that’s progressive: there’s no thrill of discovery, we’re no longer open to wonder and amazement, we don’t deviate from the idea of an increasingly standardized and replaceable human being.

Nik Comoglio, the musical heart and soul of this story, has never surrendered to that reality; flanked by the vocal and conceptual talents of Riccardo Ruggeri, the Turin-based keyboardist and composer has truly succeeded in making his mark. Syndone, with their erudite, impeccable rock, as violent and energetic as they are melancholic and orchestral, are a dare, a counterpoint, a raised middle finger to the devious strategy of collective narcosis slyly dropped from above in the Kali Yuga of Western civilization. They’re an antidote.

“DirtyThirty” is their crowning achievement, the (perhaps) final chapter. Enjoy it like fine wine, in small sips, and remember to stay human.

Track list:

1. DirtyThirty – the end of my love – (Comoglio/Ruggeri)  [5’06”]
2. Fight Club (Comoglio/Rubinato/Ruggeri) [3’08”]
3. The Angel (Comoglio/Rubinato/Ruggeri) – quoting the track “Il fiele e il limite” from the album “La bella è la bestia”, 2012 [4’19”]
4. Valdrada’s Screen (Comoglio/Ruggeri) – restyling the track “Spleen” from the album “Spleen”,1992  [3’46”]
5. I spit on my virtue (Comoglio/Rubinato/Ruggeri) [4’40”]
6. I only ask for a super glue (Comoglio/Ruggeri) – quoting the track “Eros & Thanatos” from the album “Odysséas”, 2014 [5’02”]
7. Mary Ann (Comoglio/Ruggeri) – restyling the track “Marianne” from the album “Spleen”,1992   [5’57”]
8. René (Comoglio/Ruggeri) – restyling the track “Magritte” from the album “Melapesante”, 2010   [4’25”]
9. God’s will (Comoglio/Ruggeri) – restyling track “Inca” from the album “Inca”, 1993  [5’30”]
10. Thousand times I cried (Comoglio/Ruggeri) – restyling the track “Proverbi” from the album “Inca”, 1993  [2’11”]
11. Evelyn Japanese version (Comoglio Ruggeri) translation of the track “Evelyn” from the album “Mysoginia”, 2018   [4’21”]
12. So long everybody – the time has come and I must leave you – (Comoglio) – restyling the track “Penelope” for full orchestra from the album “Odysséas”, 2014   [4’46”]

Bonus track
Evelyn Japanese version (Comoglio Ruggeri) translation of the track “Evelyn” from the album “Mysoginia”, 2018 [4’21”]

Total time running 48’03”

SYNDONE Line up:

Nik Comoglio – composition, orchestration, hammond, juno dist. moog, mellotron, keyboards
Riccardo Ruggeri – composition, vocals, lyrics
Marta Caldara – vibraphone, marimba, keyboards
Gigi Rivetti – ac. piano, el. pianos, hammond, moog, accordion
Simone Rubinato – bass, fretless bass, el. baritone guitar Ciro Iavarone – drums, percussions

Guests

Tony de Gruttola – electric guitar & ac. guitar (on “DirtyThirty”)
Andrea Carbone – electric guitar (on “Mary Ann”)
Pino Russo – classic guitar (on “René”)
Gianluca Cagnani – pipe organ (on “Valdrada’s screen”)
Kaori Tsutsui – clarinet in Bb (on “Evelyn”)
Rebecca Onyeji – backing vocals
Charlie Poma – backing vocals

String Trio (on “I spit on my virtue”) – Valerio Iaccio (violin), Roberto D’Auria (violin), Michelangiolo Mafucci (cello)

Budapest Scoring Symphonic Orchestra conducted by M° Francesco Zago

Fabrizio Argiolas – sound engineer
Valentina Fornacca – artwork cover: “folli eroi e sognatori” (oil on canvas)
Eugenia Brini – layout and booklet project

To purchase: http://store.maracash.com/product_info.php?products_id=799&osCsid=n5r7g884nhrv8lm38p12vncf6p

For more information:
www.syndone.it
www.facebook.com/syndone

Press inquiries: Glass Onyon PR, PH: 828-350-8158 (USA), glassonyonpr@gmail.com


Singer-Songwriter Percy Howard Releases New Album “The Stars and The Well” Featuring Fred Frith, Vernon Reid & Matt Chamberlain

For Immediate Release

Singer-Songwriter Percy Howard Releases New Album “The Stars and The Well” Featuring Fred Frith, Vernon Reid & Matt Chamberlain

Percy Howard, a NorCal based singer-songwriter and product of the New York no-wave avant-garde, has performed and or toured with members of Living Colour, King Crimson, Swans, Guns N’ Roses (Buckethead), Oxbow, Henry Cow, This Heat, and Brand X. Percy has also shared European festival stages with Brazilian music legend Caetano Veloso and ambient pioneer Stephan Micus.

Percy is the generator of the Meridiem project, which has included collaborative input from Bill Laswell, Vernon Reid, Charles Hayward, Trey Gunn, Fred Frith, Robert Rich, Buckethead, Jarboe, Happy Rhodes, and Jill Tracy, amongst others. Percy’s Genre-defying mix of rock, jazz, soul and classical influences have drawn critical attention and praise from all over the planet. Percy has recently started the record label Necessary Angel, which he sees as an archival entity whose sole mission is to spread as much sonic beauty across the world as possible.

Influenced by the Laurel Canyon Sound, Bowie, Steely Dan, Richie Havens, and Scott Walker, but created in the context of my own experience, Percy’s new album “The Stars and The Well” is unabashedly nostalgic, consumed with Romance and unafraid of the fragility of love. It’s a retrospective of the impact of love in my life, in all its forms… From the heights (The Stars) to the depths (The Well).

Please listen with your ears, mind and heart open.

Produced by Joe Chiccarelli at Sunset Sound, Los Angeles, CA. October 2022

Musicians:
Bass – Kaveh Rastegar, Sean Hurley
Guitars – Joe Gore, Vernon Reid, Fred Frith, David Levita
Banjo – Joe Gore
Drums – Matt Chamberlain
Keyboards – Zac Rae
Backing Vocals and Vocal Arrangement on “The Lonely Sea” – Roger Joseph Manning
Backing Vocals – Valerie Pinkston, Mia Pfirmann, India Carney
Trumpet – James Havorka
Horns – Danny T. Levin
Strings – The Section Quartet
Song Charts – Benjamin Lee

Advice and Coordination: Eliot Goldstein for Blue Buddha Productions

To purchase: https://7dmedia.com/percy-howard-the-stars-the-well

Press inquiries: Glass Onyon PR, PH: 1-828-350-8158 (US), glassonyonpr@gmail.com


UK Solo Artist TIM ARNOLD Releases New Single “Send More Light”, A Universal Prayer For Light In Dark Times

For Immediate Release

UK Solo Artist TIM ARNOLD Releases New Single “Send More Light”, A Universal Prayer For Light In Dark Times

UK Solo Artist Tim Arnold’s new album “Super Connected” was released this year to unanimous praise with 4-star reviews in Mojo, The Times, Clash and a sold-out launch at The Roundhouse.

Writing from the Buddhist monastery in Thailand where he’s been a member of the community for 20 years, Tim discusses his new single: “Light consists of seven colors. We’re releasing seven versions of ‘Send More Light’ – a new version every Friday before Christmas, with the final release on Winter Solstice. This is an art project aimed at promoting peace, unity and light. We’re donating 50% of all sales to the Peace Pledge Union (https://www.ppu.org.uk/). ‘Send More Light’ is a universal prayer for peace and a call for world leaders to imagine a war-free future. Join us in spreading this message. There’s not one life that passes by.”

“Send More Light” V0.1 was released on Friday 10th November. Artwork for all seven single releases is designed by Brighton based artist Kate Alderton.

Send More Light” is available on all digital platforms

To order: https://ditto.fm/send-more-light-radio-version

For further information, interviews and a link to the private video for “Send More Light”, please contact Tim directly via his website at info@timarnold.co.uk

Press inquiries: Glass Onyon PR, PH: 828-350-8158 (USA), glassonyonpr@gmail.com


Multi-Instrumentalist Julian Calv Releases A Cover Of The Moondog Song “Encore” (Originally Titled “Utsu”) Through Deko Entertainment

For Immediate Release

Multi-Instrumentalist Julian Calv Releases A Cover Of The Moondog Song “Encore” (Originally Titled “Utsu”) Through Deko Entertainment

Calv carries on the legacy of Moondog (aka The Viking of Sixth Avenue) with full support from the Moondog archives!

Stockton, NJ – Percussionist Julian Calv was a music major who recently graduated from Moravian University in Bethlehem, PA. He now resides in the art community of Windsor, VT. Calv can occasionally be seen on Church Street in Burlington, VT, busking much in the way Moondog, aka the Viking of Sixth Avenue, did in NYC during the 50’s and 60’s.

Calv has studied every aspect of the avant-garde musician’s creative life. In addition to composing and performing, Moondog’s life included the invention of several musical instruments, most famously the trimba (a sort of triangular drum). Calv has even built his own one-of-a-kind trimba, going to great lengths to travel to Sweden and Germany to meet with fellow Moondog aficionados, and study the design of the instrument. Moondog archivist Wolfgang Gnida states, “Julian Calv – the future of the trimba, that’s what I called Julian some time ago. That may seem a bit of an exaggeration, but since the time I’ve been working at the Moondog archives, I’ve yet to meet a musician who has been as intensely involved with the trimba as Julian.”

Calv had this to say about his latest release, “‘Encore’ is written by Moondog and performed by Ava Bloomfield on piano and myself. The song was originally titled ‘Utsu’ and played on an instrument Moondog built having the same name. This reinterpretation of the song brings the utsu’s melody to the piano keys. ‘Encore’ is one of nine songs from an upcoming album titled ‘Nonstop Motion,’ featuring the music of Moondog and Julian all wrapped up in one.”

Listen here: https://ada.lnk.to/JCEncore

In addition to covering Moondog material, Calv has now been creating his own percussion-based compositions in a style reminiscent of the late composer. His first release, “Route 4,” and follow up “Thorn and Roots” have been picked up on multiple Spotify playlists.

Listen to “Route 4” here: https://ada.lnk.to/Route4

Listen to “Thorn and Roots” here: https://ada.lnk.to/ThornandRoots

Order the limited edition (only 250 printed) 7”-single and limited bundles here: https://bit.ly/JulianCalv

Tracklist:
Side A – “Route 4”
Side B – “Thorn and Roots”

This bundle Includes:
One (1) 7” Vinyl Single
One (1) Julian Calv Sticker
Two (2) Maraca Key Chains

For more information: http://www.instagram.com/julian.trimba/


www.dekoentertainment.com
Deko Entertainment–Art Has Value

Press inquiries: Glass Onyon PR, PH: 828-350-8158 (USA), glassonyonpr@gmail.com


Ex-King Crimson Violinist David Cross Announces the Release of New Studio Album “Ice Blue, Silver Sky” OUT NOW!

For Immediate Release

Ex-King Crimson Violinist David Cross Announces the Release of New Studio Album “Ice Blue, Silver Sky” OUT NOW!

David Cross was a member of King Crimson during the 1970s and continues to have a loyal fanbase. He’s best known for playing violin on the albums “Larks’ Tongues in Aspic” and “Starless and Bible Black”.

The musicians featured on his new album “Ice Blue, Silver Sky” include Jinian Wilde, Mick Paul, Steve Roberts and a special guest appearance on two tracks by David Jackson of Van Der Graaf Generator.

This new studio album features new tracks along with new recordings of the two classic King Crimson tracks “Exiles” and “Starless”. The album title refers to a lyric in Starless and King Crimson lyricist Richard Palmer-James contributes to the lyrics on this album.

David Cross said of the album, “There is a narrative to this album which emerges from a patchwork of natural soundbites, lyrics and scripted text. The music is the tale…”

TRACKLIST:
1 Nurse Insane
2 Calamity
3 Nowhere
4 Exiles
5 Karma Gain
6 Over Your Shoulder
7 Starless

OUT NOW and available from:
Amazon CD: https://geni.us/DCBcd
Apple Music: https://geni.us/DCBam
Spotify: https://geni.us/DCBsp
Also available directly from Cherry Red: https://www.cherryred.co.uk/artist/david-cross/

Press inquiries: Glass Onyon PR, PH: 828-350-8158 (USA), glassonyonpr@gmail.com


Prog Ensemble Cymbalic Encounters Featuring Drummer Mark Murdock Celebrates 10th Anniversary With New Album “Electricus”

For Immediate Release

Prog Ensemble Cymbalic Encounters Featuring Drummer Mark Murdock Celebrates 10th Anniversary With New Album “Electricus”

“Electricus” represents Cymbalic Encounters’ 10th anniversary after releasing the initial collaboration with Brand X’s Percy Jones and John Goodsall on Mark Murdock’s “Cymbalic Encounters” and “Exploration of the Southern Constellation.”

“Electricus” features eight songs under the theme of “Experiments in Static Electricity” with three vocal songs and five instrumental songs, in the Cymbalic Encounters tradition.

Track list:
1. Within the Lightbulb’s Glow
2. Electricus
3. Circuits and Codes
4. Electro-Static Particles
5. The Flying Boy Experiment
6. Experiments in Static Electricity
7. Rubber Sole
8. The Hindenburg (The Future of Human Missions)

Musical Contributions:
Mark Murdock/drums, synthesizers & synth fretless bass
Tim Pepper/vocal on 1, 3, & 6
Joe Berger/lead guitar on 2, 3, 4, 7 & 8
Charles Lambiase/fretless bass on 8
Dave Juteau/guitar on 1, 3 & 4
Preston Murdock/lead guitar on 3 (first solo)
David Rambeau/guitar on 6

All songs composed by Mark Murdock
Mixed and Mastered by Joe Berger at R&B Studios, Okachimachi
Copyright 2023

To purchase: https://cymbalicencounters.bandcamp.com/album/electricus

Electricus” Promotion Video: https://www.youtube.com/watch?v=T1yqJ57yhIA

*Additional Cymbalic Encounters release can be found on Bandcamp and all digital formats.

Press inquiries: Glass Onyon PR, PH: 828-350-8158 (USA), glassonyonpr@gmail.com


XTC “The Big Express” The Surround Sound Series CD/Blu-ray Now Available!

For Immediate Release

XTC “The Big Express” The Surround Sound Series CD/Blu-ray Now Available!

• Classic 1984 XTC album on CD/Blu-ray newly mixed (2023) by Steven Wilson in Stereo, 5.1 Surround & (for the first time with an XTC album), Dolby Atmos Spatial Audio mixes as part of The Surround Sound Series.
• CD features the complete album newly mixed in stereo + three additional tracks.
• Blu-Ray includes the newly mixed material as featured on CD in Hi-Res Stereo, 5.1 Surround and Dolby Atmos + 2023 stereo out-takes & instrumental mixes in Hi-Res stereo.
• Blu-Ray also includes the original album + additional tracks in Hi-Res stereo
• The complete album & more also appear in demo form (16/48 stereo reflecting the source material).
• Packaged in a 2-disc digipak sleeve with 16-page booklet in a cardboard slip case.

“‘The Big Express’ is the closest we ever came to recording a ‘concept’ album. It’s full of Swindon and deep seams of life there, that run through myself, Colin, and Dave, (Terry too of course). It’s populated by members of our families, our hopes and dreams. The things we wished for, or feared, a stew of memories.” – Andy Partridge – excerpted from the book “Popartery”, 2023

XTC’s seventh album, “The Big Express” was virtually ignored on release, much as its immediate predecessor “Mummer” had been. If “Mummer” was XTC’s quiet album, this was its polar opposite: bright, brash, noisy – even cluttered on occasion if the song demanded it – as it became a concept album of sorts, a partly autobiographical reflection on growing up in an industrial town, Swindon, with its history of engineering and railway accomplishments.

Perhaps in keeping with that tradition of technical innovation, the album also made extensive use of (at the time) new technology with Linn-Drum programming (alongside drummer Peter Phipps), E-mu Emulator and other synths claiming space among the more traditional guitars, bass and drums mix under-pinning the vocals. This technology was juxtaposed with technology of a slightly earlier pop/rock era as phasing, backwards tapes and the inclusion of a mellotron hinted at a psychedelic influence that would move more center-stage with the band’s next project – “The Dukes of Stratosphear”.

With XTC no longer touring, the sound radically different to any previous XTC album, in a musical climate where the upper end of the charts reflected national radio, producing the most mainstream result for years: Lionel Richie, Sade, Spandau Ballet, Howard Jones, Tina Turner, Queen – Frank Sinatra’s final solo studio album… the space for a metallic, post-punk concept album about growing up amidst the ghosts of Swindon’s industrial heritage proved non-existent.

Of course, the songs were as good as on any other XTC album – a very high standard indeed – but they went largely unheard. Given that position, it would be easy to conclude that the timing was wrong for the album. But the best musicians follow the music and allow the times to catch up with that; precisely what happened when XTC released its next album “Skylarking” in 1986. Just as “Mummer’s” reputation (and sales) has increased over the years, “The Big Express” is now regarded as a ‘neglected classic’ of its era.

Now remixed by Steven Wilson in stereo, 5.1 Surround Sound & Dolby Atmos, the full impact and power of the album can be appreciated. Already given studio quality previews to an invited audience in London and LA at L-Acoustics studios, the reaction was one of collective awe at the amount of newly apparent detail & clarity in the Atmos mixes. As ever with XTC, the full package on the Blu-ray disc includes every recorded song from the era, ranging from demos through to the aforementioned Spatial Audio mixes.

Coal for the Soul.

CD (2023 Mixes)
1. Wake Up
2. All You Pretty Girls
3. Shake You Donkey Up
4. Seagulls Screaming Kiss Her Kiss Her
5. This World Over
6. The Everyday Story Of Smalltown
7. I Bought Myself A Liarbird
8. Reign Of Blows
9. You’re The Wish You Are I Had
10. I Remember The Sun
11. Train Running Low On Soul Coal
Additional tracks
12. Red Brick Dream
13. Washaway
14. Blue Overall

Blu-ray
• Album and additional tracks of 2023 Mix in Dolby
Atmos, Hi-Res Stereo and DTS-HD MA Surround
Sound & instrumental mixes in Hi-Res Stereo all
mixed by Steven WIlson
• Plus album and additional tracks of original mix in
Hi-Res stereo, with additional out-takes.
Additional out-takes:
15. Broomstick Rhythm (guide vocal)
16. The Troubles (Big Express Version – Backing
Track)
• Album and additional tracks in demo form in 16/48
Hi-Res stereo with additional demos of songs
written for The Big Express
Additional demos:
15. Now we all Dead (It Doesn’t Matter)
16. Work
17. Gangway, Electric Guitar is Coming Through
18. Broomstick Rhythm
19. Shiny Cage
20. A Patriotic Romance

To purchase: https://burningshed.com/xtc_the-big-express_cd_blu-ray

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