Category Archives: Press Release

Fusion Legends BRAND X Reunion Tour Selling Out Shows in Advance!

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For Immediate Release

Fusion Legends BRAND X Reunion Tour Selling Out Shows in Advance!

NYC – Legendary Jazz-Rock-Fusion band BRAND X has reunited and the response has been overwhelming. The initial tour runs October 19th through October 30th, and numerous shows are already Sold Out well in advance.

BRAND X are recognized as true musical pioneers who helped create an entire musical genre and influenced a broad spectrum of musicians and bands. From numerous fusion bands around the world, to even Phish and Dream Theater, their influence to the their peers and the next generation of musicians has been monumental. They are unrivaled in their creativity, originality and approach. The seeds were sown around 1975 when future members of Brand X were collaborating with Brian Eno on his well known “Another Green World” album. Robert Fripp and Phil Collins also played on it, and it got many people thinking. Their contemporaries include bands such as Weather Report, Headhunters, Mahavishnu Orchestra, Jaco Pastorious and Chick Corea, all crafting a unique blend of Jazz, Rock, and Ethic influences now widely known by fans worldwide simply as “Fusion”.

HAVE TICKET, WILL TRAVEL: “Something unexpected has been happening…”, the band’s management explained. “People are coming out of the woodwork to come to these first shows. First we heard of a group driving from Texas all the way up to Chicago for a show. Then it’s a group from Denver. A few coming from Toronto, and now we’ve got confirmation of fans flying in from London and even Berlin!”

HUFFINGTON POST FEATURE: “You Tried The Rest, Now Rediscover Band X” by Roger Weisman (08/07/2016) article struck a chord with many when he stated: “Brand X have too much of a background in Rock to be whole-heartedly accepted by the Jazz Community… but similar to some of Jeff Beck’s fusion work, they’ve created masterpieces.”

THE BAND:

* John Goodsall (Guitar): Original BRAND X guitarist says, “It’s a better version now. We’re all a lot more experienced – a lot more skilled… And that goes for every one of us.”

* Percy Jones (Bass): Original BRAND X bassist says, “This music takes us back to a certain space – which was really cool. I wasn’t sure I’d ever feel that feeling again – and yet here it is!”

* Kenwood Dennard (Drums): BRAND X drummer who’s also played with Sting and Jaco Pastorious says, “When we used to play this music, it felt eternal. We used to get into a zone where it felt so deep. Now that’s exactly how it felt again.”

* Chris Clark (Keyboards): Formerly of John Entwistle Band (The Who), and Richie Cannata’s Band (Billy Joel).

* Scott Weinberger (Percussionist): Sessions with Adrian Belew, and live with The Security Project (Jerry Marotta, formerly of Peter Gabriel and Trey Gunn formerly of King Crimson)

The reunited BRAND X will be performing material from their first three albums on these initial tours in October 2016.

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“Unorthodox Behaviour” was a superb debut album. Members Percy Jones, Phil Collins, Morris Pert, John Goodsall and Robin Lumley had been doing sessions for Brian Eno, and banded together for this initial release.

“Moroccan Roll”: Surprises everyone by hitting #37 in the UK charts. Experimenting with some Eastern tonalities, including a shimmering Sitar played by Goodsall on “Sun In The Night”, BRAND X create an uncanny masterpiece – a fusion album with melodies. Percussionist Morris Pert now joins the band, and manages to bang on everything including a few kitchen sinks. Robin Lumley’s “Disco Suicide” is as catchy as it is clever. Percy Jones galloping “Malaga Virgen” races with furious Bass and Drums – and remains a show-stopper live.

“Livestock”: A true live album in every sense of the word. Recorded at gigs at Hammersmith Odeon and Ronnie Scott’s Jazz Club, it shows that band at their most mature with finesse and macho chops rarely heard live. Robin Lumley has stated that the entire Livestock album was mixed in one day with absolutely no overdubs.

SHOWS IN OCTOBER 2016:
Oct 19: Milwaukee, WI at The Shank Hall
Oct 20: Edwardsville, IL at The Wildey Theatre
Oct 21: Chicago, IL at Reggie’s Live Progtober-Fest
Oct 22: Cleveland, OH at The Music Settlement/Bop-Stop
Oct 23: New Hope, PA at Havana Club
Oct 25: Arlington, MA at The Regent Theatre
Oct 27: New York City at Iridium Jazz Club (2 shows per night)
Oct 28: New York City at Iridium Jazz Club (2 shows per night)
Oct 29: Woodstock, NY at Bearsville Theatre
Oct 30: Newton, NJ at The Newton Theatre

For more information:
Facebook
https://www.facebook.com/Official-Brand-X-1715531621998359/
Twitter
https://twitter.com/OfficialBrandX

Management:
Norman Bedford
HYPERACTIVE PRODS.
norman@sosprods.com
O: 305-754-4044
C: 786-216-4677

Press inquiries: Glass Onyon PR, PH: 828-350-8158, glassonyonpr@gmail.com

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Rare Tribute To Nico “Songs They Never Play On The Radio” Reissued!

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For Immediate Release

Rare Tribute To Nico “Songs They Never Play On The Radio” Reissued!

London, UK – Much to the excitement of Nico and Velvet Underground fans worldwide, James Young’s “Songs They Never Play On The Radio” has been reissued on Gonzo Multimedia!

James Edward Young is a British musician and writer. Young grew up in Oldham, Lancashire and began learning piano at the age of 7. He studied Art History briefly at the University of East Anglia before moving to Oxford to study at the Polytechnic and in 1982 was accepted as an MPhil student at Oxford University. This period coincided with his meeting Nico (Velvet Underground) and Young took the decision to work with her instead of continuing with academic life. Young toured and recorded as keyboard player and arranger with the group Faction until Nico’s death in 1988. They toured the world together and at one stage shared a flat in Brixton, London. Since then Young has written books, recorded solo albums, created BBC radio features, written on Outsider Art and curated exhibitions.

Young’s memoir of his years travelling with Nico Songs they Never Play on the Radio, was published to international critical acclaim in 1993, winning the In The City award for music book of the year. Described by Greil Marcus in Esquire as “A coolly literary masterpiece about the geography of nowhere”, the book was later serialized in 1996 for BBC Radio 4. In 1994 Young was invited by Alan McGee, founder of Creation Records, to record a musical representation of his memoir of the Nico years.

The album “Songs They Never Play On The Radio” followed a year later in 1994. Alan McGee of Creation Records had read the book and asked Young if he’d be interested in making a record that evoked it. Highlights from that album are contained here as well as later songs and instrumental pieces relating to Young’s life on the road with Nico.

The album covers every aspect of that time from first meeting to burying Nico in Berlin. It includes samples of Nico talking as well as Young’s distinctive piano and vocal. The pieces vary in tone from the lyrical to the ironic and from the playful to the dark.

This is not just a collection of songs … it is a life.

For more information:
http://www.gonzomultimedia.co.uk/product_details/15949/James_Young-Songs_They_Never_Play_On_The_Radio.html

Press inquiries: Glass Onyon PR, PH: 828-350-8158 (USA), glassonyonpr@gmail.com


Keyboard Icon Rick Wakeman and Legendary Astronaut Chris Hadfield Pay Tribute To Stephen Hawking and David Bowie At Starmus Festival 2016

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For Immediate Release

Keyboard Icon Rick Wakeman and Legendary Astronaut Chris Hadfield Pay Tribute To Stephen Hawking and David Bowie At Starmus Festival 2016

London, UK – In a rare meeting of the minds, keyboard icon Rick Wakeman and legendary astronaut paid tribute to Stephen Hawking at the Starmus Festival in Tenerife, Spain on July 1, 2016! The two legends performed a moving tribute David Bowie with their rendition of his classic song “Space Oddity”.

Watch the video: https://www.youtube.com/watch?v=8LFUoV_8OoM&feature=youtu.be

The Starmus Festival was born with the aim of making the most universal science and art accessible to the public. Traditionally the perfect symbiosis between astronomy, art and music, STARMUS 2016 brought together not only the brightest minds from these areas but many others besides, as we debate the future of humanity with scientists, business people at the cutting edge, and celebrities of all kinds.

Chris Austin Hadfield is a retired Canadian astronaut who was the first Canadian to walk in space. An engineer and former Royal Canadian Air Force fighter pilot, Hadfield has flown two space shuttle missions and served as commander of the International Space Station.

Commander Hadfield originally performed a cover Bowie’s “Space Oddity” on board the International Space Station in 2013. He posted the video on the internet which immediately became a global sensation, being the first ever music video performed in space. Although he had made the video for a number of reasons, Hadfield felt that, “Maybe most importantly, it was a chance to let people see where we truly are in space exploration”. David Bowie himself responded saying that the cover of his 1969 song was “possibly the most poignant version of the song ever created”. The guitar Hadfield used to perform the song is still on the space station where it will remain forever!

Rick Wakeman, who played mellotron on the original version of Bowie’s “Space Oddity” says, “It’s a real honour to have played on probably the two most iconic versions of ‘Space Oddity’, the brilliant original with David of course and now this very special version with Chris that was born 300 miles from planet earth!”

While the Starmus Festival 2016 was paying tribute to Hawking, the promoters also decided to pay tribute to David Bowie! Why? Because Bowie and Hawking share the same birthday – January 8th. Also, Bowie was very much inspired by Space, Astronomy etc… He was invited to Starmus but the invitation arrived the same day he passed…

For more information: http://www.starmus.com/

Rick Wakeman – “Rainbow Suite”

Starmus is festival of music and astronomy on the beautiful island of Tenerife. It is the brain child Garik Israelian (The astrophysicist who led the team which found the first observational evidence that supernova explosions are responsible for the formation of stellar mass black holes). Rick Wakeman has made several appearances at this festival. The most notable was in 2014 where he was joined on stage by Dr Brian May, the iconic guitarist from Queen, where Rick Wakeman and English Rock Ensemble performed amongst other tracks from throughout Rick’s career a legendary version of Starship Trooper. This release is a must for all fans of Classic Rock!

This is a brand new orchestral piece written and performed by Rick Wakeman and the Orion Orchestra. This is a specially written piece of therapeutic music designed for people with an Autistic Spectrum Disorder to enjoy as well aficionados of good quality instrumental music. This is Rick and Orchestra at their finest !!!

Available to pre-order from http://www.rickwakemansmusicemporium.com

For more information:
http://www.gonzomultimedia.co.uk/product_details/15964/Rick_Wakeman-Rainbow_Suite.html

Release Date: 25th November 2016

Catch Rick Wakeman on tour with ARW (Jon Anderson, Trevor Rabin & Rick Wakeman) this Fall 2016! http://www.arw-tour.com/

Rick Wakeman’s official website: http://www.rwcc.com/

Press inquiries: Glass Onyon PR, PH: 828-350-8158 (USA), glassonyonpr@gmail.com


Sixties Music Legends The Box Tops To Celebrate Their 50th Anniversary!

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For Immediate Release

Sixties Music Legends The Box Tops To Celebrate Their 50th Anniversary!

Memphis, TN – The Summer of 2017 marks the legendary Memphis blue-eyed-soul group THE BOX TOPS’ 50th anniversary of the release of their worldwide #1 smash hit debut single “The Letter.” To celebrate, they anticipate extensive touring and perhaps a new album that could include obscure never-issued tracks from their 60s heydays, with Alex Chilton. After THE LETTER, the group charted with other hits, including NEON RAINBOW, CRY LIKE A BABY, and SOUL DEEP.

In 2016, six years after the sudden death of Alex Chilton, original members BILL CUNNINGHAM (bass, keys, vocals) and GARY TALLEY (guitar, sitar, vocals) teamed with veteran music industry manager/guitarist Rick Levy to bring the Box Tops catalogue and their Memphis sound back to
waiting audiences. Audiences are delighted with the way in which the show interweaves music and stories that connect the group to the explosive and all important Memphis music scene. Levy brought the band to Talent Consultants International (TCI), now their exclusive booking agency. It’s been a great first year back, with shows in Indiana, Iowa, Florida, Maryland, Nevada, Pennsylvania, Wisconsin, and more. The band finished August with 3 successful nights at the historic Egyptian Theatre in Park City, Utah (home of Sundance Film Festival.)

Upcoming 2016 shows:
SEPT 17 NYCB Theatre at Westbury, New York (with Herman’s Hermits, Grassroots, Gary Lewis)
SEPT 24 Holly Springs Cultural Center, Holly Springs, North Carolina
SEPT 30 Grand Opera House, Oshkosh, Wisconsin, headlining Flower Power Weekend
OCT 29 The Casino @ Dania Beach, Dania Beach Florida
NOV 5 Savannah Center, The Villages, Florida (Vietnam Veterans Fundraiser)

Watch for future press releases as 50th anniversary activities and events develop.

Videos:
THE LETTER…live Levitt Pavilion Steel STacks. Bethlehem PA JULY 2 2016

SOUL DEEP…same live info

The Box Tops official website: http://www.boxtops.com

Management
Rick Levy Management
PH: 904-806-0817
levy17@bellsouth.net http://www.ricklevy.com

Worldwide Exclusive Bookings:
Mitchell Karduna, Vice President, Director of Talent Reps
Talent Consultants International Ltd (TCI)
PH: 212-730-2701 X6
mitchellkarduna@tciartists.com
http://www.tciartists.com

Press inquiries:
Glass Onyon PR,
PH: 828-350-8158
glassonyonpr@gmail.com


French Music Ensemble GRIT Release New EP “Live at Kramus Deluxe Studio”

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For Immediate Release

French Music Ensemble GRIT Release New EP “Live at Kramus Deluxe Studio”

One EP – three tracks, recorded live in a studio, in lieu of an introduction.

13 minutes of raw energy meant to capture the essence of human interaction, in the instant, without a safety net. The Parisian four-piece band GRIT has been gaining traction in the French capital over the recent months, and has elected social networks as their home turf to campaign and deliver an ambitious and brutally energetic debut. Their recent shows have inspired their audiences to exert themselves beyond the usual limits, and to experience the kind of release you feel working the punching bag, or naked, with the right person (not that the two have anything in common – let’s be clear, let’s keep it clean).

GRIT, you say? What exactly are we talking about here? Just like the name suggests it, we’re talking about one’s ability to pursue talent. It is the fine blend of perseverance, personal investment, passion and hard work. GRIT don’t tire out, don’t wear or tear. They keep at it, they create, they dig deeper, and they strive for evolution, with high goals and composed expectations.

They get down to business and do the work. The house that GRIT has built is founded on tenacity as well as technique. They’ll kick doors open if resistance is met, bow with the subdued charm that characterizes them all, and remind you there’s no time, nor the will, to carry around any dead weight. The unit’s guiding principle: “onwards and upwards!”

Countless hours of studio rehearsals and live experiences have allowed them to reach the sought-after sound equilibrium: the meaty bass tones, the determined syncopated drumbeats, the volatile vocal hooks, and the two guitars’ layered sensual growls. And then, there’s the lyrics, meant to achieve the same balance, with themes broad enough to be inviting and besetting all at once. These lyrics, written like Polaroid pictures, freeze particular moments in time; a certain stage in life, A minute of doubt, the memory of a ambiguous sensation. Here, they spill the venom of anger, there, the misery of sentiments, and everywhere, the infectious need for more, right here, right now.

In addition to three very well crafted teasers, each with their own little plot and studio footage, GRIT takes it up a notch with a debut release that offers a double take on the songs. Each track has its own video, each with its own rhythm, edit, and energy, and all of it is… Live. The footage is as powerful and polished as the tracks are, and will leave you wishing you’d been in that studio, bouncing off the walls, and wondering how the band and crew managed to even contain such energy in such a confined space…

They say that playing live can either make or break a band. When it comes to GRIT, it’s a revelation, an area of controlled freedom, where unique and organic sounds meet snappy sarcastic fits of rage. Making rock music that excites the atoms without losing their focus, drive and subtlety, is bound to get GRIT some serious and lasting attention.

EP Stream or Buy:
TIDAL: http://bit.ly/28S92IV
ITUNES: http://apple.co/28VBmNe
DEEZER: http://bit.ly/28S96Zf
SPOTIFY: http://spoti.fi/28UiBKN
AMAZON: http://amzn.to/28VlEUm
QOBUZ: http://bit.ly/28TyK4Y

Facebook:
https://www.facebook.com/gritgritgrit/

Instagram:
https://www.instagram.com/gritmusic/

Official Website:
http://grit-music.com

YouTube:
https://www.youtube.com/channel/UC2RI3ikihgt02vskcf99YgA

Press inquiries: Glass Onyon PR, PH: 828-350-8158 (US), glassonyonpr@gmail.com


Guitarist & Composer Marcus Corbett To Release New Album “Every Little Spirit” October 2016

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For Immediate Release

Guitarist & Composer Marcus Corbett To Release New Album “Every Little Spirit” October 2016

“Perfect Sunday morning music”

London, UK – Much to the anticipation of music aficionados worldwide, music artist Marcus Corbett will be releasing his new album “Every Little Spirit” in October 2016! Marcus is an acoustic guitarist, singer and composer based between Marlborough, UK and Pune, Maharashtra, India. Gradually, during repeated expeditions in India over the last decade or more, having immersed himself in the fundaments of North Indian classical music Marcus has begun to reap the rewards of his involvement in the musical life of Pune, Maharashtra and Gadag in North Karnataka.

The result is a generous spirited cultural collaboration that allows his music to come to life while paying homage to the tradition he loves. Here there is ambition as two violins are at work, and as he says, “One violin may be a line drawing but two become cinema – and with the risk associated with such potential drama no one performance is the same as the last. The beautiful challenge in this search is to keep the individual cultural charm, to make the bell ring true. And to maintain the power and integrity of the music.”

“With his deep affinity with Indian classical music and his expertise in soulfully conveying its essence on the humble acoustic guitar. …where other guitar maestros have dipped their toes…. he’s taken the integration a stage further and his collaboration with tabla virtuosos Nitin Gaikwad and Sharanappa Guttaragi on this disc is both fiery and rewarding.” – Fatea

On the subject of his musical influences, aside from his times in India, Marcus states, “I’ve been affected by John Martyn, Nick Drake, Roy Harper – anybody that makes the guitar sing or speak. John McLaughlin with the early Mahavishnu Orchestra and Shakti was a revelation as has been Jerry Garcia’s soulful musicality. Recently Frank Yamma has got under my skin”.

Acclaimed producer and composer Sam Williams (Supergrass/The Go Team!) has co-produced the first track on the album, “Strung Deep” – a remix of Castanets from Marcus’ previous EP release of the same name. Marcus explains how this unlikely-seeming collaboration came about:

“While mixing ‘Castanets’ for the last record (Strung Deep) I discovered a heartbeat in the rhythmic cycle that expressed something quintessential and more about the track. It has a breezy optimism that continues from where the album ‘Strung Deep’ left off. I needed a different approach, someone outside of the Indian classical world who could the sense the potential and produce it. A chance meeting with Sam Williams during which I heard some of his recent work was the catalyst to our working together. Sam has created a great rhythm led track to fit the varying time signatures and give the looping swirl a kick. He also found some words to go with the emerging vibe while keeping some essential ingredients of the original. It is a remix which contemporizes the song in a way which keeps the flavour of the original and casts new light on what I do”.

Recorded with Abhijit Saraf at Musical Stars Studio in Pune, Maharashtra; and in Gadag, Karnataka and in Oxford (UK), Corbett is accompanied for “Every Little Spirit” by tabla players Nitin Gaikwad and Sharanappa Guttaragi. The seductive vocal of renowned classical singer Saylee Talwalkar takes us into his world. The storyline unfolds amidst the masterful weave of bansuri flute player Milind Date, and is carried further by the cinematic violins of Anjali Singde-Rao, Sanjay Upadhye and Sachin Ingale with a cameo appearance by celebrated Oxford-based virtuoso Bruno Guastalla on cello.

Comprised of eight tracks spread across 59 minutes, “Every Little Spirit” is lyrically themed and is a reflection upon how our roots entwine with all life; how our joy and sorrow is shared; that while life is a gift, for which acknowledgment and thanks are due, no one said the living of it was easy and how we instinctively seek release, to “get set free” from the emotional and physical turmoil of existence. “This could be you, this could be me….”.

“Perfect Sunday morning music… I really enjoyed listening through it – it is a very well paced and interesting listen” – Nigel House at Rough Trade

Having toured successfully in Germany and Holland, played around the UK, and gained press attention from all over the world for his previous releases, Marcus’ reputation for his skillful combining of the worlds of Indian Classical and British folk music, while being ambitious and yet aware of the limitations, will inevitably continue to grow and grow, and his status as one of the great explorers of these musical borderlands will continue to be celebrated.

To purchase Marcus Corbett’s “Every Little Spirit”: http://www.cdbaby.com/marcuscorbett

For more information:
http://www.marcuscorbett.com
http://www.facebook.com/marcus.corbett.music
@marcuscorbettji

Press inquiries: Glass Onyon PR, PH: 828-350-8158 (USA), glassonyonpr.com

UK representation: Seb at Pindrop Publicity seb@pindroppublicity.com / 07932635856 / 01865420376


Cure for Gravity Announce the Release of Their Cinematic and Atmospheric Self-Titled Debut

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For Immediate Release

Cure for Gravity Announce the Release of Their Cinematic and Atmospheric Self-Titled Debut

Oakland, CA – Cure for Gravity delivers an entrancing amalgam of atmospheric synth/alt/prog rock that is cinematic in nature. The trio of Joe Markert (lead vocals, keys, guitar), Chris Gamper (drums and percussion), & Dave Walcott (lead guitar) will release their self-titled debut Cure for Gravity worldwide both physically and digitally on October 14, 2016. Sometimes classified in genres ranging from Progressive Pop or Synth Rock to Cinematic Alt Rock, Cure for Gravity finds comfort in playing music to a rare world and its listening inhabitants, and will be touring in support of the release throughout 2016 and 2017.

On their new album, the band uses an eclectic blend of electronic and live elements to untether their listeners from this world and transport them into an audio landscape of their own design. Cure for Gravity draws inspirations from an eclectic range of sources, from classic Prog-Rock bands like early Genesis or King Crimson to the experimental electronica of John Cage, at times evoking The Cars or Emerson Lake & Palmer, as well as more recent references like Radiohead, Album Leaf, God is an Astronaut, and The National. It is precisely this eclectic delivery that keeps their fans engaged from track to track and show to show.

Lyrically, Cure for Gravity deals with isolation and helplessness in the face of seemingly insurmountable odds. The theme not only fits well with the musical background, but also with the turbulent times we are living in. “BlackMetal,” the album’s first single, explores dark dystopian territory that eerily reflects today’s political landscape, and the band has produced a cinematic music video for the single that perfectly captures this mood. “Push,” their second single, delivers a more optimistic outlook while simultaneously retaining the darker feel of the albums co-inhabitants. “Sunspots,” another of the album’s standout tracks, is an unsettling and dark blend of a Pink Floyd inspired soundscape alongside lead singer Joe Markert’s haunting and Jeff Buckley-esque vocals.

The remainder of the album maintains this sonic thread, shifting us back and forth across the red line from the melodic anthem of “Tonight” all the way through the final John Barry-sounding closer “Killing for the Queen.” With their new release, Cure for Gravity has displayed a full ownership of their sound, curating their diverse blend of influences into a unique musical offering while showcasing an impressive range of musical talents.

No strangers to hard work, the band has created their own independent record label, Cure for Gravity Records, to release this debut. Cure for Gravity was recorded at 25th Street Recording in Oakland, CA, and produced by Gabriel Shepard and Joe Markert. Expect more new music, the release of the “BlackMetal” music video, and touring both in the USA and Internationally throughout 2016 and 2017.

The Cure for Gravity album will be released worldwide on October 14, 2016 on all digital platforms and in select retailers.

For Music Samples or to Pre-Order Cure For Gravity CD visit: https://cureforgravity.bandcamp.com/

For more information and touring schedule check Cure for Gravity’s website: http://www.cureforgravity.net/

Press inquiries & interview requests contact Billy James at Glass Onyon PR:
828-350-8158 or via email at glassonyonpr@gmail.com

For digital distribution inquiries please contact Jerome Forney at IDC:
415-292-7007 or via e-mail at jerome@independentdistro.com

For live performance bookings and management please contact Cure for Gravity: cureforgravityband@gmail.com


The Security Project Feat. King Crimson & Peter Gabriel Members To Release “Live 2” October 21, 2016

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For Immediate Release

The Security Project Feat. King Crimson & Peter Gabriel Members To Release “Live 2”
October 21, 2016

Follow up to their acclaimed release “Live 1” includes two classic Genesis tracks!

Seattle, WA – On the heels of their critically acclaimed release “Live 1”, the Security Project will be releasing their follow-up album “Live 2” on October 21, 2016! Members of King Crimson, Shriekback and Gabriel’s original band bring these genre-less masterpieces into the 21st Century. Seattleites Trey Gunn and Michael Cozzi join esteemed drummer Jerry Marotta and NY keyboardist David Jameson to harness the core of these songs. Added to the pedigree of these players is the voice of Brian Cummins. His interpretations add haunting authenticity to the immaculate arrangements.

“Great to see some of the original members doing it the right way.” – Steve Hackett

For these recordings The Security Project is:
Michael Cozzi – Guitar, Vocals
David Jameson – Keyboards, Eigenharp
Brian Cummins – Lead Voice
Trey Gunn – Touch Guitar, Vocals
Jerry Marotta – Drums, Vocals

“The Security Project Live is a beautifully reverential and creative reinterpretation of these Peter Gabriel classics!” – Kevin Killen, engineer of Gabriel’s “So” record

Tracklisting
Family Snapshot
Moribund The Burgermeister
Humdrum
Mercy Street
Wallflower
White Shadow
Father, Son
The Lamb Lies Down On Broadway
Fly On A Windshield
On The Air

Here’s what the press have raved about the Security Project’s “Live 1”:

“Strong marks go to this unique project that will appeal to Peter Gabriel fans and progressive rock aficionados. This is a live album, but the level of musicianship among the band members makes that easy to forget until hearing the audience applause following the tracks. Writing as a Gabriel fan myself, the telling fact is that I’ll probably play Live 1 more often than I play Gabriel’s own recent reinventions.” – Jeff Elbel, IE Magazine

“The Security Project has captured not only the sonic details of Gabriel’s music but also the revered artist’s quirkiness.” – Cryptic Rock

“The Security Project expertly reimagines Peter Gabriel’s groundbreaking early output, creating an immersive experience both in performance and on its debut release Live 1. The group goes far beyond conventional tribute band territory, infusing the songs with new arrangements and elements while staying true to the spirit of the material. Gabriel enthusiasts across the board will be taken by the band’s high-octane approach full of drive, determination and energy.” – Anil Prasad, Innerviews

“What Security Project does is accomplish what’s been too long in coming: positioning Peter Gabriel’s music as repertoire. It’s clear that while the band treats Gabriel’s music with no shortage of reverence, it’s also about a more open-ended approach to the music.” – John Kelman, All About Jazz

“Somehow, like Gabriel, the Security Project’s performance strikes the right esoteric balance between the tribal groove of world music and the inscrutable logic of the best progressive rock.” – Peter Lindblad, Elmore Magazine

To purchase:
http://music.securityprojectband.com

Official website:
http://securityprojectband.com

Press inquiries: Glass Onyon PR, PH: 828-350-8158, glassonyonpr@gmail.com


Bay Area Rock Songstress Karney to Release Her New Singles Vol. 1: Manifest Destiny w/ I Got Mine From Her Upcoming Full-Length Album Renditions in Early 2017

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For Immediate Release

Bay Area Rock Songstress Karney to Release Her New Singles Vol. 1: Manifest Destiny w/ I Got Mine From Her Upcoming Full-Length Album Renditions in Early 2017

San Francisco – Karney is a San Francisco-based singer/songwriter that has been making great music for many years, performing across the US and collaborating with many talented and notable artists. Keeping her mind on social justice and positive messages, her lyrical content offers a sardonic and sometimes straight forward approach to many of the issues facing people today, with a message of hope resonating throughout every song she writes. Karney is digitally releasing a handful of new songs between August and the end of 2016 in support of her upcoming full-length album Renditions, due out in early 2017.

While Karney’s eclectic songwriting is based in solid musicianship, her new material echoes a diverse set of musical influences. She will release a series of digital EP’s, featuring a few different renditions of her new songs on each, through her own independent record label, Karney Music & Sounds. The first in the series, Singles Vol. 1: Manifest Destiny w/ I Got Mine, will be released on August 26, 2016. This digital EP will include 2 versions of the track “Manifest Destiny” ranging from a solo acoustic to a full rock band version with drums, bass, electric guitars, overdubs and top notch production.

Some songs in the upcoming series will feature additional remixes rendered by some of Karney’s producer colleagues and friends, exploring Karney’s music in an assortment of other styles. All of these releases will culminate in a full album of recordings titled Renditions which has a tentative release of March, 2017.

For this body of work, Karney has been collaborating with other Producers and musical artists in the SF Bay Area such as: Producer/engineer Mark Pistel (Michael Franti, Grace Jones, Chuck Prophet, http://www.markpistel.com); Producer/Engineer Michael Rosen (Rancid, Tesla, Smashmouth, Santana, and Papa Roach, http://www.michaelsrosen.com); Adam Munoz (Herbie Hancock, Dave Mathews, Branford Marsalis, Joshua Bell, Chester Thompson and Lyle Lovett); and renown trumpet player, recording artist and producer Bill Ortiz (Santana, Destiny’s Child, Tito Puente, Tony Toni Tone, http://www.billortiz.com).

Also joining Karney on these new recordings are members of her live band, including long time musicians Jeff Herrera (Drums), Kimon Manolius (Bass and Vocals) and Mike Doyle (Guitar), while Karney holds down Guitar and Lead Vocals on all songs.

Additionally, Karney is very excited to be working with New York based visual artist Susan Kaprov, who will bring a dynamic visual interpretation to her songs with assorted artwork. Kaprov’s work is in the permanent collection of major museums worldwide such as the Museum of Modern Art NY, Metropolitan Museum of Art, and Museum Boijmans-Beuningen in Rotterdam. http://www.kaprov.com

Karney has had a diverse musical career, having spent many years composing music for computer games with credits such as Monkey Island IV, Star Wars Galaxies, Armed and Dangerous, many Sim City titles, Metal Dungeon, Death Jr. and many more.

She is also now adding youth choral director to her list of musical endeavors, having recently received the esteemed “Dreamcatcher” award from the Visual and Performing Arts division of the San Francisco Unified School District for her work as a choral teacher and conductor for middle and high school students, as well as her contribution to the furthering of music education in the San Francisco public school system.

Karney has created music in the ballet and contemporary dance world for many choreographers and dancers such as Edward Valela, Anna Sokolo, San Francisco Ballet School, Margaret Jenkins Dance Company, Oberlin Dance Collective, Richard Gibson and The Academy of Ballet, June Watanabe, Joe Goode, Lucas Hoving, Ed Mock, Janice Garret, Melissa Fenley and many, many more. She also composed her Opus 1 Chaconne Sur Sept for nationally renowned contemporary music group, Earplay Ensemble. In addition, Karney was composer in residence at Mills College graduate dance department, San Francisco State’s graduate dance department.

For Music Samples or to pre-order Singles Vol. 1: Manifest Destiny w/ I Got Mine visit: https://karney.bandcamp.com/
Visit iTunes to pre-order or check out Karney’s entire catalog: https://itunes.apple.com/us/album/manifest-destiny-w-i-got-mine/id1145645442

Check out Karney’s website for more information and touring schedule: http://karney.org/music/

Press inquiries & Interview Requests contact Billy James at Glass Onyon PR at glassonyonpr@gmail.com or call 828-350-8158
Live Performance Bookings and Management contact Karney Music and Sound at contact@karney.org


ZAP Feat. Zappa Vocal Legend Ike Willis, Chip Z’Nuff & Sean McKee Release Digital Single “Air Traffic Control” on Steve Vai’s Favored Nations

Air Traffic Control ART-Cover2 med res

For Immediate Release

ZAP Feat. Zappa Vocal Legend Ike Willis, Chip Z’Nuff & Sean McKee Release Digital Single
“Air Traffic Control” on Steve Vai’s Favored Nations

Chicago, IL – New band ZAP has released a digital single called “Air Traffic Control” on Steve Vai’s Favored Nations label. The band is made up of Emmy-nominated composer Sean McKee, who is also collaborating with Jon Anderson from YES on a concept album project, Ike Willis, the voice on numerous Frank Zappa albums, and Grammy-nominated bassist Chip Z’Nuff (Enuff Z’Nuff, Missing Persons, Adler’s Appetite).

“Air Traffic Control” started as a 60 second piece that was commissioned by Lee Abrams (Co-Founder of XM Radio) to have McKee write a piece of music in the style of Frank Zappa, and produce a video to commemorate the 20th anniversary of his passing. McKee wrote and performed all instruments, including recording the keyboard parts using a then-prototype Lineage MIDI guitar from Inspired Instruments.

Besides being a musician, McKee is known as a pioneer in the field of image processing, creating technology used for new movies and classic film restorations, along with 2D to 3D conversions, with the technology he led development on being used daily in Hollywood. For several years, one of his clients was Gail Zappa, Frank’s widow, and he worked on restoring film elements from Frank’s archive, and also helped to recover lost video masters that Gail hadn’t seen in years.

According to McKee, “When I heard the news of Gail’s passing last October, I was deeply saddened, she was very kind to me, and an incredibly smart woman who pioneered the concept of artists’ retaining the rights to the master recordings. I decided to take the 60 second piece and finish it as a proper song, as a memorial to Gail and tribute to Frank, who was a big influence on my playing.”

McKee crafted the song starting from the existing 60 second guitar solo, building a complete song around it, similar to methods Zappa incorporated. He then asked Ike Willis to sing on the track and add another guitar solo. Die hard Zappa fans will also notice a lyrical reference to the infamous ‘White Zone’.

McKee continues, “The original solo I wrote is what ends the song, and Ike takes the first guitar solo. If you close your eyes, you can see Frank and hear the lineage. When Frank got sick, he asked Ike to carry on his music, and while this is a new, original song, his playing and voice carries the torch for both the legacy fans as well as a new generation of listeners.”

McKee then asked Chip Z’Nuff to play bass on all parts except for the bass under the solos, which McKee had recorded originally.

The end result is a modern interpretation and homage to a timeless and unique style.

Watch the video: https://youtu.be/PULjX3rAU7k

To purchase:
http://itunes.apple.com/album/id1146099690?ls=1&app=itunes
http://itunes.apple.com/album/id1146099690

For more information: https://www.facebook.com/ZAP-BAND-1618003005158499/

Press inquiries: Glass Onyon PR, PH: 828-350-8158, glassonyonpr@gmail.com