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Melodic Prog Trio The Raptor Trail To Release Highly Anticipated Second Album “New World”

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For Immediate Release

Melodic Prog Trio The Raptor Trail To Release Highly Anticipated Second Album “New World”

Brevard, NC – Much to the excitement of music aficionados worldwide, Melodic Prog trio The Raptor Trail will be releasing their highly anticipated sophomore album “New World” on March 11. 2016. This second release finds the band stretching its wings a bit, with particular attention to vocal harmonies and acoustic based themes. That is not to say there is nothing Prog and heavier on this record as the tracks “Going To Dublin” and “Wheel” will attest. But it’s more of an intricate Rock ‘n’ Roll album, almost galactic sounding, with a ominous cynicism and grim world view. Clocking in at just under 78 minutes it is really like a double album.

Says guitarist/vocalist Matt Mayes, “ ‘New World’ thematically deals with emotional response and self examination. It displays a somewhat metaphysical way of looking at the order of things and man’s attempt to make sense of his surroundings to better understand his place in the world. The conclusions are sometimes rather grim.”

The Raptor Trail has been slowly and quietly plotting its course over the last 25 years. Founding members John Meyer and Matthew Mayes had been kicking around the idea of recording something together for decades. Finally in 2014, the planets aligned and the idea actually transcended into a studio recording project which later came to be called The Raptor Trail. The Raptor Trail was actually the first song that Meyer and Mayes wrote together for the project, and it snowballed from there, with “Gravity x Ten” following, and then ten more songs over the course of the next year. The self titled first album, “The Raptor Trail,” was released in May, 2015.

Considering the musical backgrounds of Meyer and Mayes, one might not think the styles would mesh. Meyer coming from a harder edged, heavier guitar style; highlighted by the fact that he tunes his guitar in “D.” And, Mayes coming from more of a progressive bluegrass, jamrock background; highlighted by an instrument called a Guijo (Half Strat, Half Banjo, tuned in open G) But in reality, quite the opposite occurred. Not only did the styles mesh, but their melodic interplay and vast, yet different, musical influences pushed one another out of their respective comfort zones. The result was the creation of some of the most prolific, diverse, and conviction fused progressive rock music ever heard.

Before the project could be completed however, there was needed one addition. Gene Bass, long time musical companion with Meyer and Mayes, was brought on to play all drums and percussion. Gene Bass and John Meyer grew up together in Macon, GA, playing in a number of bands together starting back in 1980. Adding to this storied history is the fact that Mayes and Bass played together for 12 years in pioneer Jamrock band Jupiter Coyote which went on to sell well over half a million records. Adding yet more history to the story is the fact that Meyer and Mayes were roommates back in those days and Meyer was actually the first sound man in that band. Meyer is also the person that came up with the name Jupiter Coyote.

So the evolving path that has lead to The Raptor Trail has taken many turns and twists over the years. But, it has somehow reunited a great and long lasting friendship between three individuals who share a unique musical chemistry and history. The music has largely been recorded in each member’s home studio. Then, simply passing the files back and forth over the internet and ultimately back to Meyer who has been the mastermind behind the production and mixing. The self titled album which was released in May 2015 received a warm reception from die-hard Jupiter Coyote fans, as well as many publications from the Progressive rock side of the scale.

Now the band is set to release their sophomore album “New World”, which unlike most of the mindless, banal, twaddle that passes for popular music today, The Raptor Trail’s music is rich and layered, with razor sharp musicianship and thought provoking lyrical content. Just listen to the conceptual relation of “Desolation” and “Grace,”, the last two tracks on the album and you will get a sense of just how well crafted these songs really are.

“New World” is digitally distributed through Red Eye World Wide distribution and avail at all major digital outlets including i-Tunes, Google Music, and Amazon. Physical CDs are available through CD Baby and feature alternate mixes.

The Raptor Trail “New World” Track Listing:
Four Times
Whoville
Going To Dublin
Stone By Stone
Let It Go
The Fall
New World
Time Slides Onward
Blue Highway
Wheel
Desolation
Grace

The Raptor Trail is:
Gene H. Bass – Drums, Percussion
Matthew B. Mayes – Vocals, Backing vocals, Acoustic & Electric Guitars, Banjo, Guijo
John M. Meyer – Acoustic and Electric Guitars, Bass, G strings, Vocals, Effects

Here’s what the press have been saying about The Raptor Trail:

“The Raptor Trail features first class rock music by versatile multi-instrumentalists who achieve great alchemy between them.” – Progressive Rock Central

“The music of The Raptor Trail is a cross-over of genres, which include Bluegrass, Southern Rock, Country-Rock, and Folk, wrapped up in sonic textures typical of Progressive and Classic Rock, and solidified in a kind of ‘Progressive Bluegrass’ new sound.” – Progressive Rock & Progressive Central

“…while Matthew Mayes likes to play a more progressive style bluegrass music style… He plays an instrument called the Guijo, which is a Stratocaster and a banjo merged together.” – Music Guru

“The trio offers a style approaching the progressive with a strong rock influence that reminds me of bands like The Allman Brothers or Wishbone Ash.” – Profile

“The end result is a wonderful mix of prog, southern rock and blues, all done in a laid back style with plenty of long instrumental breaks. If progressive southern jam rock was a genre, then these guys would be number one on the list. Imagine Rush and the Allman Brothers having a session together, and that would be the Raptor Trail.” – Power Play Magazine

“A prog rock trio from Macon Georgia who unlike many of that genre keep you on your toes and interested throughout with their beautiful vocal and musical arrangements.” – Metalliville

Lastly, the band is working on the third album now, laying the ground work for an elaborate concept album!

For more information: http://www.theraptortrail.com/

Video links:

To purchase The Raptor Trail’s “New World”: http://www.cdbaby.com/cd/theraptortrail

Press inquiries: Glass Onyon PR, PH: 828-350-8158, glassonyonpr@gmail.com


Electronic Music Ensemble Genre Peak To Release New Album Feat. Collaborations with Steve Jansen, Mick Karn, & Richard Barbieri of Japan, Matt Malley of Counting Crows and Jon Hassell

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For Immediate Release

Electronic Music Ensemble Genre Peak To Release New Album Feat. Collaborations with Steve Jansen, Mick Karn, & Richard Barbieri of Japan, Matt Malley of Counting Crows and Jon Hassell

“Well done team Genre Peak!” – Jon Hassell

London, UK – Genre Peak is Martin Birke (songwriter, electronic-percussionist,vocalist and co-producer) with variety of collaborations from players and singers from all over the world. The new album “Your Sleekest Engine” features collaborations with Steve Jansen (Japan/David Sylvian), Jon Hassell (Brian Eno/Peter Gabriel), Richard Barbieri (Japan/Porcupine Tree), Matt Malley (Counting Crows) with vocals by Martin, Lesley Braden (Fast Arrow) and Charlie Woodward (Falco/Strinx) Manal Deeb (Palestinian artist) additional bass tracks from the late great Mick Karn (Japan/Dalis Car/David Torn). Co-produced by Christopher Scott Cooper and Martin Birke for In Code Music (Publishing). The album will be released on Gonzo Multimedia UK on March 4, 2016.

Says Martin, “The idea of ‘Your Sleekest Engine’ is what I consider things, ideas, concepts that provide the straightest line between point A to B. A syringe, a gun, a synapse, lightning, morphine, a car, plane, I consider these things ‘sleek engines’. I want the music to be designed for elegance but still retain a ‘pop’ sensibility. ‘Your Sleekest Engine’ is 3 years of hard work, networking and intense collaboration with some of my idols in music, it’s a strong and very dynamic album. I’m quite proud of this cause collaboration is best way to work for me.

“After the ambient album ‘9 Microspheres’ I wanted to get back to where I could collaborate with singers and players. I approached Steve Jansen to remix a track off ‘Preternatural’ I did with the late Mick Karn, Steve agreed but did much more than a remix, he composed a whole new original song which blew me away. I had Lesley Braden of the Seattle band Fast Arrow write sing over it and I think it’s dark and glorious much like most the songs I write. I contacted Jon Hassell who has been a huge influence and is the reason I’m an electronic-percussionist, and we came up with the beautiful instrumental ‘Metanoia’, I then started writing more songs with singer Charlie Woodward who sounds a bit like Jon Anderson of Yes to me (another favorite band) and we just clicked – thanks to Edo Castro (Pat Metheny Band) for introducing us.”

Last summer Martin recorded a track with Palestinian-American multi media artist Manal Deeb for the Arabesque song “Fix Me Deeper”; a track based on his sympathy for the suffering of the Palestinian people who he finds quite beautiful, brave and artistic. Manal did the spoken Arabic words and Martin sang the lead. He also sang the lead on “Denizen Darklight” which is about crime in America.

Rob Ayling of Gonzo Multimedia introduced Martin to Matt Malley of the Counting Crows and he delivered some great bass on “God Fearing Men” and “American Civil Rage”. Award winning poet Michael Spring spoke his poem “First Born of the New Millennium” Martin wrote the music for that one, and Richard Barbieri did an amazing remix of “Fix Me Deeper” both versions were released as a single last Fall and received great reviews.

Says Martin, “I modeled Genre Peak after Alan Wilder’s Recoil and Massive Attack as we as well collaborate with many different artists, do instrumentals and Filmscore, I find this the most exciting way to work, it’s always different and working with artists you grew up listening to is quite rewarding for me. I like to call Genre Peak’s music ‘electronica-organica’ as I use electronics with a warm live cinematic sound.”

Martin Birke’s original compositions began getting nationally published in 1990. His history as a drummer, keyboardist, programmer, songwriter and vocalist is in a current variety of US & European releases. Starting as a drummer in the late 70s, Martin now specializes as an electronic percussionist, composer and performer. While with the Frank Mark Arts label in Germany during the mid-to-late-90s, Martin was recording and touring in the bands Casualty Park, Sandbox Trio and studio project Birke/Leykam/Panasenko.

Martin Birke is well known for scoring original music for The Alvin Ailey American Dance Theatre, recording and touring internationally with Sandbox Trio, Casualty Park, Genre Peak and with Percy Howard (Meridiem,Bill Laswell) in the duo Hardboiled Wonderland. Genre Peak has released 2 full-length albums “Ends of the Earth” (2006 in-code Music) and “Preternatural” (2008 in-code Music). Starting in 2006 as a trio with Martin Birke on vocals and electronics, Daniel Panasenko on Chapman Stick and Stephen Sullivan on guitar-synths and vocals. The trio performed as an electronic rock band around Northern California cities until the departure of Panasenko in late 2006.

In 2008 Birke returned to the studio with co-producer/engineer/guitarist Christopher Scott Cooper and decided in recruiting a unique cast of vocalists and musicians consisting of Canadian singer Tara C. Taylor, Japan/Dalis Car bassist Mick Karn, bassist Gustaf Fjelstrom, French rock & electronic composer/remixer Tristan X (Kiss & Fly) and Spanish electronic composer/remixer Alex Brujas. The end result was Genre Peak’s most vital album to date “Preternatural”. The songs featured heavier electronics, darker moods, and percussion effects offset with Karn and Fjelstrom’s fretless bass lines, Taylor’s lilting vocals and Cooper’s high quality production making an album that was very well received by music media and fans around the world. And now “Your Sleekest Engine” once again showcases Martin’s extraordinary compositional and performing skills!

Here’s what the press have said about Genre Peak!

“Genre Peak realized a quite diversified piece of music, mixing different vocal, ambient and rhythm elements. There also is a real will and attention to distill great sound treatments. This is modern music covering a wide range of influences.” – SIDE-LINE Magazine

“People with eclectic tastes might really like this album. The synthesizers are great and so is the percussion and singers. This is something to listen to if you want to hear something very different than what is on MTV or the radio.” – The Celebrity

“Genre Peak and its cinematic imagery impeccably reflects the post-postmodern sound of now – detached, cool, and wired.” – West Coast Performer

Martin recently scored music for the upcoming film “Isabela” by Dell Cullum out this summer/fall as well some music for the TV special “Imagination Nature: Galápagos”. Genre Peak will play live around the west cost over the summer and is headlining at SHINE in Sacramento on March 26th. The new live ensemble features singers Charlie Woodward and Tara C. Taylor, Stephen Sullivan on guitar-synths, Paul Relvas on basses, and Martin on electronic-percussion. The band is performing songs from “Preternatural” and “Your Sleekest Engine” and sound great! It’s really hard to do Genre Peak live due to the complexities of the original recordings but this time the band is nailing it!

Lastly, Martin has this to impart to his listeners, “Explore new music, commercial radio plays only 2% of all the music released in any year, I spent my youth studying all kinds of known and unknown bands, authors and artists constantly expanding my range of interest. Learning all I could about different styles of art, music and poetry and film. There’s so much new music out there and with the internet it’s much easier to find. Also I encourage my listeners to be open minded and know sometimes things that don’t immediately appeal just might once you understand it and take time to appreciate it.”

To purchase Gere Peak’s “Your Sleekest Engine” CD:
http://www.gonzomultimedia.co.uk/product_details/15904/Genre_Peak-Your_Sleekest_Engine.html

For more information:
http://www.genrepeak.net
http://www.hardboiledwonderland.net

Press inquiries: Glass Onyon PR, PH: 828-350-8258, glassonyonpr@gmail.com


NYC Prog Trio Consider The Source Releases FREE Album, Announces Extensive Spring Tour!

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For Immediate Release

NYC Prog Trio Consider The Source Releases FREE Album, Announces Extensive Spring Tour!

New York – NYC Prog trio Consider The Source has just returned from 2 weeks of performances in India with a special gift for their fans. The band is celebrating their 10th anniversary with a free compilation demonstrating their unique “sci-fi Middle Eatern Fusion” sound. The collection, titled “Past Is Prologue: 2005-2015”, consists of tracks from every studio album they have ever released including multiple cuts from their recent “World War Trio” series and showcases their Eastern informed blend of progressive metal riffs, cinematic orchestrations, ripping odd-time improvisations and worldly acoustic grooves. See the track list below and visit this link to download your copy. They launch an extensive US tour this weekend beginning in Albany, NY.

Says the Band, “We’re celebrating 10 years of CTS by giving away a FREE compilation album spanning the history of our career, from our beginning as an occasional jam between friends, to a serious band with the momentum it currently has. It includes cuts from all of our studio albums including a Bonus Track from our Untitled EP released in 2005. We hope you enjoy and be sure to check the tour dates below to see when we’re coming to you’re area!!!”

Tracks include:

1. Aquarians (World War Trio Part II, 2015)
2. You Are Obsolete (World War Trio Part II, 2015)
3. Tsim Sha Tsui (World War Trio Part III, 2015)
4. Put Another Rock In That Bag [single edit] (World War Trio Part I, 2014)
5. Closer To Home (That’s What’s Up, 2010)
6. \ i / (That’s What’s Up, 2010)
7. Blue Steel (Are You Watching Closely, 2009)
8. Moisturize The Situation (Are You Watching Closely, 2009)
9. Constantly Nostalgic (Esperanto, 2006)
10. Patterns (Esperanto, 2006)
Bonus Track: Past Is Prologue (Untitled EP, 2005)

FREE COMPILATION ALBUM DOWNLOAD
Consider The Source tour dates:

Feb 19 – The Hollow w/ Teddy Midnight – Albany, NY
Feb 20 – Pearl Street Clubroom – Northampton, MA
Feb 24 – Scarlet & Grey Cafe w/ Greener Grounds – Columbus, OH
Feb 25 – 123 Pleasant St w/ Deaf Scene – Morgantown, WV
Feb 26 – River Street Jazz Cafe w/ Catullus – Wilkes-Barre, PA
Feb 27 – Pacific Standard Tavern w/ The Mushroom Cloud – New Haven, CT
Mar 03 – The Abbey Bar @ Appalachian Brewing Co. w/ Jonathan Scales – Harrisburg, PA
Mar 04 – Gypsy Sally’s w/ Telesma, Deaf Scene – Washington, DC
Mar 05 – The Pour House w/ Marbin – Raleigh, NC
Mar 06 – Gottrocks w/ Four 14 – Greenville, SC
Mar 09 – The Concourse @ The International – Knoxville, TN
Mar 10 – The Rabbit Hole w/ Teratorn, Plato’s – Charlotte, NC
Mar 11 – Asheville Music Hall w/ Bulgogi, Rims and Keys – Asheville, NC
Mar 12 – New Brookland Tavern w/ Trees on Mars – West Columbia, SC
Mar 13 – The Whiskey – Wilmington, NC
Mar 16 – Charleston Pour House – Charleston, SC
Mar 17 – The Jam – Gainesville, FL
Mar 18 – Terminal West w/ The Werks, BIG – Atlanta, GA
Mar 19 – 1904 Music Hall – Jacksonville, FL
Mar 20 – Dunedin Brewery – Dunedin, FL
Mar 23 – Gasa Gasa – New Orleans, LA
Mar 24 – Last Concert Cafe – Houston, TX
Mar 25 – Head for the Hills Festival – Kerrville, TX
Mar 26 – Harvest House – Denton, TX
Mar 31 – The Bluebird Theater w/ Dopapod – Denver, CO
Apr 02 – Fox Theatre w/ Ozric Tentacles – Boulder, CO
Apr 05 – The Miramar Theatre w/ Dopapod – Milwaukee, WI
Apr 06 – The Old Rock House w/ Dopapod – St Louis, MO
Apr 07 – Bluebird w/ Dopapod – Bloomington, IN
Apr 08 – Cosmic Charlie’s – Lexington, KY
Apr 13 – Middle East w/ Project/Object – Cambridge, MA
Apr 14 – Portland House of Music – Portland, ME
Apr 15 – THE STONE CHURCH – Newmarket, NH
Apr 16 – The Acoustic – Bridgeport, CT
Apr 22 – The Spot Underground w/ Little Known Alien – Providence, RI
Apr 23 – Black Eyed Sally’s – Hartford, CT
Apr 29 – Ardmore Music Hall – Ardmore, PA
Apr 30 – The Hall MP – Brooklyn, NY
May 04 – Reggies Rock Club w/ Stick Men – Chicago, IL
May 05 – Reggies Rock Club w/ Stick Men – Chicago, IL
May 06 – The Mousetrap – Indianapolis, IN
May 07 – Sleepy Creek SpringDig – Berkeley Springs, WV
May 13 – Buffalo Iron Works – Buffalo, NY
May 14 – Alchemy Rising Music & Arts Festival – Pataskala, OH
May 27 – StrangeCreek Campout – Greenfield, MA

Formed in 2004, Consider the Source features Gabriel Marin on fretless double-neck guitar, bassist John Ferrara, and drummer/percussionist Jeff Mann. Called “the guiding light for his generation of six-stringers”, Marin channels the mystical fury of McLaughlin and Coltrane into wailing melodies, kaleidoscopic soundscapes and boneshaking riffs. With a background in classical musics both European and Indian, and an instinct for avant-jazz and destructive metal, Marin’s hypnotic fusion of styles is ever unpredictable. Ferrara’s propulsive, percussive attack, equally suited to simple grooves and impossible chords, can ground the music or launch it into space. His madcap gumbo of slap bass, Indian rhythms, earthy minimalism and complex tapping constantly pushes into strange new worlds, whilst still dropping thick booty-clap beats. Underneath them lies Mann’s rolling thunder; dense rhythmic architecture built from pure swagger and bounce. Half double-bass prog-metal, half crackle-pop Buddy Rich swing, with African and Balkan swirls, Mann’s muscular, freewheeling polyrhythms are the engine fuel for CTS’s multiversal mischief. Even when not improvising, The trio’s music is always a conversation, a roiling stew of dynamic interplay. Each member of Consider the Source
alternately leads and follows, spars and assists; in any single song, alliances are made and broken, bargains struck and divorces finalized.

Touring from coast to coast, as well as Europe and the Middle East, has not only earned the band thousands of fans, but has allowed them to perform with a wide variety of well-known artists, including Victor Wooten, Wayne Krantz, King Crimson Projekt, Kris Myers (Umphrey’s McGee), Wyclef Jean, Andy Statman, Matt Darriau (Paradox Trio), Oteil Burbridge, Jacob Fred Jazz Odyssey, Dumpstaphunk, Keller Williams, George Porter Jr., Jeff Sipe, Panzerballet (Germany), Eatliz (Israel), Freak Kitchen (Sweden), Morglbl (France) and many others. They have performed at numerous festivals and events including Gathering of the Vibes (Connecticut), Peach Fest (Pennsylvania), Summercamp (Illinois), Catskill Chill (New York), Aura Music & Arts Festival (Florida), Jazz Fest (New Orleans), Burning Man (Nevada), Head For The Hills Festival & SXSW (Texas), Rootwire (Ohio) and the The WerkOut (Ohio), to name a handful.

Watch Consider The Source’s new video here: https://www.youtube.com/watch?v=DuhAwSVHB5E

To purchase Consider The Source – “World War Trio (Parts II & III) DBL CD: bit.ly/WorldWarTrioPartIIPartIII
“World War Trio EP (Part 1)”: http://considerthesourcemusic.bandcamp.com ;

For more information:
http://considerthesourcemusic.com/past-is-prologue/
http://www.considerthesourcemusic.com
http://www.facebook.com/ctsmusic
http://www.twitter.com/cts_music
http://www.youtube.com/considerthemusic

Press inquiries: Glass Onyon PR, PH: 828-350-8158, glassonyonpr@gmail.com


Hong Kong Based Artist Jennifer Saran Releases New Single and Video “Rise Up Time”

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For Immediate Release

Hong Kong Based Artist Jennifer Saran Releases New Single and Video “Rise Up Time”

Produced By the Legendary Narada Michael Walden, released Worldwide on February 22nd, 2016 on Tarpan Records

San Francisco – Jennifer Saran is a North American alt-pop/adult contemporary artist, songwriter and vocalist based in Hong Kong. The first single from her upcoming album Walk With Me is “Rise Up Time,” available digitally worldwide with its release on February 5th, 2016. Her new album was created with the legendary producer Narada Michael Walden, and is being released through his label Tarpan Records.

In tandem with the single’s release there is an original animated music video for Rise Up Time, which will be seen on both online and broadcast outlets. This video features original animation created by Jojo Ramos (Warner Brothers Animator) in Los Angeles, CA. The video’s concept was conceived by Jennifer Saran and brought to life in this wonderful depiction geared toward both children and adults alike. The single is currently played on dozens of radio stations and is being added to more every week.
Jennifer Saran’s upcoming album is a contemporary mix of brand new originals penned by herself and Narada, many of which revolve around the central themes of love and family and positive messages. Musically the album spans ballads to up-tempo grooves, while also including some swing and gospel influences.

Narada enlisted some amazing musicians and performers for his band on Walk With Me including: Frank Martin (Sting, Angela Bofil, John Handy Band, Tuck & Patti, Jose’ Neto, Airto & Flora, & Trudie’s Rainforest Band) on Keyboards, Angeline Saris (Ernest Ranglin, Zepparella) on Bass and Vocals, Matthew Charles Heulitt (Zigaboo Modaliste) and Jose’ Neto on Guitars. Additional Backing Vocals on this album include vocalists Nate Soul Sanger and Cornell Carter. All of the strings were arranged and conducted by Minna Choi of Magik*Magik Orchestra.

Jennifer Saran, aka Jennifer Hill, was born in Washington DC to a Canadian mother and American father. It was at the local Episcopal Church while at school in Villars, Switzerland, where she first realized how much she loved to sing, performing Handel’s Messiah a cappella. Jennifer went on to attend high school in Alexandria, Egypt, where she performed in school plays and learned to speak Arabic. She then attended The American University in Cairo, earning a Bachelors Degree in Political Science. Throughout her years growing up in Egypt she and her friends always followed the local Egyptian live bands that performed American and British pop music, dreaming one day of being a singer.

She went through a long dry spell away from music – raising children, working in various corporate roles, singing in the shower or car, rarely having any time to go out dancing. She was moved to Philippines for an international corporate role for 2 years, followed by Singapore for another 2 years, and then to Hong Kong where she has lived for the past 24 years.

Her new full-length album Walk With Me was recorded and produced entirely at Tarpan Studios in San Rafael, California, by legendary producer Narada Michael Walden and will be released in late April of 2016. Narada has produced music royalty like Whitney Houston, Mariah Carey and Aretha Franklin. With Narada’s music and Jennifer’s lyrics and vocals, they have created a tremendous debut album that is sure to captivate a worldwide audience.

For Music Samples or to order Rise Up Time visit: https://tarpanrecords.bandcamp.com/track/rise-up-time
To purchase the single on iTunes please visit: https://itunes.apple.com/us/album/rise-up-time-single/id1080453262

To view the video for Rise Up Time, please check out Jennifer’s YouTube Channel: https://youtu.be/FSi2C6e-KUo

Check out Jennifer’s website for more information: http://www.jennifersaran.com

For more information on Tarpan Records or any of its releases check out: http://www.tarpanrecords.com

Press inquiries and Interview Requests contact Billy James at Glass Onyon PR glassonyonpr@gmail.com 828-350-8158

Live Performance Bookings and Management contact Dave Ferguson at The Record Label info@therecordlabel.co.uk +44 203 727 7286


Celebrate The Life Of Former WARRANT Singer JANI LANE With This Collection Of Superb Solo Performances!

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For Immediate Release

Celebrate The Life Of Former WARRANT Singer JANI LANE With This Collection Of Superb Solo Performances!

Los Angeles, CA – In 2011, the rock world lost an incredibly gifted singer and songwriter, a man whose voice reverberated around the world on such blockbuster hits as “Cherry Pie,” “Down Boys,” “Sometimes She Cries,” “Uncle Tom’s Cabin,” and the unforgettable ballad “Heaven.” Jani Lane joined Warrant in 1985, and together the band lit up the L.A. club circuit, becoming an international sensation with multi-platinum albums and an adoring fanbase. Always a music lover at heart, after Lane left Warrant in 2004, he continued to write and record, often paying homage to some of his musical heroes by participating in tribute projects to Cheap Trick, Judas Priest and others. Now a new CD compilation collects some of these superb solo performances in one convenient package and for the first time ever on vinyl! Catch A Falling Star, which includes Lane’s takes on UFO’s “Doctor, Doctor,” Def Leppard’s “Photograph,” and Bon Jovi’s epic “Lay Your Hands On Me, will be released February 26 on Deadline Music.

In addition to guest appearances by two of Lane’s bandmates, guitarist Erik Turner & bassist Jerry Dixon, Catch A Falling Star includes liner notes by former Warrant drummer Bobby Borg who shares his personal recollections of Lane. There is “no better tribute to Lane than a collection of covers,” Borg writes, “Those who saw Warrant perform live know that Lane loved to mix cover songs into the show…songs by The Doors, Led Zeppelin, Joe Walsh, Queen, and other artists throughout our live sets. (I loved that about the band.).” Speaking of Lane’s distinctive vocal style, Borg writes “Lane was able to convey the subject matter of a song emotionally—whether soft and heartfelt or loud and aggressive—while always maintaining a certain charm as if he were grinning warmly.” This collection is the perfect way to remember both the man and immense musical gifts, and is sure to leave a warm grin on the face of his fans everywhere.

Track List:
1. I Want You To Want Me feat. Ryan Roxie (Alice Cooper / Slash’s Snakepit)
2. Panama
3. Photograph
4. The Ocean
5. Doctor, Doctor
6. Electric Eye
7. Free For All feat. Jake E. Lee
8. No Surprise feat. Chris Holmes (W.A.S.P.)
9. Lay Your Hands On Me feat. Erik Turner & Jerry Dixon (Warrant)

Buy the CD: http://flyt.it/JaniLaneCD
Buy the LP: http://flyt.it/JaniLaneLP

Press inquiries:
Glass Onyon PR
Billy James
PH: 828-350-8158
glassonyonpr@gmail.com

CLEOPATRA RECORDS, Inc.
11041 Santa Monica Blvd #703
Los Angeles CA 90025
http://www.CleopatraRecords.com


Audio Fidelity To Release “The Bootleg Series Vol. 6 Bob Dylan Live 1964 Concert at Philharmonic Hall” on Hybrid Multichannel 5.0 SACD

Dylan Live 1964 Slipcase Mockup
For Immediate Release

Audio Fidelity To Release “The Bootleg Series Vol. 6 Bob Dylan Live 1964 Concert at Philharmonic Hall” on Hybrid Multichannel 5.0 SACD

“As eminently listenable as it is historically important!”

Camarillo, CA – Marshall Blonstein’s Audio Fidelity will be releasing “The Bootleg Series Vol. 6 Bob Dylan Live 1964 Concert at Philharmonic Hall” on Hybrid multichannel 5.0 SACD.

This 5.0 SurroundSound mix of Bob Dylan’s October 31, 1964 “Halloween” show at New York’s Philharmonic Hall is a complete recording and has never been released in this format until now. This 2-CD Audio Fidelity collection presents the entire concert from the original Columbia Records (SONY) master tapes. The package also includes a 56-page book filled with historical photographs and informative notes. The Halloween concert of 1964 had been previously bootlegged on vinyl and CD, but those releases were incomplete and taken from poor dubs off the soundboard tapes.

This 1964 concert is the first all acoustic live performance to enter Bob Dylan’s discography. This recording certainly has its share of firsts and highlights, including the only known live version of “Spanish Harlem Incident,” the premiere of the songs “Gates of Eden” and “If You Gotta Go, Go Now.”

Here is Dylan as an eager-to-please 23 year old with nothing between him and his audience but a guitar and a harmonica. His voice is in top form throughout the 19 song set and when Joan Baez joins him on stage the voltage only increases.

In marked contrast to the tight-lipped living legend of the mid-’70s, here is Dylan as entertainer, joking and bantering with the crowd and he proves to be a very masterful performer.

While much has been made of the later electric performance of the 1960s, it is here that you can see how good Dylan really was. He shows all the budding facets of his art up to this time, from the protest songs, the more introspective material and the radical new direction he was pursuing.

Of course, as with all Audio Fidelity hybrid multichannel releases the SACD is compatible on all standard players and includes the 2-track stereo mix layer as well.

2-CD set/5.0 SurroundSound/includes 56-page book
Mastered by Steve Hoffman and Stephen Marsh at Stephen Marsh Mastering

Disc one
1. The Times They Are a-Changin’ 3:29
2. Spanish Harlem Incident 3:07
3. Talkin’ John Birch Paranoid Blues 4:06
4. To Ramona 6:01
5. Who Killed Davey Moore? 4:46
6. Gates of Eden 8:32
7. If You Gotta Go, Go Now (Or Else You Got to Stay All Night) 4:06
8. It’s Alright, Ma (I’m Only Bleeding) 11:26
9. I Don’t Believe You (She Acts Like We Never Have Met) 4:01
10. Mr. Tambourine Man 6:33
11. A Hard Rain’s a-Gonna Fall 7:44

Disc two
1. Talkin’ World War III Blues 5:52
2. Don’t Think Twice, It’s All Right 4:34
3. The Lonesome Death of Hattie Carroll 6:57
4. Mama, You Been on My Mind 3:35
5. Silver Dagger 3:47
6. With God on Our Side 6:17
7. It Ain’t Me, Babe 5:11
8. All I Really Want to Do 4:01

Press inquiries: Glass Onyon PR, PH: 828-350-8158, glassonyonpr@gmail.com

For more information: http://www.audiofidelity.net


Drum Legend Corky Laing Is Back On The Road!

Corky Laing new photo

For Immediate Release

Drum Legend Corky Laing Is Back On The Road!

NYC – The legendary drummer, Corky Laing, is back on the road with his first solo project since 1977. “Corky Laing plays Mountain” toured the UK in November 2015. Following an enthusiastic response from the UK audiences, he returns to Europe this spring. First up is a nine-day tour of Germany in February and in May he’ll be back in the UK. Corky is also locking in US dates starting with a package with Kofi Baker’s Cream Experience in Sag Harbor, NY in late February and with further dates for “Corky Laing plays Mountain” being scheduled for late May and early June.

After Mountain stopped touring in 2010, Corky has been busy with his one-man show, “Best Seat in the House” and the critically acclaimed “Playing God: The Rock Opera”. The Rock Opera has been performed in Basel, Switzerland, in Helsinki, Finland and last year it made its American debut with a sold out show at the Kaye Playhouse in the heart of Manhattan. This year the opera returns to Finland where, in addition to shows, it will be filmed for a video release.

Being back on the road with “Corky Laing plays Mountain” is a thrill for Corky. He loves playing the Mountain material the way it was originally written and says that behind the kit, in front of an audience, he feels like he is 18-year-old again. And from what the reviews say, the youthful enthusiasm is thoroughly reflected in the band’s sound and attitude.

For more information about Corky and his past, current and future activities (including updates on live performances), please visit:
http://corkylaingworks.com

Follow Corky on Facebook at:
https://www.facebook.com/corkylaing

Watch Nantucket Sleighride from the Corky Laing plays Mountain UK 2015 tour (London, 100 Club, 11/15/2015) here:

Corky’s 2016 tour schedule, as it now stands:

CORKY LAING plays MOUNTAIN – German Tour 2016
2/9/2016 Meisenfrei, Bremen
2/10/2016 Markthalle, Hamburg
2/11/2016 Roxy, Flensburg
2/12/2016 Kulturwerksta, Melle-Buer
2/13/2016 Beavers, Miltenberg
2/14/2016 Rock Jungfer, Arnstadt
2/15/2016 Kofferfabrik, Fürth
2/16/2016 Blues Club Chiemgau, Rimsting
2/17/2016 Harmonie, Bonn

THE ULTIMATE CLASSIC ROCK EXPERIENCE
Corky Laing plays Mountain & Kofi Baker’s Cream Experience
2/26/2016 Bay Street Theater, Sag Harbor, NY
CORKY LAING AND THE PERFECT CHILD – PLAYING GOD: THE ROCK OPERA
4/8/2016 Cultural Arena Gloria, Helsinki, Finland
4/9/2016 Cultural Arena Gloria, Helsinki, Finland

CORKY LAING PLAYS MOUNTAIN – UK tour 2016
5/6/2016 Talking Heads, Southampton
5/7/2016 Blues Festival, St. Ives
5/8/2016 Blues Festival, Frome
5/9/2016 Robin 2, Bilston
5/10/2016 100 Club, London
5/11/2016 Greystones, Sheffield
5/14/2016 Library Theatre, Darwen
5/15/2016 Blues Festival, Lincoln

Press inquiries: Glass Onyon PR, PH: 828-350-8158, glassonyonpr@gmail.com


French Music Legends Magma To Tour North America Spring 2016!

Magma US spring tour 2016 med

For Immediate Release

French Music Legends Magma To Tour North America Spring 2016!

Paris, France – One of music’s most innovative and eclectic ensembles Magma will tour North America beginning in March 2016! Swirling riffs in odd time signatures, theatrical choir arrangements, heavy and distorted pulsing bass guitar, bombastic and minimalistic (sometimes both at the same time), dark and brooding, adventurous and angelic, jazzy or classical, but always with the highly innovative and original drums of founder and main composer Christian Vander. On the forthcoming US dates the legendary ensemble will be performing selections of new and classic Magma music!

“MAGMA is happy to return to the United States to play for Americans. We know you are passionate, respectful and curious about music. We find you to be generous and open. It will be a joy for us to see you this year.” – Christian Vander

Magma was founded in Paris in 1969 by Christian Vander, who derived his inspiration from a “vision of humanity’s spiritual and ecological future” that profoundly disturbed him. Vander was a self-taught musician, who received some tips from drum legend Elvin Jones. In the course of Magma’s first album, the band tells the story of a group of people fleeing a doomed Earth to settle on the planet Kobaïa. Later, conflict arises when the Kobaïans, who are descendants of the original colonists, encounter other Earth refugees. A distinguished aspect of Magma’s music is that Vander actually invented a constructed language, Kobaïan, in which most lyrics are sung. Later albums told different stories set in more ancient times; however the Kobaïan language remained an integral part of the music. Reportedly, Christian Vander is also highly influenced by the work of jazz legend John Coltrane. “For my work, it is still Coltrane who actually gives me the real material to work on, to be able to move on.,” says Vander.

Clearly Magma is one of the most influential of all French bands. They have left a legacy of music that defies any of the standard and convenient classifications of rock, operating instead in a realm of their own creation. It waits to be discovered by new converts, and continually by older fans alike!

Magma:
Christian Vander : drums, vocals
Stella Vander : vocals, percs
Isabelle Feuillebois : vocals, percs
Hervé Aknin : vocals
Jérôme Martineau: Fender Rhodes
Benoit Alziary : vibraphone
Jim Grandcamp: guitar
Philippe Bussonnet : bass

Magma US tour dates w/special guest Helen Money

March 15 – San Diego, CA at Brick By Brick – https://www.ticketfly.com/purchase/event/1050007
March 16 – Los Angeles, CA at The Regent – https://www.ticketfly.com/purchase/event/1051495
March 18 – San Francisco, CA at Great American Music Hall – https://www.eventbrite.com/e/magma-gamh-whelen-money-tickets-20525684876
March 19 – Portland, OR at Wonder Ballroom – http://bit.ly/MAGMAwon2016
March 20 – Seattle, WA at Crocodile – https://www.ticketfly.com/purchase/event/1049861
March 22 – Denver, CO at Gothic Theater – http://www.gothictheatre.com/events/detail/306226
March 23 – Cleveland, OH at Beachland Ballroom – http://www.ticketweb.com/t3/sale/SaleEventDetail?eventId=6435075&pl=beachland&dispatch=loadSelectionData
March 25 – Chicago, IL at Reggies – https://www.ticketfly.com/purchase/event/1050071
March 26 – Chicago, IL at Reggies – https://www.ticketfly.com/purchase/event/1050083
March 27 – Austin, TX at Mohawk – https://mohawk.queueapp.com/events/17011
March 29 – Atlanta, GA – TBA
March 30 – Philadelphia, PA at Underground Arts – http://www.ticketweb.com/t3/sale/SaleEventDetail?dispatch=loadSelectionData&eventId=6470355&pl=uarts
April 1 – New York City at Le Poisson Rouge – http://lpr.com/lpr_events/magma-45th-anniversary-tour-april-1st-2016/
April 2 – Toronto, ON at Opera House – https://www.ticketfly.com/purchase/event/1057787

For more information:
Magma official website
http://www.magmamusic.org
Magma official Facebook page:
https://www.facebook.com/pages/MAGMA/123777837633298?fref=ts
http://www.youtube.com/user/MagmaOfficialTV

Seventh Records:
http://v2.seventhrecords.com/en/
magma.officiel@gmail.com

North American Booking:
http://www.nanotear.com

Press inquiries: Glass Onyon PR, PH: 828-350-8158, glassonyonpr@gmail.com


GONG Legend Daevid Allen’s Final Album “Daevid Allen Weird Quartet – ELEVENSES” To Be Released February 12, 2016

0043 DAWQ_Elevenses med res

For Immediate Release

GONG Legend Daevid Allen’s Final Album “Daevid Allen Weird Quartet – ELEVENSES” To Be Released February 12, 2016

The Final Recordings from Gong & Soft Machine Co-Founder Daevid Allen!

Los Angeles – Purple Pyramid Records will be releasing on February 12, 2016 the final album from legendary Daevid Allen, one of the most innovative music artists to emerge from this planet! Daevid Allen Weird Quartet is a recording project bringing together Daevid Allen, founder of The Soft Machine and Gong, with Don Falcone of Spirits Burning, Michael Clare of Daevid Allen’s University of Errors, and drummers Trey Sabatelli (The Tubes) and Paul Sears (The Muffins). “ELEVENSES” is the second album by this band, following 2005’s “DJDDAY”, which was released under the band name “Weird Biscuit Teatime.” Daevid Allen Weird Quartet “ELEVENSES” is the last band album that Daevid worked on before his death, in March of 2015.

Christopher David Allen (13 January 1938 – 13 March 2015), better known as Daevid Allen, sometimes credited as Divided Alien, was an Australian and had a brilliant career as a poet, musician, artist, and one-time cab driver that spanned over fifty years. Daevid was constantly pushing boundaries and was always the center of activity. He continually inspired those around him to be creative and to achieve their best.

The Daily Telegraph said, “Allen revelled in being the court jester of hippie rock and never lost his enthusiasm for the transcendent power of the psychedelic experience. He once remarked, ‘Psychedelia for me is a code for that profound spiritual experience where there is a direct link to the gods.’ That he never attained the riches and fame of many of his contemporaries did not concern him.”

Daevid Allen Weird Quartet “ELEVENSES” album is a mixture of styles of music found throughout his career, plus a few surprises: a blues song in 7/4, a catchy Irish-tinged folk song, ambient and explosive instrumentals, a post-punk rave-up with Daevid’s final message on a record.

Track List:
1. TransloopThisMessage
2. Imagicknation
3.The Latest Curfew Craze
4. Kick That Habit Man
5. Secretary Of Lore
6. Alchemy
7. The Cold Stuffings Of November
8. Grasshopping
9. God’s New Deal
10. Dim Sum In Alphabetical Order
11. Killer Honey
12. Under The YumYum Tree Cafe
13. Banana Construction

Available on both CD and vinyl February 12, 2016!

Buy the CD: http://flyt.it/DaevidAllenWeirdQuartetCD
Buy the Vinyl: http://flyt.it/DaevidAllenWeirdQuartetLP
Buy the digital: http://flyt.it/DaevidAllenWeirdQuartetdig

Daevid Allen Weird Quartet Facebook page:
https://www.facebook.com/DAWQ2015/?ref=bookmarks&__mref=message_bubble

Press inquiries:
Glass Onyon PR
Billy James
PH: 828-350-8158
glassonyonpr@gmail.com

CLEOPATRA RECORDS, Inc.
11041 Santa Monica Blvd #703
Los Angeles CA 90025
http://www.CleopatraRecords.com


Former Trans-Siberian Orchestra / Mickey Hart Vocalist Tim Hockenberry to Release Self-titled Debut Album of Original Music March 4th 2016

Tim Hockenberry

For Immediate Release

Former Trans-Siberian Orchestra / Mickey Hart Vocalist Tim Hockenberry to Release Self-titled Debut Album of Original Music March 4th 2016

San Francisco, CA – Tim Hockenberry is a versatile multi-instrumentalist singer and songwriter whose voice is reminiscent of Ray Charles, Joe Cocker, and Tom Waits. He is releasing Tim Hockenberry, his self-titled debut album of all original music, worldwide on March 4th, 2016. He is also a gifted interpreter of well-known cover songs, and you only need to hear a few bars of Hockenberry singing I Left My Heart In San Francisco to understand that this is an artist who has a refreshingly authentic approach to great songs.

Tim gained international fame when he performed and made it to the semi-finals (last singer standing) on America’s Got Talent in 2012, where he was a favorite of judge Howard Stern. Stern declared Tim’s semi-final performance of John Lennon’s Imagine, with Tim on the piano accompanied by a cellist, “the most moving we’ve had from a singer in a long time.” The sparse arrangement won Stern over, who gave him a standing ovation and said the singer deserves “a place in the finals.” Sharon Osbourne described his performance as “very true” and “refreshing,” adding, “I thoroughly enjoyed it.” Howie Mandel said he could listen to Tim Hockenberry sing “all night long.”

Tim Hockenberry is best known for his engaging and intimate cover versions of a variety of well known hits, and for some 20 years he’s made his living singing them in concert halls, living rooms, private events, and clubs. It never really mattered what Tim sang; he was beloved by his fans. He hadn’t performed his own songs much, except for once-in-awhile occurrences. But that all changed when he met up with vocalist and producer, Natasha Miller.

In 2014 Tim didn’t have a manager, so he and Natasha entered into a formal agreement and began a complete reshaping of his musical direction—moving from covers to more of Tim’s own compositions. “I had heard a couple of Tim’s originals and thought they were ‘hit’ material,” says Natasha. “I asked him if he had more. Not only did he have more, they poured out of him, almost on demand.” Tim began writing more new songs, and they went back and looked at others he’d already done but put aside. With a couple more written by his sons, there were enough for a full-length recording.

The first track, “Me and You,” was written by Tim with his 19-year-old son Maxx on Christmas Day in 2012. “If the Sky Was to Fall” was written with his youngest son Jack, who was 17 at the time. Meanwhile, about the same time Tim and Natasha began working together, she enlisted her brother Justin Miller to play with Tim in his live band and help shape a new and different sound for his shows. That was the turning point—it was Justin himself who did the production, arrangements and played most of the instruments on the entire project… “We all got excited and motivated and started on what would become a year-long project,” says Natasha. “It’s been so much fun!”

Tim’s songs became Justin’s canvas for painting nuances–sounds both bold and subtle that spoke to the personality and content of each song itself. Stories Tim was telling through his songs became more vivid and alive in Justin’s interpretation and imagination. The common threads throughout are Tim’s vocals and writing. Each song charts its own unique journey from the first moment to the end. From pizzicato violin, yodeling, and the klezmer-sounds of the accordion to the speech-like tones of the Hammond B3 and the Deep-South wailing of the slide guitar—the songs travel through many layers of what is categorized these days as Americana. Mostly acoustic, always authentic.

Born on June 13, 1962 in upstate New York, Tim’s family moved a few times during his childhood. He graduated in 1980 from Owatonna High School in rural Minnesota in a small town south of Minneapolis. Tim’s musical odyssey began when he sang in the choir, and then taught himself to play the piano while fervently playing the trombone as well. He eventually moved to Northern California and he has been a mainstay in the entertainment industry ever since, having become known for his covers of Sitting on the Dock of The Bay or Christmas by the Bay. Tim Hockenberry splits his time between Charleston, South Carolina and San Francisco, California, where he has become a beloved part of the Bay Area’s rich arts culture.

Over the past few years Tim Hockenberry has shared the stage with many legendary performers including Bonnie Raitt, Steve Miller, and Robert Cray, to name a few. Tim has established himself as a very compelling and important artist in the Bay Area music scene. In addition to touring with the Trans-Siberian Orchestra and with Mickey Hart of the Grateful Dead, Tim has performed at high-profile venues all over northern California, including The Fillmore, Great American Music Hall, Bimbo’s 365 Club, The Napa Valley Opera House, The Luther Burbank Center for the Performing Arts, Feinstein’s at the Hotel Nikko, and 142 Throckmorton Theater. He has also headlined at a multitude of festivals including the Robert Mondavi Summer Concert Series, the Clearwater Jazz Festival, and the Mill Valley Arts Festival.

For More Information and Tour Dates please visit Tim’s website: http://www.timhockenberry.com

Press Inquiries & Interview Requests please contact Billy James/Glass Onyon PR: glassonyonpr@gmail.com or 828-350-8158

For Bookings and Management please contact Natasha Miller/Entire Productions: natasha@entireproductions.com or 415-291-9191 x701