Category Archives: Press Release

Classic Rock Legends Wishbone Ash’s “Live Dates Live 50th” US Tour February/March 2023

For Immediate Release

Classic Rock Legends Wishbone Ash’s “Live Dates Live 50th” US Tour February/March 2023

Celebrating an iconic best seller!

Formed in 1969 in England, Wishbone Ash are one of the most influential guitar bands in rock history. Equally inspired by British folk, American jazz and R&B, the band did their part to help form the emerging rock ’n’ roll scene in the U.S. and the U.K. Through dedication to the craft of guitar harmony and melody, along with relentless touring, Wishbone Ash garnered a vast audience through public approval, critical praise and worldwide distribution of their extensive recording catalog.

In 2023 the band, led by founding member Andy Powell (guitarist, lead vocals), will mark the 50th anniversary of their biggest selling, multi-platinum album, “Live Dates,” with tours of Europe, North America and the United Kingdom. In the U.S., February and March will see the band traveling through the Northeast and Midwest, with an autumn tour through the South and West.

As the first live album released by the band, “Live Dates” features selections from Wishbone Ash’s first four albums performed in concert during the summer of 1973. Reviewers have consistently listed it among the finest live rock albums of all time.

“Live Dates” includes the cream of the early Wishbone Ash crop: “King Will Come,” “Warrior,” “Throw Down the Sword,” “Rock ‘N’ Roll Widow,” “Ballad of the Beacon,” “Baby What You Want Me to Do,” “Pilgrim,” “Blowin’ Free,” “Jailbait,” “Lady Whiskey” and “Phoenix.”

To celebrate the 50th Anniversary, “Live Dates” was re-recorded in its entirety at Daryl Hall’s venue, Daryl’s House Club, in Pawling, New York on July 22, 2022.

Andy Powell trades licks with Yorkshire’s Mark Abrahams, who has been playing Wishbone Ash tunes since his youth. Longtime bassist Bob Skeat keeps the low-end rocking, working the grooves with newest band member, Mike Truscott on drums. Like his band mate Mark Abrahams, Mike also hails from Yorkshire, England.

As true warriors of the road, the band regularly covers around 30,000 miles a year, which is roughly equivalent to circumnavigating the world. The Ash is an undeniable force on today’s touring scene, performing on five continents and continuing to be discovered by new generations of music fans.

Over the years the band has embraced diverse musical genres, from folk, blues and jazz to pedal-to-the-metal rock and electronica. Regardless of the style, Wishbone Ash’s groundbreaking interplay of two lead guitars influenced bands such as Thin Lizzy, Lynyrd Skynyrd, Iron Maiden, Umphree McGee and Opeth, among many others.

Wishbone Ash’s latest studio album (their 26th), “Coat of Arms,” was released in early 2020.

Tour Dates

February 2023

22 Pawling, NY – Daryl’s House
23 Shirley, MA – Bull Run
24 Norwalk, CT – Wall Street Theater
25 Jim Thorpe, PA – Mauch Chunk Opera House
26 Pittsburgh, PA – Club Cafe
28 Detroit, MI – Token Lounge

March 2023

01 Cincinnati, OH – Ludlows Garage
02 Fort Wayne, IN – Clyde Theater
03 St. Charles, IL – Arcada Theater
04 Edwardsville, IL – Wildey Theater
05 Edwardsville, IL – Wildey Theater
07 Davenport, IA – River Music Experience/Redstone Room
08 Minneapolis, MN – Palace Theatre
09 Milwaukee, WI – Colectivo on Prospect
11 Kent, OH – Kent Stage
12 Buffalo, NY – Sportsmens Tavern
13 Buffalo, NY – Sportsmens Tavern
16 Derry, NH – Tupelo Music Hall
18 Sellersville, PA – Sellersville Theater
19 Annapolis, MD – Ramshead Tavern

Exclusive Early Admission
Pre-Show Meet and Q&A with the Band
Mini Private Performance
VIP Laminate & Lanyard
Crowd-free merchandise shopping
LIMITED AVAILABILITY

For more information, visit www.wishboneash.com or check out them out on social media:
Facebook @Wishbone.Ash.Official
Instagram @wishboneashofficial
Twitter @wishboneash_com
YouTube https://www.youtube.com/user/wishboneblog?app=desktop

Press inquiries:
Glass Onyon PR, PH: 1-828-350-8158 (US), glassonyonpr@gmail.com
J.D. Seem, PH: 203-247-4615, Jdseem@wishboneash.com

OZARK TALENT – 34,000+ concerts on 5 continents – since 1989
Steve Ozark, PH 785-760-3143, OzarkTalent@gmail.com


VANDERWOLF Continues Genre-Bending Journey With Electro-Infused Single “3/5ths in the Fire”

For Immediate Release

VANDERWOLF Continues Genre-Bending Journey With Electro-Infused Single “3/5ths in the Fire”

NEW SINGLE and VIDEO (directed by Alden Volney) RELEASED NOVEMBER 7, 2022 VIA PROPER.

As a follow-up to the widely-lauded LP, “12 Little Killers,” New York musician Max Vanderwolf will release the retro-futuristic single, “3/5ths in the Fire” 2022 via Proper. The song, which was recorded in Camberwell, London with producer Chris Wyles at the helm, has its origins in the raging rock excesses of Vanderwolf’s previous London band, Last Man Standing.

“This song was a staple in our set and was frequently played at festivals like Glastonbury, Lovebox and Bestival as well as clubs like 93 Feet East and Barfly. We recorded it much like we’d performed it but eventually I came around to the idea that I wanted to strip it down to its skeletal essence and re-dress it as something sonically anachronistic. Luckily, Chris immediately understood what I was going for…we listened to Vangelis’ ‘Bladerunner’ and Squarepusher’s ‘Hello Everything’ amongst other space-age references. We essentially reinvented the song.”

Listen to the single here: https://35sitfsingle.lnk.to/shseQJ

The only things remaining on this released version of the song is Vanderwolf call & response vocals which are split between a distressed sound and a vocoded voice.

Wyles explains, “All drums were replaced with samples and programmed – main beats held back until the 2nd verse with a view to making the 7/8 and 4/4 transitions as smooth as possible. So, the quarter-note accents on the hi-hat for instance are always shifting from on to offbeat. Bass was replaced with a combination of Moog and Oberheim. There were multiple patches dependent on the parts and sections and in places were reinforced with synth.”

Wyles programmed the chords and then arpeggio’d them with 2 different arpeggios using a synth combination but mostly an Oberheim SEM synth which brought up interesting things especially in the 7/8 sections. Synth pads were filtered to add movement and momentum.

“It was written in both 7/8 and 4/4 and the end section combines both,” adds Vanderwolf. “The whole thing was designed to ‘float’ along and despite the complexity.”

The lyrics by Vanderwolf point toward the degradation of human experience in which consensual reality becomes increasingly out of reach and thus one’s relationship to oneself in turn, also, disintegrates. “I must’ve written these words in 2016 before our current epoch of internet conspiracies, false narrative and the plague of technology that silos us became so prevalent. It was this kind of alienation I sought to capture in the song.”

As well as being a musician with a long and storied history – most notably as vocalist of the aforementioned cultish band, Last Man Standing, whose 2007 debut album “False Starts & Broken Promises” received plaudits from Mojo and Uncut among others – Max Vanderwolf has a hugely successful career as a music programmer and concert producer, working for some of the worlds’ most celebrated clubs and concert venues. These include New York’s legendary Knitting Factory and London’s internationally renowned Royal Festival Hall, where for 9 years he produced the Meltdown Festival working closely with David Bowie, Patti Smith, Jarvis Cocker, Massive Attack and Ornette Coleman.

In May 2022 Vanderwolf released the single, “When the Fire Grows Cold” which featured the legendary vocalist, Robert Wyatt. The sprawling psychedelic B-side, “Extinction” featured a “glissando” guitar solo from Daevid Allen.

In July 2022 Vanderwolf released the LP, “12 Little Killers” of which Mojo Magazine wrote, “There is a sophisticated musicality at play” and Rolling Stone France wrote, “The musician has concocted a rock record classic in form and devilishly accomplished in content.”

Vanderwolf will release his first album of songs recorded entirely in Los Angeles in March 2023.

Stream at https://on.soundcloud.com/4FpwTJSF989Hosw87 or contact: chris@swellpublicity.com for an audio download

Watch video directed by Alden Volney: https://youtu.be/cqerjKoo1NI

UK PRESS: chris@swellpublicity.com  simonblackmore@blackartspr.com

EUROPEAN PRESS: camille@la-mission.com

NORTH AMERICAN PRESS: glassonyonpr@gmail.com


Rockabilly Legend ROBERT GORDON Lives On Through New Release Of Vintage Studio Recordings With CHRIS SPEDDING!

For Immediate Release

Rockabilly Legend ROBERT GORDON Lives On Through New Release Of Vintage Studio Recordings With CHRIS SPEDDING!

Los Angeles, CA – When news came that legendary rockabilly crooner Robert Gordon had passed away, tributes came pouring in from all around the globe. Stories appeared in every outlet from Billboard to Variety to Deadline to NME. Former Sex Pistol Glen Matlock called Gordon “a fabulous singer [who] will be sorely missed” while Gordon’s close friend, Blue Öyster Cult drummer Albert Bouchard, says “He was a soulful man with an unnaturally powerful voice. He had perfect pitch up until the day he died. He was still doing his vocal warm ups in the hospital when almost every other thing in his body was failing. I will never forget him.” Many others weighed in with their own stories, both personal and professional, of Gordon’s vivacious personality and incredible talent.

And though he will truly be missed, we can still celebrate Gordon’s spirit through his music. The final album that Gordon worked on was a collection of recordings from 1998, an album crafted in collaboration with Gordon’s longtime partner, British guitar heavyweight Chris Spedding, Entitled Hellafied, this 14 track collection of both original songs and cover versions was nearly lost forever until Gordon rescued it from the vault. He worked tirelessly in his last days to finalize the project and get it ready for release. Now, the entire project is set to be shared with the world on all formats on November 25 but today you can stream the lead off track, a song Gordon wrote himself, about living life to its fullest every day because “there’s only one day left until forever.” It’s exactly how Gordon lived his life, and the most fitting way to remember him.

Stream the single: https://orcd.co/robert_gordon_chris_spedding_one_day_left

Pre-order the CD/vinyl: https://cleorecs.com/store/?s=hellafied&post_type=product

Pre-order/pre-save the digital: https://orcd.co/robert_gordon_chris_spedding_hellafied

TRACK LIST:
1. One Day Left
2. Please Don’t
3. Have I The Right
4. Middle Of The Night
5. Signs Of Love
6. I’ll Make It Right
7. Why (Don’t You Love Me)
8. I Saw A Smile
9. Don’t Let Go
10. Girl Like You
11. Please Don’t Touch
12. Tell Him No
13. You Don’t Know What You Got
14. Believe What You Say

Press inquiries:
Glass Onyon PR
Billy James
PH: 828-350-8158
glassonyonpr@gmail.com


CLEOPATRA RECORDS, Inc.
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One of the Most Sought-After Krautrock Albums, Twogether’s ‘A Couple of Times,’ Has Been Re-Released on CD and Digital Platforms – OUT NOW!

For Immediate Release

One of the Most Sought-After Krautrock Albums, Twogether’s A Couple of Times, Has Been Re-Released on CD and Digital Platforms – OUT NOW!

Twogether were a German drums and keyboards rock duo from Düsseldorf, formed in 1973 out of musicians previously in The Crew and Blue Squad. They never did many gigs and only existed for a short while after completing their sole self-produced album.

A Couple of Times is a much sought-after rarity among collectors and was released in 1973 and has been unavailable on CD for over a decade.

This 2022 remaster features new liner notes by surviving member Reinhard Fischer and has also been approved by the Klaus Bangert Estate. Two bonus tracks from a non-album single (their only other release) have also been included.

Surviving Twogether member Reinhard Fischer said “We didn’t play together long enough for something to develop from it but from the mixture of our individual ideas about music this album came into being, a bit of everything and many opposites.”

Available now:
Amazon CD: https://geni.us/TwogetherCD
Spotify: https://geni.us/TwogetherSP
Apple Music: https://geni.us/TwogetherAM

The album is also available to order here: https://www.cherryred.co.uk/product/twogether-a-couple-of-times-expanded-edition/

Press inquiries: Glass Onyon PR, PH: 1-828-350-8158 (US), glassonyonpr@gmail.com


Stanley Clarke, Stewart Copeland, and Deborah Holland Reunite as Animal Logic After 31 Years

For Immediate Release

Stanley Clarke, Stewart Copeland, and Deborah Holland Reunite as Animal Logic After 31 Years

Revered expansive pop trio releases brand new singles “Can You Tell Me” and “Ordinary” across all DSPs on November 18

In 1987, legendary jazz bassist Stanley Clarke, ex-Police drummer Stewart Copeland, and singer-songwriter Deborah Holland surprised the world when they emerged as Animal Logic. Was it going to be a jazz-rock or punk-pop project? It turned out to be neither. Instead, they released two albums, 1989’s “Animal Logic” and 1991’s “Animal Logic II,” focused on smart, confident pop, deep grooves, and Holland’s soaring vocals.

The group was inextricably linked to Copeland’s Police history, having originally signed to his brother and Police manager Miles Copeland’s revered I.R.S. Records. In fact, Animal Logic’s first album cover was originally conceived for a Police greatest hits album.

The debut record resulted in a hit single in the US, Canada, and UK titled “Spy in the House of Love.” Further key singles included “As Soon As the Sun Goes Down” and “Rose Colored Glasses.” The group went on a single world tour in 1989, in addition to performing on Late Night with David Letterman, The Tonight Show, and on MTV.

The group broke up shortly after the release of “Animal Logic II” due to Clarke and Copeland’s prolific soundtrack and solo work commitments. Copeland and Clarke would also go on to reform their most famous groups, with Police and Return to Forever reunions in subsequent years. Holland transitioned into a successful solo career, resulting in six solo albums, including 2020’s “Fine, Thank You!” which featured Copeland on four tracks.

All three stayed in touch across the decades. The trio first rekindled their working relationship in 2013 when they joined forces to perform as part of Copeland’s Sacred Grove YouTube series, which can be viewed here: https://www.youtube.com/watch?v=qBLUwHTCiOE.

Between 2013 and 2022, the band shared ideas and files, resulting in the two new tracks, “Can You Tell Me” and “Ordinary,” which capture the quintessential, timeless Animal Logic approach.

“Can You Tell Me” combines classic West Coast songwriting, American folk-rock influences, and Clarke and Copeland’s rhythmic signatures. It explores the need for people to move on instead of wallowing in misery when faced with untenable circumstances. The track also features Howard Levy on harmonica, from Bela Fleck and the Flecktones.

“Ordinary” is a kinetic, upbeat rocker with lyrics focusing on the myriad upheavals the world is facing and trying to keep one’s head together despite it all. It includes sophisticated vocal harmonies, addictive hooks, and would have been very much at home on Animal Logic’s debut record.

The songs will be released digitally on November 18 and will be available on all streaming platforms. They can also be purchased via Bandcamp at: https://animallogic1.bandcamp.com/

Music is available by request. Animal Logic is available for interviews.

Press inquiries: Glass Onyon PR, PH: 1-828-350-8158 (US), glassonyonpr@gmail.com


Lodestone’s Sole Album, ‘Time Flies’ from 1971, has been Released on CD and Digitally for the First Time, Taking its Place as a Founder of the Progressive Rock Concept Album Genre – OUT NOW!

For Immediate Release

Lodestone’s Sole Album, Time Flies from 1971, has been Released on CD and Digitally for the First Time, Taking its Place as a Founder of the Progressive Rock Concept Album Genre – OUT NOW!

Lodestone’s eponymous and sole studio album, Time Flies, has been released on CD and Digitally for the first time. The album was one of the earliest progressive rock concept albums of the genre.

It originally came out on Philips Germany in 1971, but it was only released in three European countries at the time.

The CD comes with a booklet featuring new liner notes on the making of the album, along with a science fiction short story. The premise of the album’s story is: “The astronauts’ flight to a new star took 300 years. The four space adventurers finally awake to discover how time flies… and how it can play some very cruel tricks…”

The band features ex-members of The Cymbaline, In- Sect, The Flies and Infinity. The release has been re-mastered by band member Gerry Morris and approved by original producer Tony Atkins.

Lodestone’s guitarist Gerry Morris said: “The Lodestone album’s re-release is such wonderful news. The album is already popular with avid collectors, but this is the first time is been on CD or available digitally. We welcome it back after 50 years. It’s amazing how time flies!”

The album’s producer Tony Atkins added: “The Lodestone album Time Flies was one of my first productions. I am very proud of how, in 1971, it broke boundaries in the then-new progressive rock genre. It’s great to have it available again in new formats.”

To purchase:
Amazon CD: https://geni.us/LodestoneCD
Spotify: https://geni.us/LodestoneSP
Apple Music: https://geni.us/LodestoneAM

The album is also available directly from Cherry Red: https://www.cherryred.co.uk/product/lodestone-time-flies-cd/

Press inquiries: Glass Onyon PR, PH: 1-828-350-8158, glassonyonpr@gmail.com


Twink’s ‘Think Pink’ 2 and 3 Solo Albums Given First Mainstream Release After Years of Limited Availability – OUT NOW!

For Immediate Release

Twink’s Think Pink 2 and 3 Solo Albums Given First Mainstream Release After Years of Limited Availability – OUT NOW!

Twink’s two solo albums Think Pink 2 and 3 have been given their first mainstream release after years of limited availability directly from his webstore.  Twink continues to be a prolific musician building on his reputation in The Pink Fairies, Tomorrow and The Pretty Things.

In 1969, Twink recorded Think Pink – widely regarded as a milestone in British psychedelia, with the production work of friend Mick Farren, and the active participation of musicians like Paul Rudolph, Steve Peregrin Took (T Rex) and others. In 2015, Twink recorded the Think Pink 2 album and after decades of requests from fans and in 2018 he followed it with Think Pink 3.

Twink said of the re-releases: “I am very excited my albums Think Pink 2 & 3 are now available worldwide. The recordings on Think Pink 2 and 3 feature songs that I wrote when living in Hollywood at the turn of the century. Think Pink 2 has some great musical performances from some old and dear friends and in particular I give a shout out to Jon Povey. In contrast, Think Pink 3 has some fine performances from some new and dear friends. Think Pink 3 is a more laid-back album and acoustic based. The Saga of Think Pink continues.”

Available now:

Think Pink 2
Amazon CD: https://geni.us/ThinkPink2cd
Apple Music: https://geni.us/ThinkPink2am
Spotify: https://geni.us/ThinkPink2sp

Think Pink 3
Amazon CD: https://geni.us/ThinkPink3cd
Apple Music: https://geni.us/ThinkPink3am
Spotify: https://geni.us/ThinkPink3sp

Also available to order directly from Cherry Red here: https://www.cherryred.co.uk/product-tag/twink/

Press inquiries: Glass Onyon PR, PH: 1-828-350-8158, glassonyonpr@gmail.com


Legendary Animator Ian Emes, Creator of Animations for Pink Floyd, Mike Oldfield, Wings and More Limited Edition Signed Prints Now Available

For Immediate Release

Legendary Animator Ian Emes, Creator of Animations for Pink Floyd, Mike Oldfield, Wings and More Limited Edition Signed Prints Now Available!

For the first time ever the amazing artworks of Ian Emes are available in an official range of apparel, accessories, prints and other media. The Ian Emes Online Store will enable you to enter the mind of the genius who created the incredible animations for Pink Floyd, Mike Oldfield, Wings and more. Ian Emes is one the greatest living British animators, his seminal works embedded into the history of rock ‘n’ roll.

Now available – Archival Giclee Prints, Limited Editions of 5, signed by Ian Emes with a unique remarque in the border.
Prints available: https://www.musicglue.com/ian-emes/limited-edition-prints

Pink Floyd “One of These Days” 50th Anniversary limited edition print Now Available!

The Ian Emes Online Store showcases this dazzling imagery in a range of merchandise and previously unseen, highly collectible posters and prints.

Ian Emes is the British film director, artist, animator, innovator of film techniques and long-time Pink Floyd collaborator. Described as ‘precursor of the music video and digital animation’, Ian’s experimental short film “Meddle – One of These Days” (1972) is the first ever synchronised interpretation of Pink Floyd music. By collaborating with Ian, Pink Floyd found a way to expand the immersive universe of their concerts, having previously used only lighting effects during their performances – ushering in a new era of concert technology not just for Pink Floyd but for rock music as a whole.

When the band commissioned Ian to animate “The Dark Side of The Moon”, he created the world-famous “Time” sequence, (“The Emes Clocks”) which was projected onto a circular screen, (“Mr. Screen”).

Following the euphoric reaction to “Time” at Wembley Arena (1974), Pink Floyd commissioned Ian to create sequences for “Speak To Me”, (which included the iconic prism) “On the Run” and “Us and Them”. The concert films were subsequently seen by millions across the world. Among the many treasures in Ian’s archives are animation tests and storyboards for the entire “The Dark Side of The Moon” album.

This unseen footage includes Ian’s original “Us and Them” sequence of “Marching Crosses” – a forerunner of the “Marching Hammers” seen years later in Roger Waters’ “The Wall”. With its infinite perspectives and tumbling figures, Ian’s dynamic graphic imagery became a founding style for the band. His “Time” sequence was itself re-purposed for Roger Waters’ epic projections onto vast screens in his sell-out “Us and Them” World Tour (2019).

Previously Waters had asked Ian to create sequences for “The Wall – Live in Berlin” (1990), his first solo appearance since splitting from the band. The concert was performed to a sell-out crowd of over 350,000 people, then the biggest concert audience in history.

More recently, Ian’s iconic “Meddle – One of These Days” animation revisited the circular screen in the historic Roman amphitheatre in David Gilmour’s “Live at Pompei” tour (2016).

In parallel to his animation career, Ian continues to experiment as a multi-disciplinary artist, exploring all mediums of the still and moving image. He has created album covers, concept art and storyboards, directed nine feature films, TV series and hundreds of commercials with Ridley Scott Associates, garnering numerous awards, including three BAFTAS and an OSCAR Nomination.

Photo by Lewis McInnes.

Ian’s most recent Pink Floyd collaboration is a feature-length interpretation of their ultimate album “The Endless River”, (2021) available in their “Later Years” box set and on Sky Arts.

Photo by Ania Cerelczak.

Selected works from Ian’s archives are currently touring the world with the record-breaking “Pink Floyd –Their Mortal Remains” Exhibition.

For more information:
https://www.musicglue.com/ian-emes/
https://www.ianemes.com/
https://www.instagram.com/ianemes_official/

Press inquiries: Glass Onyon PR, Billy James, PH: 1-828-350-8158 (US), glassonyonpr@gmail.com


Natural Vybez’s Debut Poetic Rock Album Released on Digital Platforms – Out Now!

For Immediate Release

Natural Vybez’s Debut Poetic Rock Album Released on Digital Platforms – Out Now!

The Great Reset encompasses eclectic sounds spanning multiple musical genres, with the overriding theme of consciousness, and raising the intellectual bar to a higher frequency. The album was inspired by the impact of lockdowns, changes in lifestyle and the need for intelligent conversation in a musical panorama.

This is an album that originally began as magnificent poetical works beautifully crafted by Natural Vybez and metamorphosised into an epic soundscape of intellectual, socio-political commentary offering a powerful riposte to the zeitgeist of fear and unquestioning conformity.

An album of oceanic vastness, embroidered by the fusion of rock, reggae, funk, jazz and blues into a sonic landscape of beauty, courtesy of the production values of Mesh Music UK, with all lyrics written by Natural Vybez.

The end result is poetry which is transformed into an epic soundscape of intellectual, socio-political commentary offering a powerful riposte to the zeitgeist of fear and unquestioning conformity.

Natural Vybez said, “The Great Reset is a very poignant album for me. The first 8 tracks showcase a lion-esque roar of frustration and disapproval against various negative developments in our external that require a ‘Great Reset’, in terms of harnessing our collective power to refuse to unquestionably accept our loss of freedom and right to express dissent. The next 8 tracks express the internal warfare affecting us at a subconscious level, as the growing climate of fear threatens to destabilise our mental health and wellbeing world, thereby necessitating a “Great Reset” to reclaim control over our minds. I really hope that you enjoy the album!”

If you are attuned to learning and love a thought provoking, creative listening experience, then this is an album to appreciate.

To purchase:
Apple Music: https://geni.us/NaturalVybez-Apple
Spotify: https://geni.us/NaturalVybez-Spotify

Natural Vybez’s Official Facebook Page: https://www.facebook.com/profile.php?id=100086198157911

Press inquiries: Glass Onyon PR, PH: 1-828-350-8158, glassonyonpr@gmail.com


Greek Electronic Music Artist Billy Yfantis Releases The Soundtrack Of His Performance At North America’s Longest Running Experimental Music Festival!

For Immediate Release

Greek Electronic Music Artist Billy Yfantis Releases The Soundtrack Of His Performance At North America’s Longest Running Experimental Music Festival!

A 14-minute hypnotic composition inspired by artists like Tangerine Dream, Sunn O)), and Merzbow.

Athens, Greece – Experimental musician and author Billy Yfantis releases his new digital single entitled “The Universe Collapses (Norcal Noisefest 2022 Performance).” The new digital single includes Billy’s performance at Norcal Noisefest 2022. The Norcal Noisefest is the longest running experimental/noise/outsider sound art festival in the USA, founded in 1995 in Sacramento, CA. The 2022 edition of the festival took place from September 30 through October 2, with live performances on Friday September 30 and Saturday October 1 at Cafe Colonial, plus an all-virtual day on Sunday October 2.

Billy appeared virtually on the 3rd day of the festival by presenting a new experimental composition through the use of a unique organismic analogue synthesizer. The term “organismic” refers to the usage by the synthesizer of some fundamental principles underlying living creatures. “Organismic” means that the synthesizer’s modules interact with each other, and the behaviour of the instrument simulates a live conversation between living creatures.

Billy Yfantis commented on the release: “For this festival performance, I used a special-made synthesizer that has mechanical parts that simulate the dialogue between living organisms. My main scope was to establish a dialogue between machines and present it to a human-oriented event: a music festival. This mechanical dialogue between machines sounds like a post-apocalyptic soundtrack to my ears, and I can imagine it as the soundtrack of the universe’s collapse.” Billy Yfantis plans to release his 6th full album soon, a Neoclassical/Cinematic album inspired by European mythology. Stay tuned for more information!

Norcal Noisefest 2022 Performance (Watch from 2:50:03): https://www.youtube.com/watch?v=Fu972c8MN1Y

Listen to the new single here:
Napster: https://us.napster.com/artist/billy-yfantis/album/the-universe-collapses-norcal-noisefest-2022-performance
Spotify: https://open.spotify.com/track/2Qh1yF26BAAjcDeU0EbZKR?si=dcc22206013b464b
YouTube Music: https://music.youtube.com/watch?v=pCqwzxMGgXk
Apple Music: https://music.apple.com/us/album/the-universe-collapses-norcal-noisefest-2022/1647991476
Tidal: https://store.tidal.com/gr/album/251746500
Bandcamp: https://billyyfantis.bandcamp.com/track/the-universe-collapses-norcal-noisefest-2022-performance

About Billy Yfantis
Vasileios (Billy) Yfantis holds 2 Master Degrees in Information Technology and is a Ph.D. candidate in the University of West Attica by conducting research on e-government. Billy has been working on music since the late 1990s by experimenting with tape mixing and sound design. Billy is playing digital keyboards, but prefers to express his artistic dream through the electronic sounds that come from unusual machines. He has experimented with the recording of vacuum cleaners, electric blenders and other strange sounds that have resulted in musical releases. Moreover, Billy has authored books on music, business and science while from times to times he speaks about the electronic governance at scientific conferences all over Europe.

Famous Quotes (What Others Have Said)

Krautrock legend Harald Grosskopf (Ash Ra Tempel, Klaus Schulze, Cosmic Jokers): “I always like electronic music made by younger musicians who consequently follow their personal instinct, rather than trying to copy what’s already been made in the past, in the spirit of: Whenever you meet Buddha kill him. Keep on tracking Billy!”

Tom McLoughlin (Director of the movie “Friday the 13th Part VI: Jason Lives”): “I really dug his music!! VERY cool stuff!!”

Phil Lanzon (Uriah Heep): “I like the track ‘Waiting for the battle.’ Great riff. I can see this as soundtracks to Psycho – punk movies and the like.”

Bobby Borg, (Music Business Author, Consultant, Professor): “This is fkn bad ass music that everyone needs to hear… imagine the coolest meditation music out there and the coolest sci-fi movie soundtrack rolled into one! Stream it and trip out today.

Steve Whitfield (Producer and engineer of The Cure, The Mission UK): “This music is crying out to be used in films but at the same time it’s great to just sit back listen and immerse yourself in them without any moving images and let your imagination run wild!”

Snowy Shaw (ex-King Diamond, Therion, Mercyful Fate): “I didn’t know what to expect when I had this album sent to me by the composer Billy Yfantis. To be perfectly honest, 9 times out of 10 when people send me their new album it makes me feel a bit uneasy and awkward. Firstly because I don’t listen an awful lot to contemporary music and secondly, even less to other metal & hard rock artists due to lack of interest and I don’t wanna hurt their feelings. I don’t mean that in any rude, disrespectful or arrogant way, but I’m into creating my own music, not so much into consuming music of my peers. However, this was something entirely different. I’m not even sure it’s considered music, but it’s the kind of atmospheric and meditative type of sounds that I’ve been listening a helluva lot over the past few years to try relax and cope with my stressful, turbulent life, constantly on the verge of being burnt out. That being said, I liked it and it made me calm, mindful and sleepy. Presumably the worst kind of reaction my metalhead peers would wanna hear about their new album but in this case it’s probably the best sort of compliment one could get.

Discography
1. The Universe Collapses (Norcal Noisefest 2022 Performance) (Digital single 2022)
2. The Nebula Voyager (Full Album, 2022)
3. Cinematic Works, Vol. I (Full album, 2021)
4. Noises from the Outer Space (Full album, 2021)
5. Entering the Solar System (Full album, 2020)
6. The Noisy Whispers Compilation (Full album, 2019)
7. The Mysterious Trip (Digital single, 2018)
8. Dust Not Found (Digital single 2017)
9. Crossing The Line (Digital single 2016)
10. The Electric Blender Session (Digital single, 2016)
11. The Missing Link (Digital single, 2015)

Check out music by Billy Yfantis here: https://billyyfantis.bandcamp.com

Bibliography
1. Power Ballads And The Stories Behind (2021)
2. Is Prog Rock Really Progressive? (2020)
3. Hip Hop Goes Science: Volume I – Extended Version (2020)
4. Hip Hop Goes Science: Volume I (2019)
5. Metal Goes Science: The Academic Metal Bibliography (2017)
6. Disadvantaged Populations And Technology In Music (2017)
7. City Streets Of Europe (2017)
8. Punk Goes Science: The Academic Bibliography Of Punk (2015)
9. The Lost Lyrics (2013)
10. The Commercial Exploitation Of Color As A Consumer Stimulus (2013)

Find Books by Billy Yfantis here:
https://www.amazon.com/Vasileios-Yfantis/e/B00JNNL306/

Contact details:
E-mail:  Byfantis@yahoo.com
Facebook: https://www.facebook.com/billy.yfantis
Twitter: https://twitter.com/billyyfantis
Instagram: https://www.instagram.com/billyyfantis

Press inquiries: Glass Onyon PR, PH: 1-828-350-8158 (US), glassonyonpr@gmail.com