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Tokyo Rosenthal Releases “Tokyo’s Fifth”

FIFTH_CD_FRONT_COVER

For Immediate Release

Tokyo Rosenthal Releases “Tokyo’s Fifth”

Chapel Hill, NC – Rock & Sock Records announced today that they are releasing “Tokyo’s Fifth” by their recording artist, Tokyo Rosenthal. Appropriately titled, this is Rosenthal’s fifth album on the Rock & Sock label, and number five in only six years. The record includes 9 new original tunes penned by “Toke” and a rare cover of Lennon and McCartney’s “Helter Skelter”. Also included on the new CD is a video of the album’s first single, “What Did I Used To Be?”, which went “mini-viral”. This is Tokyo’s latest release since the critically acclaimed “Who Was That Man?” from 2011. That album made the Top 10 on most Americana Charts.

Tokyo is joined once again by a stellar cast of musicians including himself on lead and rhythm guitar, piano, organ, and vocals. Chris Stamey (dB’s) returns on bass, Will Rigby (Steve Earle and dB’s) and Logan Matheny on drums, Toke’s constant touring partner Charlie Chamberlain on mandolin and lead guitar, John Teer (Chatham County Line) on fiddle, Allyn Love (Pedal Steel), and Matthew Douglas and David DiGiuseppe round out the players on clarinet and accordion respectively. In addition, Tokyo is accompanied on vocals by the amazing talent of Andrea Connolly.

As eclectic as ever, “Tokyo’s Fifth” opens with a clarinet lick and continues to demonstrate his versatility in writing and arranging throughout the entire album. As always the subject matter is controversial, political, and personal. Never a stranger to controversy, Toke covers unemployment, suicide, and out sourcing on the album’s first single, “What Did I Used To Be?”, and the immigration situation in Arizona on “The Immigrant”. Tokyo revisits songs dedicated to cities and neighborhoods with “Killaloe” and “Mulberry Place”, and euthanasia on “We Put You Down”. Rarely recording material by other writers, Rosenthal, along with the screaming violin of Chatham County Line’s John Teer, take on “Helter Skelter”, in a very creative and unique arrangement of The Beatle’s classic. Andrea Connolly’s vocal harmonies were born to be on Tokyo’s ode to his father, “Waste Of A Heart”, the reggae styled, “Smoke and Mirrors”, and she will bring a tears to your eyes on her heartfelt duet with Tokyo on “We Put You Down”.

“I can’t believe it’s only been six years since my first record. Seems like we’ve been doing this forever, and here we are at number five, said Rosenthal.” “I certainly couldn’t have done it without the support of my wife Carrie Klein and our daughters, Americana radio, my accompanists, especially my touring partner Charlie Chamberlain, my guru Chris Stamey, and the folks who buy my music and come to our shows. I hope this album will make you think, cry, and feel it to be unique, both musically and philosophically. A lot of great players took part in this project in order to deliver my vision of how these songs should be presented to my listeners. I trust we won’t disappoint them and any new friends we pick up along the way.”

As of this writing, Clare FM Radio in Ireland, will be giving “Killaloe” its radio debut on their station, and Toke has been asked to come there to be honored and perform in concert early in 2013. Rosenthal will begin touring world wide and visiting radio stations to support the “The Fifth” and will announce dates, times, and locations shortly.

The video of “What Did I Used To Be?” was produced and directed by Emmy Award winner Nic Beery from Carrboro, North Carolina. It features not only Tokyo but has classic footage from earlier times contrasting footage of contemporary hardships and situations. The response to the video and the song in the U.S. and abroad has been overwhelming. To view the video log on to http://youtu.be/LAU_hRBwLTE

For more information please visit http://www.tokyorosenthal.com. “Tokyo’s Fifth” and other Tokyo Rosenthal CDs and downloads are available at CD Baby, iTunes, Amazon.com, FYE Stores, and most music outlets.

Press inquiries: Glass Onyon PR, PH: 828-350-8158, glassonyonpr@gmail.com


Debut CD Release By Vocalist Paul D’Adamo Features Genesis and Phil Collins Members

PDTS pages front 1-back 12

For Immediate Release

Debut CD Release By Vocalist Paul D’Adamo Features Genesis and Phil Collins Members

Grapevine, TX – Vocalist extraordinaire Paul D’Adamo is no stranger to the world of Phil Collins and Genesis. His debut CD ‘Tell Me Something’ not only showcases a mixture of original compositions and re-done, lesser known classics by Phil Collins and Genesis, but also features essentially the core of Phil Collins’s touring band: Brad Cole, Leland Sklar, Daryl Stuermer, Chester Thompson, Luis Conte, Arnold McCuller, Amy Keys, Lynne Fiddmont, and renowned jazz saxophonist Gerald Albright (who also worked with the Phil Collins Big Band). Of course, many members of Phil’s touring band are active session players, and there have been projects where a couple of them have played together, but ‘Tell Me Something’ represents the first time almost all of Phil Collins’s entire ensemble of musicians have come together on a project…without Phil Collins!

“Paul D’Adamo’s cover of ‘Entangled’ is a very beautifully put together version – magical. Paul’s voice is really good.” – Steve Hackett

And just what is it about Phil Collins and Genesis that Paul D’Adamo finds so appealing? Paul explains, “As a vocalist first, then keyboardist and drummer, the music of Genesis was written with those thick ‘outside the box’ voicings to certainly establish their distinctive sound. I always tend to challenge myself as a musician, and their use of time signatures to fit lyrically and melodically inspired me. Phil’s music was very autobiographical for me. It seemed that his melodies and lyrics provided a day to day soundtrack for my life. I enjoy that both Genesis and Phil Collins music tends to be the round peg that can also fit into the square hole. Neither the band nor solo artist were ever the type of musicians to play it safe!”

From the time he started formal lessons at the age of six, Paul has had diverse musical influences. Some of these styles include classical, jazz, pop, musical theater and rock. His passion for singing, performing, and piano playing continued through his college years where he studied with some of the finest teachers at the Indiana University School of Music, The Juilliard School and Berklee College of Music. He also began teaching a number of students, as well as studying privately to further his art and hone his craft. In 2002, Paul opened The D’Adamo School of Performing Arts, where he still teaches private voice, piano, drums, music theory and songwriting lessons in his Grapevine studio.

‘Tell Me Something’ was mostly recorded in Nashville at the Colemine Studios owned by Brad Cole, who produced the album. We made a few trips to LA to track with Leland Sklar, Arnold McCuller, Amy Keys, Lynne Fiddmont, Darlene Koldenhoven and Grant Geissman. The album took two years to the day to complete and was a true labor of love for Paul, allowing him to make great music with his influences, who have since become dear friends. Fans of Genesis will enjoy hearing things on Paul’s new album like Daryl Stuermer’s take on “Entangled” (from the 1976 album ‘A Trick Of The Tail’) alongside a fairly faithful version of the song. But it must be stressed that Paul D’Adamo is not a Genesis tribute act by any stretch of the imagination, he is an accomplished songwriter in his own right, which is witnessed by his unique compositions also included on ‘Tell Me Something’. Says Paul, “I wanted a collective of songs that were very personal to me. Songs that had seen me go through the highs and lows of my life both professionally and personally. So if I wanted a musical autobiography, I guess this would have been it.”

“Paul D’Adamo’s reworking of ‘Entangled’ from ‘A Trick Of The Tail’ – a real gem among the embarrassment of riches that is the Genesis catalogue – is probably the most interesting and entertaining thing here, though the echo-swathed acapella rendition of ‘Guide Vocal’, previously a showcase for Collins on the ‘Duke’ album, ends proceedings on a high note.” – Dave Ling, Classic Rock Presents Prog magazine

And how did Paul’s ultimate dream band come to fruition, he explains, “I had reached out to Brad Cole, keyboardist with Phil Collins since 1989, and mentioned to him about the potential of doing an album of some Genesis/Phil Collins songs as well as a few of my own. I didn’t really have a band, so when he asked if I had a drummer in mind, before I could give him an answer, he was like, ‘No worries, we’ll just get Chester to do it’ – as in Chester Thompson! Then it became, let’s get Daryl, Leland, and so on and so on… No one said ‘no’, everyone seemed to be thrilled with the idea. So the Phil/Genesis family kept growing until I realized I had 9 musicians associated with the Genesis and Phil Collins bands.”

As far as future plans, in the afterglow of the success of Paul’s latest release, he has ventured back into the recording studio to record his next album. Says Paul, “I’m currently working on a new album that will be released on the label I am signed to, Melodic Revolution Records. The new album is titled ‘Rawfully Organic’ and is being produced by long time Peter Gabriel drummer Jerry Marotta. I’ve been traveling up to Woodstock, and this album will feature some musicians off of ‘Tell Me Something’, as well as musicians from the Peter Gabriel Band, King Crimson, and so many other fine artists as well. I expect my second album to have more of an edgier sound to it. It will consist of a handful of Gabriel/Genesis tunes, as well as some original songs. We plan on having the release sometime in 2013, possibly with a DVD or some short film on the making of the album.” Paul is no stranger to live performances as well. His first gig promoting ‘Tell Me Something’ consisted of his band that included members of Phil Collins, Genesis and the Elton John band, which featured renowned drummer, Charlie Morgan, who also recorded 2 tracks on Paul’s album. Paul’s first show…sharing a triple bill with Ambrosia and Kansas late last year!

“I very much look forward to producing Paul D’Adamo’s new recording. Paul approached me a few months ago and we started a creative/musical dialogue on how we could collaborate. In the process, Paul sent me a copy of his current recording ‘Tell Me Something’. I was immediately blown away by the first track ‘Tell Me Something’, a song Paul wrote with his longtime friend and collaborator, Chris Remediani. You could say I was hooked from the first 20 seconds. As I listened on, I was really impressed with Paul’s interpretations of a few Phil Collins songs as well as a few Genesis compositions. One of many high points is his interpretation of the song ‘Entangled’, an absolutely beautiful vocal arrangement. Paul has an amazing voice. He stacked the deck in his favor when he hired longtime Phil Collins collaborator Brad Cole to produce his record. Brad did an incredible job of helping Paul redesign some Collins/Genesis classics. Add to this a who’s who of world class musicians like Chester Thompson, Leland Sklar, Daryl and Duane Stuermer and you’ve got a formula for a phenomenal recording. Keep your eyes open for this guy!” – Drum legend/Producer Jerry Marotta.

“As president of an independent label I receive hundreds of music submissions each week in various stages from demos to finished product. When ‘Tell Me Something’ came across my desk via a friend, I gave it a good spin and halfway through the album I realized this was no ordinary album or band. The production of this album was one of the best I have ever heard from an independent artist. The musicianship was top notch and featuring some of the best in the music business. I immediately contacted Paul and asked him if he would like to sign a deal with us, and the rest as they say is history. We have added ‘Tell Me Something’ to our catalog and are working very close with Paul on his upcoming album due out in early 2013.” – Nick Katona, President, Melodic Revolution Records

To purchase Paul D’Adamo’s ‘Tell Me Something’ CD & DVD combo: http://www.cdbaby.com/cd/pauldadamo, http://www.melodicrevolution.com
CD available at Amazon: http://www.amazon.com/Tell-Me-Something-Paul-Dadamo/dp/B0044CO6YQ/ref=sr_1_1?s=music&ie=UTF8&qid=1355106283&sr=1-1&keywords=paul+D%27adamo%2C+tell+me+something
also available as a digital download from iTunes and Amazon

For more information: http://www.thedadamoschool.com/
Facebook: http://www.facebook.com/pauldadamo

Press inquiries: Glass Onyon PR, PH: 828-350-8158, glassonyonpr@gmail.com


In the Midst Of His Critically Acclaimed CD Release ‘Scarlet – The Director’s Cut’, Guitarist Dave Kilminster Performs With Roger Waters In Front Of Over Two Billion Viewers!

David Kilminster 12-12-12 photo
Dave Kilminster performing “Comfortably Numb” with Roger Waters at the 12-12-12 benefit concert

For Immediate Release

In the Midst Of His Critically Acclaimed CD Release ‘Scarlet – The Director’s Cut’, Guitarist Dave Kilminster Performs With Roger Waters In Front Of Over Two Billion Viewers!

London, UK – Guitar virtuoso Dave Kilminster, in the midst of his recently released critically acclaimed solo CD titled ‘Scarlet – The Director’s Cut’, on December 12, 2012 performed with Roger Waters in front of over two billion viewers at the 12-12-12 benefit concert at Madison Square Garden in NYC. The largest gathering of legendary British and American rock stars in recent history, the benefit for Hurricane Sandy was by all accounts a huge success. Unquestionably, Roger Waters set was one of the highlights of the concert, featuring Dave Kilminster’s impressive guitar prowess. Says Dave about this historic music event, “What a truly magical evening…sharing the stage with such musical luminaries as The Who, The Rolling Stones, Paul McCartney, Bruce Springsteen, Alicia Keys, Bon Jovi, Billy Joel, Chris Martin, Eric Clapton…and of course performing with Roger Waters, along with our very special guest Eddie Vedder! It was all just totally surreal, and extremely emotional… I feel so incredibly proud and honored to have taken part in such an amazing and historic event, and for such a heartfelt and worthy cause. The footage of the devastation shown during the show was heartbreaking, and as the announcers recounted tales of bravery & suffering, and introduced 1st responders, rescuers, firefighters, nurses, etc that were in attendance at the concert I was just so glad that I was there to help in my own small way.”

Dave Kilminster’s radical guitar techniques and mesmerizing sounds have captivated fans and fellow musicians alike worldwide. Named “Guitarist of the Year” by Guitar Magazine in 1991, the recognition propelled him on a super-charged career as a multifaceted guitarist, vocalist, writer, engineer, and producer. Credited by keyboard legend Keith Emerson for inspiring him to go on the road again, Dave is a familiar figure worldwide to fans of progressive rock. And now, his sophomore CD release ‘Scarlet – The Director’s Cut’, has fans and critics alike raving about it’s brilliance!

“Dave Kilminster has succeeded in creating one of those great documents that leaves you in wonder – not in just songs and their performances, but in the fact that as you listen, you come away with the impression that this is his soul speaking. I doubt that he could have created any other album – it’s as if the music pours out of his body like a visceral entity, his life blood mixing with the ethers… These are great songs that just happen to be made of brilliant technical proficiency. Whether you are a guitar aficionado, or a casual listener, you will adore the sublime beauty of this album.” – Tony Conley, Rock Guitar Daily

Fans and critics agree that Dave Kilminster is one of the most extraordinary talents to emerge from the UK. He is a sought after collaborator, band member and solo performer. After touring for a number of years with such luminaries as John Wetton, Geoff Downes, Carl Palmer, and ELP keyboard wizard Keith Emerson, in 2006 David went on the road with Pink Floyd’s Roger Waters as lead guitarist and vocalist in the extraordinary global staging of ‘The Dark Side of the Moon’. More recently Dave was seen atop a thirty foot wall playing guitar on Roger Waters ‘The Wall – Live’ tour, which became the highest grossing tour of the year, playing to over 3 million people worldwide!! Dave’s work is in a class by itself, encompassing technical mastery and enormous power. His vast musical influences are strongly felt on his new album.

In closing Dave has this to impart about the 12-12-12 benefit concert, “All the bands and performers I saw absolutely played their hearts out, and did an amazing job of making it a night to remember…and I know that it’s an evening that will stay with me forever…”

To purchase Dave Kilminster ‘Scarlet – The Director’s Cut’: http://www.cherryred.co.uk/shopexd.asp?id=3897
Also available on iTunes: https://itunes.apple.com/gb/album/scarlet-the-directors-cut/id578776042

For more information: http://davidkilminster.com/

Press inquiries: Glass Onyon PR, PH: 828-350-8158, glassonyonpr@gmail.com


Chicago’s Circle Of Fate Release Highly Anticipated New Single “The Other Side Of Me”

circle of fate other side of me

For Immediate Release

Chicago’s Circle Of Fate Release Highly Anticipated New Single “The Other Side Of Me”

Dec. 10. 2012 – Chicago, IL – Much to the excitement of fans across the globe, Chicago melodic rock outfit Circle Of Fate released their new single “The Other Side Of Me” digitally on December 1, 2012. For the last 15 years Circle of Fate has been captivating audiences all over the world and now with their new single, fans of the band will not be disappointed! Lead vocalist and founding member Michele Caruso says, “The song is a punky song about different sides that a woman has to her. You never know what you are going to get. The songs, as always, are open to interpretation to the listener.”

Circle Of Fate features Michele Caruso on Lead Vocals. Michele has done jingle work for Chicago’s hit radio station B-96, and has also been an extra on a Bud Light commercial. On top of all that, Michele was on the Howard Stern show, singing one of her original songs. The show was also aired on live radio, CBS, and E-Entertainment. She has has performed jingles for Chicago’s rock station Q101 and Mancow’s Morning Madhouse where she sang the Gateway Chevrolet song live on the air. Danny Charatin is feaured on Lead Guitar and Backing Vocals. Danny has been playing the guitar now for about 22 years. Danny’s past bands include Destiny, Moriah, Latent Fury and Ion Vein. Danny has also done some studio work in the past. He has played shows out of state to fill in for other bands and has a blues influence in his playing. He also enjoys playing classical pieces. Danny says, “My ideas and style fit perfect with Michele’s melodies and style. Together it’s the perfect combination for real music that comes from the soul”. Most recently the band acquired two new members; Lynn Parkinson on Drums – Lynn has been in the industry for many years and has played many styles of music. Bassist Jimi Swanson has also been in the music industry for a number of years and has been in many national acts such as Energy Vampires and Odette.

Michele describes Circle of Fate’s music as, “A break from the mundane. Our music has great melodies and it’s in your face rock. Our music tells a story and leaves you wanting more.” Andrew Dodge of Blog Critics touts, “This is quite simply driving metal that is done with lots of feeling and ability. If you are into good metal delivered well, then check this lot out soonest, you will be glad you did!” The band’s 2010 break-out release ‘Back To Life’ captured the attention of the music public at large and the response was no less than astounding. Described as “Pop rock with metal undertones”, Circle of Fate’s ‘Back To Life’ is an amalgamation of catchy melodies and hooky rhythms. Produced by Larry Sturm, who has worked with top music artists such as Destiny’s Child, Mary J. Blige and Disturbed, the CD garnered rave reviews worldwide.

Here’s what the press raved about Circle Of Fate’s ‘Back To Life ‘CD:

“As Circle Of Fate brings on their heavy repertoire, they may be one of the best bands blending classic hard rock sensibility with modern rock trends, and that in itself is quite an accomplishment. Recommended!” – Dangerdog Music Reviews

“Overall, the band is tight, seamlessly transitioning from hard, metallic riffing to melodic choruses and killer instrumental work. In particular, their ability to change tempo within a song keeps the listener anticipating their next move.” – Hard Rock Haven

“Given a few spins, this one grows on you. It’s good tradesmen like performance highlighting Caruso’s vocal and Charatin’s rather tasty guitar playing. Keep an eye on this outfit for sure!” – Glory Daze Music Magazine

“Circle Of Fate will be the biggest band out of Chicago since the Smashing Pumpkins!” – Rocktober Magazine

In recent news, Circle Of Fate has been asked to perform on Chicago’s Late Night TV program ‘Seven On Ridge’. Danny explains, “We recently were asked to play for the ‘press release’ for the show ‘Seven On Ridge’, which is a new late night show in Chicago. We were booked for a slot on the show and they had to change the date due to extra taping they needed to do for producers in China. We will post the date we will be on once it’s announced. The host of the show is Michael Essany and he formerly had his own show on the E network.” You can see more on the show at http://www.sevenridge.com

In the past year Circle of Fate has returned to the studio to record a new album, in which the new single “The Other Side Of Me” will be featured on “The new material we are recording will be our 5th CD for original members Danny and I,” explains Michele “With two new members on this CD we are very excited that this will give COF a fresh ‘edge’ in the music scene while keeping our own unique style. This extra ‘edge’ will keep Circle of Fate in the public eye and our fans wondering, ‘What will this band do next?’ This new CD will cross new thresholds for our band and will take us to the next level.” Adds Danny, “The new CD still contains much of Michele’s catchy melodies and strong lyrics, but the music has reformed to having a different edge to it than in the past. We started off on a lighter note on past CDs such as ‘Shades Of Gray’ and ‘Inner Sanctum’, which were more melodic. ‘Dawn Of A New Era’ was much heavier. The new album being put together contains a couple of strong ballads along with heavier faster paced songs such as ‘Too Much’, ‘What If’ and our new single ‘The Other Side Of Me’. We believe when the album is finished it will be a great listen from beginning to end with a nice flow from song to song, so when the CD is finished playing you are wanting more.” Producer extraordinaire Eric Greedy, who has worked with such music legends as Paul McCartney, George Harrison, Ringo Starr, Elton John, Steven Tyler, Brian Wilson, Rage Against The Machine, Guns & Roses (the list goes on and on), produced two songs on the new CD. Also, formerly from Slash’s Snakepit, Matt Laug played drums on the two tracks. Both cuts wre mastered by industry legend Big Bass Brian, who’s impressive list of clients include the likes of Alice Cooper, Black Eyed Peas, Creedence Clearwater Revival, Eric Clapton, George Harrison, Grateful Dead, Hall & Oates and Kiss, just to name a few.

In closing the band has this to impart to their fans and listeners, “We have been together for over 15 years now and truly appreciate all of the support of our fans and listeners. You mean everything to us. We work very hard to not only put out great studio albums but to put on great live performances as well. As always, please spread the word and Step into the Circle… You’ll be glad you did!”

To purchase Circle Of Fate’s “The Other Side Of Me” single: http://www.circleoffate.net/Circle_of_Fate/Store.html

http://www.circleoffate.net (Official Band Website)
http://www.twitter.com/circleoffate
http://www.facebook.com/circleoffatemusic
http://www.facebook.com/CircleOfFate
http://www.reverbnation.com/circleoffate

Press inquiries: Glass Onyon PR, PH: 828-350-8158, glassonyonpr@gmail.com


Russell Trunk’s Exclusive Magazine Interview with John Lawton

the power of mind

John Lawton
‘Now I Know – The John Lawton Story’

The music industry is buzzing about the new concept album by former legendary Uriah Heep / Lucifer’s Friend vocalist John Lawton titled The Power of Mind.

An innovative new CD, conceived, written and produced by the CGI member, Dr. Milen Vrabevski, but performed by John Lawton and Bulgarian ensemble Diana Express, The Power of Mind is an exploration into the science of positive thinking and its applications to the subconscious mind. Featuring 14 amazing songs that showcase the soulful vocals of John Lawton and the powerful instrumentals by Diana Express will leave you wanting to hear it again and again.

“The Power of Mind is a concept album with positive thinking being the theme,” John explains. “In the world of today, I don’t think there are many better things to focus on. The way the songs flow into each other is really the way one would read a book or relate stories to friends. The melodies and lyrics say a lot about how we should view each other.”

Chatting further with the man himself, and taking it right from the top, he began his music career in North Shields (England) in the early ’60s with The Deans. So, was it true that they were all just a bunch of kids who simply decided at random to name him as the lead singer?! “Yeah it worked out that way. We were 15 years old at that time and of course music was what everybody wanted to do. One of the guys could play guitar a bit, one of the others decided he was the bassman, another took drum lessons, which left me. And so it was decided I was the singer! I spent the early rehearsals with my back to them staring at the wall because it felt so wrong at that moment. Great days though, in many many ways :-)”

You then moved on to West One and later Stonewall, which also included John Miles, Vic Malcolm (Geordie) and Paul Thompson (Roxy Music)! Wow, now that must have been a brilliant band to be part of at the time?! “It was decided that we would put a band together from the best of the local guys and I got the singing spot 🙂 Vic had written some songs so we went out and played in Hamburg (no recordings unfortunately) and by the time we were about to return to England, the band was really tight. However my future seemed to lie in Germany and so I stayed. The rest of the guys returned home went their separate ways and the rest is history :-)”

Things got more commercial for you when you became the lead singer for legendary German rock cult band Lucifer’s Friend. You ended up, through two stints, recording nine studio albums with them, so that must have left an incredible impression on you. Can you, perhaps, pull a true highlight from your time in the band to reveal to us today? “Lucifers Friend was such a great band, as musicians they were first class, always looking for a new way forward musically. It has been said a lot we were ahead of our time in many ways. The 1st album (Lucifers Friend) set out to be heavy rock but after that we went a little more prog. With the 2nd album (Where The Groupies Killed The Blues) and from there we went slightly poppy until my favourite album came along which was Banquet, an absolute stunner of an album in my opinion 🙂 I have worked with some great musicians in my time and the Lucifers guys are up there with the best of them.”

After a shot at the Eurovision Song Contest in 1976 re: the Les Humphries Singers, you joined Uriah Heep for three years and three studio albums. Again, please reveal a true highlight from your time in the band; something that left you with a great memory? “Joining Heep was momentous for me, coming from the Humphries Singer to one of the best rock bands around – well, what can I say 🙂 In that time I got to see places especially in the USA that I had heard of as a singer starting out. The tours were long compared to what I had done previously, but we toured with some great bands KISS, FOREIGNER, CHEAP TRICK, and played some incredible venues. I think a highlight has to be playing Kansas City stadium to 20/30 thousand people and seeing them flick the cigarette lighters on for the song ‘July Morning.’ Truly memorable.”

Since then you have worked with some of the finest record producers and some incredible musicians through the years – and today have just released your latest album; a concept album entitled The Power of Mind. But, this innovative new album was actually conceived, written and produced by the CGI member, Dr. Milen Vrabevski, but performed by you AND a Bulgarian ensemble, Diana Express! So, first things first, how did you first meet Dr. Vrabevski? “I was introduced via a musician friend in Bulgaria to Milen who gave me a copy of a CD sung in Bulgarian of some really good songs. I really liked the melodies and the way it had been recorded all live no computerised stuff :-)”

“Milen asked me if I was interested in singing the songs in English, so after looking at the translated lyrics (not Google translate, thank god) 🙂 I really wanted to do this album.”

And how long ago did Dr. V. suggest the idea to create a “concept album” to you? (ie: how long did it take to complete the album, from start to finish?) “From our first discussion about the project until actual completion was about 6 months. I had other commitments that had to be fulfilled before I could start, but basically everything was there. The tracks remained as they were from a playing point of view, all I had to do was re-sing all the lead lines. But, of course all the backing vocals had to be re-done as they were all in Bulgarian also! I had everything recorded in the space of 10 days, but it was fun to do.”

With the concept songs showcasing 14 amazing songs that explore the science of positive thinking and its applications to the subconscious mind, did you yourself find that during its recording you were suddenly feeling, well, more positive and free within the confines of your own mind, perhaps? “I understood where Milen was coming from and we had a good time in the studio while putting down the vocals. At the time it felt like I was reading a book to somebody and every song seemed like the next chapter of the story. I was suffering from a bout of flu at the time of recording so I guess positive thinking played a part in getting it all done :-)”

Indeed, with regard this new album, how easy or hard is it to create a new, vibrant, wanted-by-the-public sound that both builds on and surpasses the musical wonderments and accomplishments that preceded it within the industry? “Wooahh !!! That’s a loaded question! I hope that we have created something that will last, and not be seen as a “one off”. Whether it surpasses any musical accomplishments of other artists, remains to be seen. I truly hope that POWER OF MIND opens doors to a second album already in the writing stage, and gives us a chance to fulfil the promise.”

Do you have a favorite track from ‘The Power of Mind,’ perhaps? And if so, which one and why? “I have 2 favourite tracks, TWO HEARTS and THE SEARCH. I just love the melodies especially on HEARTS, but the transitions on THE SEARCH from the intro to the powerful ending, absolutely awesome. Even if I say so myself :-)”

If you had to sum yourself up in just five (5) words today, after all you have been through, encountered and succeeded in/at, what would those five (5) words be? “Actually it would be 7, if that’s allowed? It would be, Still Paying My Dues to the Blues”

If asked to record one for charity, what ’80s (and possibly cheesy!) pop/rock song would you love to cover today … and why? “I honestly don’t like much from the 80’s. It might be an ABBA song 🙂 But if any, it would have to be ‘You’ve Lost That Loving Feeling’ by The Righteous Brothers. I just love the vocals on that song especially Bobby Hatfield. A really good singer, sadly no longer with us :-(”

Lastly, and throwing you a journalistic curve ball, Exclusive Magazine loves Penguins (the birds) … do you?! “Love em !!! And their dancing feet :-)”

Interviewed by Russell A. Trunk

Source


Skylight Interview with Roye Albrighton of Nektar

nektar_1

1. How did you decide to record this album full of covers?

The idea originated from Cleopatra who thought that Nektar doing a covers album might be of interest to their fanbase.

2. Many famous musicians participate in this album, did you or the label contact the musicians?

The label were the instigators of this..they had the contacts accumalated over the years and conacted them with the offer to do it.

3. Did you meet any of the guest musicians or they had already recorded their own parts before you enter the studios?

Apart from Joel and John Wetton I have never met any of the other musicians..the whole album was recorded remotely via internet. This has it’s advantages in such a scenario, however, recording an album of new music would need a different approach.

4. There a few risky numbers in this album such as covers of non progressive tracks such as “Africa” by Toto. Were you worried about the reactions from your oldschool fans?

Not at all..our fanbase know that we try something different all the time and a covers album wouldn’t be that different, after all when Nektar were in it’s infancy we aso did a couple of covers.

5. What is the scope of this album, to extend your fanbase or satisfy your artistic will?

Bassically just to show that we are human and not a progressive rock machine.

6. Did you ever share the stage with any of the artists that you decided to cover?

Never

7. Who was the artist of the cover artwork?

Pease ask Cleopatra

8. Do you have any plans for an album with new music?

Yes we have a new Nektar studio album called “Time Machine” that appears early 2013.

9. Do you have plans to tour for the Spoonful Of Time album?

Not really but we may put a track or two into the set over the next shows.

10. Are there any other covers that were recorded for a new cover album?

No

Info: http://nektarsmusic.com

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UK Prog Ensemble Landmarq Releases Highly Anticipated New Studio Album ‘Entertaining Angels’

Landmarq cover resized

For Immediate Release

UK Prog Ensemble Landmarq Releases Highly Anticipated New Studio Album ‘Entertaining Angels’

December 4, 2012 – London, UK – The progressive rock music community worldwide is buzzing with excitement about the new release by celebrated UK prog ensemble Landmarq. Pushing their songwriting skills to new heights and crossing previously unexplored musical boundaries, Landmarq’s ‘Entertaining Angels’ is being held as the band’s finest album to date! Vocalist Tracy Hitchings has pulled out all the stops to deliver some truly dazzling performances and has taken a more hands-on role with some stunning vocal arrangements. Multi-talented keyboardist Mike Varty has also brought his production and mixing skills to the band and along with excellent performances from guitarist Uwe D’Rose, drummer Dave Wagstaffe and bassist Steve Gee, Landmarq’s new CD is rapidly becoming one of the top prog releases of the year!

Says Tracy, “All of the lyrics I have written for this album, starting with ‘Entertaining Angels’, were born of my spiritual beliefs. Other lyrics I penned had that same concept, just different stories that got reshaped as I was overcoming Cancer with a very unconventional method as part of the belief in reshaping my life and helping me rid my nemesis. In particular, ‘Glowing – Part 1 & 2′ is a testament to that and was an amazing and cathartic experience. Writing lyrics and vocal arranging on this album has been an amazing journey and healing process in my life, which has completely changed from the one I once lived.”

“’Entertaining Angels’ is a triumph…full of power and passion…” – Geoff Barton, Classic Rock Magazine

Since it’s formation in London in 1990, London-based prog-rock band Landmaq has so far released eight albums, two of which have been recorded live at various concerts in the UK and Europe and a third live CD taken from the DVD ‘Turbulence – Live In Poland’. Initially signing to a Dutch record company (SI Records) then forming their own label, Synergy Records, the band soon firmly established itself within the world of progressive rock, though their appeal extended beyond these boundaries to a more mainstream audience. After three well-received albums, original lead singer Damian Wilson left to pursue a solo career and was replaced by award-winning vocalist Tracy Hitchings. Landmarq has played concerts around the world and has worked with artists such as Marillion, John Wetton, Steve Hackett, Nik Turner, Annie Haslam, Suzi Quatro and many others.

Now with Landmarq’s fifth studio album, ‘Entertaining Angels’, the band has reached a watershed in it’s career with a CD guaranteed to please old and new fans alike. The band is also proud to include guest appearances from, among others, cellist Hugh McDowell (ELO, Wizzard) and saxophonist Laurent Hunziker (Logicaltramp, Tiptop, Gino Sitson). Aside from brand new compositions, the album also includes new studio recordings of material first released on Landmarq’s critically acclaimed DVD and CD ‘Turbulence – Live In Poland’. All in all, ‘Entertaining Angels’ will be a worthy addition to all discerning lovers of not just prog-rock, but simply good music!

Says Tracy, “’Entertaining Angels’ is rich in backing vocals, the arrangements of which were so important in order to give the warmth and brightness that was not quite as present in our previous work. I so loved arranging to the backdrop of Steve’s and Uwe’s music, which overall has been given the life-force of Mike Varty’s production work. This has created a more accessible and maturer sound without losing the concept flavor. Both the cello work of ELO’s Hugh McDowell and the sultry saxophone of Laurent Hunziker has provided the icing on the cake!”

“…without a doubt, ‘Entertaining Angels’ is the strongest album of their career…” – Nick Shilton, PROG magazine

In closing Tracy has this to impart to the band’s longtime followers, “I simply say to everyone – crank up the volume, fasten your seat-belts, and enjoy the Landmarq ride of your life. This album oozes atmosphere – hot and sexy!!!”

To purchase Landmarq ‘Entertaining Angels’ CD: http://www.cherryred.co.uk/shopexd.asp?id=3898
Available on iTunes: https://itunes.apple.com/gb/album/entertaining-angels/id577921189

For more information: http://www.landmarq.net

Press inquiries: Glass Onyon PR. PH: 828-350-8158, glassonyonpr@gmail.com


musicradar Interview with Jon Anderson

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Jon Anderson talks Yes’ Close To The Edge track-by-track

“We were on top of the world when we made Close To The Edge,” says singer-songwriter Jon Anderson, recalling the early months of 1972 when he and his Yes mates (guitarist Steve Howe, bassist Chris Squire, keyboardist Rick Wakeman and drummer Bill Bruford) holed up inside London’s Advision Studios to record the follow-up to their breakout hit, Fragile, which was released a year earlier.

“The band had just done a huge tour for Fragile,” says Anderson, “and we were quite pleased at how the audiences were loving the longer pieces that we played live. Roundabout was eight minutes long, Starship Trooper was nine, and Heart Of The Sunrise was over 11 minutes. These are well-constructed pieces of music that really worked on stage. We were feeling very powerful, like we could do anything.”

And that they did. Comprised of just three songs – the title track along with And You And I, both four-movement epics, plus the relatively short (at eight minutes, 55 seconds) Siberian Khatru – Close To The Edge was the result of the progressive rock band’s musical impulses running on full, a broad canvas of dizzying instrumental exchanges supporting Anderson’s sublime, mystical poetic vistas.

“It’s very representative of what I think is the Yes style,” Anderson says. “We experimented a lot, but we also had the talent to back it up – it wasn’t just solo after solo. We told stories and created moods. It was all very daring and wonderful.”

The group eschewed making demos, preferring to work on rough ideas while co-producer Eddy Offord rolled tape. After several weeks, concepts were sewn together into elaborate song structures. “We’d get the basic sketch of something, and then it was a matter of refinement,” says Anderson. “A piece would start to feel complete, but then I’d look to Steve and say, ‘We need a very poignant 12-string guitar introduction.’ He’d come up with it, it would be great, and we’d be off.”

Released on 13 September 1972, Close To The Edge bested the performance of Fragile, reaching No. 4 on the UK Albums Chart and placing a spot higher on Billboard’s Top 200 in the US. “FM stations really supported us, particularly on the college campuses in the States,” says Anderson. “They weren’t interested in what was commercial – they were just into playing great music.”

On the following pages, Anderson looks back at the writing and recording of Close To The Edge, offering his insights into the record track-by-track (and, more specifically, movement-by-movement). “It was the beginning of my musical journey in terms of really understanding structure,” he says. “I was able to help guide the band into Tales From Topographic Oceans, The Gates Of Delirium and Awaken. Everybody was so talented, so we could play these epic songs marvelously. The biggest thing was that we were all in harmony. We were truly connected.”

For the full interview, please visit MusicRadar.com.


Virgil Guitars Create The Most Elaborate Custom Made Guitars Ever Built!

For Immediate Release

Virgil Guitars Create The Most Elaborate Custom Made Guitars Ever Built!

Nov. 28, 2012 – Tampa, FL – An artist and guitarist since the 1970’s, Virgil Mandanici set out to make guitars that would be exceptional in tone and playability first and foremost. After 35 years of playing guitar, he decided it was time to craft guitars that would feel, play and look better than anything anyone has ever played before – thus Virgil Guitars was born! As a master craftsman,Virgil has drawn his building career from several luthiers over the past couple years to make these incredible guitars. The inlay and appointments on his guitars are simply a testament to his attention to detail.

Says Virgil, “After playing guitar for over 35 years, I knew what I was looking for in tone and how a neck should feel and had been willing to go to any length to achieve the ‘perfect’ guitar fit for myself, and ironically, other players. On my Signature & Artisan Series guitars, they come with a DVD that shows the birth of my guitars starting out with a chunk of wood all the way to a music video – I do every step of this process by myself, in-house. I am not aware of any other builder in the world that is doing this… Yet, I am also planning on making ALL unique guitars – there will NEVER be two guitars alike, so all owners of a Virgil Guitar will have their own unique tone and feel. I am also working on making guitars to fit different budgets.”

Virgil Guitars makes custom, one-of-a-kind boutique guitars in Tampa, Florida. Each guitar has it’s own story, a one-of-a-kind inlay and certain models even come with a DVD of the build. Virgil carefully documents each build with amazing photography and videography assuring the buyer the guitar’s tone/sound before purchase. Says Virgil, “The inspiration for all designs come naturally since I have been a guitarist and artist since the ’70s. Watching the masters like Larry Robinson and Grit Laskin helped quite a bit as well – I was amazed at the detail. I love the fact that I can also ‘paint’ my designs with no paint… I use various shells, stone, prehistoric shark teeth, precious metals and natural wood for all the colors I would ever need.”

“As a player, the most important thing for me in a guitar is playability and sound. Virgil Guitars are the best playing and sounding electric guitars I have ever played. Honest. Then when you add the amazing beauty of the inlay and woodworking, you really have something special.” – Guitarist Todd Grubbs

Bottom line, why would someone want to purchase a custom crafted guitar from Virgil Guitars? Virgil explains, “They should buy them for their playability – don’t let the fancy schmantzy inlay and detailing fool you – everyone who has played my guitars does the same thing; they first give some ‘ooohs’ and ‘ahhhs’ with the inlay or detailing and even some of them have said, ‘Well, I’m not really into a lot of inlay…’ But as soon as they put it in their laps, it’s the exact same thing we all do as guitarists; we feel the balance of it in the lap, we feel the neck, how open chords and then barre chords feel, then we feel the action of the strings, then the accessibility to the higher frets. The next critique is focused on the tone. I am the same person who pays attention to the details on the inlays as much as every other aspects of my guitars. It would make no sense to spend all the time on the inlay and just blow off the IMPORTANT aspects of a guitar. I make all of my guitars as if it was my last guitar I was to build and have as a guitar!”

For more information visit the official Virgil Guitars website: http://www.virgilguitar.com/

Press inquiries: Glass Onyon PR, PH: 828-350-8158, glassonyonpr@gmail.com


The Rocktologist Interview with John Lawton

John Lawton: “I think my time in Lucifer’s Friend was the most rewarding from a musical point of view.”
by Daniel Pavlica

John Lawton was the singer with Lucifer’s Friend, Les Humphries Singers and of course the legendary Uriah Heep, which he propelled through more blues oriented mainstream rock with 1977’s “Firefly” album. Years following the Heep adventure were spent building a vibrant CV that included the release of a solo album in 1980, stints with Rebel, Zar and old compatriot Ken Hensley. Fast forward to 2012, he is excited about the release of “Power of Mind”, a concept album he made with Bulgarian hard rock act Diana Express.

You teamed up with Milen Vrabevski and Bulgarian band Diana Express. Can you tell us more about how this came up?

John: I have been going to Bulgaria for the last few years, filming travel documentaries for Bulgarian TV. And doing concerts. A musician friend of mine put me in touch with Milen who had recorded and produced the album POWER OF MIND with the Bulgarian band Diana Express in that language….Milen asked me to sing the album in English. I had a look at the English translation of the lyrics….and yeah I loved it. The next thing I know, I’m in the studio recording it.

What’s behind the idea of “The Power of Mind”?

John: This is a kind of concept album, in that the songs interlink with each other in melody and lyrics. I found it was like reading a book to a friend while I was recording it. Of course everybody hears a song differently, but I think every listener will connect to this album….

Does the album hold any surprises for John Lawton fans?

John: I guess it will! People who know me will expect rock, but I have always tried to do something different with every album I do, but I’m sure the fans will love this album because of the songs….

Are there any plans for bringing this project on the road?

John: We have played some gigs featuring songs from Power Of Mind and they went down really well. The plan is to take to the road after Christmas and bring the album to the fans…..

Another of your southeast musical experiences involved Slovenian hard rock act Mary Rose. It seems that you enjoy spending your time in the Balkans. Is the lure of coffee and ratluk so strong?

John: (laughs) I really enjoyed my time in Slovenia and singing with Mary Rose was great, they are a terrific band and I love them they are great guys. I do hope to go back there again….

Where there any plans to record an album with Mary Rose?

John: We never talked about it, but it would have been nice to record something with them….

You’ve played with a number of bands, Uriah Heep and Lucifer’s Friend being just two of the lot. Where does Diana Express rank as a band?

John: Hey, they are great musicians in their own right as were Lucifers Friend and Heep…some people seem to think musicians are only good if they come from the USA or Great Britain or any country west of Berlin (laughs)….well that’s not the case, there are some really good rock musicians from the Balkan countries and I have worked with many of them….

What is the main driving force behind making music at 65?

John: Thanks for reminding me (laughs)….I still get an adrenalin rush stepping on stage and I still love what I do..As long as the fans still want to see and hear my music, then I shall still continue…

Do you still get excited about releasing a record?

John: Yes I do….I suppose I’m like every singer or guitarist or drummer etc. to hear the final product after spending time putting ideas together and coming out with something you love is a great feeling…It never ceases to amaze me…

This one is a little on the odd side. What’s the biggest misconception people have about John Lawton?

John: (laughs)…this is so hard to answer….probably fans think I’m a 24/7 musician…well that’s not the case. I like to cook, long walks, meeting people who are not in the music business, I think I am a family man at heart….maybe this is the misconception…I don’t know… you tell me (laughs).

Looking back at the time when you joined Uriah Heep, and the release of “Firefly”. How did you deal with that level of success? Was that extra pressure for you?

John: I guess looking back it was. It was of course difficult to follow in the footsteps of David Byron but I tried to sing the songs on Firefly my way. The change of image was one way of getting away from what the fans were expecting, eye make up and leather but it some ways it worked and I think the Heep fans came to accept me, but it took a while…

With your voice carrying a more straight forward, bluesy edge, did you find it hard connecting with the long standing fans?

John: Maybe at the time it was and I did try on occasions to keep it straight, but I had to be true to myself and in the end the other guys in Heep encouraged me to sing the material my way…

How do you view the Lawton era Heep now?

John: Hey, with great affection, we had some great times and we had some hard times, but in the end its the music that counts. Although its been a long time since I was full time in Heep but we have kept contact down the years and we are still friends today. I have stood in with Heep on their tour of South Africa in 1995 when Bernie had some throat problem and done a couple of Magicians Birthday gigs with them….so once you join Uriah Heep, you never really leave.

Which part of your career would you call attention to for being the most prolific? For instance, when speaking to Micky Moody, he marked his time in Whitesnake as a hindrance from the artistic point of view.

John: I think my time in Lucifers Friend was the most rewarding from a musical point of view. It was a very progressive time in terms of studio work and bringing the ideas to the record company, who at that time were very willing to let us experiment. I Think you will find that most musicians from that time will tell you the same…artistic freedom is what they used to call it.

What’s a typical day for you nowadays?

John: Depends where I am, and most times I’m on the road on way or another…I present and direct travel films for a Bulgarian TV company and that takes a lot of my time, not only the filming side of it, but the “after filming” part. Narration, English text correction etc…but its fun and I love it. I have met so many interesting people. Then there are the gigs, so my time is pretty much taken up…but I wouldn’t have it any other way….

John Lawton, thank you very much for your time.

John: It’s a pleasure, I hope you and your readers will find it interesting to read and look out for THE POWER OF MIND CD….you won’t regret it and I do hope to get back to Slovenia one day, it’s a great country……

“The Power of Mind” is out now on Cherry Red Records.

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