Author Archives: glassonyonpr

NEW RELEASE… Johnny Cash, “Orange Blossom Special” Limited Edition LP Distinctive Numbered ‘Box Car Series’ on 200g Vinyl

Johnny Cash cover

For Immediate Release

NEW RELEASE… Johnny Cash, “Orange Blossom Special” Limited Edition LP
Distinctive Numbered ‘Box Car Series’ on 200g Vinyl

“Johnny Cash transcends country music…he represents what American Music is all about!”

Hollywood, CA – Exhibit Records announces the release of a special Numbered Limited Edition album of the Johnny Cash 1964 classic, Orange Blossom Special. The 200 gram vinyl record has been remastered from the original master tapes and is handsomely presented in a sturdy old style gatefold jacket featuring the authentic album cover art, liner notes, historical recording session information and new archived photos of Johnny Cash taken in the Columbia Records Nashville studio during the recording session.

The ‘Box Car Series’ is so called because the back of each album of this limited edition pressing contains a tiny replica of the actual Orange Blossom Special box car that partly appears on the album cover. Each box car has been strategically foil-stamped with a unique Limited Edition number.

Johnny Cash was known throughout the world as one of the major figures of post-Hank Williams country music, he constantly sought to expand his musical horizons and avoid being pigeonholed. Cash was at his most engagingly eclectic on this early ‘60s recording of Orange Blossom Special. To begin with, “The Man In Black” covered three tunes by Bob Dylan, then the most talked-about young singer-songwriter of the dawning folk-rock era. (“It Ain’t Me Babe,” “Don’t Think Twice, It’s Alright,” and “Mama, You’ve Been On My Mind”), Nashville’s essentially conservative musical establishment hardly embraced Dylan’s mind-blowing lyrics, but Cash, knowing genius when he heard it, was the first major country star to cover Dylan’s work. By the same token, he also included two numbers by A.P. Carter of the legendary Carter Family, who, along with Jimmy Rodgers, created the musical template that’s still the model for “traditional” country, bluegrass, and some forms of folk. And Cash’s unmistakable, tough-hewn baritone rendered the classic fiddle tune that is the title track, and Harland Howard’s,”The Wall,” one of the prison songs for which he is known, “Danny Boy” (with a spoken word intro), the spiritual “Amen” and the time-honored story-song “The Long Black Veil.” Cash’s songwriting contributions include “You Wild Colorado” and the ever-relevant protest tune “All Of God’s Children Ain’t Free.”

Orange Blossom Special finds Cash backed by the Tennessee Two, his outstanding guitar/bass tandem of Luther Perkins and Marshall Grant. And there are guest appearances by such distinguished Nashville names as tenor saxophonist Boots Randolph, pianists Floyd Cramer and Bill Pursell, guitarist Norman Blake, and harmonica ace Charlie McCoy. And June Carter joined Johnny on “It Ain’t Me Babe” for the first of many classic duet recordings they would make together over the years.

The Orange Blossom Special album by Johnny Cash is one more example of the fine music being produced by the budding Hollywood record company, Exhibit Records. The young music label has curated an eclectic catalog of classic recordings in a short time and continues to gain high praise and recognition for their exquisite mastering, high quality pressings and attention to details as displayed in the fine art and craftsmanship of their exceptional package design.

JOHNNY CASH, “ORANGE BLOSSOM SPECIAL” (eXLP1- 44070)
Producers: Don Law & Frank Jones

Mastered for this LP by Kevin Gray at Cohearent Audio
Pressed at Quality Record Pressings, Salina, KS
200g/numbered gatefold jacket

Side One:
1. Orange Blossom Special
2. The Long Black Veil
3. It Ain’t Me Babe
4. The Wall
5. Don’t Think Twice, It’s Alright
6. You Wild Colorado

Side Two:
1. Mama, You’ve Been On My Mind
2. When It’s Springtime In Alaska
(It’s Forty Below)
3. All Of God’s Children Ain’t Free
4. Danny Boy
5. Wildwood Flower
6. Amen

Exhibit Records
8491 Sunset Blvd., #174, West Hollywood, CA 90069 (323) 692-1097
http://www.exhibitrecords.com, info@exhibitrecords.com

Press inquiries: Glass Onyon PR, PH: 828-350-8158, glassonyonpr@gmail.com


Jazz Guitar Icon Larry Coryell Shows His Multifaceted Talents On A New 3CD Box Of Live Recordings!

2271 Larrycoryell

For Immediate Release

Jazz Guitar Icon Larry Coryell Shows His Multifaceted Talents On A New 3CD Box Of Live Recordings!

Los Angeles, CA – One of the most respected and celebrated jazz fusion guitarists of his generation, Larry Coryell presents a brand new triple disc box set of unreleased live performances. Titled Aurora Coryellis, this captivating collection highlights Coryell’s prodigious talents in a multitude of settings, from a full band performance in 1972 at the Jazz Wokshop in Boston to a solo acoustic show in 1976 at Clark University (Worchester, MA) plus a more recent appearance in 2002 at the San Jose Jazz Fest with his talented trio featuring award winning drummer Paul Wertico and bassist Jeff Chambers! Each of these performances come on separate CDs in their own sleeves housed in a deluxe box with a lavish, full color booklet featuring extensive liner notes based on a new interview with Mr. Coryell himself. The box will be released July 24 from Purple Pyramid Records.

Reflecting on this collection, Coryell states, “I have fond memories of the high integrity of the students in Worcester, MA; it was always a special place. Of course, The Jazz Workshop Boston was kind of a ‘home base’ from where we developed our music in the ‘70s, when we were trying to create something that respected the basics of jazz but was still a new form of music. Club manager, Freddie Taylor, was our number one booster as we ventured into uncharted territory. And what can I say about beautiful San Jose! A great city with great people and an absolutely beautiful outdoor park in the center of town. Playing with Jeff Chambers and Paul Wertico was an exhilarating journey into the essence of jazz!”

Born in Texas, Larry Coryell began his ascent to the upper echelons of jazz virtuosos in the mid ‘60s when he joined the quintet of famed drummer Chico Hamilton in New York. That gig led to several other stints as a sideman for Gary Burton, Herbie Mann, and Randy Brecker among others. In 1968, he released his debut album Lady Coryell at the young age of 25, which then lead to subsequent solo album and the formation of his own group The Eleventh House. Through these releases, Coryell earned international acclaim for his daring compositions and interpretations as well as his inspired improvisations. He continues to perform shows and release new albums regularly. For those unfamiliar with this living legend, Aurora Coryellis is the perfect place to start!

DISC 1: Jazz Workshop, Boston, MA – September 13, 1972
1. Offering
2. Ruminations
3. Hen-Hopper
4. Scotland Part One
5. Offering (Reprise)

DISC 2: Clark University (Little Center) Worcester, MA – June 23, 1976
1. Julie La Belle
2. Juju
3. Rodrigo Reflections
4. Eyes of Love
5. Improvisations on Sarabande
6. The Restful Mind
7. Gratitude
8. Bouquet
9. Rene’s Theme
10. Ain’t It Is
11. St. Gallen
12. Spain

DISC 3: San Jose Jazz Festival, San Jose, CA – August 11, 2002
1. Trinkle Tinkle
2. In A Sentimental Mood
3. Bumpin’ On Sunset
4. Manha de Carnaval (Theme to Black Orpheus)
5. Spaces Revisited Part One
6. Spaces Revisited Part Two
7. The Dragon Gate (Excerpt)

Pre-order the CD version: http://www.amazon.com/Aurora-Coryellis-Larry-Coryell/dp/B00YOA7N48

Press inquiries:
Glass Onyon PR
Billy James
PH: 828-350-8158
glassonyonpr@gmail.com

CLEOPATRA RECORDS, Inc.
11041 Santa Monica Blvd #703
Los Angeles CA 90025
http://www.CleopatraRecords.com


PROG Interview with Jon Anderson

Jon Anderson - Deborah Anderson photo med res

THE PROG INTERVIEW: JON ANDERSON
FEATURES / MARK BLAKE / 26 JUN 2015

The Prog Interview is just that: every month, we’re going to get inside the minds of some of the biggest names in music – and they don’t come much bigger than Jon Anderson.
The former Yes man reveals all about his upcoming album with Jean-Luc Ponty, tells us what he thinks of Yes today, and shares his thoughts on everything from Sibelius to strippers and spiritualism.

Tomorrow morning, and probably every morning when he’s not on tour, Jon Anderson will have breakfast in bed with his wife, Jane, at their house in the old Spanish mission town of San Luis Obispo, California. “And then we sit for a while and watch the birds, the deer and the rabbits outside the house,” he says.

Anderson’s sing-song voice is so familiar from those old Yes albums that when you ask where he lives in relation to Los Angeles, you half expect him to answer, ‘Close to the edge, down by the river…’ (In fact, it’s a three and-a‑half-hour drive north of LA.)

It’s not a bad life, then, for the 70-year-old, Lancashire-born singer-songwriter and exiled Yes vocalist. However, there have been some not-so-good days. In 2008, Anderson suffered acute respiratory failure, which required months of recuperation and cost him his place in Yes, who continue to tour and record without him.

Today he brushes off a question about his health (“It’s good – I’m good”), preferring to look forward to his latest project, a collaboration with ex-Mahavishnu Orchestra violinist Jean-Luc Ponty.

But over the course of the conversation, Anderson ends up looking forwards, backwards, sideways, upside and down. Dig a little deeper, though, and this spiritually minded astral traveller isn’t so far removed from the teenager who started his musical career as a singing milkman in Accrington.

First, though, there’s Progeny – a just-released 14-disc boxed set that contains seven Yes shows from 1972 – to dissect. Or perhaps not…

Chris is going through it. It’s a tough one. I pray for him every day – I’m sending out that love energy.

Have you made it through all of Progeny yet?

No [laughing], because I haven’t had my copy yet! There’s a lifetime’s worth of music there. I still remember that time vividly. Yes were on cloud nine and we stayed that way for about a decade.

If pushed, that 1972 line-up was the classic Yes line-up, wasn’t it?

That’s classic Yes. If I think back to those shows, the band was in harmony, musically and mentally.

Have you spoken to Chris Squire since he was diagnosed with leukaemia?

I emailed him after I heard he got sick. Chris is a musical brother, regardless of anything else that’s gone on. I wouldn’t be where I was if it wasn’t for him. I was with Yes for 35 years – that’s half a lifetime. You don’t just forget that. But Chris is going through it. It’s a tough one. I pray for him every day – I’m sending out that love energy.

What stage is the Anderson Ponty Band album at now?

We’ve just finished it, and the DVD, and they’ll be out in September. We’re hoping to tour the UK in October. It’ll be me with Jean-Luc and his band. They’re formidable musicians and they don’t mess around.

How did this collaboration with Jean-Luc come about?

I found a couple of Jean-Luc’s songs from the 70s on his website and sent him one of his tracks with me singing on it. I said, “If we worked together, this is what it would sound like.” He liked it and we carried on from there. We went to Aspen [Colorado] for two and a half weeks and did a show, which became the basis for the album.

What material will you be playing?

It’s a mix. We do some Yes songs – Roundabout, And You And I and Owner Of A Lonely Heart. The band wanted to play Owner… and it sounds very cool with a violin. They play the hell out of it.

Let’s go back. Do you remember the first gig you ever played?

It was with my brother Tony’s group, The Warriors, and it was in Padiham’s Working Men’s Club [in Burnley, Lancashire, circa 1963]. We came on after the bingo but just before the stripper. I was a young lad – 17, maybe – and it freaked me out when this woman walked past us naked. It was enough to put you off sex forever…

She wasn’t good-looking?

No, she was frightening!

One of your early jobs was as a milkman.

Yes. My brother drove the milk van and I used to hang on the side, and we’d sing Everly Brothers songs together as we did the round. We were always singing. That was a very happy time. It was the beginning of rock’n’roll, Buddy and Elvis and skiffle. That was the beginning of everything.

For the rest of the interview, please visit the PROG website!


Intelligent Music Project III Releases New Single & Video MIND PROJECTION feat. John Payne & Drum Legend Simon Phillips From Forthcoming “Touching the Divine” Album

Mind Projection

For Immediate Release

Intelligent Music Project III Releases New Single & Video MIND PROJECTION feat. John Payne & Drum Legend Simon Phillips From Forthcoming “Touching the Divine” Album

Sofia, Bulgaria – A year after releasing the all-star project “My Kind O’ Lovin’” producer and composer Milen Vrabevski returns to fulfill, as earlier claimed, his promise and ambition with Intelligent Music Project III – “Touching the Divine”. The new album features session legends Simon Phillips and Tim Pierce, and Nathan East courtesy of YEG. Тhe production concept relies again on two project launchers – guest stars John Payne (ex-Asia) and Toto’s Joseph Williams. Says Joseph, “It’s wonderful to explore working with Milen. The project has a wonderful message, accompanied with some beautiful music and some great rock ‘n’ roll – the musicians in this project are top-noch.”

Musically “Touching the Divine” delivers a thrilling example of straightforward songwriting combined with rich and layered sound and gently executed dynamic spins. The first single MIND PROJECTION is a melodic and energetic slice of AOR, scored with John Payne’s powerful vocal arrangement and virtuoso instrumental charge, that lets you in deeper to the magic ingredient of this sophisticated project. Bass great Nathan East and fabulous Simon Phillips stamp their own authority in this piece, as well on the record throughout.

Watch the video: https://www.youtube.com/watch?v=RnoMT7oZaG0

Full creative input by all guest stars in the project. Recording sessions took place at Simon Phillips’ Phantom recordings (Williams, Pierce, Phillips and East) and at Intelligent Music Studios in Sofia (Payne, Pierce and vocals from Carl Sentance, recently appointed as Nazareth’s lead singer). Says Simon, “Music is an universal language. It’s really a blessing to have the opportunity to work with musicians from around the world.”

MIND PROJECTION brings together once again the positive idea of the producer and composer Milen Vrabevski, that following the true excitement of our hearts and souls will give us the key to living a conscious live and to spiritual satisfaction, we often call happiness. Says Nathan, “This project is very special to me, because of the nature of the message of the project. I was very inspired and happy with the idea, because the message has value and meaning and I am about that. The word ‘inspirational’ is what I use to describe this project.”

John Payne, who continues his 14 year legacy as “ASIA Featuring John Payne” says, “Doing this project with Milen – it has been great, really – these songs have a lot of structure and melody. It’s a very mature project, it’s a very intelligent project for the mind.”

Says Milen Vrabevski, “I believe we managed to deliver an astonishing sound once again and it will delight the ears and sound systems of hardcore rockers all around the world. Bearing in mind the top-noch level of our guest stars, I allowed myself mainly to record the acoustic guitar of the first single MIND PROJECTION. The video was shot in Bulgaria by Vasil Stefanov, a very prolific and talented video director. The explicit idea was to show the level of collaboration and collective effort of all featuring musicians, which I believe, would be one of the most intriguing aspects for the music fans.”

Says Tim Pierce, “My DNA is ‘a rock player’. Musically, this project is fun, because it travels a lot of different places.”

“I really enjoyed working with Milen in his studio. There is a great sense of depth in his songs. We tried to get the best of my voice.” (Carl Sentance)

Intelligent Music Project III – “Touching the Divine” is coming out in late September 2015.

“The coming album is to bring us to the subject of the essence of life. It directs to searching for this special place within our souls that brings the spiritual satisfaction we often call happiness. It is our source of love and creation, balance and harmony. This place is the Divine in us all…” (Milen Vrabevski, MD)

Intelligent Music Project III – “Touching the Divine”
Author and producer – Milen Vrabevski, MD
Featuring:
Simon Phillips – drums and percussion
Nathan East (appears courtesy of Yamaha Entertainment Group) – bass
John Payne – lead & backing vocals
Joseph Williams – lead & backing vocals
Carl Sentance – backing vocals & ad-lib, lead vocal part on 7
Tim Pierce – guitars
All: Invaluable full creative input!

Previous albums by the same author, featuring Simon Phillips, Joseph Williams & John Lawton are IMP I & II, respectively titled “ The Power of Mind ” & “ My Kind O’Lovin’ ”

For more information: http://intelligent-music.com/productions/touchingthedivine/

Press inquiries: Glass Onyon PR, PH: 828-350-8158 (USA), glassonyonpr@gmail.com


Prog Ensemble Kinetic Element Releases Highly Anticipated Second Album “Travelog”

Kinetic Element cover image

For Immediate Release

Prog Ensemble Kinetic Element Releases Highly Anticipated Second Album “Travelog”

Richmond, VA – One of the most eagerly awaited albums of 2015 has finally been released by prog ensemble Kinetic Element titled “Travelog”! Kinetic Element is a neo/symphonic progressive rock band from Richmond, Virginia that harbors musical roots in classic artists like Emerson, Lake & Palmer, Yes, Asia and Genesis and blends those influences with philosophical and spiritually powerful and uplifting lyrics. They are a known act in the prog rock genre.

Kinetic Element’s two principal writers, keyboardist and founder Mike Visaggio and guitarist Todd Russell, began collaborating on new music for the band towards the end of 2013 following the departure of two members. Deprived of the ability to play out, they decided to focus on composing and recording KE’s second CD. They began working out sketches to five grand scale pieces of prog rock with founding member and drummer Michael Murray. Soon they had a working model of the album and began recording in earnest.

Says Mike Visaggio, “Although normally I prefer to let listeners ferret it out for themselves, the new album is most definitely inspired by current events. We believe that liberty is what humanity’s preferred state of being is. The lyrics of the CD then are understood as standing up for that. The train imagery came to me when I heard the old song ‘People Get Ready’ which talks about a train to freedom. The design was the result of an image Martin Kornick did for us when we were looking to create a new logo last year, and we just applied that whole concept to the logo image.”

Kinetic Element was formed to perform the music of Mike Visaggio’s solo CD, “Starship Universe” which was released in 2006 after Mike was selected to perform at the 2006 Pop Montreal festival. They are now performing selected classic prog and classic rock covers and their new prog pieces they have put together since they formed which comprise “Powered By Light” (2009) and their new CD “Travelog”. The cover art for both CDs was executed by the incomparable Martin Kornick. “Powered By Light” was nominated for Best Debut CD of 2009 by The Prog Awards, which was at that time an Italian reviews website. They were signed to Melodic Revolution Records at ROSfest 2013.

The band is comprised of Mike Visaggio (keyboards); Michael Murray (drums), Todd Russell (electric and acoustic guitar) and Mark Tupko (basses). In May 2008 the original incarnation of Kinetic Element was privileged to be a support act for Circa (featuring Tony Kaye, Alan White and Billy Sherwood of Yes, at Jaxx in northern Virginia), Rare Blend (at Orion Studios in Baltimore, Maryland one of prog’s must-play venues), IZZ (who have played every prog festival in America, at the Artomatic festival in Washington, D.C.) In 2009, KE’s Powered by Light lineup supported Morglbl (at Capitol Ale House Music Hall in Richmond VA) and in 2010, with Edensong (at Orion again). Kinetic Element opened the nation’s longest running prog rock festival, Prog Day, at the Pre-Show on August 29, 2008 with Speechless and again on Sept. 3, 2010 with Jack Dupon. They played The Magic Room in Boston in November 2011 headlining, with support acts Eccentric Orbit and Resistor. In 2015 KE has headlined at Orion Studios again (May 29) with support band Brave, and supported Lo-Fi Resistance at New Jersey Proghouse (June 6). Kinetic Element was featured in Progression Magazine #59 in 2010.

Kinetic Element’s new album “Travelog” was recorded by the band at their cavernous garage studio in Richmond VA with Michael Murray performing engineer duties, between December 2013 and February 2015. In May of 2014 bassist mark Tupko auditioned and joined as the band’s fourth permanent member.

Unable to find a suitable vocalist in their hometown, Mike Visaggio reached out to their musical friends Odin’s Court whose lead vocalist Dimetrius LaFavors agreed to perform the vocals for Travelog and join the group while remaining with Odin’s Court. However Dimetrius could not continue due to changes in Odin’s Court’s schedule, and was forced to cease recording after appearing on three of the five tracks. Riding in to KE’s rescue came Michelle Schrotz of Fredericksburg, VA’s prog icons Brave, and stellar CProg artist Mike Florio, to record the remaining two tracks.

When Mike Visaggio let it out on Facebook that KE would be seeking a professional prog rock engineer to do the mix, he was approached by Fred Schendel and Steve Babb of prog legends Glass Hammer about engaging them to mix. The resulting collaboration produced the terrific sound you hear on Travelog. They also did the mastering at their studio Sound Resources in Chattanooga TN.

Early in the spring 2015, Kinetic Element was offered a show at New Jersey Proghouse for June 6, and all the production went into high gear in order to have product in hand for that show and another one that was booked for a week previous on May 29 at Orion Studios in Baltimore. Both shows came off well with Mike Florio and Michelle singing. However there are no shows on tap at this time because their vocalists do not live in Richmond, but are available if a suitable concert gig comes KE’s way.

Kinetic Element’s “Travelog” can be heard in its entirety at:
http://www.cdbaby.com/cd/kineticelement2 and http://melodicrevolutionrecords.com/album/travelog.

Here’s what the press have raved about Kinetic Element:

“The Powered By Light Suite is an enjoyable release, filled with great keyboards work, beautiful melodies and appealing sound. I’m looking forward to the band’s future output.” – Progressive Ears

“This is their latest disc and it will certainly appeal most to the fans of classic progressive rock” – Music Street Journal

“Instrumentally KINETIC ELEMENT is at the top of their game. The driving force behind the group is keyboardist Mike Visaggio who is positively brilliant, some of the most energetic keyboard work I’ve heard since the Golden Age of Progressive Rock when Wakeman and Emerson were producing their best work. Yes, he’s that good. And his surrounding cast of players are equally adept.” – ProgNaut

“Fans of progressive rock in all its forms – including Transatlantic, Neal Morse, Tiles, KDB3 and Proto-Kaw – will find a lot to like here.” – Angelic Warlord

“The musical expressions in this release could only come from highly-intelligent lifeforms. Much of its mimicry is provided by organs, Mellotrons and synthesizers, and its artificial sheen has an uncanny resemblance to Transatlantic.” – Ytsejam

In closing Mike Visaggio has this to impart, “Prog Lives! It keeps us young.”

To purchase Kinetic Element’s “Travelog”:
http://melodicrevolutionrecords.com/album/travelog
http://www.cdbaby.com/cd/kineticelement2

CONTACT INFORMATION: bigroad3@gmail.com to correspond with Mike Visaggio.
http://www.facebook.com/kineticelementband
http://mrrmusic.com/kinetic-element/
http://www.sonicbids.com/kineticelement
http://www.kineticelement.com
http://www.mikevisaggio.com

Press inquiries: Glass Onyon PR, PH: 828-350-8158, glassonyonpr@gmail.com


A Statement From Patrick Moraz on the Passing of Chris Squire

Patrick Moraz Chris Squire

A Statement From Patrick Moraz on the Passing of Chris Squire

The news of Chris’s passing is very sad.

He was a special friend and a phenomenal musician, always eager to go beyond the outreaches of creativity.

During my years as a member of Yes and even outside of the band, strongly embedded in my memory, are some of the extraordinary sessions we used to have together; like an “empathy of minds and souls” jamming together to the rhythms of frequencies, all distances abbreviated by the pure spontaneity of spirits roaming freely, all barriers seemingly abolished!

My deepest heartfelt thoughts and condolences go out to Chris’s Family and loved ones.

Rock on, Chris!

Patrick Moraz


A Statement From Jon Anderson About the Passing of Chris Squire

Jon and Chris

A Statement From Jon Anderson About the Passing of Chris Squire

Chris was a very special part of my life; we were musical brothers. He was an amazingly unique bass player – very poetic – and had a wonderful knowledge of harmony. We met at a certain time when music was very open, and I feel blessed to have created some wonderful, adventurous, music with him. Chris had such a great sense of humor… he always said he was Darth Vader to my Obiwan. I always thought of him as Christopher Robin to my Winnie the Pooh.

We travelled a road less travelled and I’m so thankful that he climbed the musical mountains with me. Throughout everything, he was still my brother, and I’m so glad we were able to reconnect recently. I saw him in my meditation last night, and he was radiant. My heart goes out to his family and loved ones. Love and light…..Jon

http://jonanderson.com/news.html#chris


Twisted Sister’s Dee Snider Featured On New CD By Dual Female Fronted Power Trio TANG

TANG Blood and Sand COVER Print

For Immediate Release

Twisted Sister’s Dee Snider Featured On New CD By Dual Female Fronted Power Trio TANG

“TANG Rocks!” – Dee Snider

NYC – One of the hottest releases of 2015 is undoubtedly the new album by dual female fronted alternative metal power trio TANG featuring a guest appearance by legendary Twisted Sister frontman Dee Snider! Titled “Blood & Sand”, TANG’s new CD features a duet with Dee Snider on the track “Reign of Blood”!

Says guitarist Denny Colt, “Bonnie knew Dee from back in the day when they both did the club circuit…I hooked up with Dee when I was in Van Helsing’s Curse with him..so we have quite the connection. He’s a really nice guy & did such a great job on the duet with Bonnie on ‘Reign of Blood.’”

Hailing from New York, TANG features Bonnie Parker on Vox & Bass and Denny Colt on Vox, Lead Guitar & Keyboards, and have been trading phrases back and forth in their own ripping style since 1999. Mark Edwards, formerly of Criss Angel & Burning Star, now brings skull-splitting drum beats and a monster attitude. TANG has toured Europe, Canada and the US opening shows for such artists as Crucified Barbara, Girlschool, W.A.S.P., Dokken, Hammerfall, Helloween, Dee Snider, Symphony X and many, many other cool bands.

Denny played guitar, toured & recorded in Dee Snider’s “Van Helsing’s Curse”, the gothic rock orchestra. Bonnie & Denny have currently played, toured & recorded, with Corky Laing from Mountain in his new band “Corky Laing & The Memory Thieves”. They are also working with Corky in Finland, writing, recording & performing on a rock opera called “Playing God” which was presented in Helsinki in 2014. The opera was presented in the US in April 2015 at Yale University & Hunter College.

“I love the total rock vibe of the new TANG CD! It’s real, it’s vital – it’s brilliant.” – Corky Laing

TANG is featured in the new Fred Carpenter film, “Charlie Mantle”, performing their song “Crashing”. The film debuted summer of 2014 and stars Armand Assante, Sean Young and Robert Funaro. Says Bonnie, “TANG was in the film performing the song in a Russian mob club as the lead character, Robert Funaro (of The Soprano’s), is at the end of his dirty cop career & everything is ‘crashing’ down around him. Great concept by director Fred Carpenter!”

Watch TANG’s new video: https://www.reverbnation.com/rpk/video/958796

Now much to the excitement of their fans worldwide, on September 1, 2015, TANG is releasing their new CD “Blood & Sand”!

Says Denny, “TANG is currently promoting the release of ‘Blood & Sand’ doing shows in the tri-state area. We are talking with promoters in Europe, Scandinavia & the US about setting up a tour. Our first CD, ‘Mental Pollution’ was on a Swedish label, Raw Power UK, and we toured Scandinavia to support it. The tours were very successful culminating with TANG performing at the Sweden Rock Fest.”

TANG:
Denny Colt – Guitar, keys & vocals
Bonnie Parker – Bass & vocals
Mark Edwards – Drums

To purchase TANG’s “Blood & Sand”:
https://itunes.apple.com/us/album/blood-sand/id978043771
http://www.tangnyc.com/merch

http://www.tangnyc.com
http://www.reverbnation.com/tangnyc
http://www.facebook.com/tangnycusa

Press inquiries: Glass Onyon PR, PH: 828-350-8158, glassonyonpr@gmail.com


Vanguard Online Interview with Kevin Godley

Kevin Godley Spacecake

Kevin Godley’s Spacecake – Interview
RYAN PRICE
JUNE 18, 2015

Kevin Godley’s long and illustrious career in music is something to be marvelled at. From his early success as a founding member of the successful rock band 10cc, and duo Godley and Creme, to becoming one of the most sought after and innovative music video directors of his generation, he has well and truly done it all and worked with some of the biggest names in music in the process. Spacecake is a truly entertaining and honest account of one mans experience of the sleazy world of Rock & Roll and the heights of musical success.

I just finished the book, I found it to be very funny which I didn’t expect. Was that a conscious effort to try and make it that way?

Kevin: When I first started writing it it naturally seemed to fall out like that. I have a tendency to look at life as a series of absurdities. So it kind of wrote itself in that respect.

The book has been described as part-autobiography / part-creative manual. What was the initial idea?

Kevin: Well, I’d never really considered writing a book before, but the more I thought about it the more I thought it’d be a good challenge. The thing that was mostly interesting was the fact that it could be an interactive experience, that I didn’t have to rely on the written word for people to be entertained by the book. They can actually see things and listen to things while they are reading. It’s more of a 3d experience, which is exactly what it should be.

Looking back at your first steps in music with Hotlegs and the success of Neanderthal Man, you reflect in the book that you feel as though you sold yourself in many ways to the commercial aspect of the industry. How much did this experience contribute to the formation of 10cc and its success?

Kevin: I think everything we did up to that point contributed to it whether we knew it or not. What we were doing essentially was learning by doing. Although some of the stuff we did we didn’t think was great, every time we did anything it coalesced in our brains without us knowing it was happening.

I get the impression in the book that Strawberry Studios in Stockport was the perfect environment to find yourself and to have that period of trial and error?

Kevin: We were incredibly lucky. We were in a unique situation in that we were away from the main hub of the music business being out of London and in the sticks. Therefore we had the run of the place when it wasn’t being used as a commercial studio and we were allowed to play, which is exactly what we did. We played as opposed to working. The whole experience was a sort of voyage of discovery.

For the rest of the interview, please visit the Vanguard-Online website!


Pianist and Composer Heidi Breyer Releases A Breathtaking New Album “Letters From Far Away” Featuring Legendary Will Ackerman

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For Immediate Release

Pianist and Composer Heidi Breyer Releases A Breathtaking New Album “Letters From Far Away” Featuring Legendary Will Ackerman

“The music is at once technically breathtaking and emotionally intimate. A rare and wonderful combination.” – Will Ackerman

Frenchtown, NJ – Pianist and composer Heidi Breyer has released a breathtaking new album of unparalleled beauty titled “Letters From Far Away.” The new release is a double solo and piano instrumental album and Heidi’s debut production alongside legendary Will Ackerman (Founder Windham Hill Records) and Tom Eaton. The album was recorded, mixed and mastered at Imaginary Road Studios in Vermont and Studio Sound in LA.

Says Heidi, “ ‘Letters From Far Away’ is my musical interpretation of a handful of experiences in the story of one couple, each from different countries, who met in 1960 and after 5 years apart, against all odds, walked the rest of their lives together. It is also about love in all it’s forms, how love is the common denominator that transcends time and links the generations over the course of decades. It is the one thing that connects us all.”

Winner of ZMR Best Instrumental piano Album 2012, Nominated ZMR Best Holiday Album 2011, Winner of ZMR Best Instrumental Piano Album 2010 and Best New Artist 2010, Heidi Breyer has four albums to her credit – Winter Light 2009, Another Place and Time 2010, Beyond The Turning 2012, Letters From Far Away 2015. She has performed on stages worldwide and opened the first ever live ZMR Awards show performing with Premik Russell-Tubbs (Sting), Jill Haley and Michael Ronstadt. Her music has been featured on many compilations including the Grammy Nominated Album for Best Spoken Word, “The Storm King” an Auto Biographical Narration by the late Pete Seeger, Produced by Jeff Haynes, also The Gathering (West River Records), Many Miles Music (Seattle based label) and Sounds of The Circle by Suzanne Doucet. British born and conservatory educated at Trinity College of Music in London, Heidi Breyer now resides in the artistic community of Frenchtown, NJ, an inspiring setting where she composes her music, prepares for her multi-media concerts, teaches and manages the business of world-renowned Russian painter, Alexander Volkov.

“Heidi Breyer continues to amaze with her evolution as a composer and as a performer. The range of styles represented in Letters From Far Away is considerable, but like the outer planets in our solar system, these are held together by the gravity and persuasion of Breyer’s Artistic Voice.” – Will Ackerman, Grammy winning Guitarist, Producer, Imaginary Road Studios and founder of Windham Hill Records.

And now, in 2015, Heidi has released her most stunning achievement to date, the new album “Letters From Far Away”! Says Heidi, “I wrote the entire collection with the intention of releasing my first piano solo project. But in the very first session the opportunity for some major counter-melody from other specific instruments was revealing itself to me. The main instrumental voices that I was imagining were cello, violin, guitar and English Horn, mostly because I have worked with these sounds before and have an understanding of their capacity for expression within my music. Clarinet was non-negotiable on Small Cafe. Every time I hear that instrument it propels me back in time and for that piece as with all others, it was the only option. Then saxophone, french horn and bass guitar…all came very naturally…

“Will Ackerman has amazing perceptual awareness. He has mentored me for several years now, both in regard to my music and helping me to further discover and push my own development as an artist. He knows when to step back and when to guide. As this project progressed he was clearly observing my need for specifics…not just instrumentally but also melodically, harmonically and rhythmically and yet he also knew when to bring forth his knowledge and experience for the better. Along with Tom Eaton’s own depth of production experience, I think we made a pretty good team! All the session players I work with are in their own right top-shelf artists. Many of them are on all of my albums. They really listened, understood and interpreted accurately and delivered, in my opinion, flawlessly. The list of players I worked with (and hope to again) include but are not limited to Eugene Friesen, Jill Haley, Charlie Bisharat, Gus Sebring, Mark Schulman, Will Ackerman.”

Here’s what’s being said about Heidi Breyer’s “Letters From Far Away”:

“ ‘Letters From Far Away’ is a love story that began more than five decades ago across the briny Atlantic. For the world, it was a time of new beginnings. For the lovers it was the birth of something so inexplicable that neither poets with their rhymes, nor philosophers with their thoughts could define it. Until now. It would take extraordinary music to explain it. Enter pianist Heidi Breyer. She takes on the monumental task of telling a story that does not appear in known fairytales, but in the chronicles of the heart. Using her incredible composition skills, she offers not one, but two eleven-track disks of solo piano and its companion instrumental pieces. She takes on the role of bard, storyteller, musician, and singer – a modern day Scheherazade. The contemporary music is twenty-two glimpses into the history of lovers that came from two different worlds and whose devotion was strong enough and endured long enough to build a single world of love. Let us meet the lovers.” – RJ Lannen, Zone Music Reporter

“A new release by Heidi Breyer is always worth waiting for, but this time she has out done herself and her deeply meaningful creation of Letters from far Away, will be regarded by her fans and the followers of piano based music, as real raising of the musical bar, her many listeners, of which I urge you to be one of, will be deeply moved for an eternity by this incredible release.” – Steve Sheppard, OWMR

“Heidi Breyer’s ‘Letters From Far Away’ is an amazing collection of lovely piano based music. I particularly loved the idea of having a double CD set- One with Solo Piano versions and the other with subtle arrangements. Being a musician I could see the tremendous amount of attention to detail that has gone into the writing and performance. As a pure listener, I loved the option to chose which CD to listen to based on my mood. Overall a fantastic musical experience and I wish Heidi all the best for this wonderful work.” – Ricky Kej, Grammy Winner Producer, 2015 of New Age Album of the year, (Winds of Samsara)

“Heidi has provided us with a treasure trove of beautiful recorded music, as well as an upcoming fifth CD to look forward to. Heidi Breyer is a truly remarkable instrumentalist and composer whose expressive and melodic range is impressive, as is her emotionally evocative touch on the keyboard. Letters From Far Away is musical storytelling at its best and illuminates the talents of a rising star in the piano world. – Michael Diamond, Music and Media Focus.”

“Heidi’s music is the perfect synthesis of academia and passion. This is music informed by years of study and a rich life. The music is at once technically breathtaking and emotionally intimate. A rare and wonderful combination.” – Will Ackerman

In closing Heidi has this to impart, “Music is an elixir for life, love, catharsism and general well being. Always has been and always will be… My music is written to nourish and combat the impact of today’s crazy, restless world, but it is not music for meditation relaxation…I do not strive to help empty the mind through musical meditation. There is a lot of great New Age Music that already does this successfully. I present an alternative perspective, deliver a brief but thoughtful departure to another life imagined through the music, and bring the listener back through the same escape route to reality, feeling a refreshed and grounded in their real lives. I believe the New Age music genre is breaking through to a new era at the very moment it is needed. We know that certain types of music are a part of most peoples daily balancing act. But in addition, we are observing that our human psyche is evolving and we are using our core (our soul, our intuition) to guide us more and more and not just our 5 known senses (that tell us the immediate things)…I believe our instinctive leaning toward New Age music contributes to that ‘beacon’. It is music for our lifestyles. It is one of the facets of the balancing act that we will become more and more reliant upon, almost medicinally. I for one, know that I am someone who can help in that regard. So the message is…check out New Age Music. Check out all of my music and see how it can truly help you.”

To purchase:
For Albums – http://heidibreyer.com/?page_id=237
For Songs and Albums – http://www.cdbaby.com/cd/heidibreyer2

For more information: http://heidibreyer.com

Press inquiries: Glass Onyon PR, PH: 828-350-8158, glassonyonpr@gmail.com