Author Archives: glassonyonpr

AndersonPonty Band Featuring Music Icons Jon Anderson & Jean Luc Ponty To Release New CD/DVD “Better Late Than Never”

APB artwork with text med

For Immediate Release

AndersonPonty Band Featuring Music Icons Jon Anderson & Jean Luc Ponty To Release New CD/DVD “Better Late Than Never”

Los Angeles – One of the most eagerly awaited releases of 2015 by the AndersonPonty Band, featuring music icons Jon Anderson and Jean Luc Ponty, is scheduled to hit the streets early Fall 2015! “Better Late Than Never” is the new album taken from a live performance, and enhanced with innovative production. The package includes a bonus DVD featuring outstanding performances by the band captured in September 2014 at the Wheeler Opera House in Aspen, Colorado.

The AndersonPonty Band has created some breathtaking new musical compositions. “Better Late Than Never” also showcases rearrangements of classic YES hits like “Owner Of A Lonely Heart”, “Roundabout” and “Wonderous Stories”, as well as some of Jean Luc Ponty’s beloved compositions, with Jon’s lyrical vocals and melodies enhancing the music and creating a very special and unique sound such as “Infinite Mirage” a new song incorporating Jean Luc’s classic tune “Mirage”.

YES’s original singer/songwriter for 35 years, Jon Anderson has had a successful solo career, which includes working with such notable music artists as Vangelis, Kitaro, and Milton Nascimento. International violin superstar Jean Luc Ponty is a pioneer and undisputed master of his instrument in the arena of jazz and rock. He is widely regarded as an innovator who has applied his unique visionary spin that has expanded the vocabulary of modern music. Together these two music legends have formed a musical synergy that is unparalleled!

“A breakthrough feeling came as I sang with Jean Luc’s music, to be in a band again is very exciting on many levels, we will play and sing our way around the world and have fun, for music is pleasure, music is all that is.” – Jon Anderson

“Collaborating with Jon who is such a creative singer/songwriter is unlike any project I have done before. I knew that we had plenty of musical affinities to make it work, but the result is way beyond my expectations. It is also a lot of fun to reunite with these excellent musicians who played with me in the past, they really put their heart in this project and with Jon’s creative input we are not just rehashing the past but giving a new life to the music we started developing decades ago.” – Jean Luc Ponty

The AndersonPonty Band also includes Jamie Glaser on guitars – well known guitarist who has worked with Jean Luc Ponty, Chick Corea, Bryan Adams and Lenny White; Wally Minko on keyboards – virtuoso player and composer who has performed and recorded with many worldwide stars including Pink, Toni Braxton, Jean Luc Ponty, Tom Jones, Gregg Rolie and Barry Manilow; Baron Browne on bass who has played with Steve Smith, Billy Cobham and Jean Luc Ponty; and Rayford Griffin on drums and percussion, who has played with Stanley Clarke Band, George Duke, Jean Luc Ponty and Michael Jackson. The band visit the music created by Jon Anderson and Jean Luc Ponty over the years with new arrangements, virtuosic performances and new energy.

Jean Luc Ponty was originally approached by Jon Anderson with the idea of working together as far back as the 1980’s. Now 30 years later the dream has finally come to fruition! In support of the new release, a world tour is currently in the works. Also, a videography documenting the making of the “Better Late Than Never” album will be released along with videos and performances.

AndersonPonty Band tour dates:

OCTOBER
10/27 – Philadelphia – Keswick Theater
10/29 – Red Bank, NJ – Count Basie
10/30 – Ridgefield, CT – Ridgefield Playhouse

NOVEMBER
11/1 – Pittsurgh – Carnegie Theater
11/3 – Chicago – Arcada Theater
11/4 – Milwaukee – Milwaukee PAC
11/6 – Detroit – Detroit Music Hall
11/7 – Toronto – Danforth Music Hall
11/10 – Washington, DC – Howard Theater
11/11 – Long Island – Paramount Theater
11/13 – NYC – Ethical Culture
11/14 – Boston – Berklee Performance Center
11/17 – San Francisco – Regency
11/18 – Sacramento – Crest Theater
11/20 – Los Angeles – Saban Theater
11/21 – Scottsdale – Talking Stick

For more information and forthcoming tour dates visit the official AndersonPonty Band website: http://www.andersonpontyband1.com/
AndersonPonty Band Facebook page: https://www.facebook.com/andersonpontyband1?fref=ts

Jon Anderson official website: http://www.jonanderson.com
Jean Luc Ponty official website: http://www.ponty.com

Manager: Jim Lewis, andersonpontyband@gmail.com

Booking agent: APA
O: (212) 205-4328 | C: (310) 895-6144 | F: (212) 245-5062
JLashnits@apanewyork.com| http://www.apa-agency.com

Press inquiries: Glass Onyon PR, PH: 828-350-8158, glassonyonpr@gmail.com
(interview requests contact Billy James at Glass Onyon PR)

Photos: Ioannis (artwork – top), Deborah Anderson (photo of Jon Anderson – top)


Greg Lake’s Legendary 1981 Performance At the Hammersmith Odeon In London To Be Issued On CD & Vinyl

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For Immediate Release

Greg Lake’s Legendary 1981 Performance At the Hammersmith Odeon In London To Be Issued On CD & Vinyl

Los Angeles – Purple Pyramid Records will be releasing legendary Greg Lake’s live album from the Hammersmith Odeon in London, November 5, 1981, featuring guitar hero Gary Moore on CD & vinyl! The concert recording features ELP and King Crimson classic tracks such as “Lucky Man”, “Karn Evil 9”, “21st Century Schizoid Man” and “In The Court of The Crimson King”, as well as songs from his critically acclaimed first solo album from 1981. As a founding member of King Crimson and Emerson, Lake & Palmer, Greg Lake has been a major force in music for over 40 years. He has long been considered a legendary voice and musical powerhouse whose impact changed the landscape of rock and roll. Many simply refer to him as “The Voice”.

The Greg Lake Band made its live debut on one of the biggest stages available to it, the annual Reading Festival in England in August 1981. Much of the set was new to the audience – Greg’s first solo album would not be released for another month. But the band received a wild reception regardless, and there were enough old favorites on display to ensure the fans remained happy…including the show opener “Fanfare for the Common Man,” truly one of the most effective showstoppers ever to have opened a concert.

The band’s full tour kicked off in October. Purposefully, Lake demanded smaller venues, the theaters and universities that truly represented a refreshing change from the monster domes he’d visited the last time he hit the road in 1977 with ELP. The string of shows launched in Wales, at Aberystwyth University, then moved onto Cardiff University, Dunstable Queensway Hall, Norwich University, Liverpool Royal Court Theatre, Newcastle Mayfair, Glasgow University, Edinburgh Playhouse, Sheffield Lyceum, University of Kent Canterbury, Birmingham Odeon, Leicester Polytechnic, Bournemouth Winter Gardens, Exeter University, St Austell Cornwall Coliseum, Crawley Leisure Centre and, finally, London’s Hammersmith Odeon.

It was not an extravagant performance – no lasers, no levitating keyboards, no priceless Persian carpets. The myths and legends that surrounded ELP when they toured were all firmly locked away. The Greg Lake Band toured like a band, and on stage they simply took up their positions and played. Brilliantly.

That last date on the tour is where this disc was recorded, in front of 2,000 fans who now had every note of Greg’s new album memorized, and the rest of the set firmly entrenched in their DNA: the snatch of “Karn Evil 9” that eased out of the opening “Fanfare”; “Love You Too Much,” the song Lake co-wrote with Dylan in what remains another of the tantalizing collaborations of the age; “Retribution Drive” and “The Lie” from Greg Lake. “21st Century Schizoid Man” and “The Court Of The Crimson King,” from Lake’s stint with King Crimson, wrapped up the evening in positively rhapsodic fashion, and, finally, “C’est La Vie,” from ELP’s Works. (The version of this track included on the CD is taken from a show in New York City 1981)

“A single night at the tail end of a single tour, alive with promise, bristling with presence. And welcoming back some new friends, too” – Dave Thompson, writer

Tracks:
Medley: Fanfare For The Common Man / Karn Evil 9
Nuclear Attack
The Lie
Retribution Drive
Lucky Man
Parisienne Walkways
You Really Got A Hold On Me
Love You Too Much
21st Century Schizoid Man
In The Court Of The Crimson King
Bonus Track: C’est La Vie (Live in NYC 1981)

To purchase:
Pre-order the CD: http://flyt.it/GregLakeCD
Pre-order the Vinyl: http://flyt.it/GregLakeLP
Pre-order the digital: http://flyt.it/GregLakedig

Greg Lake’s official website: http://www.greglake.com

Press inquiries:
Glass Onyon PR
Billy James
PH: 828-350-8158
glassonyonpr@gmail.com

CLEOPATRA RECORDS, Inc.
11041 Santa Monica Blvd #703
Los Angeles CA 90025
http://www.CleopatraRecords.com


Audio Fidelity To Release Mahavishnu Orchestra’s “Birds Of Fire” On Limited Edition 4.0 Quad SACD

Mahavishnu Orch-SlipcaseMockup

For Immediate Release

Audio Fidelity To Release Mahavishnu Orchestra’s “Birds Of Fire” On Limited Edition 4.0 Quad SACD

“…sets out to further define and refine its blistering jazz-rock direction.”

Camarillo, CA – Marshall Blonstein’s Audio Fidelity is releasing the classic fusion album Birds of Fire by the Mahavishnu Orchestra as a limited edition Hybrid 4.0 Quad SACD. Birds of Fire is Mahavishnu Orchestra’s second album. It was released in the first half of 1973 and is the last studio album released by the original Mahavishnu Orchestra line-up before the group dissolved. The album became a major crossover hit, rising to number 15 on the pop album charts, and it remains the key item in the slim discography of the first Mahavishnu Orchestra.

Although it has much of the screaming rock energy of the band’s first album, Inner Mounting Flame, Birds of Fire is audibly more varied in texture, even more tightly organized, and more musical in content. A remarkable example of precisely choreographed, high-speed solo trading – with John McLaughlin, Jerry Goodman, and Jan Hammer all of one mind, supported by Billy Cobham’s machine-gun drumming and Rick Laird’s dancing bass.

Birds of Fire consists solely of compositions by John McLaughlin. This includes the track “Miles Beyond (Miles Davis)”, which McLaughlin dedicated to his friend and former bandleader. The SACD booklet features a poem entitled “Revelation” by Sri Chinmoy.

1. BIRDS OF FIRE
2. MILES BEYOND (Miles Davis)
3. CELESTIAL TERRESTRIAL COMMUTERS
4. SAPPHIRE BULLETS OF PURE LOVE
5. THOUSAND ISLAND PARK
6. HOPE
7. ONE WORD
8. SANCTUARY
9. OPEN COUNTRY JOY
10. RESOLUTION

Produced by The Mahavishnu Orchestra
Stereo CD & SACD mastered by Kevin Gray at Cohearent Audio
4.0 Analog to Hi Def DSD Digital Transfer:Gus Skinas
Quadraphonic Sound Supervision: Harold J. Kleiner
Quadraphonic Re-Mix Engineer: Don Young

Audio Fidelity’s Hybrid Super Audio CDs offer three layers on the same disc
o Single layer 2-channel stereo
o Dual-layer – SACD
o As an added bonus Surround Sound 4.0 all in one disc
Every Audio Fidelity Hybrid MULTICHANNEL Surround Sound SACD is compatible with all standard CD players.

For more information: http://www.audiofidelity.net
Press inquiries: Glass Onyon PR, PH: 828-350-8158, glassonyonpr@gmail.com


Chris Braide, Ash Soan & Lee Pomeroy Launch This Oceanic Feeling With Debut Album “Universal Mind”

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For Immediate Release

Chris Braide, Ash Soan & Lee Pomeroy Launch This Oceanic Feeling With Debut Album “Universal Mind”

London, UK – New exciting three-piece This Oceanic Feeling, fronted by prominent singer/songwriter and producer Chris Braide, has announced the release of their debut album Universal Mind on 17th July 2015 through Cherry Red Records.

Chris and drummer Ash Soan had developed a strong musical connection as founder members of The Producers with Trevor Horn, before Braide moved to the US in 2009. When they linked up again, the old chemistry was still there and the idea of forming a new band immediately took shape.

The muse was swiftly awakened and an album’s worth of new songs came to life, the lyrics facing the unresolved dualism between fake and real self and their eternal fight for dominance. “It’s a positive album, one that I’m proud of and one that I had to make” – says Braide enthusiastically.

Outstanding bassist Lee Pomeroy was called to join Chris and Ash in their distinctive creative venture and This Oceanic Feeling was born. Braide compares the album’s sound to ‘The Police or YES 90125 era, big shiny new wave pop music with rock trousers on and occasionally prog sandals!’

The 12 songs on Universal Mind feature some of the most rich, dynamic musicianship of 2015. In times of self-obsession, virtual personas and overpowering ego, the thought-provoking lyrics are bound to strike a chord with the more conscious listener.

For all those liking their melody with a meaningful aftertaste, this is possibly your album of the year; take the journey across its cinematic landscape, from darkness to light, to escape the person you were and embrace the person you really are.

Tracklist as follows:

1. Lie Detector
2. Put Down The Gun
3. Radio
4. Logotherapy
5. Universal Mind
6. Intensive Care
7. Wake Up
8. I Play Debussy
9. Johnny Tragic
10. Karma Camera
11. Season of Light
12. Finale

About This Oceanic Feeling

Chris Braide’s prestigious curriculum includes producing and writing songs for Beyonce, Lana del Rey, Paloma Faith, Britney Spears, Christina Aguilera, David Guetta and Sia amongst others. He recently produced and co-wrote Marc Almond’s new album The Velvet Trail.

As well as performing in the band for the Queen’s Diamond Jubilee Concert (Tom Jones, Robbie Williams etc) and for the return of ELO in Hyde Park last year, bass and guitar specialist Lee Pomeroy has worked in the past with Rick Wakeman, It Bites and James Morrison; more recently was busy performing with Steve Hackett on the 2014 Genesis Revisited Tour and is currently working with Take That.

British drummer Ash Soan has played with the likes of Adele, Lily Allen, Rumer, Mark Owen, Cher, Dido, The Wanted, Nelly Furtado and on Billy Idol’s latest album Kings And Queens of the Underground.

Amazon CD edition: http://geni.us/3Zmo

CD Pre-order link: http://shop.cherryred.co.uk/shopexd.asp?id=5104

Vinyl pre-order: http://www.planegroovy.com/planegroovystore.html

UK publicity contact:
Sharon Chevin
sharon@thepublicityconnection.com
Tel: (020) 8450 8882
Twitter@PRConnect
Website: http://www.thepublicityconnection.com

International PR:
Glass Onyon PR,
PH: 828-350-8158 (USA),
glassonyonpr@gmail.com
http://www.glassonyonpr.com


Keyboard Legend Extraordinaire Patrick Moraz, Former Member of YES and the Moody Blues, To Release New Album “MAP” (Moraz Alban Project) With Outstanding Drummer Greg Alban!

MAP cover med res

For Immediate Release

Keyboard Legend Extraordinaire Patrick Moraz, Former Member of YES and the Moody Blues, To Release New Album “MAP” (Moraz Alban Project) With Outstanding Drummer Greg Alban!

Los Angeles CA- Patrick Moraz and Greg Alban proudly announce the release of their new CD “MAP”.

Says Patrick, “The concept and the meaning of “MAP” is first and foremost the ‘MORAZ ALBAN PROJECT’! Some time ago, Greg Alban, a very good friend of mine and a great drummer whom I have known now for more than 30 years asked me if I would like to start composing and arranging some music that he could play the drums on, with me. He wanted to record a whole album together and eventually of course, release it.”

So Moraz began composing and arranging the music for “MAP” in his studio in Florida, the project then moved to California, where it was further developed and recorded. This new music is a collection of instrumental pieces that range in style and spirit of World-Fusion, Rock and Jazz.

Greg Alban, originally from Columbus, Ohio, attended Ohio University and moved to Los Angeles in 1974 to pursue a career in music. Greg has studied with some of the great drummers and teachers such as Richard Wilson, Joe Morello and Joe Porcaro. Patrick Moraz first heard Greg Alban play drums when he was head of his own band ICE. They were performing at the famous and since shuttered Red Onion in Marina Del Rey, CA. Impressed with the playing skills of Alban and fellow band member John Avila, Moraz asked them to perform on his album, “Timecode”. Greg Alban who has worked with such artists such as “The Miracles”, Denny Laine (Wings) and Mike Pinera (Blues Image and Iron Butterfly) explains: “Patrick and I have been very good friends for a long time and I’m still always being surprised by the depth of his knowledge, not just about music but everything! He’s a creative genius and I’m honored to be working with him.”

Swiss born Patrick Moraz, is best known as an official member and keyboardist for the progressive rock bands “Yes” from 1974 to the end of 1976 and “The Moody Blues” from 1978 to 1991. He was classically trained at the Conservatory of Lausanne, but having a keen interest in jazz and world rhythms he decided early on to pursue composing and playing in these genres of music as well. This led to Patrick and his own trio and quartet, opening for major jazz artists and famous rock bands throughout Europe in the mid-sixties. He then formed the group “Mainhorse” with Jean Ristori in 1968 and released a self-titled album on Polydor. Then, after a long tour of Japan and the Far-East as musical director of a Brazilian Ballet Company, he came back and moved to England in the early Seventies to form “Refugee” with Lee Jackson and Brian Davison, both previously of “The Nice”. They produced one album titled “Refugee” which to date is still revered as one of Prog-Rock’s monumental works known for Moraz’s highly inspired compositions and keyboard virtuosity.

Moraz rose to prominence in 1974 as a new member and keyboardist of “Yes”. He co-composed along with Yes’s” band members and played on the album “Relayer”, which led to what was to be “Yes’s” most successful ever world tour, playing to crowds which numbered from 25,000 to 120,00 at JFK stadium during the bi-centennial year of 1976. In 1975-1976 all the then- members of “Yes” released solo albums. In the interim Moraz had moved to Brazil and composed the music for the “I” aka “The Story of I” which incorporated 16 Brazilian percussionists, making it an important staple of “world music”. “I” was Moraz’s first solo album and in 1976 it was voted the #1 Album of the Year by “Keyboard Magazine”. After his departure from “Yes” Patrick recorded his second album “Out In The Sun” on the “famous” Charisma Record Label, and moved officially to Brazil.

In the last part of 1977 and the first part of 1978, time was devoted exclusively for composing and recording for the production of his 3rd solo Album, simply titled “Patrick Moraz”, in the company of the percussionists of Rio-de-Janeiro and Djalma Correa, who, several years later, was referred by Patrick to Peter Gabriel for his Album “SO”.

Moving back to Europe via an appearance at the famous “Montreux Jazz Festival” in Switzerland, and upon their request, Patrick began touring with ”The Moody Blues” on their “Octave” tour in 1978, replacing their former keyboardist Mike Pinder. The two world Tours, ending in 1979 proved extremely successful!

In 1980, having played and recorded on the new album “Long Distance Voyager” he was asked to become a member of the band. Subsequently, in 1981, “Long Distance Voyager” reached #1 on the US charts and proved to be one of their highest grossing albums to date. He continued touring and recording with “The Moody Blues” until 1991 and played on the four subsequent albums : “The Present”, “The Other Side of Life”, “Sur la Mer” and partially on “Keys of the Kingdom”. Moraz is also credited as composer and co-writer of the song “The Spirit”, which appeared on the 1986 album “The Other Side of Life”.

During recording and touring breaks with the “Moodies”, Patrick had continued to compose, play and record his solo albums “Future Memories 1” “Future Memories II”, (both “Live on TV”), “Human Interface”, and “Timecode”. He also collaborated, (in 1979), with the renowned Romanian panpipe flutist, Simeon Stanciu, (a.k.a. Syrinx), for their album “Coexistence”. From 1983 to 1985, Patrick Moraz and Bill Bruford, former member and drummer for Yes, decide to form a duet and tour under the name “Moraz-Bruford”. They recorded two albums, “Music For Piano and Drums” and “Flags” and managed to do three very successful worldwide Tours.

In 1991 having been with “The Moody Blues” for thirteen years, Moraz embarked on a solo career. To date he has composed and played acoustic piano on three solo CD’s, “Windows of Time”, “Resonance” and “ESP” all of which have been critically acclaimed and extremely well received.

In 1995, exactly 20 years ago, Patrick Moraz performed throughout the USA on his C.H.A.T. tour (Coming Home America Tour). The tour was unique in that it was one of the first, if not the very first to be booked entirely over the Internet. Moraz played solo on acoustic Grand Pianos to audiences that numbered as small as two people to hundreds of people, taking place in eclectic venues which ranged from single homes, to large estates, corporate headquarters, churches, theaters, concert halls and museums. One of the concerts was filmed and recorded for a DVD and CD in Princeton N.J. and is titled “P.M. in Princeton”. The C.H.A.T. tour proved to be a huge success and an experience that Moraz says, “He will always hold very dear to his heart”.

In 2009 he released “Change of Space”, and in 2011 Moraz released the electronic keyboard CD “Moraz Live/Abbey Road” which features Patrick playing live electronic keyboards as well as a live acoustic piano improvisation. There was also a piano-compilation CD titled “Pianissimoraz”, featuring a new and unreleased piece : The “one-&-only take” of the instant composition “Pure Love”.

And now much to the excitement of music fans worldwide, Patrick Moraz and Greg Alban are releasing their first album “MAP” in June 2015!

The album features amazing bass player John Avila, former member of “Oingo Bongo”, who also plays bass on “MAP”. The other great players featured on “MAP” are Lenny Castro on percussion, who has worked with such artists as “The Rolling Stones”, “Elton John”, “Eric Clapton” and many others. Renown and awesome bass player, Matt Malley, founder and former member of “The Counting Crows”, expertly plays Indian Slide Guitar on “MAP’. Swiss virtuoso bass player Patrick Perrier and heavyweight multi-instrumentalist on tenor saxophone Dave VanSuch, both perform on “MAP” as well.

To purchase:
http://cdbaby.com/cd/themap1
http://www.themap.website

Official website:
http://www.themap.website

Patrick Moraz:
http://www.patrickmoraz.com
http://www.patrickmoraz.net
https://www.facebook.com/patrickmorazofficial

Greg Alban:
http://www.GregAlban.com ;
http://www.GregAlban.net ;
http://www.Facebook.com/Greg.Alban.56

Press inquiries: Glass Onyon PR, PH: 828-350-8158, glassonyonpr@gmail.com


NEW RELEASE… Johnny Cash, “Orange Blossom Special” Limited Edition LP Distinctive Numbered ‘Box Car Series’ on 200g Vinyl

Johnny Cash cover

For Immediate Release

NEW RELEASE… Johnny Cash, “Orange Blossom Special” Limited Edition LP
Distinctive Numbered ‘Box Car Series’ on 200g Vinyl

“Johnny Cash transcends country music…he represents what American Music is all about!”

Hollywood, CA – Exhibit Records announces the release of a special Numbered Limited Edition album of the Johnny Cash 1964 classic, Orange Blossom Special. The 200 gram vinyl record has been remastered from the original master tapes and is handsomely presented in a sturdy old style gatefold jacket featuring the authentic album cover art, liner notes, historical recording session information and new archived photos of Johnny Cash taken in the Columbia Records Nashville studio during the recording session.

The ‘Box Car Series’ is so called because the back of each album of this limited edition pressing contains a tiny replica of the actual Orange Blossom Special box car that partly appears on the album cover. Each box car has been strategically foil-stamped with a unique Limited Edition number.

Johnny Cash was known throughout the world as one of the major figures of post-Hank Williams country music, he constantly sought to expand his musical horizons and avoid being pigeonholed. Cash was at his most engagingly eclectic on this early ‘60s recording of Orange Blossom Special. To begin with, “The Man In Black” covered three tunes by Bob Dylan, then the most talked-about young singer-songwriter of the dawning folk-rock era. (“It Ain’t Me Babe,” “Don’t Think Twice, It’s Alright,” and “Mama, You’ve Been On My Mind”), Nashville’s essentially conservative musical establishment hardly embraced Dylan’s mind-blowing lyrics, but Cash, knowing genius when he heard it, was the first major country star to cover Dylan’s work. By the same token, he also included two numbers by A.P. Carter of the legendary Carter Family, who, along with Jimmy Rodgers, created the musical template that’s still the model for “traditional” country, bluegrass, and some forms of folk. And Cash’s unmistakable, tough-hewn baritone rendered the classic fiddle tune that is the title track, and Harland Howard’s,”The Wall,” one of the prison songs for which he is known, “Danny Boy” (with a spoken word intro), the spiritual “Amen” and the time-honored story-song “The Long Black Veil.” Cash’s songwriting contributions include “You Wild Colorado” and the ever-relevant protest tune “All Of God’s Children Ain’t Free.”

Orange Blossom Special finds Cash backed by the Tennessee Two, his outstanding guitar/bass tandem of Luther Perkins and Marshall Grant. And there are guest appearances by such distinguished Nashville names as tenor saxophonist Boots Randolph, pianists Floyd Cramer and Bill Pursell, guitarist Norman Blake, and harmonica ace Charlie McCoy. And June Carter joined Johnny on “It Ain’t Me Babe” for the first of many classic duet recordings they would make together over the years.

The Orange Blossom Special album by Johnny Cash is one more example of the fine music being produced by the budding Hollywood record company, Exhibit Records. The young music label has curated an eclectic catalog of classic recordings in a short time and continues to gain high praise and recognition for their exquisite mastering, high quality pressings and attention to details as displayed in the fine art and craftsmanship of their exceptional package design.

JOHNNY CASH, “ORANGE BLOSSOM SPECIAL” (eXLP1- 44070)
Producers: Don Law & Frank Jones

Mastered for this LP by Kevin Gray at Cohearent Audio
Pressed at Quality Record Pressings, Salina, KS
200g/numbered gatefold jacket

Side One:
1. Orange Blossom Special
2. The Long Black Veil
3. It Ain’t Me Babe
4. The Wall
5. Don’t Think Twice, It’s Alright
6. You Wild Colorado

Side Two:
1. Mama, You’ve Been On My Mind
2. When It’s Springtime In Alaska
(It’s Forty Below)
3. All Of God’s Children Ain’t Free
4. Danny Boy
5. Wildwood Flower
6. Amen

Exhibit Records
8491 Sunset Blvd., #174, West Hollywood, CA 90069 (323) 692-1097
http://www.exhibitrecords.com, info@exhibitrecords.com

Press inquiries: Glass Onyon PR, PH: 828-350-8158, glassonyonpr@gmail.com


Jazz Guitar Icon Larry Coryell Shows His Multifaceted Talents On A New 3CD Box Of Live Recordings!

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For Immediate Release

Jazz Guitar Icon Larry Coryell Shows His Multifaceted Talents On A New 3CD Box Of Live Recordings!

Los Angeles, CA – One of the most respected and celebrated jazz fusion guitarists of his generation, Larry Coryell presents a brand new triple disc box set of unreleased live performances. Titled Aurora Coryellis, this captivating collection highlights Coryell’s prodigious talents in a multitude of settings, from a full band performance in 1972 at the Jazz Wokshop in Boston to a solo acoustic show in 1976 at Clark University (Worchester, MA) plus a more recent appearance in 2002 at the San Jose Jazz Fest with his talented trio featuring award winning drummer Paul Wertico and bassist Jeff Chambers! Each of these performances come on separate CDs in their own sleeves housed in a deluxe box with a lavish, full color booklet featuring extensive liner notes based on a new interview with Mr. Coryell himself. The box will be released July 24 from Purple Pyramid Records.

Reflecting on this collection, Coryell states, “I have fond memories of the high integrity of the students in Worcester, MA; it was always a special place. Of course, The Jazz Workshop Boston was kind of a ‘home base’ from where we developed our music in the ‘70s, when we were trying to create something that respected the basics of jazz but was still a new form of music. Club manager, Freddie Taylor, was our number one booster as we ventured into uncharted territory. And what can I say about beautiful San Jose! A great city with great people and an absolutely beautiful outdoor park in the center of town. Playing with Jeff Chambers and Paul Wertico was an exhilarating journey into the essence of jazz!”

Born in Texas, Larry Coryell began his ascent to the upper echelons of jazz virtuosos in the mid ‘60s when he joined the quintet of famed drummer Chico Hamilton in New York. That gig led to several other stints as a sideman for Gary Burton, Herbie Mann, and Randy Brecker among others. In 1968, he released his debut album Lady Coryell at the young age of 25, which then lead to subsequent solo album and the formation of his own group The Eleventh House. Through these releases, Coryell earned international acclaim for his daring compositions and interpretations as well as his inspired improvisations. He continues to perform shows and release new albums regularly. For those unfamiliar with this living legend, Aurora Coryellis is the perfect place to start!

DISC 1: Jazz Workshop, Boston, MA – September 13, 1972
1. Offering
2. Ruminations
3. Hen-Hopper
4. Scotland Part One
5. Offering (Reprise)

DISC 2: Clark University (Little Center) Worcester, MA – June 23, 1976
1. Julie La Belle
2. Juju
3. Rodrigo Reflections
4. Eyes of Love
5. Improvisations on Sarabande
6. The Restful Mind
7. Gratitude
8. Bouquet
9. Rene’s Theme
10. Ain’t It Is
11. St. Gallen
12. Spain

DISC 3: San Jose Jazz Festival, San Jose, CA – August 11, 2002
1. Trinkle Tinkle
2. In A Sentimental Mood
3. Bumpin’ On Sunset
4. Manha de Carnaval (Theme to Black Orpheus)
5. Spaces Revisited Part One
6. Spaces Revisited Part Two
7. The Dragon Gate (Excerpt)

Pre-order the CD version: http://www.amazon.com/Aurora-Coryellis-Larry-Coryell/dp/B00YOA7N48

Press inquiries:
Glass Onyon PR
Billy James
PH: 828-350-8158
glassonyonpr@gmail.com

CLEOPATRA RECORDS, Inc.
11041 Santa Monica Blvd #703
Los Angeles CA 90025
http://www.CleopatraRecords.com


PROG Interview with Jon Anderson

Jon Anderson - Deborah Anderson photo med res

THE PROG INTERVIEW: JON ANDERSON
FEATURES / MARK BLAKE / 26 JUN 2015

The Prog Interview is just that: every month, we’re going to get inside the minds of some of the biggest names in music – and they don’t come much bigger than Jon Anderson.
The former Yes man reveals all about his upcoming album with Jean-Luc Ponty, tells us what he thinks of Yes today, and shares his thoughts on everything from Sibelius to strippers and spiritualism.

Tomorrow morning, and probably every morning when he’s not on tour, Jon Anderson will have breakfast in bed with his wife, Jane, at their house in the old Spanish mission town of San Luis Obispo, California. “And then we sit for a while and watch the birds, the deer and the rabbits outside the house,” he says.

Anderson’s sing-song voice is so familiar from those old Yes albums that when you ask where he lives in relation to Los Angeles, you half expect him to answer, ‘Close to the edge, down by the river…’ (In fact, it’s a three and-a‑half-hour drive north of LA.)

It’s not a bad life, then, for the 70-year-old, Lancashire-born singer-songwriter and exiled Yes vocalist. However, there have been some not-so-good days. In 2008, Anderson suffered acute respiratory failure, which required months of recuperation and cost him his place in Yes, who continue to tour and record without him.

Today he brushes off a question about his health (“It’s good – I’m good”), preferring to look forward to his latest project, a collaboration with ex-Mahavishnu Orchestra violinist Jean-Luc Ponty.

But over the course of the conversation, Anderson ends up looking forwards, backwards, sideways, upside and down. Dig a little deeper, though, and this spiritually minded astral traveller isn’t so far removed from the teenager who started his musical career as a singing milkman in Accrington.

First, though, there’s Progeny – a just-released 14-disc boxed set that contains seven Yes shows from 1972 – to dissect. Or perhaps not…

Chris is going through it. It’s a tough one. I pray for him every day – I’m sending out that love energy.

Have you made it through all of Progeny yet?

No [laughing], because I haven’t had my copy yet! There’s a lifetime’s worth of music there. I still remember that time vividly. Yes were on cloud nine and we stayed that way for about a decade.

If pushed, that 1972 line-up was the classic Yes line-up, wasn’t it?

That’s classic Yes. If I think back to those shows, the band was in harmony, musically and mentally.

Have you spoken to Chris Squire since he was diagnosed with leukaemia?

I emailed him after I heard he got sick. Chris is a musical brother, regardless of anything else that’s gone on. I wouldn’t be where I was if it wasn’t for him. I was with Yes for 35 years – that’s half a lifetime. You don’t just forget that. But Chris is going through it. It’s a tough one. I pray for him every day – I’m sending out that love energy.

What stage is the Anderson Ponty Band album at now?

We’ve just finished it, and the DVD, and they’ll be out in September. We’re hoping to tour the UK in October. It’ll be me with Jean-Luc and his band. They’re formidable musicians and they don’t mess around.

How did this collaboration with Jean-Luc come about?

I found a couple of Jean-Luc’s songs from the 70s on his website and sent him one of his tracks with me singing on it. I said, “If we worked together, this is what it would sound like.” He liked it and we carried on from there. We went to Aspen [Colorado] for two and a half weeks and did a show, which became the basis for the album.

What material will you be playing?

It’s a mix. We do some Yes songs – Roundabout, And You And I and Owner Of A Lonely Heart. The band wanted to play Owner… and it sounds very cool with a violin. They play the hell out of it.

Let’s go back. Do you remember the first gig you ever played?

It was with my brother Tony’s group, The Warriors, and it was in Padiham’s Working Men’s Club [in Burnley, Lancashire, circa 1963]. We came on after the bingo but just before the stripper. I was a young lad – 17, maybe – and it freaked me out when this woman walked past us naked. It was enough to put you off sex forever…

She wasn’t good-looking?

No, she was frightening!

One of your early jobs was as a milkman.

Yes. My brother drove the milk van and I used to hang on the side, and we’d sing Everly Brothers songs together as we did the round. We were always singing. That was a very happy time. It was the beginning of rock’n’roll, Buddy and Elvis and skiffle. That was the beginning of everything.

For the rest of the interview, please visit the PROG website!


Intelligent Music Project III Releases New Single & Video MIND PROJECTION feat. John Payne & Drum Legend Simon Phillips From Forthcoming “Touching the Divine” Album

Mind Projection

For Immediate Release

Intelligent Music Project III Releases New Single & Video MIND PROJECTION feat. John Payne & Drum Legend Simon Phillips From Forthcoming “Touching the Divine” Album

Sofia, Bulgaria – A year after releasing the all-star project “My Kind O’ Lovin’” producer and composer Milen Vrabevski returns to fulfill, as earlier claimed, his promise and ambition with Intelligent Music Project III – “Touching the Divine”. The new album features session legends Simon Phillips and Tim Pierce, and Nathan East courtesy of YEG. Тhe production concept relies again on two project launchers – guest stars John Payne (ex-Asia) and Toto’s Joseph Williams. Says Joseph, “It’s wonderful to explore working with Milen. The project has a wonderful message, accompanied with some beautiful music and some great rock ‘n’ roll – the musicians in this project are top-noch.”

Musically “Touching the Divine” delivers a thrilling example of straightforward songwriting combined with rich and layered sound and gently executed dynamic spins. The first single MIND PROJECTION is a melodic and energetic slice of AOR, scored with John Payne’s powerful vocal arrangement and virtuoso instrumental charge, that lets you in deeper to the magic ingredient of this sophisticated project. Bass great Nathan East and fabulous Simon Phillips stamp their own authority in this piece, as well on the record throughout.

Watch the video: https://www.youtube.com/watch?v=RnoMT7oZaG0

Full creative input by all guest stars in the project. Recording sessions took place at Simon Phillips’ Phantom recordings (Williams, Pierce, Phillips and East) and at Intelligent Music Studios in Sofia (Payne, Pierce and vocals from Carl Sentance, recently appointed as Nazareth’s lead singer). Says Simon, “Music is an universal language. It’s really a blessing to have the opportunity to work with musicians from around the world.”

MIND PROJECTION brings together once again the positive idea of the producer and composer Milen Vrabevski, that following the true excitement of our hearts and souls will give us the key to living a conscious live and to spiritual satisfaction, we often call happiness. Says Nathan, “This project is very special to me, because of the nature of the message of the project. I was very inspired and happy with the idea, because the message has value and meaning and I am about that. The word ‘inspirational’ is what I use to describe this project.”

John Payne, who continues his 14 year legacy as “ASIA Featuring John Payne” says, “Doing this project with Milen – it has been great, really – these songs have a lot of structure and melody. It’s a very mature project, it’s a very intelligent project for the mind.”

Says Milen Vrabevski, “I believe we managed to deliver an astonishing sound once again and it will delight the ears and sound systems of hardcore rockers all around the world. Bearing in mind the top-noch level of our guest stars, I allowed myself mainly to record the acoustic guitar of the first single MIND PROJECTION. The video was shot in Bulgaria by Vasil Stefanov, a very prolific and talented video director. The explicit idea was to show the level of collaboration and collective effort of all featuring musicians, which I believe, would be one of the most intriguing aspects for the music fans.”

Says Tim Pierce, “My DNA is ‘a rock player’. Musically, this project is fun, because it travels a lot of different places.”

“I really enjoyed working with Milen in his studio. There is a great sense of depth in his songs. We tried to get the best of my voice.” (Carl Sentance)

Intelligent Music Project III – “Touching the Divine” is coming out in late September 2015.

“The coming album is to bring us to the subject of the essence of life. It directs to searching for this special place within our souls that brings the spiritual satisfaction we often call happiness. It is our source of love and creation, balance and harmony. This place is the Divine in us all…” (Milen Vrabevski, MD)

Intelligent Music Project III – “Touching the Divine”
Author and producer – Milen Vrabevski, MD
Featuring:
Simon Phillips – drums and percussion
Nathan East (appears courtesy of Yamaha Entertainment Group) – bass
John Payne – lead & backing vocals
Joseph Williams – lead & backing vocals
Carl Sentance – backing vocals & ad-lib, lead vocal part on 7
Tim Pierce – guitars
All: Invaluable full creative input!

Previous albums by the same author, featuring Simon Phillips, Joseph Williams & John Lawton are IMP I & II, respectively titled “ The Power of Mind ” & “ My Kind O’Lovin’ ”

For more information: http://intelligent-music.com/productions/touchingthedivine/

Press inquiries: Glass Onyon PR, PH: 828-350-8158 (USA), glassonyonpr@gmail.com


Prog Ensemble Kinetic Element Releases Highly Anticipated Second Album “Travelog”

Kinetic Element cover image

For Immediate Release

Prog Ensemble Kinetic Element Releases Highly Anticipated Second Album “Travelog”

Richmond, VA – One of the most eagerly awaited albums of 2015 has finally been released by prog ensemble Kinetic Element titled “Travelog”! Kinetic Element is a neo/symphonic progressive rock band from Richmond, Virginia that harbors musical roots in classic artists like Emerson, Lake & Palmer, Yes, Asia and Genesis and blends those influences with philosophical and spiritually powerful and uplifting lyrics. They are a known act in the prog rock genre.

Kinetic Element’s two principal writers, keyboardist and founder Mike Visaggio and guitarist Todd Russell, began collaborating on new music for the band towards the end of 2013 following the departure of two members. Deprived of the ability to play out, they decided to focus on composing and recording KE’s second CD. They began working out sketches to five grand scale pieces of prog rock with founding member and drummer Michael Murray. Soon they had a working model of the album and began recording in earnest.

Says Mike Visaggio, “Although normally I prefer to let listeners ferret it out for themselves, the new album is most definitely inspired by current events. We believe that liberty is what humanity’s preferred state of being is. The lyrics of the CD then are understood as standing up for that. The train imagery came to me when I heard the old song ‘People Get Ready’ which talks about a train to freedom. The design was the result of an image Martin Kornick did for us when we were looking to create a new logo last year, and we just applied that whole concept to the logo image.”

Kinetic Element was formed to perform the music of Mike Visaggio’s solo CD, “Starship Universe” which was released in 2006 after Mike was selected to perform at the 2006 Pop Montreal festival. They are now performing selected classic prog and classic rock covers and their new prog pieces they have put together since they formed which comprise “Powered By Light” (2009) and their new CD “Travelog”. The cover art for both CDs was executed by the incomparable Martin Kornick. “Powered By Light” was nominated for Best Debut CD of 2009 by The Prog Awards, which was at that time an Italian reviews website. They were signed to Melodic Revolution Records at ROSfest 2013.

The band is comprised of Mike Visaggio (keyboards); Michael Murray (drums), Todd Russell (electric and acoustic guitar) and Mark Tupko (basses). In May 2008 the original incarnation of Kinetic Element was privileged to be a support act for Circa (featuring Tony Kaye, Alan White and Billy Sherwood of Yes, at Jaxx in northern Virginia), Rare Blend (at Orion Studios in Baltimore, Maryland one of prog’s must-play venues), IZZ (who have played every prog festival in America, at the Artomatic festival in Washington, D.C.) In 2009, KE’s Powered by Light lineup supported Morglbl (at Capitol Ale House Music Hall in Richmond VA) and in 2010, with Edensong (at Orion again). Kinetic Element opened the nation’s longest running prog rock festival, Prog Day, at the Pre-Show on August 29, 2008 with Speechless and again on Sept. 3, 2010 with Jack Dupon. They played The Magic Room in Boston in November 2011 headlining, with support acts Eccentric Orbit and Resistor. In 2015 KE has headlined at Orion Studios again (May 29) with support band Brave, and supported Lo-Fi Resistance at New Jersey Proghouse (June 6). Kinetic Element was featured in Progression Magazine #59 in 2010.

Kinetic Element’s new album “Travelog” was recorded by the band at their cavernous garage studio in Richmond VA with Michael Murray performing engineer duties, between December 2013 and February 2015. In May of 2014 bassist mark Tupko auditioned and joined as the band’s fourth permanent member.

Unable to find a suitable vocalist in their hometown, Mike Visaggio reached out to their musical friends Odin’s Court whose lead vocalist Dimetrius LaFavors agreed to perform the vocals for Travelog and join the group while remaining with Odin’s Court. However Dimetrius could not continue due to changes in Odin’s Court’s schedule, and was forced to cease recording after appearing on three of the five tracks. Riding in to KE’s rescue came Michelle Schrotz of Fredericksburg, VA’s prog icons Brave, and stellar CProg artist Mike Florio, to record the remaining two tracks.

When Mike Visaggio let it out on Facebook that KE would be seeking a professional prog rock engineer to do the mix, he was approached by Fred Schendel and Steve Babb of prog legends Glass Hammer about engaging them to mix. The resulting collaboration produced the terrific sound you hear on Travelog. They also did the mastering at their studio Sound Resources in Chattanooga TN.

Early in the spring 2015, Kinetic Element was offered a show at New Jersey Proghouse for June 6, and all the production went into high gear in order to have product in hand for that show and another one that was booked for a week previous on May 29 at Orion Studios in Baltimore. Both shows came off well with Mike Florio and Michelle singing. However there are no shows on tap at this time because their vocalists do not live in Richmond, but are available if a suitable concert gig comes KE’s way.

Kinetic Element’s “Travelog” can be heard in its entirety at:
http://www.cdbaby.com/cd/kineticelement2 and http://melodicrevolutionrecords.com/album/travelog.

Here’s what the press have raved about Kinetic Element:

“The Powered By Light Suite is an enjoyable release, filled with great keyboards work, beautiful melodies and appealing sound. I’m looking forward to the band’s future output.” – Progressive Ears

“This is their latest disc and it will certainly appeal most to the fans of classic progressive rock” – Music Street Journal

“Instrumentally KINETIC ELEMENT is at the top of their game. The driving force behind the group is keyboardist Mike Visaggio who is positively brilliant, some of the most energetic keyboard work I’ve heard since the Golden Age of Progressive Rock when Wakeman and Emerson were producing their best work. Yes, he’s that good. And his surrounding cast of players are equally adept.” – ProgNaut

“Fans of progressive rock in all its forms – including Transatlantic, Neal Morse, Tiles, KDB3 and Proto-Kaw – will find a lot to like here.” – Angelic Warlord

“The musical expressions in this release could only come from highly-intelligent lifeforms. Much of its mimicry is provided by organs, Mellotrons and synthesizers, and its artificial sheen has an uncanny resemblance to Transatlantic.” – Ytsejam

In closing Mike Visaggio has this to impart, “Prog Lives! It keeps us young.”

To purchase Kinetic Element’s “Travelog”:
http://melodicrevolutionrecords.com/album/travelog
http://www.cdbaby.com/cd/kineticelement2

CONTACT INFORMATION: bigroad3@gmail.com to correspond with Mike Visaggio.
http://www.facebook.com/kineticelementband
http://mrrmusic.com/kinetic-element/
http://www.sonicbids.com/kineticelement
http://www.kineticelement.com
http://www.mikevisaggio.com

Press inquiries: Glass Onyon PR, PH: 828-350-8158, glassonyonpr@gmail.com