For Immediate Release

Prog Duo Days Between Stations Updates on “Being” & “Perpetual Motion Machines (Music for a Film)”

The Days Between Stations music video collaboration with Durga McBroom is called “Being.” The band and Durga are available for interviews on both video and the new Days Between Stations’ album, “Perpetual Motion Machines (Music for a Film).”

The group’s manager and video producer Erik Nielsen created the video from concept to final editing. “He’s produced all of our music videos,” guitarist Sepand Samzadeh says. “This is our third video shoot with Erik, he has a minimalist approach to matching visuals to the music. He has a great sense of style, creativity, strong leadership qualities, and extensive knowledge of technology.” Erik and his Supposable Productions have worked with the classic rock and prog community for a variety of video productions—such as streaming the ProgStock Festival, video production for Las Vegas’ hit show “Raiding the Rock Vault,” and music videos for many artists—notably Dave Kerzner, Asia Featuring John Payne and hard rock band “Last in Line” on Frontiers Records.

Through the years prog greats including Yes’s Billy Sherwood, Peter Banks, and Rick Wakeman, plus XTC’s Colin Moulding have collaborated with Days Between Stations. Then there’s Durga McBroom, known for her phenomenal musical and theatrical background, including singing for Pink Floyd from 1987-1994, acting and dancing as the character “Heels” in the movie “Flashdance,” and hitting number 1 on the Billboard dance charts and on Top of the Pops with the song “(Can You) Feel the Passion.” Now along with her sister Lorelei, she’s in the Australian Pink Floyd Show and recent starring role in the satire movie, “Sammy-Gate.”

Billy Sherwood produced Durga with keyboardist Oscar Fuentes Bills and Sepand for a song and music video “Witness the End of the World” on the album “Giants,” released in 2020 and voted track of the week by Prog magazine readers.

When it came time to find a singer for “Being,” the only song with lyrics on “Perpetual Motion Machines,” the band knew Durga was a perfect fit. The “Being” music video ( www.youtube.com/watch?v=m6UNQsUpAxs ) makes use of colors, light, and  people!

Erik wanted to first showcase Durga’s amazing stage presence and present the band in a stylized performance setting, “and use some simple visual effects to suggest different aspects of the concept of ‘Being.’”  Oscar based the song’s lyrics around the general concept of existence and trying to interject what artist Jean-Paul Bourdier’s art “inspired us to do, and we let the music speak for itself.” (“Perpetual Motion Machines” initially was intended to be a film soundtrack for a documentary on the artist.)

“Seeds,” the first video ( www.youtube.com/watch?v=5kmLDoapIkg ) in “Perpetual Motion Machines” won track of the week by Prog UK readers. ProgRock.com cites “Being” as one of the best epic songs of 2024.  MusikReviews.de praises everyone’s work, citing Durga closing “the all-round emotionally cinematic and moving album with a quiet song that gives the entire album an unusual (vocal) twist.” Echoes and Dust praises Durga for her “angelic, soulful voice” and makes comparisons throughout the review to a range of classic treats including music by Alan Parsons and David Bowie!

The band sees Durga as a force like a Jedi! Sepand says, “She has so much experience and talent and her confidence just glides in with her energy.  She is a true professional.” One of Sepand’s fondest memories is playing, and when she started singing, “It feels like thunder struck my back. I looked over to Oscar and we telepathically spoke with each other… the message was if we died that day, we were grateful for this moment, we experienced brilliance at its best.”

Likewise, Durga loves collaborating, which allows her to “add my brand of art to that of others, thereby creating something totally new and different. I would urge people to find other artists to collaborate with. You learn a lot, and it can push you out of your comfort zone.” Durga feels much respect for Oscar’s lyric writing, “I learned how to make his vision come alive by making it personal.”

Sepand relates, “When you are surrounded by so much love, talent and creativity everyone elevates you to your new best.

Formed 20 years ago in Los Angeles, Sepand and Oscar named the band after Steve Erickson’s novel “Days Between Stations.” The Pineapple Thief’s Bruce Soord inspired the band to work on their music after he used some of Sepand and Oscar’s musical experiments as the basis for “Saturday” on The Pineapple Thief’s “12 Stories Down” album. The duo continued to work with a range of musicians on what became their first release, “Days Between Stations,” in 2007. Their 2012 recording “In Extremis” was produced by Yes’ Billy Sherwood. In 2020 they released “Giants.”

Watch “Being” at www.youtube.com/watch?v=m6UNQsUpAxs

For more information: DaysBetweenStations.com

Order the CD or vinyl at http://www.daysbetweenstations.com/product-category/perpetual-motion-machines/

Management: erik@daysbetweenstations.com

Publicity:
Anne Leighton: + 1 718-881-8183, texting only 707-637-6070, LeightonMedia@aol.com, Anne@AnneLeighton.com
Glass Onyon PR, PH: 828-350-8158 (USA), glassonyonpr@gmail.com

Downloadable photos start at www.flickr.com/photos/8320698@N05/54054269174/in/album-72157611847817960

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Music videos for both “Being” and “Seeds”