Author Archives: glassonyonpr

Santa Cruz Patch Interview with Jon Anderson

5 Questions with former Yes singer Jon Anderson, who is Touring Solo
Anderson brings an artistic solo show to the Rio Theatre June 21.

By Brad Kava

With the band Yes, singer Jon Anderson has sold more than 50 million discs since the late 1960s and his band’s following has been so passionate, it has been written about as a religion.
Along with Pink Floyd and King Crimson, Yes is one of the cornerstones of progressive rock, a genre that infused classical and operatic sensibilities with rock. It told stories in long, elegaic songs miles and light years away from the three-minute singles that were the mainstay of popular radio, but not that far from what bands such as the Beatles tried in concept albums like Sgt. Pepper’s Lonely Hearts Club Band.
For Yes fans it’s tragic that the band hasn’t been recognized by the Rock and Roll Hall of Fame, which seems as predictable and slavish to fashion as the earlier stone-walled museums it tried not to be.
Anderson has left the band he co-founded and plays a rare Santa Cruz show June 21 at the Rio Theatre. Yes, meanwhile, goes on without him, using a singer from a Yes tribute band when it appears in San Jose August 14.
Anderson’s show includes classic Yes material, new songs and stories told from five decades on the road. He’s still working and constantly recording; he most recently released a beautiful single called Limitless Lives with Italian composter Marco Sabiu.
Anderson took some questions by phone from his home near San Luis Obispo, a place he fell in love with on a car trip.

Why aren’t you touring with Yes?

I got very sick, as you know (he suffered acute respiratory failure) and they wanted to go off and keep making money and keep touring. They got a young Canadian singer who looked and sang like me. Then that didn’t work and they got another one. After a year and a half they are just out there. It’s not the best thing in the world for the legacy.
They are doing their thing. They love being on the road, but there’s more to life than that kind of work. It’s not really very healthy.

Why are you playing solo?

I still believe in the music, Yes music. Bands split up. The Beatles split up and that really pissed me off. It’s disappointing as a real fan. I feel a bit of a heartache, but you get on with your life.
I’m 67 this year. I’ve toured and toured and toured and toured with Yes. This solo tour is more like a holiday. It’s fun just putting on a good show. I play guitar, ukelele, dulcimer and I’ll be selling a small amount of open painted jeweled cases, six per show. I love creating art work.

Are you still living in San Luis Obispo?

I live south of there. I’ve been living here nearly 15 years. I’m an American citizen now. I’m always in my studio working. I finished a dozen songs with a friend in L.A. I’m working on an album with Rick (Wakeman, Yes’s keyboardist, who has also left the band).

What about your new song, Open, a symphonic-style piece with orchestral instruments that reminds me of Tales from Topographic Oceans?

It’s a 20-minute piece of music that I started last spring and wanted to put out on my birthday (Oct. 24). People like it. Music is more than just having a hit record or being on TV. Music is more powerful than everything. I’ll play some of it in concert. I wrote it on acoustic guitar. (You can get it here, or on iTunes.)

Why isn’t Yes in the Rock and Roll Hall of Fame?

I just don’t think the people in charge – I was there last year doing a show and I got on very well with them – they just don’t recognize Yes as being very important. Maybe in 10 years time they will and we’ll all get together.

Source


Guitar Legend Steve Hillage To Re-Release ‘Live in Amsterdam 2006 at the Gong Family Unconvention’ CD and DVD – September 10, 2012

For Immediate Release

Guitar Legend Steve Hillage To Re-Release ‘Live in Amsterdam 2006 at the Gong Family Unconvention’ CD and DVD – September 10, 2012

The first live performance of The Steve Hillage Band in 25 years!

June 14, 2012 – London, UK – The Gong Family Unconvention at the Melkweg club in Amsterdam in November 2006 was a unique 3 day event in which all the original members of the legendary psychedelic band Gong came together and performed their own individual sets. Guitar legend Steve Hillage, who was a prominent part of the “classic” Gong line-up of 1973-75 felt it was a great opportunity perform again some of the songs from his 1970s solo albums. Steve Hillage is widely considered a guitar innovator, and is associated with the Canterbury scene, working in experimental domains since the late 1960s. Besides his critically acclaimed solo recordings, along with Gong, Steve has been a member of the ensembles Khan and System 7.

Steve’s live set at the Gong Family Unconvention in 2006 provoked a rush of excitement and emotion at the event, and this was beautifully captured on film and recording – and is now available on this DVD and CD.

Performing with Steve were his long-time musical partner Miquette Giraudy on synthesisers, Gong bass player Mike Howlett who played on Steve’s ‘Fish Rising’ album from 1975, and Gong drummer Chris Taylor who started playing with the band in the 1990s. Also guesting was Basil Brooks on synthesiser, who played in Steve’s band in the ’70s.

Tracks played were as follows:

1. Hello Dawn (from the album ‘Motivation Radio’)
2. It’s All Too Much (the Beatles cover – from the album ‘L’)
3. Aftaglid (from the album ‘Fish Rising’)
4. Solar Musick Suite (from ‘Fish Rising’)
5. The Salmon Song (from ‘Fish Rising’)
6. These Uncharted Lands (from the album ‘For To Next’ and never before played live)

In addition the audio CD has 4 exclusive bonus tracks from Steve’s 1970’s archive.

Tracks recorded live at Amsterdam’s Sonesta Koepelkerk on Dec 14th 1979 just a few days before the the 1970’s Steve Hillage Band stopped touring are:

7. Palm Trees
8. Unzipping the Zype
9. Healing Feeling

And finally an interesting early version of one of Steve’s ‘Fish Rising’ classics performed before it was recorded with the band Gong:

10. Solar Music Suite (early version)

The DVD has bonus material in the form of a substantial interview with Steve and Miquette, and background clips from around the Gong Melkweg event.

The audio for the CD and DVD was mixed by Steve in his A-Wave Studio and has a rich, warm sound. The video DVD was edited and authored by long time friend and Gong family member Harry Williamson in his Spring Studio in Melbourne Australia.

The artwork was put together by Z3 who do the artwork for Steve and Miquette’s dance music project System 7.

If indeed Steve does create some more music in the psychedelic rock sphere this powerful and unique live recording can be seen as a launch pad. Steve currently sees his System 7, Mirror System, and Steve Hillage Band entities as operating in parallel and has been writing some new rock-based material for a possible Steve Hillage Band album for release in 2013/14.

For more information: http://www.facebook.com/stevehillageband
http://www.g-wave.co.uk

To pre-order Steve Hillage – ‘Live in Amsterdam 2006 at the Gong Family Unconvention’ CD & DVD:
http://www.planetgong.co.uk

Watch YouTube video of “Aftaglid” (from ‘Live in Amsterdam 2006 at the Gong Family Unconvention’ DVD) : http://www.youtube.com/watch?v=zSxk4YLRd-c

Press inquiries: Glass Onyon PR, PH: 828-350-8158, glassonyonpr@cs.com
Steve Hillage is available for interviews – please contact Glass Onyon PR

Released on G-Wave AAGWDVD002 (DVD) and AAGWCD002 (CD) distributed by SRD


Examiner.com Review – Jon Anderson in Chicago

Jon Anderson shares stories and favorite songs at Chicago show

Ashley Perez
Chicago Music Examiner

Jon Anderson, former singer of the band Yes, stopped by Chicago June 6 as part of his North American tour. He performed a two hour set at the Mayne Stage that brought the audience back to the hazy days of the 60’s and 70’s. He played a slew of instruments, including the Chinese string instrument called gorge, a ukelele, the keyboard and of course his trusty acoustic guitar. It was Anderson’s wife’s birthday, who was sitting in the front row. He asked the audience to join him in a rendition of “Happy Birthday,” to which they happily obliged.
Some of the songs in the set list included Yes’ “Owner of a Lonely Heart,” “Heaven’s Door,” the sweet and humorous song dedicated to his brother “Tony and Me,” “Turn of the Century,” “Sweet Dreams,” and a snippet of the beautiful and epic “Open.” He even threw in a cover of the Bob Marley classic “One Love” that got the crowd singing along. Anderson’s voice was on point and never cracked once during the entire performance. Though he has faced health problems in his later years, it’s quite clear that it hasn’t affected his wonderfully unique voice in the slightest.
In between songs, Anderson shared stories of his days in Yes or on his early performing days. One interesting and funny story that was told was about how he met a young Robert Plant who offered him a “special cigarette.” Another story was about going to collaborator Vangelis’ house where he shot an arrow out of an open window. The stories were interesting, fun and humorous and gave the audience a chance to interact with Jon, making it a night to remember. It was clear the audience was having a good time as they sang along with Anderson, cheered him on, danced at their tables, and gave him a standing ovation during the end of the show and the encore. You could hear their excitement and applause as the opening chords of their favorite song were played. The place was filled with excitement, happiness, and lots of love.
Jon Anderson is currently working on a follow up to the 21 minute masterpiece “Open” called “Ever.” If you missed the show or just want to see Jon again, you’re in luck. There are still several dates left on his North American tour. To see where Jon will be playing next and to buy your tickets visit hisofficial site.
Jon Anderson North American Tour dates
June 3 – Milwaukee, WI – The Pabst Theatre
June 6 – Chicago, IL – Mayne Stage
June 8 – Lincolnshire, IL – Viper Alley
June 11 – Seattle, WA – The Triple Door
June 12 – Seattle, WA – The Triple Door
June 16 – Napa, CA – Napa Valley Opera House
June 19 – Livermore, CA – Livermore Valley Performing Arts Center

Source


The Barn Presents Interview with Jon Anderson

Legendary Yes Vocalist Brings Classics and Great Stories to Town with Solo Tour

Posted on June 5th, 2012 by steve in Features, Interviews, Top Stories

Dial up any classic rock station in the world and you’ll likely hear Jon Anderson within an hour or two. As lead singer of the prog-rock stalwarts Yes, his iconic voice weaves through the musical lives of baby-boomers and Gen Xers everywhere.

But sidelined by his former Yes bandmates after an extended illness — in favor of (heard this one before?) a cover band vocalist — you would think Anderson would be bitter. Not so. In fact, in The Barn’s conversation with Jon, he was quick to reinforce how much fun he’s having with the stable of exciting projects that he’s currently involved in. Ever the optimist, Jon has kept himself busy with studio and live work, and finds himself headed to the Chicago area for two solo shows filled with classics, new songs and old stories never told before.

The Barn talked to Jon about his split with Yes and relationship with his bandmates, his upcoming solo tour and what keeps the progressive pioneer positive and healthy into his 67th year.

You have two shows coming up in the Chicago area [June 6 @ Mayne stage, June 8 @ Viper Alley]. What’s in store for fans who make it out?

I do an acoustic show with a guitar. I play a little piano and dulcimer… a few songs on the ukelele. I tell stories about my life and sing my favorite Yes songs that everybody likes. Some of the songs from collaboration with Vangelis and some new ones.

What about the storytelling? What types of things can we expect to hear?

Generally how songs came about. Crazy things that happened on the road. Meeting Vangelis for the first time and what a crazy guy he was.

I’m a huge fan of musical journeys. I just stumbled across a project you did called Open. Can you tell me about your approach to longer form pieces?

That’s been a part of what I do going way back to Gates of Delirium. I wrote [Gates] on piano and presented it to the band as just me playing piano. It must have sounded really bad. Long form music was something I really enjoyed doing so last year I started writing with the guitar and and an open structure. I had a friend who did beautiful orchestration. Over about a period of a few weeks here and there, I was in touch with some young people that I had been working with and got a couple of them to come and help me and do some work on the project.

They were brilliant — just young kids who listened to the music and just played on it. Really good! We used some seniors from the local school who have an acapella band. My wife sang; so did a couple of other friends. It was an ongoing thing that I worked on now and again for four months.

I released it in October on my birthday.

Do you have a next phase?

I’ve already worked on the next piece. I’ve got the structure down and I’m just now working on it. I’m doing other things now but eventually it’ll be ready later this year.

It is an important part of my musical experience. It’s an adventure and a lot of fun.

You release a lot of music. It seems like concepts and songs come easily to you. Is that the case?

I like making music. I’m fortunate to be able to work with lots of musicians through the Internet. I get people sending me music every week. I develop it, keep working on it. You get some music that you’d never dreamed you’d work on.

I just finished doing a project with a friend in Los Angeles and now we’re going to get into the production. We’ve written about a dozen new songs and its a very exciting time.

Can you tell me about the songwriting process. Do you have to lock yourself up and create for a week or does it come to you all the time?

It’s something that happens all the time. I’ve got a studio here in the back garden of my cottage and generally what I’m doing is receiving music from others. I’ll sing melodies and lyrics and send it back. After a while, you’ve finished quite a lot of musical ideas. Every time I get to new music, I see a different challenge. I don’t want to keep doing the same thing.

Talk a little about Rick Wakeman. You always seem to find ways to collaborate with him. Are you really good friends?

Oh yeah. We were always friends. We’ve had a couple of times where he got very sick and I went to see him in the hospital. That sort of thing, it really just mulls the friendship. He’s a lot of fun to be around. He’s a crazy guy. We have a good time.

You recently collaborated with him on a live CD. Tell me a bit more about that project.

The tour was a lot of fun. We always enjoy working together on stage just the two of us. We finished up recording a few of the shows and decided to put out a live album since it changed the songs in such a different way.

I was reading about Kanye West, who sampled one of your vocals for one of his songs. I heard that you were flattered by this. Coming from an LP era, what do you make of the digital world? You seem to have taken to it very well.

You know we did that kind of sampling way back when we did 90125 — there was a lot of that going on. You use modern technology as much as you can and really try your best to make it work musically. It is something that is part of life. You can’t discount it. You want to work with it and make it happen, really.

Some people are interested in staying with what they do which is kind of cool. Me, I just like doing different things. It’s just the way I am.

What kind of music do you like to listen to nowadays?

I always have my Sirius radio on the 40′s music. It’s my childhood — I was born in ’44 so I listen to music that I remember as a little kid: Bing Crosby, Big Band, Jazz, things like that.

On the other side of that, I listen to new things that are happening, there are some girls who write beautiful music called First Aid Kit. Really good songwriters and great video work as well.

I tend to keep in touch with different people. I went to see a band the other week called Group Love who were really good. I work with a lot of young musicians and there are many that go to this music school nearby in San Luis Obispo, where I live. I was there a couple of weeks ago, writing and recording a song together.

Are there any other newer artists that you would love to collaborate with?

There are so many talented people out there. I’ve been working a lot with people who get in touch with me that are already making music — they know who I am and what I like to do. Currently, I”m working with a couple dozen people around the world. Writing music with people anywhere from North Africa, France, Australia, New Zealand. Some guys from LA.

Besides singing and playing, I hear you are also a painter.

I used to love painting in school. When I went on the road, I like to paint, sketch, water colors. Over the last few years, I do it like meditation. Sit down. Zone out. Be in the place where you forget about everything. It’s beautiful.

There are some really beautiful pieces of work on the website. How’s your health?

Pretty good. It’s been rough this last month since there’s a lot of pollen in this area. I’m getting ready to go on tour… rehearsing. My voice is sounding good. Life is good and I’m very happy about a lot of things.

Dream Dancing By Jon Anderson

Do you do anything to keep your voice in shape?

I sing everyday. On the road: don’t talk to much, save you energy for that show at night.

You’ve got a tour and expect a CD in the summer. What else is coming down the road?

I’m going to London to perform at the Olympic Games with the Slovakian Orchestra. I’ll go to Brazil and Uruguary. I’m doing a concert with an orchestra in Chile. Generally keeping very busy, keeping going.

It was great to talk to you. Looking forward to the shows. Wishing you well on the road.

It’ll be a good night out!

Source


Something Else Reviews – Rick Wakeman – In the Nick of Time

Rick Wakeman – In the Nick of Time (2012)
Posted by Nick DeRiso
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If there is a central image of prog rock’s excesses, it is likely the cape-sporting Yes man Rick Wakeman surrounded by a semi-circle of towering keyboards.
But strip away at the pomp, the pageantry and, yeah, the cape, and there remains just as much musical brilliance, something you’re reminded of all over again with this never-before-released live date from 2003 with the New English Rock Ensemble. At times, In the Nick of Time has an almost unquenchable propulsion, as Wakeman works in furious bursts of creativity — moving from classically inspired fugues to gnarled rock squalls and back again, with all of these winkling squiggles of color in between.
There’s even a tasty deep-cut nugget for fans from his Yes years in the closing track “Wurm,” originally included as the final segment of “Starship Tooper” on 1970′s The Yes Album. It’s interesting not just because the track dates to before Wakeman’s tenure in the band, but also in that the Steve Howe composition doesn’t end up as a showcase for guitarist Ant Glynne (a veteran of tours and sessions with Asia, Mike Oldfield, Slash, Carl Palmer, Mavis Staples and Simon Phillips), so much as the young percussive bassist Lee Pomeroy — who performs with a thrumming power. Wakeman lets that unspool for awhile, before eventually powering his way to the fore with an expansive solo full of soaring runs.
[SOMETHING ELSE! REWIND: Long before Yes, Rick Wakeman was an ace studio musician. We examine his genius first-take contribution to David Bowie’s “Space Oddity.”]
In the Nick of Time opens with “Catherine Parr,” originally the finale on Wakeman’s 1973 solo release The Six Wives of Henry VIII, a complex and involving character analysis that finds Wakeman exploring both organ and synthesizer, before the track moves into a leaping, guitar-driven section powered by Glynne. Wakeman’s then-new album Out There provides both the title track and “Cathedral in the Sky.” The former becomes the first to showcase vocalist Ashley Holt — whose best-known work with Wakeman dates back to Six Wives and 1974′s Journey to the Centre of the Earth. (No Earthly Connection, 1976′s stripped-down set piece, also included both Holt and this date’s drummer Tony Fernandez, a sideman on Wakeman’s underrated 1985 release Silent Nights.)
These important assists from the New English Rock Ensemble, with whom Wakeman has been scheduling dates again for this summer, give In the Nick of Time a complexity that swerves well away from the baroque caricature: “Cathedral” includes a thunderous chorus, and a churchy organ turn from Wakeman to boot. Meanwhile, there is a diaphanous classical feel to “Dance of a Thousand Lights,” originally found on Wakeman’s 1999 concept albumReturn To The Centre Of The Earth. “White Rock,” the title song from a 1977 soundtrack, retains the original’s intricate amiability.
It’s not a perfect record. For instance, I have never found a way to like Holt — an often brittle, bombastic vocalist — as much as Wakeman so clearly does. That’s a small thing, however, on a project with so many sweeping delights.In the Nick of Time ends up as a tour de force reminder of the talent that always girded Rick Wakeman’s legend, with or without the cape.

Source


Jon Anderson Seattle Music Insider interview now online

THIS WEEK ON SMI RADIO: THE VOICE OF YES… JON ANDERSON

By Greg Roth

Jon Anderson is a rock legend. You hear his one-of-a-kind voice onYes classics such as Roundabout,And You and I,Long Distance Run Around, Owner of a Lonely Heart, Changes and many more.

His career spans 4 decades, which include several solo records, as well as collaborations withKitaro, Vangelis, and former Yes members, Rick Wakeman and Bill Bruford. His soaring tenor, combined with his spiritual and supernatural lyrics, have won him legions of loyal fans throughout the years.

This week on SMI Radio, it is my honor and privilege to bring to you a conversation with the incomparable Jon Anderson. Get a closer look at his storied career, his music and what inspires him to keep playing live.

Feast your ears on his collaboration with Rick Wakeman called The Living Tree, Survival and Other Stories and his most recent release, the epic Open, as well as your favorite Yes tunes.
Check out Jon’s complete body of solo work from his discography.

Jon will be in town next week playing two shows at The Triple Door, Monday, June 11th and Tuesday, June 12th.

Source


Rare TV Performances By Capt. Beefheart and his Magic Band ‘The Lost Broadcasts’ To Be Released On DVD

For Immediate Release

Rare TV Performances By Capt. Beefheart and his Magic Band ‘The Lost Broadcasts’ To Be Released On DVD

London, UK – Don Van Vliet, (1941-2010) better known to his legions of fans as ‘Captain Beefheart’ was one of the most enigmatic figures in rock music. Unashamedly an artist, rather than a pop star, he forged his own idiosyncratic furrow through popular culture, producing some of the most innovative and uncompromising music ever committed to recording tape. From the age of three he painted and sculpted, and had an obsession with animals and the natural world. As a teenager he was friends with Frank Zappa, and as early as 1963 they recorded a demo under the name ‘The Soots’. Sadly this was unsuccessful, and the world would have to wait a few more years before Beefheart’s own unique take on the blues would be heard by anyone outside his own particular circle of friends. His first album, ‘Safe as Milk’ came out in 1967, and Hunter Davies’ eponymous biography of The Beatles notes that John Lennon was an early fan. It is not surprising considering that the primal rock and roll that Lennon idolized and the pioneering surreal blues of Captain Beefheart and the Magic Band, had much the same cultural genesis. Probably the most important album of the Captain’s career was the Zappa produced ‘Trout Mask Replica’ which was released in 1969. Its mixture of blues, free-form improvisation and heavily structured Van Vliet avant-garde compositions proved too much for many listeners but eventually ensured him a place in the history books. High profile fans of this album include the late John Peel, who would remain a champion of Beefheart’s until he died.

In 1972 Captain Beefheart released two albums; ‘The Spotlight Kid’ and ‘Clear Spot’. He also toured the UK and Europe with the Magic Band, even performing two concerts at London’s famed Royal Albert Hall. On April 12th , in the middle of the European leg of the tour, Captain Beefheart and The Magic Band stopped off at the Beat Club studios in Bremen, Germany to film a session for later transmission. Of the four songs filmed that day only one track has ever been broadcast. The band at that time included: Captain Beefheart (Don Van Vliet) vocals, harp; Rockette Morton (Mark Boston) guitar and bass; Zoot Horn Rollo (Bill Harkleroad) guitar; Orejon (Roy Estrada) bass; Ed Marimba (Art Tripp) drums; and Winged Eel Fingerling (Elliot Ingber) guitar. Author Jon Kirkman describes the recordings: “The session kicks off with a bass solo entitled ‘Mascara Snake’. This short piece was named after a former member of the Magic Band Victor Hayden (Don’s cousin), who had appeared on the ‘Trout Mask Replica’ album. The solo is played by Mark Boston, although at this point former Mothers of Invention bassist Roy Estrada had joined The Magic Band following his departure from Little Feat in early 1972. The other songs in the set here include a track dating back to ‘Trout Mask Replica’ (‘Steal Softly Thru Snow’) and also a track that would be featured on ‘Clear Spot’ some eight months later (‘Golden Birdies’).

Now, over 40 years later, much to the excitement of Capt. Beefheart fans worldwide, premier UK label Gonzo MultiMedia will be releasing these historic Beat Club sessions on DVD titled ‘Capt. Beefheart and his Magic Band – The Lost Broadcasts’. These films have not been seen in over 4 decades and are the complete sessions from April 12, 1972. Only one song was broadcast at the time and then never to be seen again. This DVD contains all the material filmed during that session now available for the very first time!

Pre-orders are being taken now at https://www.gonzomultimedia.co.uk/product_details/15486/Captain_Beefheart_and_his_Magic_Band-The_Lost_Broadcasts.html

Tracks: 1. MASCARA SNAKE (BASS SOLO) 3:06, 2. CLICK CLACK 1 3:44, 3. CLICK CLACK 2 1:26, 4. GOLDEN BIRDIES 1:58, 5. BAND INTROS 0:56, 6. I’M GONNA BOOGLARIZE YOU BABY 1 4:26, 7. I’M GONNA BOOGLARIZE YOU BABY 2 5:02, 8. STEAL SOFTLY THRU THE SNOW 3:33, 9. I’M GONNA BOOGLARIZE YOU BABY 3 5:19

For more information: http://www.gonzomultimedia.co.uk

Press inquiries: Glass Onyon PR, PH: 828-350-8158, glassonyonpr@cs.com


Five Years in the Making, San Francisco Singer/Songwriter and Composer/Sound Designer Karney Announces the Release of Her New “Love & Respect” CD

For Immediate Release

Five Years in the Making, San Francisco Singer/Songwriter and Composer/Sound Designer Karney Announces the Release of Her New “Love & Respect” CD

June 1, 2012 – San Francisco, CA – One is likely to notice several common threads running through Karney’s musical creations, whether they involve her funky indie rock band, her singer-songwriter outings with only a guitar, her compositions for video games and other commercial clients, or her work with a variety of name brand artists and bands. Karney’s music has always contained elements of solid musicianship based on diverse influences, a knack for writing appealing and energetic songs, and the benefits of frequent collaboration with top artists.

Karney shows an ear for poetic phrasings that encapsulate the impact of socio-political themes that are often as unsettling as they are urgent. This is true of her new CD “Love & Respect”, which releases digitally and physically on July 10th, 2012. Karney has addressed such topics as war victims, the unreasonably harsh penalties enforced on those violating marijuana prohibition, global warming, and outsourcing and its affects on workers. Her heavy lyrical themes are balanced out by winsome rhythms and some lighter fare that veers away from the political into more personal musings on life’s small pains and pleasures, along with the occasional wry wink at unvarnished sexuality. She also dedicated her 2011 EP “A Beautiful Day” to the Occupy Wall Street movement.

Throughout her career, Karney has blended musical influences ranging from punk, to Salsa, to the flower-powered music and politics of her hometown, San Francisco. In addition to this blend of influences, she also enjoys direct cross-pollination with many artists. She frequently works with PSM Recordings founder Steffen Franz, who co-produced her single “My Little Bush” in 2003. The single also enjoyed the studio talents of mixer Dennis Bovell and engineering by Bill Ortiz. Reggae veteran Dennis Bovell is a producer, solo artist, and founding member of Matumbi, a venerated reggae act from UK, while Bill Ortiz, owner and founder of Planet Recording also plays trumpet for Santana. Karney’s second full-length album “All Connected” was released in 2004 to wide media acclaim.

On her self-titled debut CD, “Karney” (released in 2001) recruited fellow musicians from the Bay Area to use a variety of less common instruments, including the bassoon and the Karna, a double reeded oboe-like instrument from the Marakech region. Her collaborative approach to music dates back to when she co-founded the band Stepchildren, an innovative crossover blend of Heavy Metal and Hip-Hop, in a time before rap-metal bands became commonplace. Stepchildren released an album with London’s Big Red Records and had funk luminary George Clinton remix its college radio hit “Jericho.” Clinton then invited Karney to appear in a video for his CD “Cinderella Theory.” Shortly thereafter Karney went on to play international tours as keyboardist and guitarist for Angel Corpus Christi, and shared her piano and songwriting abilities on collaborations with Linda Perry of 4-Non Blondes.

Karney currently applies her considerable talents both to her own material, as well as to compositions commissioned by clients in the multimedia and computer gaming industries. Her crossover Ambient Electronic and Groove sounds provide accompaniment for Monkey Island IV, several SIMS games including SIMS House Party 2, SIM City 3000 and 3000 Ultimate, Star Wars Galaxies, and other Lucas Arts titles. She has also written scores for Showtime’s Heavyweight Boxing events. She also currently writes and designs sounds for Fisher-Price. For more information on this aspect of Karney’s career please visit karneymusic.com.

The use of dynamic changes, unusual instrumentation, and poetic lyrics has gained Karney considerable attention since she set out on her solo recording career. CMJ Music Monthly, Relix, the Stranger, and Zero have all profiled Karney in recent issues while her tours reach increasingly larger audiences along with fans tuning in from far-flung locales thanks to web simulcasts of several recent shows. Low tech indie rock fans have been able to keep up with Karney through radio play on numerous stations and the availability of her “My Little Bush” single on CD and 7-inch vinyl. Fans who appreciate fine songwriting, a vibrant live sound, and lyrics that don’t shy away from harsh realities have been getting on board as Karney’s growing musical enterprise gathers steam!

For more information visit Karney at http://www.karney.org

http://www.karney.org/splash.html

http://www.facebook.com/thekarneyband

http://karney.bandcamp.com/album/a-beautiful-day

For Digital Distribution enquiries, please contact Jerome Forney at IDCDigital via email at Jerome@independentdistro.com

For US distribution enquiries, please contact Steffen Franz or Ben Lang at Independent Distribution Collective, telephone: 415-292-7007 or via e-mail at sales@independentdistro.com

For radio enquiries please contact Brandon Day at Tinderbox Music at 612-375-1113
Or via e-mail at brandon@tinderboxmusic.com

Press inquiries: Glass Onyon PR, PH: 828-350-8158, glassonyonpr@cs.com
To arrange interviews or request a copy of Love and Respect for review, please contact Billy James at Glass Onyon PR


Keyboard Legend Rick Wakeman Releases Archival Concert From 2003 On CD

For Immediate Release

Keyboard Legend Rick Wakeman Releases Archival Concert From 2003 On CD

5/30/2012 – London, UK – For the last forty years Rick Wakeman has immersed himself in music. Leaving the Royal College of Music Rick has worked with some of the biggest names in rock and pop music playing on some of the biggest hits by artists as diverse as Cat Stevens, Marc Bolan and David Bowie. Likewise he has played with one of the biggest rock bands in the world; As a member of YES Rick played some of the biggest arenas in the world and released massively successful albums including ‘Fragile’, ‘Close To the Edge’ and the live album ‘Yessongs’. In 1973 he released his first proper solo album ‘The Six Wives of Henry the VIII’ following that album up in the seventies and eighties with other hugely popular and successful albums. In the eighties Rick also recorded albums in the then popular genre entitled “New Age”, releasing such popular albums as The Aspirant Series of recordings (‘Aspirant Sunrise’, ‘Aspirant Sunset’ and ‘Aspirant Sunshadows’).

After leaving YES following a world tour in 2004, Rick concentrated on his solo career and collaborated with Jon Anderson on a number of projects including tours of the UK and US and a studio and live album. The latest release from Rick Wakeman is an archive live album titled ‘In The Nick Of Time’, which was recorded in 2003. The album was recorded during the tour to promote the then current studio album ‘Out There’. Rick performed with the “New English Rock Ensemble” which featured Rick alongside old hands Ashley Holt, Tony Fernandez and new boys Ant Glynne and Lee Pomeroy. Tracks featured include: “Out There”, “Catherine Parr”, “No Earthly Connection”, “White Rock” and “Wurm”. The album has been much anticipated by the large and dedicated Rick Wakeman audience and this release will be the first time this album has been commercially released.

Tracks: 1. Catherine Parr 2. Out There 3. No Earthly Connection 4. Dance of a Thousand Lights 5. The Cathedral In The Sky 6. White Rock 7. Wurm

To purchase Rick Wakeman – In The Nick Of Time CD http://www.gonzomultimedia.co.uk/product_details/15423/Rick_Wakeman-In_The_Nick_of_Time.html

For more information visit Rick Wakeman’s official website http://www.rwcc.com/

Press Inquiries: Glass Onyon PR, PH: 828-350-8158, glassonyonpr@cs.com


Asheville Percussion Festival To Take Place June 8th-10th, 2012 at the Creative Technology and Art Center – Odyssey School in Asheville, NC

For Immediate Release

Asheville Percussion Festival To Take Place June 8th-10th, 2012 at the Creative Technology and Art Center –
Odyssey School in Asheville, NC

5/29/2012 – Asheville, NC – The first annual Asheville Percussion Festival will take place June 8th-10th, 2012 at the Creative Technology and Arts Center – Odyssey School in Asheville, NC. The theme is ‘Tradition to Innovation’. The festival will be hosted by Asheville’s ambassador to rhythm River Guerguerian. There will be workshops with Master teachers such as Jamey Haddad (Paul Simons percussionist), David Cossin (who tours with STING) and many other local and regional teachers. They will be covering topics such as performing, improvising and composing. There will be a concert with the Master Teachers for the community on Saturday June 9th at 8pm.

The mission of the Asheville Percussion Festival is to provide a creative environment where percussionists of all traditions gather to explore, create and innovate. World-class percussionists will exchange ideas about performing, improvising and educating. Over the course of the weekend there will be workshops for drummers of all levels and concerts for the community.

Teachers/Performers:

Jamey Haddad is highly regarded as one of the foremost world and jazz percussionists in the US. For the past nine years Haddad has performed as Paul Simon’s percussionist and played with countless others including Yo Yo Ma and Esperanza Spalding. He teaches at Berklee College of Music and the Oberlin Conservatory. http://www.jameyhaddadmusic.com

David Cossin can play just about any percussion instrument. A leading specialist and composer in new and experimental music, he preformed this last year with STING on his world tour and currently plays with Steve Reich and Bang on a Can All-Stars. http://www.davidcossin.com

River Guerguerian is the Artistic Director of the Festival and is known all over the globe for his unique hybrid set-ups that include frame drums, hand drums and drumsets that can be applied to many styles of music. He plays with Omar Faruk Tekbilek, his world jazz trio Free Planet Radio and is an active touring, recording and teaching artist. http://www.guerguerian.com

Raquy Danziger is one of the most popular performers, teachers and composers of Middle Eastern Drumming today. Her band Raquy and the Cavemen, a duo with Liron Peled, tours all over the world. She now lives in Istanbul and New York. http://www.raquy.com
Rohan Krishnamurthy has been acclaimed as a “percussion prodigy” will teach and demonstrate Indian classical percussion. He plays Tabla, Mridangam, and Kanjira, and teaches at the Eastman School of Music. http://www.rohanrhythm.com

Jeff Sipe AKA “The Apartment Q-258” has an amazing touch and feel on the drumset. He is well known on the touring circuit and has performed with Trey Anastasio, Bela Fleck, Steve Vai, John Medeski, Joan Osborn and his own group the Aquarium Rescue Unit. http://www.jeffsipemusic.com

Adama Dembele is a master 33rd generation Djembe player from Ivory Coast, Africa.
He has traveled internationally and leads his own group Zansa, and is a frequent guest with afro-surf-rock outfit Toubab Krewe. http://www.adamadembele.com

Michael Lipsey is an incredible educator and plays everything from Afro-Cuban percussion to Balinese Gamelan. He is the Director of the Percussion program and the New Music Ensemble at the Aaron Copland School of Music as well as the City University of New York.
http://www.lipseypercussion.com

Matthew Richmond is an accomplished Jazz Vibraphonist and is well known in the WNC community. He is currently a member of the Asheville Symphony, Stephanie’s Id, and is a Percussion instructor at UNC-Asheville. http://www.matthewrichmond.net

Rohan Krishnamurthy is a leading, young musical ambassador of Indian music and percussion. A specialist in South Indian percussion, Rohan has performed in hundreds of concerts, presented Indian percussion summer camps, workshops, and academic lecture-/ at eminent institutions Rohan founded and directs an Indian percussion ensemble at the Eastman School of Music. Rohan will offer lessons in Indian drumming and vocal percussion techniques. http://www.rohanrhythm.com. http://www.rohanrhythm.com

Workshops
There will be workshops for beginners and advanced players that will focus on the following styles:

Middle Eastern, West African, Indian, Drumset, Jazz Vibes, South American, Performance Techniques, Improvising, Composing, Electronics, Microphone Techniques, Multiple hand drum set-ups, Hybrid set-ups.

Friday 3-6pm
Saturday 10am-5pm
Sunday 11am-5pm

Instruments
Frame Drums, Riq Tambourine, Kanjira, Doumbek, Djembe, Talking Drum, Ashiko, Conga, Gongs, Pandeiro, Cajon, Drumset, Tabla, Mridangam, Singing Bowls, Shakers, Vibes

*Bring you own drums, but some will be available (please RSVP Adam if you need one)
Concerts – June 8th & 9th 8:00pm
Friday night concert will include performances from the teachers and local talent from Brazilian and African troupes, as well as Jazz and Middle Eastern music.

Saturday Night will feature a ‘Masters Concert’ with the collaborative efforts from all the teachers. They will create new and innovative percussion pieces through an Artist Retreat that will take place the week before.

Asheville will become a creative hub for innovative and traditional percussion music by inviting international artists for outstanding collaborations. There will be opportunities for participants to jam with each other and the teachers.

Who: Asheville Percussion Festival

When: June 8th-10th 2012

Where: All Concerts and Workshops will be held at:
Creative Technology & Arts Center
Odyssey Community School
90 Zillicoa St.
Asheville, NC 28801

Registration: ashevillepercussionfestival.com

For interviews/ KaChina Davine 828-225-3232;
photos: kdavine@earthlink.net

More info: http://www.ashevillepercussionfestival.com

For any inquiries contact:
River Guerguerian (Artistic Director) – riverhumm@yahoo.com (828)-301-6605
Adam Maalouf (Technical Director) – adammaalouf@yahoo.com (864)-420-0145
KaChina Davine (Media Director) – kdavine@earthlink.net

Visit http://www.ashevillepercussionfestival.com for more details, registration, and latest workshop and concert schedule

*scholarships will be available
*teachers and schedules subject to change (see website for latest info)

Press inquiries: Glass Onyon PR, PH: 828-350-8158, glassonyonpr@cs.com